Showing posts with label Pop:Aural. Show all posts
Showing posts with label Pop:Aural. Show all posts

Thursday, 26 May 2022

Drinking Electricity – "Overload + Singles" (Pop:Aural / Survival) 1980/1982


Inmates of Bob Last's Pop:Aural imprint,whose professed aim was to get a leftfield act into the pop charts by stealth.
Having been robbed of The Human League by Virgin,an independent label who had subverted the Pop Charts many times before already....a fact that went unnoticed in the Last household it seems.It didn't stop him from ruining The Fire Engines,among others, in his quest for Pop mogul-ism in the guise of the hip priest of 80's pop.
Nonetheless, Bob Last was responsible for some the greatest hip-pop failures of the early part of the decade.
Drinking Electricity, from somewhere in downtown Surrey,had the perfect set-up;guy and gurl with tech who weren't too harsh on the eye. A lot of the tunes sound like you've heard them before elsewhere,there's hints of "Assault On Precinct 13" and the main riff of "Being Boiled" appears(I guess that Bob felt it was his property?) ,but transferred to a funky bass guitar.
In all, its a fine collection of wonderfully analogue minimal electronics coupled with spiteful robo-bitch vocals treading on the heavily mined no-mans land of too "kool for skool" territory.....(for a fine dissertation on the pitfalls of being too kool for skool click HERE;)
There's also an irreverent cover of Brit Rock'n'Roll classic, Johnny Kidd's "Shaking All Over", which gives me an opportunity to direct you to a funny story concerning said tune which one had recounted earlier in the vast archives of this blog HERE!
But don't let all this nostalgia divert you from the fact that this Drinking Electricity collection is rather flipping GOOD, Flamin' Nora it is...there's even a Flamin' Groovies cover too?)...Don't wanna sound too enthusiastic,but these kids sound slightly more like a Belgian twosome than UK Synth duo;not that there's anything wrong with that,just two different beasts. the UK version got lots of hits and got rich,but the Belgian equivalent got ignored and poor....mainly because when they sang they sounded like a motor neuron disease sufferer's speech synthesizer;which was briefly novel once upon a time if it was only for a couple of tracks......which Drinking Electricity did conversant as they obviously were in the do's and don't of pop music.....there you go....too kool for skool again!

Tracklist:

1 Breakout 3:25
2 Discord Dance 3:27
3 Good Times 3:34
4 Colour Coding 3:33
5 Fall 3:53
6 Breakout II 1:56
7 Countdown 4:09
8 News Peak 3:46
9 Twilight Zone 3:11
10 Superstition 3:35
11 The Promise 4:11
12 Subliminal 7" 4:08
13 Random Particles 3:23
14 Shaking All Over 3:07
15 China 2:53
16 Cruising Missiles 3:50
17 Shaking Dub 4:15
18 Good Times 12" 4:38
19 Breakout 12" 5:05
20 Subliminal Radical Re-mix 6:12
21 Shake Some Action (Demo Version) 3:30

Wednesday, 20 April 2022

Boots For Dancing – "The Undisco Kidds (Sessions,Singles,and Demo's 1980-82) " (A Die or DIY? expanded edition) 2022




Bonnie Scotland were not just responsible for such reasons not to exist as Deacon Blue, The Proclaimers,,and Big Country, they virtually invented Indie-pop the night after witnessing Subway Sect on the Clash's White Riot tour....Josef K, Orange Juice,Fire Engines, Boots For Dancing,and......hold on big man,what was that last one?
Yeah, Boots For Dancing, the celtic cousins of Gang Of Four and A Certain Ratio, so accurately described by Rezillo and Dare-era Human Leaguer Jo Callis as "Schrodinger's crazy cats writhing about in a Faraday cage,all charged up"....couldn't have put it better myself. So  scratchy and funky were they that John Peel once threatened to dance upon aural detection. They did release two singles on Bob Last's legendary "Pop:Aural" label after all...all included here.
It's the kind of off kilter post-punk-funk that gets the white man's foot-a-tappin' for sure.A style that would crop up on Top Of The Pops in the form of cute but funky plagiarists Haircut 100 and floppy fringed cringe-meisters Modern Romance,with a polished up version of ACR and Boots For Dancing for the great unwashed and the even the less great unintelligentia who form 90% of the 'Public'. 
Undoubtedly, these groups were also a major influence on Ron Johnson acts such as Twang! and mid-80's post-punk Scot-funksters The MacKenzies,until the Kids found different ways to dance post-chemical enhancement after 1988....i'll leave it to you to imagine what that could have been?
Anyway...All the singles,three John Peel Sessions,and some demo's for a future Lp that never materialized,are on here......groovy baby.
"I Like Dancing but I don't Like Disco's" is the manifesto from the debut single back in 1980.....as for me, I don't Like Dancing and I don't like Disco's.....but if i'm drunk i firmly believe I could to this?.....hmmmm, maybe not?

Tracklist:

1. Boots For Dancing (Pop Aural Single 1980)
2. Parachutes (Pop Aural Single 1980)
3. Guitars & Girl Trouble (Pop Aural Single 1980)
4. (Let's All) Hesitate (Peel Session 17.11.1980)
5. The  Pleasure Chant (Peel Session 17.11.1980)
6. Timeless Tonight (Peel Session (17.11.1980)
7. South Pacific (Peel Session 17.11.1980)
8. Stand (Peel Session 13.07.1981)
9. Shadows Of Stone (Peel Session 13.07.1981) 
10.Wild Jazz Summers (Peel Session 13.07.1981)
11.Get Up (Peel Session 14.04.1982)
12.Salt in the Ocean (Peel Session 14.04.1982)
13.Style in Full Swing (Peel Session 14.04.1982)
14.Bend an Elbow, Lend an Ear (Peel Session 14.04.1982)
15.Just the Ticket  (Barclay Towers Studio October 1981)
16.Money (Is Thin On The Ground) (Barclay Towers Studio October 1981)
17.Wild Jazz Summers (Barclay Towers Studio October 1981)
18.Shadows on Stone (Barclay Towers Studio October 1981)
19.Oh' Bop Sh Bam (Barclay Towers Studio October 1981)
20.Hesitate (The Rain Song 7'' Pop Aural 1980).
21.The Rain Song (The Rain Song 7'' Pop Aural 1980)