No, I don't mind all that plinky-plonky finger pickin' folk nonsense if its mixed up with some noise and dark ambient fuzz.In fact, this is how all that american primitive stuff should sound.Gimmie the tapes of "Blind Joe Death" and lemme remix it......in fact you don't need the tapes as there ain't no rubbish to back up the solo guitaring......I might give that a go during my autumn years.It would sound not unlike this album,but maybe a bit more harsh noise floating to the surface every five minutes or so.
So the 'Godfather of New Age" ,as some deaf person labelled him once upon a time, muat have scanned The Wire magazine after he was re-discovered by some desperate music journalista.For Around '95, 'The Glitch', was heavily lauded by those in the 'Know', so maybe John was just giving the kids what he thought they wanted? Trouble was,those who read the Wire were not young, and were primarily White,White Collar music bores,who slip on some Albert Ayler in the background whenever the phone rings. Or pretentious arty-wannbe cunts like me.Luckily as I dragged myself up from the gutter of council estate thatcherite Britain, I would never be accepted in either group. This 'Freedom' gives me the perspective needed to actually appreciate this fine record in its true light.
And as for the Godfather of New Age, he sums up his feelings nicely in the title and music of Track 7.
.....we'll forgive him for sampling Stereolab, who are firmly entrenched in the 'pretentious arty-wannbe cunt' category.
Tracklist:
1 Fanfare 5:17
2 The Mill Pond 3:51
3 Chelsey Silver, Please Come Home 4:31
4 City Of Refuge I 20:37
5 City Of Refuge III 6:30
6 Hope Slumbers Eternal 5:04
7 On The Death And Disembowelment Of The New Age 19:27
So the 'Godfather of New Age" ,as some deaf person labelled him once upon a time, muat have scanned The Wire magazine after he was re-discovered by some desperate music journalista.For Around '95, 'The Glitch', was heavily lauded by those in the 'Know', so maybe John was just giving the kids what he thought they wanted? Trouble was,those who read the Wire were not young, and were primarily White,White Collar music bores,who slip on some Albert Ayler in the background whenever the phone rings. Or pretentious arty-wannbe cunts like me.Luckily as I dragged myself up from the gutter of council estate thatcherite Britain, I would never be accepted in either group. This 'Freedom' gives me the perspective needed to actually appreciate this fine record in its true light.
And as for the Godfather of New Age, he sums up his feelings nicely in the title and music of Track 7.
.....we'll forgive him for sampling Stereolab, who are firmly entrenched in the 'pretentious arty-wannbe cunt' category.
Tracklist:
1 Fanfare 5:17
2 The Mill Pond 3:51
3 Chelsey Silver, Please Come Home 4:31
4 City Of Refuge I 20:37
5 City Of Refuge III 6:30
6 Hope Slumbers Eternal 5:04
7 On The Death And Disembowelment Of The New Age 19:27