Showing posts with label pieces. Show all posts
Showing posts with label pieces. Show all posts

Thursday, February 16, 2012

They're Small AND Icky

After the mind-blowing awesome that was the mind-blowingly terrible Pieces, there was no way in the underworld I would pass up the Instant Watch convenience of director J.P. Simon’s Slugs.

Considering all the wonderful things  Pieces director J.P. Simon was able to do with a gory slasher (among them: chainsaws and kung fu) you can imagine my excitement when I learned that master of cinema had made something for The Shortening, a legendary creature feature about…

Say it with me: SLUGS!

Quick Plot: A small American town is experiencing some oddities, from a pair of teens dying on a lake to an old man being discovered with his face eaten off and most entertainingly, a yuppie closing a business deal in a posh restaurant exploding from the inside out as li’l mealy worms cover what used to be his head. Thanks to the heroism of local health inspector Mike Brady (seriously) and his teacher/gardener wife, the culprits are found:


SLUGS! Big black SLUGS! They crawl…


Slowly.

They bite…


When you put your finger right up to their mouths.

They eat…


Lettuce.

When you slap at them gently with a kitchen pan…


They die.

But you know, round up a ton of them, lay them on your parents’ bedroom floor and you can bet your boyfriend’s letterman jacket that your naked body is going to be their supper.


Like Pieces, Slugs is not a good film. Like Pieces, it IS a good time.

First of all, it’s about slugs (you probably figured that out from the title). Now I’m not innocent of coming home late to discover a brown glob on the stoop and say “Ew, a slug.” As bugs or mollusks or whatever they are go, there’s something innately disgusting about slugs. I’d probably make a pained face if I could one crawling on my leg and would certainly write to the health department if I found one in my salad. But you know, as monsters go, slugs are, well, let’s brainstorm words we associate with slug:

Slow.
Small.
Gooey.
Slow.
Sluggish.
Slow.

You get my point. The slugs of Slugs are mutant slugs, so that makes them more fierce but still: open a canister of Morton salt and I’m pretty sure you’ll be safe.


We can forgive Slugs such follies when the film hosts brilliant dialogue as such:

(upon discovering a couple has been killed) “Ah geez. They were nice people! I liked them a lot!”


The token resistant authority figure in dismissing the heroic health department supervisor: “You ain’t got the authority to declare happy birthday!”



And an alcoholic character admitting her problem to her husband in the most casual of ways:

“I’m sorry for being a bitch so much of the time.”
“The real problem is—“
“My drinking. I know. Maybe I should see someone about it?”


Subplot solved! Until her husband’s innards are eaten inside out due to the slug-spiked salad he had earlier consumed. If that doesn’t drive you back to the sauce, you are a superhero.


High Points
As with Pieces, there’s no fault in Simon’s skill and spare-nothing attitude when it comes to gore. Between slug explosions and eye socket tetherball that would put Eli Roth to shame, Slugs brings the gore in full force


Low Points
Unless Pieces, Slugs just didn’t quite hold me with the same giddy fervor. Perhaps the final act has too much administrative conflict when really, we just want to see people get slugged

Fashion Show!
Between Mrs. Brady’s out of this world purple hologram striped thingy (with PEARLS!) and a teen character’s curled mullet, Slugs is oozing with ‘80s style


Odd Homage
Okay, I doubt Simon was trying to reference Roman Polanski, but I SWEAR that angry jazz score that played as the film’s ill-fated gardener chopped off his own hands due to sluggings was used in Repulsion


Lessons Learned
What would old men say about their daughters sleeping with burnouts? They probably have cows, that’s what!


If your husband embarks on a dangerous mission and leaves you with the words “when I get back, how about we get naked and crazy?” you can bet your mumu that you will never see him alive again


When fleeing your would-be rapist, always consider the alternative to being a victim of sexual assault. In this case, said alternative is getting eaten alive by mutant slugs. No man can take that choice away from you


Rent/Bury/Buy
Slugs isn’t quite on par with the silly wonder of Pieces, but it remains a cheerily bad good time from the ‘80s. If you have 90 minutes and Netflix Instant, I can’t think of TOO many better ways to spend your time. I suppose options could include eating Cheetos, playing laser pointer with your cat, or doing your taxes but really, all these things and more could be accomplished while watching Slugs. So don’t be SLUGGISH about it.


Sometimes my inner Crypt Keeper just can’t be silenced.

Tuesday, January 10, 2012

It's Exactly What You Think It Is (But So Much More)


On the list of so-bad-it’s-good cinema, 1982’s Pieces often ranks fairly high. 
Rightfully so.
Quick Plot: In 1942, a sweater vest-clad boy puts together a nudie jigsaw puzzle to the horror of his mother. When she threatens to burn everything he owns, the kid takes the common route and axes her to death.

Sneeze, flash forward 40 years to the then-present day of extreme 1980sness where a young woman recklessly skateboards into a mirror.

Just go with it.
Later that day, a student innocently studies in a college campus park, only to get attacked by a man with a chainsaw. Even LATER that day, a blond slips a raccoon headed student named Kendall a come-shag-me-in-the-school-pool note, only to also get attacked by a man with a chainsaw. I guess that’s why nobody uses the completely public swimming pool on campus. Even to have sex.

Even this guy.
Because he was sort of in the right spot at the right time, the nerdy--yet inexplicable chick magnet--Kendall becomes an unofficial assistant to the detectives assigned to investigate the case. That’s right, just when I thought police officers couldn’t get more incompetent than The Human Centipede, Pieces introduces genre stalwart Christopher George as a cheery lieutenant who takes a shining to the obnoxious underclassman, utilizing the kid to help craft a criminal profile, hang around on stake outs, and, most hilariously, protect the OTHER undercover officer recently enlisted to fight crime.

See, in the 1980s, there was apparently no such thing as ACTUAL female undercover officers. Instead, the police force would recruit eager tennis champions to um...enter dangerous situations where serial killers are hunting young women? Really? Is this what’s happening onscreen right now?
I asked that question a lot while watching Pieces, which would conventionally be a bad thing for most viewers but for someone like me--and I assume, a good deal of you--is pretty amazing. This is the kind of movie that features not one, but TWO scenes involving ballet aerobics and even more notably, the greatest maybe-rape-attempt scene committed by a friendly kung fu professor ever.

Yes, kung fu professor. Who starts to kick and punch our heroine (remember her? the not actually undercover cop/not cop tennis star) on the street in the middle of the night, seemingly as if to, you know, violate her, but stops when confronted by Kendall--who himself was spending the evening having sex with the world’s worst reporter, who was apparently far too noisy in bed for the classy Kendall to go for round two with. Kendall and his KUNG FU PROFESSOR laugh off the misunderstanding? sexual violation? mugging? And that’s that.

Pieces is an awful movie, but gloriously so. You get the sense that actors didn’t know what they doing, but that the craft service table was so stocked with fresh-baked muffins that the cast gave it their all anyway, even if they had not the slightest idea what ‘it’ was supposed to be.
High Points
Cut and banned at its original time of release, Pieces is a puzzlebox full of fairly impressive practical effects

Low Points
So was the identity of the killer supposed to actually be a secret? I assumed it was just a lazily kept one, and this is easily confirmed by the actual reveal. Instead of a shocking ‘pull the mask off!’ moment, our killer just kind of tells a would-be victim about his past. It’s like the filmmakers reached a point where they got bored with the excitement of keeping a secret, or like little kids just couldn’t contain themselves anymore and ultimately just spilled it out in the most random and uneventful ways possible
Lessons Learned
Undercover policing is strictly volunteer


A pool skimmer is the most important weapon a serial killer can have in his or her arsenal
It’s much easier than you think to hide a chainsaw behind your back, yet much harder to put the breaks on when riding a skateboard


Never confuse a psychiatrist with a doctor of medicine. That’s really offensive and you should know better
Unlike Stepford wives, campus walls bleed when stabbed


The Winning Line (Delivery)
“Don’t tell me I’m the bearer of bad news I could KILL myself.”
No, I didn't forget to insert a period between 'news' and 'I.' The real question is: did the screenwriter, prompting the very literal and untrained actor to follow suit, or was this a choice? Either way, it is awesome.
Rent/Bury/Buy
Well OBVIOUSLY I'm recommending Pieces with the Doll's House blue cheese ribbon. Slasher fans can enjoy the gore, while so-bad-it's-amazing connoisseurs will savor each scene like a plate of nachos washed down with ranch dressing. There’s what I imagine is a glorious two-disc special edition out there in the world, so trash fans who find it cheap won’t regret a buy. And come on ladies, don’t even THINK of passing up a chance to spend 90 minutes with this love machine: