They just announced
their annual "Scary Movies" program and it tipped me over the edge into having to write this post now, immediately, even though I've been meaning to write it for a couple of weeks ever since they announced some other incredible programs ahead but been to busy with the aforementioned Film Fest. The thing is they're hosting a "Night with Bernard Rose" at the end of it, and they're showing both his brand new movie -- a modern-retelling of
Frankenstein with Xavier Samuel...
... as well as one of the most important movies of my life, Rose's 1988 fever-dream
Paperhouse. I've been
posting about Paperhouse for as long as I've been posting anything - it's a cornerstone movie for me, one of the ones that crafted my adoration of the movies, and the opportunity to finally see this film on a big screen (and with Rose there, no less!) is slapping my inner 13-year old punch-drunk silly. I mean, I'm honestly tearing up about it.
The rest of the "Scary Movies" program is looking hot as heck-fire too - I've been hearing great things about
The Devil's Candy, which is
The Loved Ones director Sean Byrne's loooooong awaited follow up (you guys have seen
The Loved Ones by now, right? It is ahhhhhmazing) and which stars a shredded-to-hell Ethan Embry. They're showing two pieces of classic 80s trash by Spanish director Juan Piquer Simón - the sleazy giallo-ish
Pieces, which has the single greatest reaction shot in all of cinema...
.
.
... and they're showing his film Slugs, which I've given love
and is quite simply tremendous, just tremendous.
And that's before you take into account the fact that
Slugs was filmed partially in my hometown while I was in Junior High School, and I can see places I walked by all the time up on that screen, preserved forever, covered with slugs.
But wait! There's more! Lots lots
lots more! They're also screening several new horror films that I know nothing about yet -- things called
The Hallow and
Summer Camp and
Emelie and several more - but will surely lean myself up on, and they're also showing the documentary
Hitchcock/Truffaut, which brings the famous meeting between two directors (and a million film-students' "Introduction to Film Lit 101" course lists) to life, and for the heck of it they're showing several under-screened Hitch movies like
Frenzy,
The Manxman, and
Saboteur.
And that's just
the "Scary Movies" program, which runs from October 30th to November 5th. As I said at the start of this hefty post FSLC
has several other programs coming over the next few months which are justifying my eternal membership devotion. Later in November they're doing a Todd Haynes retrospective, timed to the release of his latest masterpiece
Carol, and judging by the retrospectives FSLC has put on before I think we can assume they'll be showing everything,
EVERYTHING, by Haynes, so that's, you know, a massive fucking thrill.
After that in December they're screening seven films by David Lynch along with seven films by Jacques Rivette, directors they apparently feel cover a lot of the same ground. I can't speak to Rivette because I have maybe never seen any of his movies? I know I know, I'll fix it with this series though. It's the Lynch that's got me thrilled - outside of Midnight screenings (which I'm too decrepit to go to anymore) his films somehow never get screened properly here.
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AND THEN (yes more still!) I'll be spending a big chunk of my Holidays time with them, because they're doing a gigantic retrospective of Douglas Sirk's work too! We still don't have the schedules for these last couple of series so I don't know exactly what they'll be showing but they do say "This retrospective, the largest in New York City in decades, tracks
Sirk’s profoundly influential artistry from his early German films
through to his most iconic melodramas, and nearly everything in between," so that sounds promising. As long as I get to see
Jane Wyman run over by a car on a great big glorious screen I'll be good! Right, Rock?
In summation... just take all of my money, guys.
I give it all, every cent, to you.
.