Showing posts with label soundtracks. Show all posts
Showing posts with label soundtracks. Show all posts

Monday, 26 April 2021

Paul Giovanni and Magnet – "The Wicker Man OST" (Die or DIY? Version) 1973


I'm still waiting for Sir Andrew Lloyd Webber to do a west end/broadway version of  one of the greatest movies ever made,namely, "The Wicker Man", the Citizen Kane of Folk Horror Musicals.Or was Orson Wells' career defining moment actually The Wicker Man of  post war Hollywood mystery dramas? Both I think?
What Sir Andrew would do to this classic Dark Folk soundtrack makes one fear for the survival of humanity. What makes this music even more remarkable is that it was written by an American, the late Paul Giovanni,who can be seen in the Green Man pub singing "Gently Johnny" in the outtake sequence and in the finale singing "Summers a Coming In".These all sound like authentic ancient Folk tunes,but,no sir, written by a yank!?
The funniest story about this film is that Rod Stewart threw a wobbler about Britt Eklund getting her jugs out and doing a sensual naked dance to tempt the virgin Fool played by Sergeant Edward Woodward into being deflowered by Brit as the Landlords Daughter.
So much did rock'n'roller Rod moan about this that a body double was used for the dancey bits.....but Wow! What a body double...Phwaoooer!
Also funny, is why on earth is christian society so scared of Paganism? Calling this bizarre film a Horror movie reveals humanity as the death-fearing bunch of simpletons we really are.After-all, Christianity is virtually Paganism but with the green man replaced by a bearded old bloke/entity in the sky.....now that's even sillier than Rod Stewart.
Britt Eklund wishing Rod Sewart had a body double with a smaller nose


Even more silly than Rod Stewart has to be the absurd 'remake' starring Nicholas Cage. I managed ten minutes of this drivel before I switched channels. I can only imagine Cage brandishing a firearm at the head of one of those Pagan scum demanding "Ok you Pagan Son of a Bitch!This .44 magnum says you know the whereabouts of Rowan Morrison"?
The fuckers also did the same to UK crime thriller "Get Carter",this time even worse, Sly Stallone as Carter!?....Hollywood leave us alone please...in fact leave everyone alone....pretty please!?
What if Richard Curtis did a remake of "Mean Streets" with Hugh Grant as Johnny Boy, or Mike Leigh's version of "Halloween" starring Dame Judie Dench as Mike Myers eh?....I dunno, I'd actually quite like to see these films!
PS...there are so many versions of this soundtrack, so i done a sort of a best of...for yers.

Tracklist:

Songs From Summersisle Ballads Of Seduction, Fertility And Ritual Slaughter

1 Corn Rigs 2:35
2 The Landlord's Daughter (movie Version) 2:37
3 Gently Johnny 3:32
4 Maypole 2:43
5 Fire Leap 1:26
6 The Tinker Of Rye 1:50
7 Willow's Song 4:40
8 Procession 2:15
9 Chop Chop 1:41
10 Lullaby 4:29

Incidental Music From 'The Wicker Man'

12 Opening Music / Loving Couples / The Ruined Church 4:13
13 The Masks / The Hobby Horse 1:25
14 Searching For Rowan 2:22
15 Appointment With The Wicker Man 1:18
16 Sunset  1:05
17 The Landlords Daughter (Studio Version) 2:40


or 

Saturday, 24 April 2021

John Cameron – "Kes - OST" (Trunk Records – JBH077LP) 2019/1969


A few of my favourite movies by coincidence have folk inspired soundtracks.One being Ken Loach's film version of Barry Hines' "A Kestral For A Knave", "Kes".
Yes,Kes, the Film, was better than Kes, the book. Mainly because of the casting of Mark E Smith look-a-likey,the then unknown David Bradley as Billy (soon after to regain his unknown status rather swiftly), and the late,great,Brian Glover as sadistic gym teacher Mr Sugden. This film was a silver screen version of my early life, especially the school parts.It was not so much 'Silver' in colour but Grey, like Billy Caspers' clothes.And my version of Mr Sugden was a complete Cunt called Jim Kedie (now dead) who liked to grab your genitals in the rugby scrum,and give you a sound beating for looking at him in the wrong way. On the Facebook site of old boys....yes my grammar school was 'Boys only'!!? I know some people find this fact incredulous?....but on this sad Gateway Old Boys Facebook group,they seem to see this monster as some kind of Hero,...a great bloke? Undoubtedly denying some dark events like a delayed kind of Stockholm syndrome to avoid the trauma that happened long ago.They probably all got shagged by this twat.....as my reaction is normal,I don't think i got shagged by him....but certainly remember rolling with his punches. Anything I say on this rose tinted window into a past that never existed gets deleted faster than you could say Project Yew Tree (the police investigation following the Jimmy Saville affair).....Anyway, that scene on the football pitch was exactly as Kedie was, minus the funny bits.
One of the key themes of the film is the education system of the time, where smart kids were streamed to the Grammar Schools, like me ironically, and the rest dumped in the less academic, Grimmer rather than Grammar, Secondary Modern cesspits. This dour social criticism and bleak portrayal of working class life was typical of Loach's films.The man himself is on record as saying:
"It [the film] should be dedicated to all the lads who had failed their 11-plus (wot your scribe obviously didn't Tee-Hee). There's a colossal waste of people and talent, often through schools where full potential is not brought out.".....I'm living proof that this also happened in the Grammer Schools too?
In a 2013 interview, director Ken Loach said that, upon its release, United Artists organised a screening of the film for some American executives and they said that they could understand Hungarian better than the dialect in the film. Americans couldn't understand proper English back then,unlike today, thanks to the phenomenon of 'Anglo-creep' seeping in UK slang by the backdoor of various popular media formats.Yes, now Americans say stuff like "Cheers","Wanker" and "Twat",enjoy sarcasm, and can watch British films without sub-titles.This is advancement?
I have a disturbing recollection that either this or "The Leather Boys" is Morrisey's favourite movie?....but don't let that put you off, they are both brilliant,although Kes wins out for its poignant soundtrack and emotional pay off.

Tracklist:

A1 Front Titles
A2 Billy's Paper Round
A3 Dawn - Billy Sees Kes In The Tower
A4 Stealing The Book
A5 Midnight - Billy Climbs And Captures Kes
A6 Training Kes
A7 Kes First Flight
A8 Jud Walks To The Mine
A9 Kes Flies Free
A10 Kes Flies Higher
A11 Billy Asleep In The Boiler Room
A12 Foreboding
A13 Looking For Kes
A14 Realisation
A15 Burying Kes

DOWNLOAD the joylessness of the real past HERE!

Thursday, 22 April 2021

John Faulkner and Sandra Kerr – "Bagpuss: The Songs & Music" (Smallfolk – SMF001) 1974/1999

Zchivago sings holding back the tears,for the finishing touches of his version of "Candle In The Wind" in memory of Sandy Denny....."And I'd like to have known you but I was just a kiiiiid"......
Indeed I was once a kid, believe it or not, and as I may have mentioned before, there was a lot of Folk music about, especially on Kids TV programming.The stand out moment being the thirteen,unlucky for some, episodes of the erstwhile adventures of a saggy old pink and white cat in Emily's lost and found objects shop window.Bagpuss!
Emily would found some old crap someone lost in the street, chuck it in the shop-window display, and leave it there for Madeleine the rag doll (Sandra Kerr) and Gabriel the Toad (John Faulkner), with a Chorus of Mice from the mouse organ, and unhelpful comments from smart arse Woodpecker,Professor Yaffle and,of course a certain Saggy Old Cloth Cat.When bagpuss woke up, everyone else came to life for fifteen minutes, and fixed the piece of crap into something that might refind its previous owner.
Oliver Postgate(RIP),possessor of the finest narration voice on the planet,could lull me into a womb-like situation at the drop of a syllable;like leaning back in the bosom of your dear departed mother once again.
Oliver's folky chums, John and Sandra,were commissioned,which in 1970's BBC terms would mean they got a fiver and a sandwich to do it,and make the music.Which consisted of a bunch of traditional folk tunes furnished with new words for us kids,plus a few originals.
I seem to remember the Uncle Feedle Episode featured a few rather horrific rag dolls, that missus Postgate must have kinted up in a hurry,resembling eyeless zombies more than cute children's characters.I'm sure Madeleine sings that she's Just a Rag Doll made from 'Crap' during this epidsode....reigniting the furious debate about "Captain Pugwash" and the characters Seamen Stains and Master Bates......an urban legend unfortunately!
The thing about folk music is that it can be both dark and twee at the same time,and the music for Bagpuss fits those criteria beautifully....forget Current 93 this and similar cult soundtracks are da real thing man.It hasn't quite gained the kudos of Playchool's dark folk princess Toni Arthur and hubby Dave, but it has its darker moments.
Oliver Postage made all these masterpieces on a budget of a tenner per episode in his garden shed....the ultimate TV DIY......and don't forget this is the man who made the Clangers, and Noggin the Nog too ,among many others.
A Posthumous knighthood is called for here...give him Jimmy Savilles,it might revive this soiled institution for future good?


Tracklist:

1 The Bony King Of Nowhere 3:27
2 Mouse Round (Here's A Pin) 0:42
3 The Princess Suite 2:36
4 Weaving Song / The Laird Of Drumblair 2:13
5 Uncle Feedle 2:25
6 Ragtime Mice 0:13
7 Turtle Calypso 2:15
8 Brian O'Lynn 2:09
9 Agricultural Jigs 2:18
10 The Town Band 1:13
11 The Miller's Song 3:00
12 I Saw A Ship A-Sailing 2:31
13 Song Of The Flea 3:03
14 Mouse Round (Mending Song) 0:25
15 The Ear Song 1:21
16 Hamish McTavish 1:25
17 The Old Woman Tossed Up In A Basket / Haste To The Wedding 2:43
18 The Porcupine Song 2:32
19 The Oak Tree Reel 2:27
20 Row, Row, Row Your Boat 3:15
21 The Prima Ballerina 2:10

Friday, 16 April 2021

Lindsay Cooper – "The Small Screen, Music For Television" (Sync Pulse Records – 625) 1984




In an age where the television screen is no longer small, but the size of medium sized cinema screen,we are treated to a bunch of channel 4 commissioned films from the first year or so of  Britain's fourth channel.
Back in 1982 I excitedly rushed back from school to catch the start of a brand new channel which promised adventurous and challenging programming. I got home just in time to see the start at 5 o'clock,only to witness the naffest of quiz shows ever invented...'Countdown', the ultimate show for geeks and nerds everywhere!?....the first episode featuring celebrity farmer Ted Moult, who subsequently blew his brains out a few years after his character was stained by appearing on Countdown in the coveted role of Smart Arse.This death by boredom atrocity is still going today,although it has a sexier lady on the vowels, and consonants,the lovely Rachel Riley,and also an x-rated version presented by that potty mouthed tax evader Jimmy Carr.
The real tasty programmes started after the 9pm watershed,with the very wonderful "Five Go Mad In Dorset",featuring a wizard bunch of uncouth 'Alternative' comedian types,playing the roles of Enid "Nazi Sympathiser" Blyton's thoroughly racist,sexist and arrogant little twats, The Famous Five.
Then later still we got the type of experimental films that Lindsay Cooper and her ilk would have made soundtracks for, like the spiffing efforts featured on this rather splendid cassette.
She wasn't too bad for a girl!? Hurrah!

Notes:
Tracks A1 to A5:
Songs from five short films made by Lis Rhodes & Jo Davis (Four Corners for Channel 4).

Tracks A6 to A9:
Green Flutes, a film about a Republican flute band in Glasgow, directed by Nancy Schiesari for Channel 4.

Track A10:
Domestic Bliss a comedy/drama directed by Joy Chamberlain (Newsreel Collective for Channel 4).

Tracks B1 to B8:
With Our Children, a film about lesbian mothers directed by Melanie Chait (Lusia Films for Channel 4).

Tracklist:

A1 The Song Of The Goose & The Common
A2 Off The Fence
A3 Fair Exchange
A4 Windscale
A5 The Number 8 Bus
A6 Belfast
A7 Fanfare
A8 Flute Tune
A9 Priesthill
A10 End Credits
B1 Court Entry
B2 Lord Wilberforce
B3 Home Movie 1
B4 Open Letters
B5 Linda B.
B6 Home Movie 2
B7 Three Heads
B8 Julia/End Credits

DOWNLOAD via your small screen HERE!

Thursday, 15 April 2021

Lindsay Cooper – "Outtakes For Other Occasions" ( No Man's Land – NML 8603 C) 1986


Well when I said that at least there were no feminist lyrics berating men for being men and not women, on The Feminist Improvising Group tape,yeah?...Well it seems that they....I used the word 'They' which in feminist newspeak usually means 'Men'...they,not 'they',saved that one for this tape of soundtracks for zero-budget plays and films that no-one got to see except a few chin stroking artphag's and the people who made them. 
"Score" from "Give Us A Smile",sung by improvising vocalist Maggie Nichols,with words by...wait for it....the Leeds Animation Workshop?... has all the paranoia and anti-male propaganda anyone could wish for......yeah of course everything is designed to keep women in their place,y'know, the kitchen and bed etc, blah blah blah.
It's enough to turn anyone into a misogynist inside three minutes.
'No Man's Land' is the label,but I notice Chris Cutler,and Fred Frith featuring prominently on the credits,dunno about you but the last time I checked they were officially 'Male'?
Otherwise, musically great,and reassuringly short. 

Tracklist:

From The Play "The Execution" 4:05
A1 Tsar's Band
A2 The Assassination
A3 The Evening Before
-
A4 Score (From The Film "Give Us A Smile") 3:00
B1 Washing Line (From The Film "Green Flutes")0:35
B2 Score (From The Film "Against The Current") 3:05
B3 Curtain Music From The Play "The Time Of Their Lives" 1:20
B4 Trih's Song 1:23


Saturday, 11 July 2020

Trevor Duncan ‎– "Other Worlds" (Impress ‎– IA 428) 1981


Was there ever an American called Trevor?
The infamous,or, Not famous, composer of the main theme to "Plan 9 From Outer Space" has a glaringly 'English' name, from the Eric Clapton skool of Les Noms Anglaise? Was probably born in Squatney, next door to Nigel Tufnel and David St Hubbins of Spinal Tap.......it says Camberwell here...close;but then we find out that his real name was a very foreign sounding Leonard Charles Trebilco,and now we're all confused,and a tad saddened!
Alas he redeems himself by working for the BBC,just before the Radiophonic Workshop was formed back in '56, and went down the freelance library music for films angle,which by a cruel twist of fate led to Edward D. Wood Jr selecting Trevor's music for the best worst movie ever made. I'm not even sure he would have been aware,or even paid, of this glorious fact before 'Death the proud brother(Criswell)' tapped him on his shoulder in 2005.
By the sound of this Library album from 1981, he would have blossomed had he stayed at the Beeb. This late period ,post synth Radiophonic Workshop era, collection of Electronica,could have been made by any of the post-Derbyshire staff on hand at Maida Vale studios.
In fact some of this stuff would not have seemed out of place on an 'Ash Ra' album,it being very proto-trance Manuel Gottshing in style.
Another thing I am a fan of is Library Music cover art,of which this is a glorious example, that suggests a willful workmanlike anonymity that most muscians balk at. Bright,but unassuming colours,clean lines,library label font bigger and snazzier than the composers name,and absolutely no pictures.
Most musicians' idea of cover art is a full size picture of their own face with name writ large to the expense of both taste and information.


Tracklist:

A1 Galactic Congress 4:12
A2 Cyclopulse 2:56
A3 Enigma On Centaurus VII 2:39
A4 Downtime On Lasvega V 3:30
A5 Sunrise On Aldebaren III 3:25
A6 Sunset On Sirius IV 2:15
A7 Girowarp 2:40
A8 Landscape On Rigel VI 2:53
B1 Beltegeuse V 3:29
B2 Outpost On Beltegeuse V 1:58
B3 Terror On Beltegeuse V 1:51
B4 Megadrive 2:39
B5 Laybeam I 2:03
B6 Laybeam II 0:38
B7 Laybeam III 1:26
B8 Eden On Arcturus IV 3:45
B9 Asteroid Trail I 1:59
B10 Asteroid Trail II 1:05
B11 Asteroid Trail III 1:04
B12 Asteroid Trail IV 1:07


Thursday, 9 July 2020

Various Artists - "Plan 9 From Outer Space - The Original Music Underscore" (Retrosonic Records ‎– RR-1001) 1959/1996


Here we have DIY cinema at its very zenith on a lavish budget of precisely  Fuck all. (watch it HERE!)
Edward D. Wood Jr's anti-nuclear masterpiece, and Bela Lugosi's final nail in his coffin...literally.
Now you can recreate all that amazing dialogue with the backing music, which Ed got from some cheapo Hollywood music library. Quite a few bits of this soundtrack turn up elsewhere in the Hollywood dumpster.For example, the Plan 9 main theme pops up in that other schlocksploitation movie "The Wild Women Of Wongo".....another DIY movie of impressive incompetence.
The 'Main Theme' was written by ex-BBC employee, Trevor Duncan.Who left the BBC the year Daphne Oram arrived, to earn more money in Hollywood,but,in the process,become totally forgotten.
As Delia Derbyshire made the immortal "Dr Who Theme" at the BBC, at least Trev wrote the  Theme to 'Plan 9 From Outer Space'?.....apparently this fact was not engraved upon his tombstone,a glaring error on a not too unremarkable CV.


Tracklist:

1 Prelude
Composed By – Trevor Duncan 0:52
2 Main Title
Composed By – Trevor Duncan 2:09
3 The Shadows Of Grief
Composed By – Van Phillips 1:39
4 Gravediggers
Composed By – Bruce Campbell, Steve Race 0:57
5 Lost Roses Of Her Cheeks
Composed By – Bruce Campbell 1:10
6 Tragic!
Composed By – Bruce Campbell 0:39
7 Police Squad
Composed By – Van Phillips 0:30
8 I'm A Big Boy Now, Johnny
Composed By – Franz Mahl (2) 1:18
9 Piano Talk: Jeff & Paula
Composed By – John O'Notes 2:57
10 Clay Stalked And Killed
Composed By – James Stevens (9), Trevor Duncan 1:53
11 Plan 9 Interlude
Composed By – Trevor Duncan 0:58
12 The Bell Has Rung
Composed By – Van Phillips 1:22
13 Saucers Over Hollywood
Composed By – Trevor Duncan 2:20
14 Col. Edward's Big Decision
Composed By – Van Phillips 1:25
15 Saucer Fire
Composed By – Van Phillips 1:02
16 Your Pillow Beside Me
Composed By – Trevor Duncan 1:23
17 The Old Ghoul Walks
Composed By – Franz Mahl 0:42
18 Mac Calls Paula
Composed By – Franz Mahl 0:45
19 Cemetery Chase / Clay Rises
Composed By – Trevor Duncan, Van Phillips 3:56
20 The Old Ghoul Retreats
Composed By – Franz Mahl 1:06
21 Graveyard Marionettes
Composed By – Ward Sills 1:47
22 Kelton Lights A Match
Composed By – Franz Mahl 0:44
23 Drop Your Electrode Gun!
Composed By – Trevor Duncan 0:22
24 There's Something Out There
Composed By – Trevor Duncan 2:18
25 Clay Abducts Paula
Composed By – Steve Race 0:40
26 Eros, Do We Have To Kill Them?
Composed By – Wolfgang Droysen 1:22
27 Someday It'll All Be Gone
Composed By – Wolfgang Droysen* 2:18
28 Kelton & Larry Enter Ship
Composed By – James Stevens 0:46
29 Fight / Fire / Finale
Composed By – Van Phillips 3:10
30 God Help Us In The Future
Composed By – Gilbert Vinter, Trevor Duncan 2:15


DOWNLOAD plans 1-30 from outta cyber-space HERE!

Monday, 6 July 2020

Vangelis ‎– "Blade Runner" (EastWest ‎– 4509-96574-2) 1982/1994


On the day that soundtrack miester Ennio Morricone left us at the mercy of John Williams, and that bloke from Radiohead to do our soundtracks, here's a rare thing indeed...a great Vangelis record.
It also happens to be from another of my super bestest filmy wilmy's, The Magnificent "Blade Runner" (original version).
A fine existential exploration into what makes one alive or not?
It contains one of the greatest final speeches in the history of ,at least, Science Fiction,written by dutch acty-man Rutger Hauer.
If i could replce the words with Spaghetti western and italian soft-porn references, it would also have been a perfect tribute for the Legendary Ennio,but, unlike Roy the replicant,all those moments aren't lost in time;they're all on record until the end of human civilisation.
Hopefully in a hundred or so years he will earn his rightful place alongside Bach,Beethoven,Beefheart and Danny and the Dressmakers,in the pantheon of great composer elite.

"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain.......Time to die!"


Tracklist:

1.Main Titles 3:42
2.Blush Response 5:47
3.Wait For Me 5:27
4.Rachel's Song 4:46
5.Love Theme 4:56
6.One More Kiss, Dear 3:58
7.Blade Runner Blues 8:53
8.Memories Of Green 5:05
9.Tales Of The Future 4:46
10.Damask Rose 2:32
11.Blade Runner (End Titles) 4:40
12.Tears In Rain 3:00


Sunday, 5 July 2020

Wendy Carlos ‎– "The Shining (Complete Motion Picture Score By Wendy Carlos)" (Overlook Productions ‎– LOOK-CD19802005) 1980/2005



"HEEEEEEERRRRRREEEESSSSS JONNY!"
I was tempted to just post pages and pages of the repeated phrase "All Work And No Play Makes Jonny A Dull Boy", but i can't resist the temptation to write something full of Shiningisms,as this has to be up near the top of my favourite movie list.
Wendy Carlos was no longer Walter, and ,although there's a shed load of  spooky experimental classical music included,likely chosen by Kubrick, She provided a suitably sinister minimal electronic score.
Jack Torrence reminds me of myself, the amount of times the scene when Wendy interrupts Jack at 'work' was repeated in my mountain hideaway makes me shudder with embarassment.
Admitedly I never smashed down a door with an axe, but as David Banner in the Lou Ferringo Hulk used to say..."Don't Make Me Angry, you won't like me when I'm Angry"!
My former partner was no shrinking violet either, think of Clint Eastwood's stalker,Evelyn, from "Play Misty For Me".....she was frightening, sheeech!She threatened to 'kill me and slit my girlfriends throat at one stage......worst thing is I believed her! Later diagnosed with 'Borderline Personality Disorder', whatever that means.So as she's on medication I can sleep soundly without fear of being stabbed up by a nutter. Now, no-one interrupts me when i'm at work except my drummer,but at least he brings beer so that's almost ok.So Jonny's now a dull boy again.
This movie also has the marvellously named Scatman Crothers, more famous as the voice of 'Hong Kong Phooey', as Mr O'Halleron, of which I do a peerless impression.
"How d'You like some Ice  cream doc?"

"That's strange sir, I don't have any recollection of that at all?", said Delbert Grady in that fantastic restroom scene.....That's because a lot of this music wasn't used,or even made for the final movie,which is a shame 'cus its nicely creepy,and a tad disturbing. The "Kill,Kiiiiil" bit in 'Horror Show' was too close to home for comfort;an insight into the malfunctioning brain of my ex-partner!(Shudder).
There's lots of use of dialogue from the film itself, and from other shining related sources underlaying the out-takes/remakes.Sadly,as you may notice, not all of these music cues are from the original soundtrack or film, they are re-creations,this being an unofficial release...well done yes, but if you were hoping for the ORIGINAL score in digital format, this ain't it,but...it's better than the original vinyl so thats what we've got.All the Bartok and Penderecki stuff is worth the price of admission alone.
It's just sad that Jack Nicholson made more movies after this...he really should have stopped there.


Tracklist:

1-1 Opening [Altered Ancient Anthem - Dies Irae Aka Day Of Wrath : 25th Anniversary Version] 3:00
1-2 The Shining Title Music 3:51
1-3 Danny 1:28
1-4 Colorado 1:13
1-5 The Rocky Mountains 1:46
1-6 The Overlook Hotel 3:52
1-7 Visitors 2:17
1-8 Dark Winds And Rustles 1:49
1-9 Greetings Ghosties 2:19
1-10 Horror Show 1:04
1-11 A Haunted Waltz 0:37
1-12 Subliminal Ballroom 1:16
1-13 Paraphrase For Cello 3:23
1-14 Two Polymoog Improvisations 1:47
1-15 A Ghost Piano 1:58
1-16 Paraphrase For Brass 1:34
1-17 Setting With Medea 2:10
1-18 Clockworks - Dies Irae 2:17
1-19 Heartbeats And Worrying 2:10
1-20 Psychic Shout - Room 237 1:14
1-21 Danny Bells Ascending 1:19
1-22 Psychic Scream 1:25
1-23 Thought Clusters 0:55
1-24 Fanfare And Drunkenness - Dies Irae 1:33
1-25 Day Of Wrath 1:04
1-26 Where Is Jack? 5:21
1-27 Bumps In The Night 3:02
1-28 Chase Music 1:11
1-29 Postlude 1:09
1-30 Title Music - Dies Irae 3:42
1-31 Clockworks - Bloody Elevators [Trailer Music] 2:18
1-32 Nocturnal Valse Triste [Making The Shining] 1:22
1-33 Main Title [Original Album Version] 3:23
1-34 Rocky Mountains [Original Album Version] 2:53
1-35 Reprise 0:49
1-36 Episode From The Life Of An Artist, Op.14 / Fantastic Symphony, Fifth Movement - Dream Of A Witches Sabbath : Dies Irae 4:55
1-37 Death, Op.44 / First Movement - Sad Waltz: Lento [Valse Triste, Excerpt] 4:18
1-38 Dance Of Death, Op.457 - Dies Irae [Paraphase, Excerpt] 2:48
1-39 Home [When Shadows Fall] 4:31
1-40 Warner Bros. Logo 0:14
2-1 Lontano For Orchestra [As From A Distance, Sustained With Expression Aka Window On Long Submerged Dream Worlds Of Childhood] 11:27
2-2 Music For Strings, Percussion And Celesta [Celebrating The 10th Anniversary Of An Orchestra] - Third Movement : Adagio 7:14
2-3 Music For Strings, Percussion And Celesta - First Movement : Andante Tranquillo [Excerpt] 3:56
2-4 Morning Prayer II - Resurrection : Gospel 2:18
2-5 Morning Prayer II - Resurrection : Passover Canon 2:47
2-6 The Awakening Of Jacob [Aka The Dream Of Jacob] 8:06
2-7 Nature Sonorities I [Aka On The Nature Of Sound I] 7:13
2-8 Nature Sonorities II [Aka On The Nature Of Sound II] 8:55
2-9 Polymorphia For 48 Strings 10:35
2-10 Canon For 52 Strings And Tape Delay 9:31
2-11 Concerto For Cello And Orchestra I [Excerpt] 4:28
2-12 Home [When Shadows Fall] 3:00
2-13 Midnight, The Stars And You 3:24
2-14 It's All Forgotten Now 3:19
2-15 Masquerade 3:14


Saturday, 4 July 2020

Walter Carlos ‎– "Walter Carlos' Clockwork Orange" (CBS ‎– 73059) 1972


As your loyal scribe nicked his nom de plume from the top ten(Number 2 if I remember correctly?) in the chart in the pop-disk shop featured in "A Clockwork Orange" , it seems only too fitting to include this oscar nominated score in this brief section of electronic soundtracks for movies. It could have also fit comfortably in the thread one did on early female electronic pioneers.....except this was done by the male Carlos,Walter, just before his gender reassignment, as Wendy.
Generally,i'm not too big a fan of Wendy Carlos's synth work.It's electrified classics direction stunk of elevator muzak,as did the up and coming warbles in the 'Switched On Bach' series. What's the point in accurately transcribed classical works on a Moog?Why not just hear these over played compositions as they were supposed to be slooshied? New music for new instruments is the long respected tradition innit?
Soundtrack work was the perfect place for Wendy or Walter to tinkle their ivories.
A horrorshow of a movie,and the soundtrack is understated but with a sufficient level of sarky-ness to be a perfect bedfellow for this parable about directionless ultra-violent yoof.
I think I got a pain in me gulliver missus.


Tracklist:

1 Timesteps 13:50
2 March From A Clockwork Orange (Beethoven: Ninth Symphony: Fourth Movement, Abridged) 7:00
3 Title Music From A Clockwork Orange (From Purcell's "Music For The Funeral Of Queen Mary") 2:21
4 La Gazza Ladra (The Thieving Magpie, Abridged) 5:50
5 Theme From A Clockwork Orange (Beethoviana) 1:44
6 Ninth Symphony: Second Movement (Scherzo) 4:52
7 William Tell Overture (Abridged) 1:17
8 Country Lane 4:43


Friday, 3 July 2020

John Carpenter - "Lost Themes" - (Sacred Bones Records SBR-123) 2015


Anyone who made a movie called "They Live" is alright by me. This is the chap who did Halloween for christ's sake! Not to mention "The Thing",the greatest argument against CGI graphics I can think of,with it's state of the art,1982, 'Animatronics'.Real stuff happening on screen,which avoids your movie looking like a playstation game.
Carpenter,also, had a talent for minimal electronic soundtracks,like "Assault On Precinct 13", and here he gets to live out his fantasy as a 70 year old frustrated Gary Numan,unleashing nine minimal synth themes for movies yet to be made.Sounds like a terrible Idea doesn't it?....but its rather good.This could have been made by a bunch of Belgian new beat bedroom dwellers in 1982...which was probably what John was listening to during the making of 'The Thing'?....the thing is, these are almost as good as the Main Theme from Precinct 13.
Good to see he's keeping busy.....never retire is my advice to all you early onset avoiders out there.Which is a choice you'll likely never have to make as all the state pensions are now fucked.I for one will have no choice but to work until i'm in my casket waiting to be scattered over the turf of the King Power Stadium.....which I now learn is 'Illegal'!?....those bastards fuck you over even when you're dead!!!...Glad to be gone in advance and FUCK YOU!


Tracklist:

1.Vortex 4:45
2.Obsidian 8:24
3.Fallen 4:45
4.Domain 6:34
5.Mystery 4:36
6.Abyss 6:07
7.Wraith 4:30
8.Purgatory 4:39
9.Night 3:38


Thursday, 2 July 2020

John Carpenter ‎– "Assault On Precinct 13" ( Death Waltz Recording Company ‎– DW 018) 1976/2003

Never meant for release,this proto-minimal synth masterpiece finally saw the light of day in the 21st century. John Carpenter somehow became the accidental king of minimal dark synth. This could have been a Gary Numan number,but it came before the young Gary had even thought of Tubeway Army.
It also bares a striking similarity to Kraftwerk's "Trans Europe Express", but without the pretentions.John just popped into the studio and knocked out a menacing soundtrack on the in-house mini-moog for his zero budget violent thriller,saving himself a large fee to pay some over-rated soundtrack composer.....who needs those schmuks?
I only saw the the Movie once,and that was enough,but the soundtrack was groundbreaking.More for the 'Pop' world rather than movie history, but rather effective I think you'll agree?

Tracklist:

1 Main Title
2 Napoleon Wilson
3 Street Thunder
4 Division 13
5 Ice Cream Man On Edge
6 Wrong Flavour
7 Emergency Stop
8 Lawson's Revenge
9 Sanctuary
10 Second Wave
11 The Windows
12 Julie
13 Well's Flight
14 To The Basement
15 Walking Out
16 Assault On Precinct 13


Edward Artemiev ‎– "Solaris Original Soundtrack" (Мирумир ‎– MIR 100705) 1972


Dunno if its because I'm pissed (drunk, not angry, you americans!) but this is fantastic!
Everytime I've seen 'Solaris',the Soviet funded answer to '2001', I've been pissed and woke up thinking it was Fantastic.
Then I saw it sober, and fell asleep,woke up thinking that it was an incredibly boring crock of shite!
It's a film that you need to be in the correct time and place, and state of mind to enjoy.Unless you are a psuedo intellectual who would never admit to being bored by Tarkovsky.
Right now,i'm Loving this dark ambient foray into the darker energy of the ultimate isolation on the shores of a lifeless infinity.
No-one captures emptiness better than Artemiev.....unless you're sober that is.
A contemporary of the equally demanding "Andromeda Strain",which I have seen very sober in the daytime, and thought it was a masterpiece....then saw it drunk with some mates and we all thought it was a boring crock of shite,then switched over to watch 'Godzilla vrs Mechagodzilla', which is a work of unappreciated genius!
What is good and what is shite is a complicated science indeed;but right now i'm saying Solaris is one of the greatest films ever made, as is 'Godzilla vrs Mechagodzilla'.....as for 'the Andromeda Strain',i'll see next time i'm off my tits on strong continental lager......i may have already labelled it 'dull' in the previous post featuring the hexagonal soundtrack album that mashes up your stylus.
However both soundtracks are unsttling dark ambient excursions into the black heart of the human condition.......can't really say that about the "Mecha-godzilla" soundtrack,but i will post it for a classic 'contrast and Compare' moment.


Tracklist:

1 Part I 2:48
2 Part II 2:32
3 Part III 2:22
4 Part IV 3:13
5 Part V 2:27
6 Part VI 7:18
7 Part VII 3:55
8 Part VIII 2:56
9 Part IX 1:26
10 Part X 0:38
11 Part XI 2:09
12 Part XII 1:42
13 Part XIII 4:44
14 Part XIV 0:44
15 Part XV 4:36
16 Part XVI 6:19
17 Part XVII 1:21


Wednesday, 1 July 2020

Gil Mellé ‎– "The Andromeda Strain (Original Electronic Soundtrack)" (Kapp Records ‎– KRS 5513) 1971




One the very few records whose sleeve cost 200% of the gross profit,and the hexagonal ,unique in itself,record inside destroyed your turntable if you forgot to switch it to manual......how cool's that?
Jazzer and electronics dabbler Gil Mellé,was commisioned to make a weird electronic soundtrack for one of the most painstakingly boring science fiction movies this side of Tarkovsky's 'Solaris',which also had a electronic soundtrack too ,did it not, by Eduard Artimiev?
A tiresome science-fiction techno-thriller documenting the efforts of a team of scientists investigating the mysterious outbreak of a deadly extraterrestrial microorganism/Virus.Hmmm,where have I heard that before?These ambient style horror electronics are really the work of the Synth rather than the 'artist'. Give a chimp a go on a EMS synth and something similar will emerge....you don't even need an infinite number of Chimps either....maybe one or two,or just one aging Jazzer looking to move into soundtrack work.
This was the first all-electronic soundtracks ever released,but not the first to be commisioned.No-one thought anyone would want to listen to this stuff in their homes until the seventies.It's sonically challenging, ominous and discordant. Like a haunting electro-acid patchwork of analog synthesizer experiments...but,experiments that could be done by the infinite chimp that resides in all of us.For that reason alone this should be praised;and then there's the packaging,and the stylus mashing record shape.Which makes this all quite perfect.It's a perfect soundtrack for a film about containing an outbreak of an extra-terestrial virus,and perversly turns out to be the perfect soundtrack for these times...there's a virus outbreak apparently that's slaying 0.004% of the human population....run for your lives,but wear a mask, disinfect your hands,and listen to the soundtrack of "The Andromeda Strain" while you're running,not dying.


Tracklist:

1.Wildfire 2:41
2.Hex 3:57
3.Andromeda 2:33
4.Desert Trip 4:14
5.The Piedmont Elegy 2:22
6.Op 2:43
7.Xenogenesis 2:40
8.Strobe Crystal Green 4:45


Tuesday, 30 June 2020

Raymond Scott ‎– "Manhattan Research Inc." (Basta ‎– 30-9078-2) 2000


Whereas one ,rather more famous, Manhatten Project became the Destroyer of Worlds.
There was another that became the Creator Of Worlds,in fact the creator of the synth.This one was run by Raymond Scott,who spent his time stretching the limits of modern 1950's science to make something positive for the future of mankind,rather than its destruction.Although some of the music his research and innovation went on to enable its existence by,would make any sane man choose nuclear annihilation rather than have this torture inflicted upon them.
From around 1949 onwards,former Big Band Jazzer Raymond, spent most all of his time inventing early synth's like the "Electronium", and the "Clavinox",which was a keyboard controlled Theremin,and the "Karloff",an early sampler. Naturally he used all this gear in his wacky music,which can be heard in most decent american cartoons up to and including ,in my opinion, The best TV series ever made, "The Ren and Stimpy Show".
This posthumous release of unreleased works discovered at his home, showcases Scott's pioneering electronics from the 1950s and 1960s with his futuristic electronic compositions mainly used in television and radio commercials and for the burgeoning market for novelty records of electronic music.He was highly prolific in all areas of early electronic music it seems.
So that's why he was forgotten?
Tracklist:

1-01 Manhattan Research, Inc. Copyright 0:11
1-02 Baltimore Gas & Electric Co. (Instrumental, Take 4) 1:14
1-03 Bendix 1: "The Tomorrow People" 1:06
1-04 Lightworks 1:52
1-05 The Bass-Line Generator 3:10
1-06 "Don't Beat Your Wife Every Night!" 1:44
1-07 "B.C. 1675" (The "Gillette" Conga Drum Jingle) 3:16
1-08 Vim 0:59
1-09 Auto-Lite: Sta-Ful (Instrumental) 0:47
1-10 Sprite "Melonball Bounce" (Instrumental) 1:01
1-11 Sprite "Melonball Bounce" 0:59
1-12 "Wheels That Go" 0:50
1-13 "Limbo: The Organized Mind" 4:33
1-14 "Portofino" 1 2:13
1-15 County Fair 1:01
1-16 Lady Gaylord 1:02
1-17 Good Air (Take 7) 0:38
1-18 IBM MT/ST: "The Paperwork Explosion" 4:31
1-19 Domino 0:33
1-20 Super Cheer 0:34
1-21 Cheer: Revision 3 (New Backgrounds) 0:39
1-22 "Twilight In Turkey" 1:32
1-23a Raymond Scott Quote 0:55
1-23b Vicks: Medicated Cough Drops 0:41
1-24 Vicks: Formula 44 0:46
1-25 Auto-Lite: Spark Plugs 1:00
1-26 Nescafé 1:06
1-27 Awake 0:35
1-28 "Backwards Overload" 6:04
1-29 Bufferin: "Memories" (Original) 0:59
1-30 Bandito The Bongo Artist 1:30
1-31 Night And Day 1:45
1-32 Baltimore Gas & Electric Co. ("395") 1:07
1-33 K2r 0:19
1-34 IBM Probe 1:56
1-35 GMGM 1A 1:49
1-36 The Rhythm Modulator 3:37
2-01 Ohio Plus 0:17
2-02 "In The Hall Of The Mountain Queen" 0:49
2-03 General Motors: Futurama 1:04
2-04 "Portofino" 2 2:14
2-05 "The Wild Piece" (a.k.a. "String Piece") 4:07
2-06 "Take Me To Your Violin Teacher" 1:40
2-07 "Ripples" (Original Soundtrack) 0:59
2-08 Cyclic Bit 1:04
2-09 "Ripples" (Montage) 4:06
2-10 The Wing Thing 1:00
2-11 County Fair (Instrumental) 1:00
2-12 "Cindy Electronium" 1:59
2-13 "Don't Beat Your Wife Every Night!" (Instrumental) 1:45
2-14 Hostess: Twinkies 0:32
2-15 Hostess: Twinkies (Instrumental) 0:32
2-16 Ohio Bell: Thermo Fax 0:24
2-17 "The Pygmy Taxi Corporation" 7:11
2-18 Baltimore Gas & Electric Co. (Announce Copy, Take 1) 0:29
2-19 Baltimore Gas & Electric Co. 0:44
2-20 Lightworks (Slow) 1:40
2-21 "The Paperwork Explosion" (Instrumental) 3:39
2-22 Auto-Lite: Ford Family 1:03
2-23 Auto-Lite: Ford Family (Instrumental) 0:54
2-24a Raymond Scott Quote 0:27
2-24b Auto-Lite: "Wheels" 1:23
2-25 Bufferin: "Memories" (Demo) 0:40
2-26 "Space Mystery" (Montage) 5:11
2-27 "The Toy Trumpet" 2:15
2-28 "Backward Beeps" 1:05
2-29a Raymond Scott Quote 0:35
2-29b Auto-Lite: Sta-Ful 1:01
2-30 Lightworks (Instrumental) 1:29
2-31 "When Will It End?" 3:14
2-32 Bendix 2: "The Tomorrow People" 1:03
2-33 Electronic Audio Logos, Inc. 5:23


Sunday, 14 June 2020

Don Harper ‎– "Homo Electronicus" (Columbia ‎– SCX 6559,) 1974


Don Harper....if ever there was a more Australian name I'd like to know.....luckily,escaped the Australia of the 1970's for the hip recording studio's of the UK. He found ample work for his musical talents within British TV, for both the BBC and ITV, where he was the man who made Dickie Davis groovy with his musical arrangments for those tiresome sporting collages on ITV's World of Sport programme, where he stayed for 15 years!...poor fucker!
He regularly appeared in the Radiophonic workshop, and did a Library electronic album with Delia Derbyshire and Brian Hodgson..."Electrosonic" for KPM.
Don was either making a statement with the title of this solo album, which would explain why he escaped the land of Dennis Lillie,Rod Marsh, and Merv Hughes (celebrated purveyours of the noble art/arse of Cricket) or he was actually referring to the marriage of man, as in mankind, with the blossoming technology of the age.
Releasing an album called anything with 'Homo' in the title could have got you killed in seventies Australia. I suspect that Dennis Lillie,Rod Marsh, and Merv Hughes were probably gay anyway....just look at those moustaches for fucks sake! Freddie Mercury's wet dream.
Some obviously GAY Australian Cricket legends.
Well as a proud...er... member....coff...I could do this all day!....of the Homo Erectus species(Tee-Hee) of modern man, I can proudly announce to the world that I am,unfortunately, Straight....I would love to be Gay but I think Blokes are a bunch of twats without twats, so i prefer the less competitive world of Ladies......no I don't mean I want to be a lady....look,lets not go there, this attempt at humour is complicated enough!?
I dunno if Don was or was not gay, with glee,I just saw the prefix 'Homo' , and went off on one....sorry Don(RIP).
He was ,however,the Stephane Grappelli of the antipodes, and scrapes those violin strings with the spunkiness of a recently de-closeted 'puffda', as Merv Hughes would say, lubing up Brad Pitts bare arse. You'll never hear a funkier version of the Dr Who theme anywhere outside the James Last Orchestra,and the rest of the tracks are classic Library Music standards that wouldn't be out of place in an elevator, which is NO criticism.And, of course, Don whips out his Syntheziser much to the disgust of his former college Ms Derbyshire,whose influence can be heard on every track.
I wasn't labelled a 'Homophobic Fuck' in the pages of Discogs for nothing you know; but there isn't a statue of me to decapitate as of yet, so I don't give a fuck.......here's my chance to unleash the classic Homophobe's non-argument....."Some of my closest Friends are Gay"....you could sub the word 'Gay' for 'Black' too if you're that way inclined.....i've been called a'Racist Fuck' too y'know.
I have to say I do like the new look of the Churchill Statue,its a Brutal post-modernist statement,and could also be the prediction come true of the Space Odyssey Obilisk?.....definitely a case of 'Don't mention the War'.....I let it slip once but I think I got away with it!"....but, of course Fawlty Towers was banned from UKTV as of yesterday.....then apparently reinstated after a lot of moaning.It all depends on who moans loudest it seems!?
            After............and.............before.......Good innit?

Tracklist:

A1 Dr. Who Theme
A2 Cold Worlds
A3 Fiddle Chop
B1 The Blue Book
B2 Nightmare
B3 World Of Sport


Saturday, 13 June 2020

Desmond Leslie ‎– "Music Of The Future" (Musique Concrete ‎– MC 1001) 1960


Apart from inventing the multitrack mixing desk and being a close relation of Winston Churchill, World War Two Spitfire pilot Desmond Leslie, developed an interest in musique Concréte and electronic music shortly after the war had ended. He had his own little recording studio, and proceeded to make these sinister pieces of early electronic music, which found their way onto the soundtracks of a few terrible British Science Fiction movies, and even some early Dr Who soundtracks.
Leslie was probably most famous for punching theatre critic Bernard Levin in front of eleven million viewers during an edition of the live satirical TV show That Was The Week That Was in 1962. Ostensibly this was to protect the honour of his then-wife, Agnes Bernelle, in response to Levin's critical review of her show, Savagery and Delight.Levin was asking for it if you ask me....god knows what Bernie would have said about this....er...music?Or any of Leslie's science fiction novels and screeplays?
Hopefully, we will all get over that punch one day and laud Leslie for his remarkable achievements with music technology and his fantastically weird and forward looking music.


Tracklist:

Theme Music From The Film: The Day The Sky Fell In
A1 Play-In 0:26
A2 Destruction Of The Flies 4:46
A3 Invention Of The Weapon 0:45
A4 The Stranger 1:40
A5 The Stranger's Gift 1:05
A6 Finale And Play-out 1:51
Music Of The Voids Of Outer Space
A7 Asteroid Belt 2:21
A8 Mercury, Fleet Messenger Of The Gods 1:05
A9 Comet In Aquarius 1:30
A10 The Warhorns Of Mars 1:40
A11 Saturn-Chronos 4:13
Sacrifice, B.C. 5,000
B1 Dawn, Invocation 2:45
B2 Gathering Of The Elders 4:43
B3 Coming Of The Elementals, The Victim 6:47
Death Of Satan
B4 Esoteric Tone Poem 6:34

Thursday, 11 June 2020

BBC Radiophonic Workshop ‎– "The John Baker Tapes Volume 2 (1963-75) (Trunk Records ‎– JBH029CD) 2008


I suppose the label this was released on should have been called 'drunk' not 'Trunk' records, as Radiophonic Workshop stalwart John Baker was probably drunk while he made the majority of these novel advert jingles and TV soundtracks.
Compared to his colleagues John was firmly on the musicianly side of composition,and also firmly in the Novelty music section of the workshop. Whereas Delia Derbyshire could make her doomy atmospheres, and Brian Hodgson could spent all his time making weird noises,John was lumbered with making funny tunes from varispeeded shampoo bottle pan pipes for a daytime childrens science programme. No wonder he turned to the evil drink.....but then again so did Delia. Although Delia couldn't keep up with Johns voracious appitite for consuming reams of cigarettes and therefore lived a few years longer.
Delia left in 1973 because the electronics were getting too easy and more conventional, but John Baker was sacked for being Drunk most of the time. The last recording he made before his descent into the dark realms of alcoholism was done at home on his piano in 1975(included here)...probably just before he sold it to buy more booze.He never made music again and died, age 60, in 1997.


Tracklist:

1 – Tempo Counter 0:04
2 – Get Happy 3:54
3 – Electro-Twist MQ LP1/1 1:23
4 – Electro-Suspense MQ LP1/2 1:27
5 – Electro-Rhythm MQ LP1/3 1:23
6 – Electro-Slow MQ LP1/4 1:33
7 – Boy On A Bicycle 4:03
8 – Brass Bandied MQ LP14/1 1:17
9 – Brass Widow MQ LP14/2 1:38
10 – Omo And Giro Adverts 1:20
11 – I Wanna Hold Your Hand Medley 2:33
12 – Electro-Auto MQ LP35/1 1:29
13 – Electro 5/4 MQ LP35/2 1:30
14 – Electro Waltz MQ LP35/3 1:28
15 – Johnny Johnson Jingles 1:25
16 – 1980s Feedback Loop 0:04
17 – Requioso - PIL 9011 2:21
18 – JB Dubs 1:13
19 – Out Of Nowhere 5:23
20 – Electro-Beat MQ LP19/1 1:30
21 – Electro-Weird MQ LP19/2 1:24
22 – Electro-Fugue MQ LP19/3 1:14
23 – Electro-Aggression MQ LP38/1 1:57
24 – Electro-Tension MQ LP38/2 2:27
25 – Jazz Advert 1:38
26 – Brylcreem 0:30
27 – John Baker Goon Advert 0:34
28 – Power Source MQ LP39 3:23
29 – 1980s Tape FX 0:42
30 – Pots 'N' Pans MQ LP48/1 3:24
31 – Banshee Boogie MQ LP48/2 1:45
32 – Feedback MQ LP48/3 2:58
33 – Space Workshop MQ LP48/4 3:12
34 – Piano Concrete MQ LP48/5 2:55
35 – JB Test Tone 0:08
36 – Piano Strokes 2:25
37 – JB At Home On The Piano 0:51
38 – Brief Lives - JB Obituary 1:47
39 – JB 78 RPM - All The Things You Are 2:26


Wednesday, 10 June 2020

John Baker / BBC Radiophonic Workshop ‎– "The John Baker Tapes Volume 1 - rare and unreleased recordings 1963-1974" (Trunk Records ‎– JBH028CD)


John Baker, was a scumbag who lived at the shitter end of my street when I was vilified for daring to win a place at Grammer skool.Being called intelligent was as good as wearing a sign saying 'please kick my head in' for us unfortunate members of the underclass from the oxygenated end of the gene pool. The 'Bakers' all had scoliosis, the word 'Shithouse' was written in dripping black gloss on their toilet door,the eldest male was nick-named 'Igor',and they had a predeliction towards violence and criminal behaviour in general.
The John Baker responsible for the music on this CD, however, didn't live on my street as a kid growing up, but he was an unnamed member of the household through his prolific production of TV Theme tunes and Radio jingles throughout the sixties, seventies and no further, after he got the sack in 1974.
A contemporary of the legend that is Delia Derbyshire, he brought musicianly technique into the Workshop, as well as forty fags a day...thats cigarettes to you americans. He filled the vacancies for the Jazz Musician of the group, as well as the chain smoker. I'm also sure he joined in on the heavy wine consumption that the workshop was also renowned for,especially as wine bottles with various levels of liquid in them were an essential sound source for the staff to record and manipulate.
Many of those bottles no doubt found their way onto many of these jolly little tunes.
John,like Delia,died early from heavy cigarette and Alcohol comsumption in a confined space for too long a period. 
After becoming an alcoholic, Baker recorded no further music after being sacked by the Radiophonic Workshop and later died in poverty.......a life summed up in one dismissive sentence!?
He deserves more than that,thats why we've have three John Baker retrospectives lined up to revive the forgotten man of the Radiophonic Workshop's tarnished reputation.
This John Baker died while the scummier John Baker with the bad posture probably still lives,just, on my childhood street,and 'Shithouse' is probably still written on the toilet door.The wrong one died young,there's still time for that to be put right,if it hasn't been already?But,Justice is something that is rarely doled out fairly in this cruel world.
PS...Igor still lived,by the way, because i saw him down the pub on the night Leicester City won the League Cup back in '97....he gave me a HUG(?).Ahhhh,Association Football....the great leveller!?

Tracklist:

1 Newstime BBC 1+2 0:23
2 Tros Y Gareg (Main Theme) 2:50
3 Tros Y Gareg (Idents) 0:20
4 20th Century Focus 2:22
5 Vendetta: The Ice Cream Man 1:18
6 Woman's Hour (Reading Your Letters) 1:47
7 Many A Slip 0:57
8 Look And Read 0:35
9 Building The Bomb 6:24
10 Au Printemps 2:27
11 Big Ben News Theme 0:33
12 Codename 1:03
13 Decimal Currency 0:20
14 Barnacle Bill 0:21
15 Dial M For Murder 2:25
16 Farm Management 0:30
17 Radio Sheffield (News Idents) 0:45
18 French Science And Technology 0:39
19 Good Morning Wales (Idents) 0:37
20 Heavy Plant Crossing 0:59
21 COI Technology Pavilion 9:30
22 John Baker Interview (Radio Nottingham) 2:33
23 Radio Nottingham Idents 0:34
24 Look North: Newstime 0:50
25 Man Alive: UFO 1:14
26 PM - Computers In Business 0:39
27 Submarines 1:59
28 Oranges And Lemons (Radio London) 2:36
29 Orbit 0:47
30 Places For People 0:47
31 Sling Your Hook 2:27
32 Suivez La Piste 0:49
33 Scene (Never Never) 1:40
34 Diary Of A Madman 3:54
35 The Two O'Clock Spot 0:58
36 Radio London: News Idents 0:25
37 The Caves Of Steel 3:11
38 The Locusts 0:45
39 Square Two 0:29
40 The Tape Recorder 1:11
41 Tom Tom (Theme) 0:42
42 Tom Tom (Idents) 0:15
43 Trial (Opening Theme) 0:35
44 Trial (Closing Theme) 1:22
45 Vendetta: The Sugar Man 2:01
46 Spin Off 0:21
47 Radiophonic FX C 0:10
48 Radiophonic FX A 0:54
49 Radiophonic FX B 0:35


Tuesday, 9 June 2020

The BBC Radiophonic Workshop ‎– "Doctor Who - The Krotons" (Silva Screen ‎– SILCD 1371) 2013/1968


Patrick Troughton was the first Dr Who I remember, with his sinister swarthy looks and scruffy appearance.He was good.
This soundtrack thrust Radiophonic Workshop stalwart, Brain Hodgson, the inventor of the Tardis noise and therefore one of the greatest sound inventors this side of Godzilla, into the limelight.
Brian was certainly a noise manufacturer rather than a musician, so the sounds involved in these episodes lean firmly in the direction of Sound Effects,with no Tristram Cary to manifest some kind of aural narrative to frighten the shite out of our children.
However this would still constitute a serious piece of avant garde electronic music in its own right if it wasn't associated with a television show.'Serious Artists', to the man, never admit to watching Television,ever! Avant-Garde snobbism in action.Ahhh, what's the word now?....that's it!...TWATS!


Tracklist:

1 Doctor Who (New Opening Theme,1967) 0:52
2 The Learning Hall 2:40
3 Door Opens 0:36
4 Entry Into The Machine 1:33
5 TARDIS (New Landing) 0:18
6 Wasteland Atmosphere 1:23
7 Machine And City Theme 1:49
8 Machine Exterior 1:43
9 Panels Open 0:17
10 Dispersal Unit 0:40
11 Sting 0:19
12 Selris' House 0:41
13 Machine Interior 1:16
14 Snake Bleeps Low 1:01
15 Silver Hose (The Snake) 0:45
16 Snake Bleeps High 0:30
17 Teaching Machine Hums 0:43
18 Forcefield 0:47
19 Burning Light 1:05
20 Birth Of A Kroton 1:10
21 Kroton Theme 2:13
22 Kroton Dies 0:34
23 Link - Rising Hum 2:04
24 Kroton Dies (Alternative) 0:19