The envious ears of a bunch of over-paid Parisian session men vibrated to the sound of Magma and they thought that they could do the same...but,as musicians are prone to think, they were better at it and could do better.
They managed to release just three tracks in their lifetime,which made up their sole album,here beefed up with a couple of live outings
They were of course very Magma styled,even nicking their Kobaian name from a Magma track,blending in elements of systemic music, and some saxophone.An element long ago dropped in early Magma giving it a distinctive sound of its own(it says here!).Yep....more Zeuhl-lite for potential chart action.The ill-advised use of Brass steers proceedings firmly towards the Fusion-end of Zeuhl,but at least those Wagnerian Brunhilde vocalists don't make an appearance.
They were of course very Magma styled,even nicking their Kobaian name from a Magma track,blending in elements of systemic music, and some saxophone.An element long ago dropped in early Magma giving it a distinctive sound of its own(it says here!).Yep....more Zeuhl-lite for potential chart action.The ill-advised use of Brass steers proceedings firmly towards the Fusion-end of Zeuhl,but at least those Wagnerian Brunhilde vocalists don't make an appearance.
The session men involved soon realised that there was no money in having their own Zeuhl band,and soon melted away back into playing guitar solo's for Johnny Hallyday or arranging romantic string sections for Sacha Distel.
They did however leave us one of the most listenable French Prog records,that may even attract people into the room rather than drive them away from it....dunno if that's a good thing, but sometimes its useful.Even if it's just to avoid the noise of the unenlightened majority demanding that this racket be turned off.
1.Elohims Voyage 16:33
2.Vilna 12:20
3.Booldemug 7:10
Bonus Tracks:
4.Rondeau 8:49
5.Kolinda 12:28
4.Rondeau 8:49
5.Kolinda 12:28