While respected film critics and paid journalists sift through prestigious Oscar bait in search of completing annual best-of lists, I aim low with the hopes of finding a few films that I can actually discuss in public without shame. Thankfully, there’s a country called Spain.
Six Films To Keep You Awake is a 2006 series of slightly-shorter-than-usual feature length films produced by Narciso Ibáñez Serrador, he of the woefully underrated and terrifying classic, Who Can Kill a Child? Words don't express how much I loved that 1976 film (although they certainly tried in my review ), but Serrador's involvement seems to mirror Mick Garris's role in amassing those Masters of Horror. I picked up today’s subject, Cuento de Navidad (The Christmas Tale para los gringos) following the enthusiastic recommendation of one of my favorite bloggers, the mighty and macho Matt House over at Chuck Norris Ate My Baby (read his excellent review here ). Although it bares Serrador's name, the real men behind this sparkling little holiday treat are director Paco Plaza and writer Luis Berdejo, the team best known for 2007's refreshing viral zombie pic REC.
Quick Plot: Five spunky 12 year olds are enjoying Christmas vacation in 1985. Between watching zombie flicks, riding their bikes, and waxing on and waxing off, they stumble upon a deep hole in the woods with a mysterious woman named Rebecca and dressed as Santa Claus trapped inside (thankfully, none of The Pit ’s trollogs or obnoxious child actors are to be found). They attempt to notify the local policeman--a man who’d much rather provide very specific instructions for cooking xmas dinner--but do an about face when they discover a fax that puts their St. Nicole as a dangerous bank robber.
The gang is in a pickle. Two of the boys see million dollar signs and a lucrative hostage situation in their Christmas future, while the more sympathetic Moni (played by a pre-Pan’s Labyrinth Ivana Banquero with the same quality of ahead-of-her-years performance) feels it’s wrong to not help a woman in need, especially when the alphas start suggesting starvation as a torture tactic. The young Koldi nurtures his crush on Moni by supporting her decision, while Tito, the Short Round stand-in with some mean Ralph Maccio moves, is more interested in propising elaborate plans without considering the moral implications.
I'll slow down with any plot description, as The Christmas Tale's journey takes a few surprising--if not overly shocking--turns that are fun to experience with no expectations. It’s rare that you can watch a film and have no idea where it’s going, but this is indeed such a refreshingly made story that somehow manages to combine sunny nostalgia with cruel little twists. The somewhat standard premise--diverse preteens caught up in a wild adventure no adult could possibly handle--is both honored and improved, with true suspense, an intriguing villain, and pitch perfect filming that interprets nearly every scene through the eyes of its characters. A very deliberate touch is how, save for Rebecca, no grownup is ever fully seen onscreen. This Peanuts/Muppet Babies approach perfectly suits The Christmas Tale, where our characters’--and in effect, our own--understanding of how to survive is limited to a few hysterically tongue-in-cheek B-movie excerpts about the rubbery voodoo cursed undead.
I was utterly charmed by this movie in a way that makes me smile like a proud and approving aunt. This isn’t a “horror” in the typical definition of the genre, but because you care so much about these realistic, funny, and imperfectly not adorable kids, you remain surprisingly frightened for their fate throughout the film’s big chase scenes. At the same time, there’s a wonderful Peter Pan-esque cruelty they realisitcally commit against each other, eliminating the innate cuteness that could have clogged the earlier scenes with cloying child actors. While it does get fairly dark, it's almost the perfect film for those younger teenagers about to dip their toes into actual horror movies but still not ready for full blown boobs and guts.
High Points
There’s never one moment where you don’t believe in the naturalness of our young quintet, which is a huge testament to both the talented young actors and wise skills of the director
The Christmas Tale is quite a beautifully shot film, with original camera sweepings into and out of Rebecca’s pit and lots of touches that keeps the story from a child’s perspective
Having the film’s “monster” cast as a female is an intriguing touch that works well to stir up the children’s relationships. It helps that actress Maru Valdivielso brings both a sad sense of worldliness and a hungry old fashioned villainy to her character without even 20 words of dialogue.
Low Points
I suppose I was left wondering about the true nature of Rebecca, but since this was such a quickly paced film and our viewpoint was from the kids, I really didn't mind that dangling mystery
Lessons Learned
You know a boy likes you when he chooses Princess Leia as your code name
Blue cheese goes well in fish pie
Watching zombie movies at a young age is one of the most educational endeavors a child can take for him or herself
Mothers who watch Dynasty are risking the lives of their children
Rent/Bury/Buy
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