Showing posts with label christopher george. Show all posts
Showing posts with label christopher george. Show all posts

Tuesday, January 10, 2012

It's Exactly What You Think It Is (But So Much More)


On the list of so-bad-it’s-good cinema, 1982’s Pieces often ranks fairly high. 
Rightfully so.
Quick Plot: In 1942, a sweater vest-clad boy puts together a nudie jigsaw puzzle to the horror of his mother. When she threatens to burn everything he owns, the kid takes the common route and axes her to death.

Sneeze, flash forward 40 years to the then-present day of extreme 1980sness where a young woman recklessly skateboards into a mirror.

Just go with it.
Later that day, a student innocently studies in a college campus park, only to get attacked by a man with a chainsaw. Even LATER that day, a blond slips a raccoon headed student named Kendall a come-shag-me-in-the-school-pool note, only to also get attacked by a man with a chainsaw. I guess that’s why nobody uses the completely public swimming pool on campus. Even to have sex.

Even this guy.
Because he was sort of in the right spot at the right time, the nerdy--yet inexplicable chick magnet--Kendall becomes an unofficial assistant to the detectives assigned to investigate the case. That’s right, just when I thought police officers couldn’t get more incompetent than The Human Centipede, Pieces introduces genre stalwart Christopher George as a cheery lieutenant who takes a shining to the obnoxious underclassman, utilizing the kid to help craft a criminal profile, hang around on stake outs, and, most hilariously, protect the OTHER undercover officer recently enlisted to fight crime.

See, in the 1980s, there was apparently no such thing as ACTUAL female undercover officers. Instead, the police force would recruit eager tennis champions to um...enter dangerous situations where serial killers are hunting young women? Really? Is this what’s happening onscreen right now?
I asked that question a lot while watching Pieces, which would conventionally be a bad thing for most viewers but for someone like me--and I assume, a good deal of you--is pretty amazing. This is the kind of movie that features not one, but TWO scenes involving ballet aerobics and even more notably, the greatest maybe-rape-attempt scene committed by a friendly kung fu professor ever.

Yes, kung fu professor. Who starts to kick and punch our heroine (remember her? the not actually undercover cop/not cop tennis star) on the street in the middle of the night, seemingly as if to, you know, violate her, but stops when confronted by Kendall--who himself was spending the evening having sex with the world’s worst reporter, who was apparently far too noisy in bed for the classy Kendall to go for round two with. Kendall and his KUNG FU PROFESSOR laugh off the misunderstanding? sexual violation? mugging? And that’s that.

Pieces is an awful movie, but gloriously so. You get the sense that actors didn’t know what they doing, but that the craft service table was so stocked with fresh-baked muffins that the cast gave it their all anyway, even if they had not the slightest idea what ‘it’ was supposed to be.
High Points
Cut and banned at its original time of release, Pieces is a puzzlebox full of fairly impressive practical effects

Low Points
So was the identity of the killer supposed to actually be a secret? I assumed it was just a lazily kept one, and this is easily confirmed by the actual reveal. Instead of a shocking ‘pull the mask off!’ moment, our killer just kind of tells a would-be victim about his past. It’s like the filmmakers reached a point where they got bored with the excitement of keeping a secret, or like little kids just couldn’t contain themselves anymore and ultimately just spilled it out in the most random and uneventful ways possible
Lessons Learned
Undercover policing is strictly volunteer


A pool skimmer is the most important weapon a serial killer can have in his or her arsenal
It’s much easier than you think to hide a chainsaw behind your back, yet much harder to put the breaks on when riding a skateboard


Never confuse a psychiatrist with a doctor of medicine. That’s really offensive and you should know better
Unlike Stepford wives, campus walls bleed when stabbed


The Winning Line (Delivery)
“Don’t tell me I’m the bearer of bad news I could KILL myself.”
No, I didn't forget to insert a period between 'news' and 'I.' The real question is: did the screenwriter, prompting the very literal and untrained actor to follow suit, or was this a choice? Either way, it is awesome.
Rent/Bury/Buy
Well OBVIOUSLY I'm recommending Pieces with the Doll's House blue cheese ribbon. Slasher fans can enjoy the gore, while so-bad-it's-amazing connoisseurs will savor each scene like a plate of nachos washed down with ranch dressing. There’s what I imagine is a glorious two-disc special edition out there in the world, so trash fans who find it cheap won’t regret a buy. And come on ladies, don’t even THINK of passing up a chance to spend 90 minutes with this love machine:


Monday, August 9, 2010

Pomp & Circumstance & Slaughter

Having just attended my 10 year high school reunion (they all got fat and I wore a nametag), it seemed fitting to review a film attempting to capture that senior spirit. Thusly do I give you:

Quick Plot: We open on an intense track meet at a high school bursting with more pride than Bayside High. An aggressively electronic score accompanies slow motion pole vaulting, hurdles, gymnastics, and crowd cheering.

Hell yeah 1981.
Tragedy strikes when a young sprinter crosses the finish line with a heart attack, dying in the arms of her short shorts wearing permed boyfriend and in front of a slightly embarrassed community. Flash forward a few months later when the late track star’s older sister goes all Nomi Malone on a hitchhiker pickup driver as she makes her way back home for the titular graduation day. 

Senioritis takes on new symptoms, however, when a few good teenagers turn up...missing.
To be more precise, about seven 17 year olds are brutally murdered but since their bodies are hidden (offscreen), not a single adult really seems to notice. Sure, a few parents call the world-hating principal, but for the most part, none of the thinner than proscuito characters seem the slightest bit worried about their missing friends. Eh. It’s hard to focus when you still haven’t found the right prom dress.
Between a few slightly creative kills (football throw with epee attached, pole vaulter landing on a mat of nails) and underdeveloped conflicts (overworked gymnast clashes with coach, sister fends off stepfather’s surliness, Linea Quigley’s breasts argue with gravity), Graduation Day slogs through the last week of school to culminate in the rather muddled climax. 

See, this is 1981. Making a mediocre slasher was about the equivalent of sending a text message today. All one really needed was a holiday, gallon of karo syrup and food coloring, and gaggle of mildly attractive young people willing to whine on camera for a month of shooting. Graduation Day has these things, plus a handful of songs (one charmingly called The Graduation Day Blues) and minor celebrity cred via a young Vanna White and scream queen Quigley. 
High Points
It’s a strict rule of cinema that any film is made 42% better by the inclusion of roller skates
Low Points
...though that power is slightly diminished when said roller skating is accompanied by a 7 minute musical sequence

Lessons Learned
When hosting a highly competitive track meet, it’s probably a good idea to keep some form of medical personnel on hand
If your position of police officer is leaving you feeling ineffective, you could try arresting the rude young teens you catch smoking dope on school grounds
Vanna White drinks the blood of virgins and newborn babies; how else to explain the fact that the woman hasn’t aged a day in 39 years?

Rent/Bury/Buy
Like the majority of 80s slashers set on a holiday/coming of age milestone event, Graduation Day is not a good movie. Badly acted, annoyingly scored, oddly plotted and fairly uninvolving. Naturally, all these downsides are negated by the fact that this film opens with a track montage and offers the token Linnea Quigley death/boobs. Fans of this era will delight in the collar popping teachers and oversized walkmans; kids today may find themselves wondering how Saw ever evolved from this. It has its charms, but those immune to the Golden Age of Slasherdom won’t find them. It’s a perfect party movie, providing you save your beer run for the 7 minute (SEVEN MINUTE!!!) musical break and fill up for the not so spectacular finale.