Showing posts with label Osanna. Show all posts
Showing posts with label Osanna. Show all posts

Monday, 16 September 2019

Osanna ‎– "Preludio Tema Variazioni Canzona (Milano Calibro 9 OST)" (Fonit ‎– LPX 14) 1972



This album was a collaboration between Osanna and well-known soundtrack composer Luis Bacalov, one of three such rock meets symphonic works conceived by Bacalov. The others,of course,will follow.
This was used for the gangster film "Milano Calibro 9" ,which I haven't seen, but the soundtrack versions are allegedly different to those on the album!?...an unfortunate habit for a lot of Italian soundtracks.The same thing happened to Goblin and their soundtrack for 'Profondo Rosso'.
The bizarre world of The Italian Movie Soundtrack contains many varied beasts,among the most popular has to be an Ennio Morricone western and the funky but weird planet of Italian Porno.
We can now add Osanna's collaborative prog rock meisterwerk to that illustrious list, 'cus its rockingly innovative and...er....molto progressivo italiano.
It seems that Osanna were not conducive for the obligatory lovemaking scene in the film as the lovely young lady puts on a record by Italian prog/soundtrack rivals, New Trolls instead!?

Tracklist:

A1 Preludio
A2 Tema
A3 Variazione I
A4 Variazione II
B1 Variazione III
B2 Variazione IV
B3 Variazione V
B4 Variazione VI
B5 Variazione VII
B6 Canzona


DOWNLOAD some non-porn italian soundtrack HERE!

Saturday, 14 September 2019

Osanna ‎– "Palepoli" (Fonit ‎– LPX 19) 1972


Back in 1977, I never used to even recognise that stuff like this existed, even though I had a copy of Tubular Bells, and Pink Floyds 'Animals' album somehow. I heard Peter Gabriels Genesis for the first time about ten years ago, and, there may still be some heckling from some sections,but fuck them, its Good.
As a kid I liked Queen(still do...up until Hot Space anyway), they were Prog too. But even though 'Animals' is one of thee darkest albums ever made, it had to make way for shite like The Drones,Slaughter and the Dogs, Sham 69. Even though I love those B-punk groups for different reasons that I love Italian Prog ,it was kinda obligatory that you rejected the old order.Times were different back then.I would have died to have been caught with a Genesis album in my possession.As it went, I had to hide my Pink Floyd album,and stash Tubular Bells in the attic.
I got into what was later called 'Post-Punk', which I still regarded as 'Punk', when really it was new Prog, but without any musicians,and better clothes. The Adverts great(most thought it shit!?) second album was a Prog concept album made with zero musical ability;I'd love to hear what Osanna could have done with 'Cast of Thousands'.One day i'll remix it and turn it into a west-end nostaglia musical then you'll see.
'Twas implied that the musicianship on Prog records was elitist,therfore the kids invented Punk Rock so that they could have a go.The music got dumber and everyone could say that they were as good as the bands they went to see.Then the bands themselves were trapped in a one chord prison and disolved up their own arses.The inclusiveness of Punk rock in effect destroyed it,along with the human flocking instinct to be the same as everyone else,while at the same time believing they are different.If they really wanted to be different they would have liked the music all their peers hated....Prog.
Magazine were as close as you got to Progressive Rock in 1978,but that sounds like a bunch of sneery nursery rhymes compared to "Palepoli".
You know what you're gonna get with this one.Two side long tracks full of light and shade,difficult time signature changes,shifting intensities,tempo's,and Mellotrons....did I mention there's a Mellotron on it?.yes?...well there is.

Tracklist:

1.Oro Caldo (18:32)
2.Stanza Città (1:45)

3.Animale Senza Respiro (21:37)