Showing posts with label John Fahey. Show all posts
Showing posts with label John Fahey. Show all posts

Thursday, 9 January 2020

John Fahey ‎– "City Of Refuge" (Tim/Kerr Records ‎– 644 830 127-2) 1997

No, I don't mind all that plinky-plonky finger pickin' folk nonsense if its mixed up with some noise and dark ambient fuzz.In fact, this is how all that american primitive stuff should sound.Gimmie the tapes of "Blind Joe Death" and lemme remix it......in fact you don't need the tapes as there ain't no rubbish to back up the solo guitaring......I might give that a go during my autumn years.It would sound not unlike this album,but maybe a bit more harsh noise floating to the surface every five minutes or so.
So the 'Godfather of New Age" ,as some deaf person labelled him once upon a time, muat have scanned The Wire magazine after he was re-discovered by some desperate music journalista.For Around '95, 'The Glitch', was heavily lauded by those in the 'Know', so maybe John was just giving the kids what he thought they wanted? Trouble was,those who read the Wire were not young, and were primarily White,White Collar music bores,who slip on some Albert Ayler in the background whenever the phone rings. Or pretentious arty-wannbe cunts like me.Luckily as I dragged myself up from the gutter of council estate thatcherite Britain, I would never be accepted in either group. This 'Freedom' gives me the perspective needed to actually appreciate this fine record in its true light.
And as for the Godfather of New Age, he sums up his feelings nicely in the title and music of Track 7.
.....we'll forgive him for sampling Stereolab, who are firmly entrenched in the 'pretentious arty-wannbe cunt' category. 

Tracklist:

1 Fanfare 5:17
2 The Mill Pond 3:51
3 Chelsey Silver, Please Come Home 4:31
4 City Of Refuge I 20:37
5 City Of Refuge III 6:30
6 Hope Slumbers Eternal 5:04
7 On The Death And Disembowelment Of The New Age 19:27


Wednesday, 8 January 2020

John Fahey ‎– "Womblife" (Table Of The Elements ‎– 37 Rb) 1997

You have to give him his due respect, John Fahey carried on regardless despite what opinionated gobshites like me say.
This fan-losing experimental late-life comeback album from the nineties,when the man was a name-droppers dream.
"Have you heard the latest Fahey album......NO!??......it's fantastic; but then again i've been a fan since the early eighties,.....wot????..... you've never heard of him?.....oh dear,you don't know what you've missed"....!
Well,we do know what we've missed thanks,and most of it we wish we had.....rather harsh,but the object of todays scything attack are Record Snobs,especially ones who get their tastes from tasty muso-zines like "The Wire", who, in the mid-nineties, were busy championing John Fahey.By 1997,i had binned off my subscription to this magazine, with its endless articles on the "Glitch" and members of Tortoise talking about really early jungle as a influence.
It was the start of music journalism becoming nothing more than a portal for uncritical star worship,no matter how underground or unstar-like were its victims.John Fahey was one of these poor unfortuate artistes whose canon were unduly elevated to godlike status,and now the public wanted MORE!?
To artists with a realistic world view,this can be a distasteful end to a long ignored career.Now you can put out any old crap and your new trendy fanbase will laud it.
So, Fahey scores plenty brownie points avec moi as he alienates his original fanbase with this distinctly un-folky ambient jandekian guitar driven erazerhead soundtrack experiment,that would also confuse his new 90's fanbase......neither of which included this gobshite, but I am a fan of John as the pain in the arse person I suspect he was.John 'the man'.
Its up there with "Metal Machine Music", OMD's "Dazzle Ships",Scott Walker's "Tilt" and PiL's first and third album's, as one of the best fanbase fuckers ever made?

Tracklist:

1 Sharks 9:20
2 Planaria 9:54
3 Eels 6:13
4 Coelacanths 7:28
5 Juana 12:34


Tuesday, 7 January 2020

John Fahey ‎– "Old Girlfriends And Other Horrible Memories" (Varrick Records ‎– C VR 031) 1992




As it says in the cover notes of this John Fahey release from the nineties, "I have a hard time putting my finger on what makes john's playing so mesmerising"? I do too,for different reasons,but at least he had a gift for releasing albums with amusing titles,such as this one, which most of us male stereotypes can identify with.
It also says in the notes that this music speaks of a spirit that is peculiarly American.This i agree with, although thats not something to boast about in these particularly peculiar times!
Good album title though? 
One day Donald Trump will also just be just a horrible memory,like those ex-girlfriends.Unless he brings about the end of history,which is looking increasingly likely at the time of publication!? (for future reference, if there is a future, The Trump administration has just assasinated a top Iranian General along with some dodgites from the Iraqi militia,and are threatening more!?)

DOWNLOAD before the end of time as we know it HERE!

Monday, 6 January 2020

John Fahey ‎– "Death Chants, Break Downs & Military Waltzes" (Takoma ‎– C 1003) 1964


As much as there weren't many albums called "Death Chants, Breakdowns, and Military Waltzes" in 1964, this stuff still sounds like the background music to a fishing programme on the idiot box, with the odd nod towards the  'Paris, Texas' soundtrack, from before Ry Cooder was even considered for one of the guitarists berths in the Magic Band.
John Fahey continues his immersion into his american primitive character of Blind Joe Death with another slow unit shifter on his own Takoma label.
Its certainly authentic sounding, so its understandable that even experts in the genre would have been both fooled,and excited by its discovery. I guess Fahey used the same tactics of slipping a few copies into thrift stores to lay the opportunity for some Harry Smith types to 'discover' Blind Joe,and include him on their compilations of Bluegrass and Country Blues from the early 20th century.
I've often thought of doing the same with some forged UK DIY band albums that I would make here in the 21st century.But,I can't really be bothered.

Tracklist:

1.Sunflower River Blues 2:33
2.When The Springtime Comes Again 3:50
3.Stomping Tonight On The Pennsylvania/Alabama Border 6:58
4.Some Summer Day 3:20
5.On The Beach At Waikiki 2:55
6.Spanish Dance 1:53
7.John Henry Variations 5:40
8.The Downfall Of The Adelphi Rolling Grist Mill 3:35
9.Take A Look At That Baby 1:25
10.Dance Of The Inhabitants Of The Palace Of King Phillip XIV Of 11.Spain 2:28
12.America 7:52
13.Episcopal Hymn 1:10


Sunday, 5 January 2020

John Fahey ‎– "Blind Joe Death" (Takoma ‎– C 1002) 1959


Henry Flynt was not the only minimalist on the block searching for the american primitive within. John Fahey made a consumatly ignored career out of it. Inventing a fictional alter-ego called Blind Joe Death,posing as a forgotten folk/blues musician from the twenties.After recording an album for his own imprint called Takoma Records after his home town,in 1959. He attempted to sell these albums himself. Some he gave away, some he sneaked into thrift stores and blues sections of local record shops, and some he sent to folk music scholars, a few of the dumber ones were even fooled into thinking that there really was a living old blues singer called Blind Joe Death.
In the fifties there was a record collecting trend towards old blues and country 78's from the twenties and thirties,so collectors were desperate to find undiscovered classics before their hip mates did.
John Fahey provided this convincing facimile for this burgeoning market,eventually selling out the first pressing of 100 discs three years later.So there would follow endless editions of Blind Joe albums troughout the sixties.....this is a CD version just in case you're wondering.
Fahey made several more albums under his alter-ego's name,and moved to San Francisco to check out the post-Beat, proto-hippie music scene, loathing in particular the awful Pete Seeger–inspired folk-music revivalists with which he found himself classed alongside. Fahey then moved south to Los Angeles to join UCLA's folklore master's program,incredibly,or, un-credibly, and received an M.A. in folklore in 1966,with a thesis on Charley Patton.Yep, he was qualified in Folk music!?...not sure if that's possible is it?
Before hitting the bottle, Dr.John M.A. made a few mildly avant-garde albums in the later part of the Sixties, including a lost album with the Red Krayola,that got binned by the record company....so that one must have been good?
After losing everything due to alcoholism, he was 'rediscovered' in the ninieties,making a few experimental avant-folk albums,and could often be seen adorning the cover of The Wire magazine.Hence new copies of 'Blind Joe Death' albums started appearing on white collor coffee tables all over the more comfortable parts of NATO subscribed countries and beyond.
Although his zeal and puritanism is admirable, i personally find these instrumentally forged folk/blues albums boring as fuck.
Yeah, great authentic finger pickin' technique, but i alway nod off when trying to get why he's so esteemed in such circles.I prefer Jandek myself.Fahey's qualifications are impeccable,but,i'm not sure Folk should be taught in Universities;its like an early version of that shameful Brits academy in London which churns out terrible production line pop stars,like Adele,who's been bangin' on about her boyfriend troubles for about a decade so far.
I'm thinking about doing a doctorate in Punk Rock too......Not!? Could certainly lecture on the subject if the money was right,but under my auspices, accepting money for such an anti-punk thing would be against the meaning of life the universe and punk rock!So such an idea would inevitably disappear up its own arse should it not?
Same goes for Folk, of which Punk Rock is a close relation.Discuss.

Tracklist:

Selections By Blind Joe Death


A1 On Doing An Evil Deed Blues
Written-By – Death*
A2 St. Louis Blues
Written-By – W. C. Handy
A3 I'm A Poor Boy A Long Ways From Home
Written-By – Barbecue Bob
A4 Uncloudy Day
Written-By – Traditional
A5 John Henry
Written-By [Spiritual] – Traditional
A6 In Christ There Is No East Or West
Written-By [Episcopal Church Hymn] – Traditional 

Selections By John Fahey

B1 The Transcendental Waterfall
Written-By – John Fahey
B2 Desperate Man Blues
Arranged By – John Fahey
B3 Sun Gonna Shine In My Back Door Someday Blues
Written-By – John Fahey
B4 Sligo River Blues
Written-By – John Fahey