Showing posts with label gleekast. Show all posts
Showing posts with label gleekast. Show all posts

Friday, September 9, 2011

Lucky Dearest


I've made no secrets about my enthusiasm for the work of Jack Ketchum and likewise, my frustrations with the general off-target film adaptations of his work. While I think both The Lost and The Girl Next Door have merit, there seems to exist some wall between cinema fully capturing what makes Ketchum such a powerfully horrifying writer. After the lackluster Offspring, I didn't expect much to come from his savage clan series but when a filmmaker as unique as Lucky McKee steps up, I take notice.
The Woman, a pseudo-sequel to 2009's Offspring, is now slowly making its way to randomly placed theaters and film festivals. It's a powerful film, one bravely oozing in the ugly examination of sexual violence, domestic abuse, misogyny, enslavement, and power washing. Naturally, such accusations make it prime grade meat for the Girls On Film to tackle, bibs in place and homemade sauce ready to go. Our discussion is quite spoilery, so you may want to save it until The Woman grunts her way to your television. The episode is waiting on iTunes or at over yonder.

On a more fashionable note, my GleeKast cohostess Erica and I recently sat down with The Podcast Podcast/Spread TBs Fozziebare and his future husband George to watch an amazing little slice of cinema you might know as Mommie Dearest. Loyal readers wil know that I have a special relationship with this film...


And so it was more than a pleasure to share a viewing with others. You can download the commentary at iTunes or stream over here. We tell you when to press play, so listen along in your best red carpet ready gowns and remember to hang them up properly when finished.


Wednesday, June 8, 2011

June Is Busting Out All Over Your Ovaries (but not quite that--well, um...)

New stuff!


1. A new month means a new issue of Rogue Cinema, so hop on your hoverboard and skate over here for, among other things, my review of the romantic drama Lovers In a Dangerous Time and an interview with Skew director Seve Schelenz. Stick around for tons of more content, with reviews of new indie releases and discussions with more film folks, including Hobo With a Shotgun director Jason Eisner.




B. Skip that venti frappaccino today and give your $7 to a far more noble cause: Paracinema! Yes, this is an ACTUAL PRINT MAGAZINE filled with original content on all the films you love or love but don't know about yet. Issue #12 features some typically great stuff, including an article on Kiyoshi Kurosawa bu VCinema's Josh Samford, some nostalgia on Explorers from Baby Eater Matt House, an interview with genre luminary (and Leprechaun 3 director!) Brian Trenchard-Smith, and original artwork you won't want to dog-ear. Go GIT it!



III. Need some sweet lady voices in your life? Prefer to hear those sirens ramble on about paint huffing, incest, and unusual genital designs? Then head to iTunes or podomatic for the newest episode of Girls On Film Radio. Myself and a few lovelier ladies tackle Alexander Payne's first film, Citizen Ruth (drink every time we say 'abortion'!) and a Japanese Criterion classic from 1963 called The Insect Woman. Shockingly enough, we somehow avoided bra talk this week, although I like to think that's made up for with adorable dog snoring.




Four. Those of you with a weakness for showtunes, pop music, or sweater vests probably already listen to GleeKast, the podcast myself and knitting pro extraordinaire Erica host on everybody's favorite/most hated Fox musical. Even so, allow me to remind you that our last 'official' episode is now available for download. We're taking a mini-hiatus to breathe and dedazzle, but we'll be back this summer with more bonus content on all things ridiculousness. 


Bonus points if you catch/agree with my Troll reference.

Tuesday, March 1, 2011

Marchness!


Raise the ceilings folks! We’ve survived the onslaught of evil children, deadly dolls, German dwarfs, lustful dummies, petite clowns, itty bitty cowboys, puppet people, manitous, angry fetuses, homicidal incarnations of aborted fetuses, and babies possessed by the angry spirit of cabaret dancing little men. The First (Probably) Annual Month of the Vertically Challenged Villains hath ended, so stretch your legs stand tall.


But don’t brag about it. Some of us still need to buy capri pants in order to not have to hem, thank you.
Anyhoosers, March will get swinging soon with a potpouri of upcoming reviews but before that, I’ve got a pile of announcements in need of being shared. Among them:
-Paracinema, my favorite magazine of all time (no conflict of interest was contained in that statement) has a new issue out, and my friends, it is something truly special. Issue 11 is composed entirely of genre film articles written by those rare and mysterious beasts known as Women. 

You might have noticed I never really addressed the fact that February was Women in Horror Month. Part of it was my preoccupation with a more endangered minority (the shorties) but the other is that I don’t have any overwhelming amount to say about it. The idea is great, but when I think about all the incredible bloggesses I get the pleasure to read, I don’t necessarily see a need to single them out as a rarity. I like to believe we’re in an age where having estrogen doesn’t negate or validate your genre film parking ticket, and I think Paracinema’s Women’s Issue is further proof that smart, literate, and cinematically minded females are in no danger of disappearing. 
Head over to Paracinema's pretty new website to get your copy, and expect true happiness (and fine, maybe your period) to follow. Read such luminaries as The Horror Digest’s Andre Dumas, The Blood Sprayer’s queen Kristy Jett, Buried In a Book Crypt’s Ashlee, and yeah, Me as we pontifiicate on a variety of filmic magic. On my part, you get the chance to finally hear how I feel about George Romero’s evolutionary feminism. I’ll leave it there and expect you to complete the rest.


-Elsewhere in the Interworld, it’s Marcharaimi over at a blog that most definitely does not suck, and not just ‘cause it’s called Things That Don’t Suck. The extremely talented Bryce is dedicating the tail end of March into April to the gooey mind behind Evil Dead with a blogathon of epic Deadite proportions. I urge and implore you all to give it a gander. Raimi fans can’t lose, and readers who dig smart commentary on books and film can find few better resources than TTDS.

-Another field trip! March is a new month at Rogue Cinema, and as always, a new batch of indie film goodness is baking in the oven known as That Website. As always, it’s a great way to learn about some under the radar fare. Head on over and see what you find, paying, I would hope, special attention to my interview with the smart and promising Steve Gibson, director of the new clever ghost story-meets-Ghost Hunters chiller The Feed.

-As always, there are GleeKasts and Girls On Film Radio Podcasts floating around the Internet for your ears to experience. Hear the impassioned GoF Oscars show, where we beg the gods in vain for a Winter’s Bone victory (apparently we should have been asking for The Best Film of The Year to get ANY MENTIONS WHATSOVER in the many montage-y bits compiled on select nominated films). There was also a divisive episode on Calvaire that led to intense girlfights. Pillows were abused. And John Hawkes was sainted.

-Also, March marks a certain extravaganza known as HorrorHound Weekend and by golly, let the extravagance begin! If you're planning on being anywhere near Indianapolis in the last weekend of the month, be sure to stop by for the festivities, and I don't mean a photo op with Puppet Master vs. Demonic Toys star Corey Feldman. Sure, you can spend some time pondering how small your hand looks inside of Ken Foree's mitty handshake, but I'm more excited to have the chance to see some of my favorite bloggers, podcasters, and general Internet entities. Fun will be had, so drop a line here if you're planning on going. Just don't expect me to hold your place in the line for Boondock Saints' autographs.




-Finally, now comes the time where I address that small but vital portion of the Doll’s House readers who have suffered in silence for two years: the knitters. My dear friend and GleeKast cohostess Erica has joined the esteemed Order of the Bloggers with her own site, Knit’s a Small World. Now I don’t know a cross-stitch from a lower level Disney movie set in Hawaii, but that doesn’t mean I don’t want to share Erica’s adventures in yarn with those who do. The site’s here and will be added to the blogroll. Knit’s official.

On that note, it seems fitting to toast one of my usually least favorite months with a bowl of Lucky Charms soaked in Guiness. That’s how we non-Irish do it, and trust me: we do it well.

Saturday, January 8, 2011

2010 Revisited, Audio Style

In only a few places might you find this guy:




hanging out a few spots away from him.



and naturally, it's the audio pod paradise known as the GleeKast!


Cohostesswiththemostess Erica and I take a mini break from everybody's favorite/most hated musical comedy to list our favorite films and television moments of 2010. Will voids be entered? Swans be black? Machetes wielded? 3D Step Upped to? You can only find out by visiting http://gleekast.podomatic.com or downloading the show (for free!) at iTunes.

Tuesday, November 30, 2010

Travel Tuesday

It's here...




A whole hour on the new greatest film of all time. GleeKast cohostess Erica and I detail the plot, music, styling, and Cher-induced crying of a former Goonies star directed masterpiece, Burlesque. Get it on the iTunes feed for GleeKast, or stream here: http://gleekast.podomatic.com


And be sure to dress like a whore when you do!


Also in the world, I stopped by the Gentlemen's Blog to Midnite Cinema to review the late Irvin Kershner directed, Mommie Dearest starring Eyes of Laura Mars. Though I didn't love the film, I did find the chance to reference the following:


AMC Pacers
Tenebrae
America's Next Top Model
Showgirls




All of which, when mixed, tastes like the lips of Brad Dourif



And that my friends, tastes goooooooood.

Sunday, September 26, 2010

To Whom It Concerns:




Roll up your knee socks and start those vocal warmups! It’s a new season of the GleeKast!

For those who don’t know/forgot/blocked it out of their heads, GleeKast is a weekly(ish) podcast brought to you by myself and good pal Erica about the Fox musical comedy, Glee. I know, I know. I can feel some of the goosebumps some of you just received just THINKING about your usual blood, guts, and doll part covered bloggess talking about something so popular as Glee, but you know what...I like the show. Erica likes the show.  We like talking about the show. So there.
If it makes you feel any better, I somehow manage to reference The Human Centipede.


So now that I’ve pimped musical theater and cheerleader catfights, it seems appropriate to settle that stomach with a hearty dose of testosterone. But where can I find such manly grease on a place as cold and static as the Internet, you ask? Why, just follow the trail to The Gentlemen’s Blog to Midnite Cinema!


A good deal of you readers probably already know Big Willy and The Samurai, two of the classiest, film savvyiest sweethearts in the podosphere. If you’re not already a listener to The Gentlemen’s Guide to Midnite Cinema podcast, let me change your life for the better by telling you to become one. Week after week, the Canuck and Kentuck spread joy on all things genre cinema and now, Aaron of The Death Rattle has put together a fine blog to accessorize their half shirts and leather pants. Among the current contributors are Mattsuzaka of Chuck Norris Ate My Baby fame, Rupert Pupkin from Rupert Pupkin Speaks, Pickleloaf of Assorted Loaf, movie recommender extraordinaire T.L. Bugg of The Lightning Bugg’s Lair, and yours truly. Stay tuned to the site for exciting new posts, film reviews, podcast updates, and more tough tittage than George Eastman could possibly muster in all his musky musteriness.

Thursday, August 19, 2010

What What?

What do Yoda, backyard abortions, the final scene of Pontypool, and why my dear friend Erica should never have sex with Channing Tatum have in common? All get referenced in a very special bonus TriloGleeKast , now available for free download on iTunes.
Oh yeah. And tomorrow I’ll talk about genre movies and stuff. 

Thursday, August 12, 2010

The End of an Era

Back before a little birdemic known as Twitter captured our short attention spans, many of the bloggers, podcasters and readers I now converse with more than my lifelong imaginary friends met at a busy little hangout known as Pop Syndicate. An entertainment site with a specialty for cult cinema, Pop Syndicate hosted some of the best podcasts and movie discussion on the Internet.

Founded by the almighty Bionicaster Stefan Halley, Pop Syndicate was, in many ways, that awesomely oversocial friend who seems to know everyone and insists you do too. I discovered it when I was living in Moscow as a lonely non-Russian speaking ESL teacher craving some movie talk and magically rewarded with multiple forums. Through those boards, I found dozens of fantastic podcasts, some fine film and tv blogs, and most importantly, a family of real-life and long distance like-minded individuals who share not just a love of cinema, but also a genuine and unique friendship.




I decided to write for Pop Syndicate a few months after I started the Deadly Doll's House, the goal being to make it something of a weekend getaway for different kinds of posts. It was an incredibly rewarding challenge that let me experiment with my style, learn a little more about Internet posting, and get more eyes reading my work. Similarly, when Erica and I started the GleeKast, we were deeply honored when Stefan offered us a message board and invitation to the podcasting family.

Things change. The Sci-Fi Channel went SyFy. The NY Public Library raised the overdue DVD charge to $3 a day. Starbucks ended the "The Way I See It" anecdotes on their cups that gave my life so much excitement and vital wisdom. Thus is the way of an everchanging world.




As many of you already know (especially if you listened to Outside the Cinema's live show last week, which I recommend), Pop Syndicate is now under new management and as a result, the direction of the site has changed considerably. It happens. I was hesitantly planning to continue contributing to Pop Syndicate and was eager to revive the sadly erased forums, but the site is now moving away from the things that made it so dear to me. No more podcasts, no more message boards. It's simply something else.

So in short, I will no longer be writing posts for the new Pop Syndicate, especially as I simply don't have much of a reason to frequent the site now that the things and people I loved about it are gone. I don't mean to sound overly critical, as my experience (compared to many of my PS peers) was not necessarily negative. I wrote a post last week, which was published without any issue. In terms of their new written content, I've been enjoying the work so far and think there are some great voices at the relaunched site. I'm not urging a boycott or discouraging any visits to the new site.

Unfortunately, it stinks rather unpleasantly that as of now, all past posts--by myself and all the other contributors--no longer exist. This means that any links to these blogs and reviews are dead (someone tell Google, which still lists them ahead of my own blog when you search Emily Intravia). Thankfully, all my original content still exits inside Mr. Mac, and to try to clean up some of my past posts, I will now be re-adding them right here on a weekly or so basis. Apologies in advance if you think I'm just going all lazy clip show on you as readers. I'm simply proud of some of the work that was lost and don't really just want to keep it packed in virtual storage.

As far as the forums go, a bigger better solution is slowly brewing inside the dangerous minds of fellow podcasters, one that I'm genuinely excited about. In the meantime, there are a few alternatives listed on my side bar and active Facebook pages for some of the podcasts, including Outside the Cinema and the Gentlemen's Guide to Midnite Cinema . 



Ultimately, new stuff is coming and life is good. Updates will be forthcoming. Until then, let's do as Marge S and just forget our troubles with a big bowl of strawberry ice cream.



Tuesday, August 3, 2010

Tuesday Tossup: The Earlobes Edition


Your ears looked hungry. The Italian in me just can't stand to let that be. And thusly do I bring some audio news from the podosphere:
  • First, a tease of sorts to let you know that the gleeKast will temporarily be suspending our summer hiatus to record our first triloglee on, naturally, the Step Up films. I'm sure they're terrible and may not interest you in the least, but our duty calls. If you have any feedback you'd like discussed, email gleekast@gmail.com by August 22nd or so.


  • In current news, Episode 6 of the GirlsOnFilm Radio Podcast is live and wild. Listen to 5 women talk about the oddball classic Hausu and the lovably meta Behind the Mask: The Rise of Leslie Vernon. As usual, you get some bonus chit chat on all Spartacus, penises, cats, and the Saw series. It's like Sex & the City, except we don't all deserve to die by methods more painful than all the Saw traps combined.


  • Outside the Cinema did a fine bonus episode all about the feel-good comedy of the year, A Serbian Film. Grab the kids and pop it in for a--


Wait, I really can't say that. It's like how I've been trying in vain to convince others to watch Tiptoes , putting on my best acting to sell it as a quirky but lovable dramady that needs to be seen. I actually get the person to write down the name and then I just break.

I know. I'm weak.  
A Serbian Film, on the other hand, is actually quite good. But it's not lovable. Or fit for children. Or grandmothers. Or, for most, girlfriends. It's just about the most brutal 90 minutes you'll ever see and one not easy to advise others to watch, but it’s extremely well-done for a film of its type and does succeed, however disgustingly, at taking a stab at sending a message. 


And in less controversial news, there should be a new issue of Rogue Cinema posted later today complete with reviews of lots of exciting indie films, plus my interview with director Barbara Stepansky, she of 2009's Hurt (now streaming in Netflix) and the upcoming Fugue, a haunting little thriller which I enthusiastically reviewed last month. 

Oh oh! In slightly controversial news, Pop Syndicate is getting a bit of a makeover. Rather than act like one of those whining shrews on America's Next Top Model who sob at the mere mention of a color change, I say we all ride the linking train to check out its new look, busy up the suddenly skinny forums, and keep one of the Internet's best pop culture sites alive and thriving. Forum-wise, I tend to loiter in the podcast wing, regularly posting on the pages for The Gentlemen's Guide to Midnite Cinema, Outside the Cinema, Chinstroker vs. Punter, Girls On Film Radio Podcast, Night of the Living Podcast (where they actually discuss this weird thing called books) and of course, the GleeKast. Build those frequent blogging miles and get posting.

Tuesday, July 6, 2010

Tuesday Tossup



Two new reviews!...elsewhere

1. Barbara Stepansky's Fugue, an eerie thriller with a vaguely Rosemary's Babyish atmosphere peppered by some realistically executed psychology. Creepy and far smarter than your average pretty-pregnant-woman-in-peril horror.

Head here for my Rogue Cinema review









2. Self-proclaimed Insane Mike Saunders and Jason Bolinger's Legend Has It, a meta slasher about typical dead teenager stereotypes who discover that they're actually stuck inside a horror movie. Quite clever and enthusiastically executed, with a bonus cameo by genre goddess Linnea Quigley.


This way for more.


Also, glee (or just gleeKast) fans can follow me yonder or just head to iTunes for the tentative season finale, wherein Erica, myself, and special guest star Mel(byForce, First Lady of Outside the Cinema and esteemed blogger of Quest For the Classics) discuss Journey. We'll be taking a bit of a summer hiatus, although if we all bug her enough, I'm convinced we can get Erica to agree to a bonus episode that covers the Step Up series and, more pressingly, Hockey Mom, starring Jessalyn "Terry Shuester" Gilsig and Jason Priestly.


Tagline? The Puck Stops Here
It can't not be great, right?

Friday, June 25, 2010

Vay-Slay-tion...eh, it's vacation; I can't be bothered to make a clever title


There are a lot of options when it comes to choosing a vacation plan. Too bad most are simply one-way tickets taking you straight into horror movie hell. 




Examine:

Cabin In the Woods


Sometimes you just want to get away from it all, snuggle into a flannel and tap into your inner woodsy hermit. Too bad this usually ends in zombification, skin-rotting disease, sexual abuse via forestry or genital mutilation. What, you think Evil Dead, Cabin Fever, and Lars Von Trier's Antichrist are exceptions to the rule?

Athletic Excursions


Most of us prefer to exercise our alcohol tolerance during a vacation, but there are the bizarre few who escape to foreign lands in order to best be active. Serves these physical overachievers right for encountering such horrors. Robert Fuest's 1970 chiller, And Soon the Darkness, follows two fit young women exploring the French countryside via bicycle, working their legs so much that it becomes impossible to run away from the mysterious menace hunting their ten-speed path. Similarly, the kickass girl group at the center of The Descent could be enjoying leisure tours of the Appalachian Mountains, but sadly, the only thing they learned from Deliverance was that a sleeveless red leather jacket looks good in the wilderness.

Snowy Escape


If you're like me, you see the sweltering heat of summer as a preview of hell, making a winter getaway in June as close as you'll come to the pearly gates. It makes perfect sense for the Norwegian med students to snowmobile their way through Dead Snow while on a school break; it's just a shame their drinking games get interrupted by Nazi zombies. Things could be worse. They could be fighting their own flesh and blood, much like the ill-fated parents of The Children, another winter-break horror that ends in doom.

Island Adventure


Because you know how much directors like the contrast of blood on snow, you wise up and hit the sand somewhere safe where no real-life horror can ever find you. Of course what you get instead is generally a supernatural menace thirsting for your suntanned flesh. Look to Lucio Fulci’s Zombie for a pair of innocent (just slightly nude) scuba divers thrown into an undead infested Caribbean paradise. And no, don’t assume you’re safe just because you already survived a harrowing horror movie fate. Poor Sheriff Tiler has to rebattle the titular Jack Frost in the 2000 sequel to the world’s greatest film about a killer snowman. Yes, there’s a killer snowman in the tropics. Don’t think too hard. You’re on vacation.

Cruisin


As long as you’re immune to seasickness, why wouldn’t you hop on board a cruise ship? Live music, shuffleboard, and daily all-you-can-eat buffet trips...What’s the catch? Nothing really. Just the minor inconvenience of being stalked and slaughtered by a tall dude with a machete (if, of course, you’re referring to the first 3/4 of Jason Takes Manhattan). Rather keep your itinerary in your own hands? It’s hardly safer, at least if you’re weak to the charms of Billy Zane (and who isn’t?). That’s the lesson learned by Sam Neill and Nicole Kidman in 1989’s Dead Calm, and unless you plan on having sex with a psychopath and aiming a bow and arrow at your beloved pooch, I advise you observe it carefully.

Road Trip Fun


See America the way Henry Ford intended with a cross-country road trip accompanied by hours of I Spy. One can only cycle through 99 Bottles of Beer On the Wall so many times before the  need for a new adventure rises, at which point there are plenty of inbred cannibals (Wrong Turn), possessed mannequins (Tourist Trap) and dysfunctional psychotic families (The Texas Chainsaw Massacre) waiting to make your vacation a little more memorable.

Wednesday, May 26, 2010

Hear Me!



Or I'll make it so you never hear again!


Wow. That was harsh. Excuse me while I lighten the mood.



That's better.


Loyal fans and/or musical theater nerds should know that last week marked a triumphant convergent of master geekery at its finest when Neil Patrick Harris guest starred on a Joss Whedon directed episode of GLEE. Many viewers experienced nirvana. Seriously, it was like Martyrs but without the headwraps. And torture. To hear my and co-hostess cupcake Erica's take, I give thee Episode 6 of the one and only gleeKast (with a K; there's one with a C and I don't lie). 


And speaking of Martyrs...



How about a little vegemite with that beating? You can find some here at Girls On Film Podcast , where I guested on the illustrious Rachel of RachOnFilm.blogspot.com 's new estrogen-fueled chat about Predator, kangaroos, and everybody's favorite French genre bender. Spoilers are many, the audio quality scratchy, Australia offended, and four ladies--including Christine of Paracinema Magazine and the thus far blogless, yet movie-smartful Deborah--have a grand ol' time. You should listen.


Otherwise, this happens:


And that makes no one happy.