Showing posts with label The Clash. Show all posts
Showing posts with label The Clash. Show all posts

Monday, 19 October 2020

The Zchivago Reviews Series - 2/ The Clash "London Calling" (CBS Records 1979)



THE CLASH – London's calling....Tell 'em i'm fucking OUT!
London's Calling???...who gives a Fuck!? I hear that Scunthorpe's Calling next week....I won't be answering that either!
However, this value for money double disc adult orientated Punk is thee single most boring supposedly edgy rock album that ever existed, clueless politics, tuneless lumpen riffs, overproduction and stylised painful fashion input.This album was hilariously voted 'The Best Album Of The Eighties' by Rolling Stone Magazine a few decades ago.....dispite the fact that it was released in....er.... 1979.....which says a lot about Rolling Stone magazine doesn't it? 
Fucking hell, it's got the words printed inside,which is always a bad sign.That usually means that the scribe who penned them thinks they are serious and important.In other words.....yaaawn...they've got something to say....ahhhhh.
It's not the music as such that gets on my proverbials,its the please like us musicality of it.They wanted to make nice tuneful music for their 'fans',who,along with Fall Fans, Residents Fans,idiots into Krautrock who think they've discovered something nobody else was aware of...but worse....are thee most despicable morons on the planet.Who's your favourite band, mine's "THE CLASH"...spat out with a child like pride......The Only Band That Ever Mattered???...some wag said once....more like the only band that NEVER mattered.Just playing at being the rebels they obviously weren't.The single most boring rock band that ever existed,I repeat.
Listening to Mick Jones trying his best to sing properly is an obvious low point on this nicely priced,value for money opus.
As for their Punky-Reggae by numbers outings,OMFG!? "Please like us Mr Black Man we're like you really,we're repressed too" says the diplomats son and his art school chums.They'd be the first to slag anyone off for Cultural misappropriation,but as for the govt's they pretend to dislike,there was one rule for them and another rule for everyone else.
"White Riot" has to be the single most stupid record ever made during the Punk Rock window.Also the record that convinced that idiot who started 'Punk' magazine in New York that he and the Ramones invented Punk Rock!Not that the Ramones ever claimed such a thing naturally.
"London Calling"'s title is suggesting the same tenuous claim.
Of course it's as Eclectic as fuck,desperatley trying to please everyone at the same time,while at the same time residing in that place where everyone goes when they've ran out of ideas.
"Let's mix it up with some ska and african music man" Says,Joe 'Woody' Mellor the diplomat's son,"Yeaaah,no-ones done that before!?" says the art school rejects in response......I notice that Paul Simon's "Graceland" resides at number five on the Rolling Stone list, the very zenith of cultural misappropriation,and I dare say wasn't in slightest bit inspired by the Clash's thieving from their new found Black Chums;but Simon went one further than Simonon and his cohorts of impeccably good taste, and actually made a bunch of African musicians record,write and play most of the music,uncredited, for the minimum wage.While he played (Achthung! possible anti-semetic joke coming up!!!)....wait for it,wait for it.... 'The Jewish Piano',I'll repeat that....'Thee Jewish Piano', with the the vast profits he received for the career resurrecting hit album.Maybe it was some kind of avant-garde statement about slavery or something?Either way,it's one hell of a shite LP.
I did it, I managed to slag off two pompously arrogant albums in one fell swoop.
The Clash's eponymous debut was relatively good however,if you managed to block out the pale white boy crypto-hooliganism,and the sweet vocal harmonies behind Strummer's,I'm from the gutter,me" slurred yawping.The politics.....oh Christ,the bloody Politics.Since when was Vote Labour a subversive statement.Give us a job and everything will be alright,seems to be the policy.....er.....No!...and White Riot?...Give Violence a chance is the mantra,but it's only for us white chaps,you Blacks have your own riots.Such Dumbness never existed beyond a Sham 69 lecture about how us pop stars are the same as you,but keep off the stage.If you wanna be patronised listen to the words,alas if you want a good time,just absorb it as some jolly good,but terribly played and recorded cathartic rock'n'roll that was a la mode for twenty minutes in 1977.Better still listen to cartoon Proto-Punk leg-ends, The Ramones,which is kinda like The Clash but with better,probably more subversive, lyrics.And without the dodgy attempts at 'Punk' fashion.

I Can't face doing a full review pf "Sandinsta", sorry.
Apart from, it's Truly Awful,'eclectic' as fuck,and endlessly dull.

Saturday, 5 November 2016

The 101'ers ‎– "Elgin Avenue Breakdown" (1975-76)



Champagne Socialist,former Public Schoolboy and Diplomat's son, Joe "Woody" Mellor. Was soon to dump all his squatter chums from 101 Walterton Road, Maida Vale, and join the Punk Rocker clique with The Clash.
The 101'ers also included future PiL drummer Richard Dudanski, who contributed most of the skin work on the holy grail of post punk,"Metal Box".
'Woody', as Strummer was known as in the hippie squatlands of London, did some fine work with this unpretentious hard rocking pub band; which is largely superior to most of The Clash's output post 1977. He was very quick to shed his former persona(and friends) and become the archetypal Punk, when he spotted the new trend very early on, and jumped ship pronto.
Well, i'd sooner listen to this than "London Calling" or the inexorably awful "Sandinista".

(this is the extended CD version by the way)

Tracks 1,2,6,7,11 and 12 recorded on 28th November 1975 at Jackson's Studios.
Track 3 recorded at Pathway Studios on 10th March 1976.
Tracks 4 and 5 recorded at Pathway Studios on 4th March 1976.
Tracks 8,9 and 10 recorded on 28th March and 10th April 1976 at Maida Vale BBC Studios.
Tracks 13, 14, 16, 17 & 19 recorded live at Camberwell Art School, 21st May 1976.
Track 15 recorded live at The Roundhouse 18th April 1976.
Track 18 recorded live at Wandsworth Prison, 21st March 1976.
Track 20 recorded live at Cellar Club, 22nd May 1976.
Tracks 7,12,14,16,18 and 19 are previously unreleased.
Tracks 13,17 and 20 are previously unreleased versions.

Tracklist:

1 Letsagetabitarockin'
2 Silent Telephone
3 Keys To Your Heart (V.1)
4 Rabies (From The Dogs Of Love)
5 Sweet Revenge
6 Motor Boys Motor
7 Steamgauge 99
8 5 Star R 'n' R
9 Surf City
10 Keys To Your Heart (V.2)
11 Sweety Of The St. Moritz
12 Hideaway
13 Shake Your Hips
14 Lonely Mother's Son
15 Don't Let It Go
16 Keep Taking The Tablets
17 Junco Partner
18 Out Of Time
19 Maybelline
20 Gloria


Wednesday, 23 April 2014

The Clash - "Live in Leicester 28th May 1977"

As I mentioned that my first 'gig' (flipping well hate that word), was The Clash, supported by Suicide, and The Coventry Automatics(aka The Specials) in 1978, on the 'On Parole' tour. As much as I'd like to post the recording of the suicide performance from that night, it is obviously impossible to find, but I did manage to find the Clash gig (there's that word again) from the year before, at the De Montfort Hall (note the moronic misspelling on the tour poster above). A hall named after the once dictator of England, and Lord of Leicester in the 1300's; who famously banned Jews from Leicester for allllll eternity. He was chopped up in battle and made to chew on his own lickle willy. A popular form of medieval post death humiliation
As much as I dislike the Clash for being full of pretend hard men, when they were really Art School dropouts and sons of Ambassadors; I do enjoy their early works, and this BBC in concert recording is a fine document of Joe Mellor and the chaps in fine form,and fine sound quality.(These twats signed to CBS!???)
Much prefer the real deal,Suicide, to these fellows though.


Set List:

  • I'm So Bored With the USA / Hate and War / 48 Hours / Deny / Police and Thieves
  • Cheat / Capital Radio / What's My Name / Protex Blue / Remote Control / Garageland / 1977

DOWNLOAD some live Clash HERE!
apparently there are two tracks missing and i can't be arsed to reupp it so:
Go HERE and download it,along with 257 other live Clash boots!!!