Showing posts with label 1978. Show all posts
Showing posts with label 1978. Show all posts

Wednesday, 3 January 2024

Various Artists– "Springtime In Belsen" - (Sadist Records – SIB 001) 1998





Like some time-warped anti-matter west-end Juke Box musical,this insults on every level.For example The Yodler Killers ,from Switzerland, has the one and only Dr Josef Mengele on drums.....this is a little known fact about the original 'Angel Of Death' himself.
Luckily I like my Punk Rock irreverent,beyond Stupid,and played by a bunch of musically incompetent politically incorrect continental European burks....;don't we all? 
This is the factor that made the Stranglers stand out from the otherwise 'woke' before their time punk throng.Mainly thanks to having a Franglais classical guitarist and karate black belt in their midst,arriving via Guildford.
Frankly, anything with a track by Italian retardo's 'Tampax' on it, has to be worth a quick track skipping listen.
I have reviewed... gulp...."Tampax(in the cunt)" before.......(OMG?)....I paraphrase myself...it's an ultimate example of the kind of retarded sexuality last mentioned in Spinal Tap. Giggling in the classroom, unthink rock by repressed catholic boys who've just heard that ladies have a menstrual cycle, and....giggle....they use tampons....giggle,titter.
This tune is very probably the zenith of Stupid as we understand it. Download it and appall your Woke friends, especially if you don't want them to be your friends anymore;........unless they're the kind of lowdown pond-dwelling fuckwits that Tampax are, then they'll want to be with you forever.
The K9's are the cred giving English Punk band here,even giving Tampax a serious challenge in the ignoramus stakes.
There's even a Noo Yawk 'punk' band too,who sound like an English Punk band????
What The Prats, from Scotland, are doing on here is almost insulting,them being one of the greatest groupz wot ever existed...right?
SEHR SCHNELL do a blatantly plagarised version of Wire's "Lowdown",probably lifted from an imported copy of the "Live at Roxy" Album?
The punk thievery stops not there, as Japanese punk by numbers band ,"The Stalin", do Blitzkreig Bop for us, just in case you've never heard it...which i think they secretly hope you haven't...but we have,so...?
I guess this is someone trying to do something like one of those Killed By Death compilations,which sell in their thousands, and the profits go to some hidden Finnish bank account.
However its fantastically stupid stuff, and full of the kind of things that may get you Cancelled.....a nobler cause I can not imagine.
It's Banned from being sold on Discogs...what more glowing a recommendation do ya need?
Altogether now....."Its Springtime for Belsen and Anarchieeeeee" 

Insert with notes included.

A1 taken from 'Rattenloch EP' 7" (Ratt Records, 1979)
A2 taken from '1990's Pop E.P.' 7" (Rough Trade, 1980)
A3 taken from 'Son Of Sam' 7" (Kapitalist Records, 1977)
A4 taken from 'Bunker' 7" (Another Swiss Label, 1979)
A5 taken from 'Life Of Rian' 7" (Sånn'ja Records, 1980)
A6 taken from 'Me Myytiin Itsemme' 7" (Poko Records, 1979)
A7 taken from 'スターリニズム' 7" (Political Records, 1981)
A8 taken from 'Silvias Unge / Hitlers Barn' 7" (Kloaak, 1978)
A9 taken from Hitler SS / Tampax split 7" (Compact Cassette Records, 1979)
B1 and B9 taken from 'Jacot Masturbette' 7" (Zaki Records, 1979)
B2 taken from 'The K9 Hassle' 7" (Dog Breath Records, 1979)
B3 taken from '3-Spor EP' 7" (Krakk, 1979)
B4 taken from 'Only Fools Pretend To Be Happy' 7" (Sweet Harmony, 1979)
B5 taken from '1980' LP (CBS, 1980)
B6 taken from 'Hot Love / Die Wüste Lebt!' 7" (Periphery Perfume, 1977)
B7 taken from 'EP' 7" (Savage Music, 1979)
B8 taken from 'Vaihda Vapaalle' 7" (Love Records, 1979)


Tracklisting:

A1 Dirt Shit– Discoscheisser

A2 Prats*– Disco Pope

A3 Chain Gang– Gary Gilmore In The Island Of Dr. Moreau

A4 Technicolor*– Bunker

A5 Norgez Bank– Springtime In Belsen

A6 Ypo-Viis– Me Myytiin Semme

A7 Stalin– Buta Ni Shinju

A8 Kriminella Gitarrer– Hitler's Barn

A9 Tampax– Tampax In The Cunt

B1 Yodler Killers– Jacotte Masturbette

B2 K9's– Sweeny Todd

B3 Oslo Bors– Smukke Folks Born

B4 Checkmate – Weekend

B5 Brats– Punk Fashion

B6 Nasal Boys– Die Wuste Lebt

B7 Young Identities– Positive Thinking

B8 Sehr Schnell– Vaihda Vapaalee

B9 Yodler - KillersSoussolrock

DOWNLOAD the four seasons of stupid HERE!

Wednesday, 21 December 2022

Squad – "Red Alert" (Squad Records – SQS 1) 1978


And now Terry Hall also, has succumbed to the 'thing' that makes life utterly fucking pointless.... Death.
He did have a talent for conveying such pointlessness within his vocal style coupled with his natural deadpan presence.
Never a fan of The Specials meself,, however i did see them supporting The Clash with Suicide when they were the Coventry Automatics. blah blah fucking blah!
Oh sweet jesus, never has there been a band where the Tonic suited,Fred Perry and Pork Pie hat decorated audience all thought they were in the band,and Danced to order as their idols commanded.
Lots of Punky Bands started to bark shite like "Why aren't you Dancing" to the crowd....because we don't fucking want to??? If we wanted to dance we'd go to a bloody Discotheque wouldn't we? I'm here for the existential angst and the freedom to spill beer in the melee thanks. The Specials or Joy Division.....I know Where I'd rather be.
However musically not my thing Two Tone may have been,or not been, they were completely DIY in execution.,and incredibly successful at it.!?
Terry, was in the early line up for Coventry Punk Rockers "Squad"...whether it's 'The' Squad and not just the contracted version I dunno,but it was fashionable for record labels to drop the "The" at the beginnings of Band Names,like when Virgin insisted that The Ruts had to be called, just ,"Ruts", to be cool enuff for Richard Branson.
Terry was there, in "Squad", for about five minutes;but long enough to get a writing credit for "Red Alert",I don't think he got recorded, but the singer on the plastic does sound uncannily like him....Gus Chambers, who,i am told,is also deceased!? From imbibing  an accidental cocktail of his medication and alcohol...not recommended.
In fact "Squad" are a fine example of no-one is bigger than the team,as the line-up was totally different for their second,less charming, single as compared to the original line-ups...including terry, who went onto pastures during the first ten minutes of "Squad's" existence....presumably joining the Coventry Automatics, aka Special aka. 
As there were several bands called "Squad" in the UK, they could have had interchangeable personnel if only they knew of each others  being. 
Concrete Fly-overs, Lady Godiva , and Two Tone is what Coventry is known for, and Terry is part of that forever,the pleasant chap he apparently was....hopefully still is?

No, I don't own this record...its as rare as Hens Teeth.

ps....i'm gonna have to change tack...this is getting dee-pressing!

Tracklist:

A Red Alert
B £8-A-Week

Tuesday, 18 October 2022

Оризонт – "Оризонт(in Moldovan "Orizont")" (Melodia/Мелодия – С60-10691) 1978


 90% of all decent soviet music came from Estonia.The reason for this is geographical,just as it was for The Beatles.Access to the sea.In Estonia's case access to the right sea,namely The Baltic and the west,rather than being landlocked like Moldova.At best they could holiday on the Black Sea coast,which sadly meant being culturally locked in to the weird gypsyfied Eurasian way of doing things.That coupled with living in the wall-less prison of the former Soviet union,and missing out on the greatest renaissance of the arts since...well...er....the Renaissance.Leads us to explaining why this state sponsored slab of Moldavian library music Schlager Funk exists.
Indeed, we sophisticates of the west will laugh at the pure cheesy shitness of these records,but they do have a healthy vein of well recorded break-beats and ooodles of charm. One somehow feels sorry for them as victims of the distorted intellectual bollocks of Soviet Communism. Without some bespectacled political theorist reading Karl Marx's Das Kapital as reflected by a distorted funhouse mirror,This fucked up Funk would have never existed outside of the Eurovision song contest in the 1970's. 
The funniest part of all this is that the poor sod's left behind in mother Russia are gonna have to go through all this shit again thanks to the whims and insecurities of a Phil Collins lookalike with a marsh-mellow like complexion akin to the Pilsbury Dough Boy.The silly fuckers are gonna have to listen to Russian music again, and spend 50% of their state approved wages on a burger from "Tasty and that's IT!",the new national Burger joint.....sadly they've yet to come up with a Russified version of a McFlurry as of yet.
A sadly contemporary example of that silly Soviet trait of making dangerous and downright bad forgeries of western products,and then boasting that "we have Burgers too american pigdogs", just as they used to think that they had Funkier Music......even in Moldova?!

Tracklist:

1.Гайдуцкая Баллада6:46
2.Монолог3:44
3.У Мельницы3:22
4.Край Мой2:55
5.Калина3:01Ничего Не Оспорю4:44
6.Первое Танго2:48
7.Апрель3:37
8.Оризонт3:19

Friday, 14 October 2022

Vodograi - "Водограй" (Мелодия – 33 С60-09399-400) 1978


Its a shame that we are going to be deprived of the Russian entry in the next Eurovision Song Contest. Held in the lively Ukrainian town of...Liverpool(?) substituting Kiev, for obvious reasons? However we will have another fine Ukrainian entry to make us all wonder if we're on the wrong side in this increasingly pointless war....er...i mean, Special Military Operation. The horrible winning entry earlier this year, was from.....you guessed it....Ukraine! An awful amalgam of Eastern European sub-hip hop with clothes resembling a car crash between The Black Eyed Peas and Teletubbies' Fuzzy Felt chic...with added Rapping...or raping if you're a Russian 'soldier'.
It got the sympathy vote of course, and cost the UK their first Euro-win since all the former Soviet republics were admitted in 1991.
So to compensate here's another Soviet Ukrainian attempt at cold war entertainment from groovy commie combo ,Vodograi.
This type of break-beat laden cheesy listening got me through the nineties (hard times musically),allowing a humanitarian corridor through all that 'orrible house crap leading to many a chill-out oasis in the depressing clubs and repurposed discotheques of local clubland.
The singing may empty an already empty room of all it's sub-atomic particles, but these cheesy grooves could even get a legless Russian Special Military Operation veteran dancing till his stumps bleed. Spelling out "Thanks Mr Putin" in his blood while swaying Ironically to the heartfelt and jawdroppingly unironic ballad called "For The Motherland".Ahh, the unbridled joys of Nationalism.

Tracklist:

1 Запроси До Танцю = Invite Me To Dance
2 Незване Моє Кохання = My Unexpected Beloved
3 Дiвчина Мила = Darling Girl
4 Путешествие = Journey
5 Несла Дiвчина Воду = Once A Girl Was Carrying Water
6 Тебе Назло = Just To Spite You
8 Вишневый Рассвет = Cherry-red Daw
9 Воспоминание = Memory
10 Родине = For Motherland
11 Голубой Вагон (Музыкальная Шутка) = Blue Car (Musical Joke)


Tuesday, 13 September 2022

Gorillas – "Message To The World" (Raw Records – RWLP 103) 1978



Jess Hector's 'Message to the World, as printed on the back cover to their/his only official album release in their lifetimes, has been ignored,as has this rather over-produced dee-rocked debut and final album by the Gorillas, formally the Hammersmith Gorillas who took their name from London's pro-Castro activist group the Hammersmith Guerillas.....although i suggest that Jess and the boys probably couldn't give a fuck about all this anti-human political bullshite......hence the piss-take replacing Guerrillas with Gorillas?
Jesse has his Marc Bolan warble center stage on this one,even managing to remove all the Funk from Hendrix's "Foxy Lady" as made by late period T-Rex....sounds good on paper.
All his hero's were dead, even by 1978, so whats a boy to do but try to resurrect their souls using the new age Voodoo that is Rock and Roll?.....it didn't work, Hendrix is still very dead,as is the wonderful Marc Bolan,whose kids TV show , "Marc" was a primary influence on the young Zchivago.It had my second experience of Punk Rock on it, Generation X, Eddie and the Hot Rods...who everyone thought was 'Punk', and why the fuck not? They were faster than the Ramones,and no Glam influence either.The Jam,the LP of which (In The City),my sister had,so I nicked it.....their best album by far.
Marc's old mates The Radio Stars were on it, i thought The Boomtown Rats were good????......can't win 'em all?....but best of all was Hawkwind,in their punk phase with "Quark Strangeness and Charm"...a classic.
The series and Marc's life ended with a ramshackle duet with David Bowie....his last performance before his wife,The Tainted love legend Gloria jones, drove their mini into an old sycamore tree near Queen’s Ride in London. What delights has this tragedy deprived us of,one could only guess.He did ,however, write and record the same song over and over again....but what's wrong with that if it's a Good'un.
An interviewer once asked Angus Young of Aussie Pub Rock legends AC/DC why they had made the same album ten times over?
He replied thus, " I find that quite insulting, its the same album Eleven times over actually,get yer facts right mate!.
I'm certain that Jesse Hector wouldn't mind at all that my blurb is all about Marc Bolan rather than him.We can't all sit among the elite in Rock'n'Roll Valhalla can we?

Tracklist:

A1 Foxy Lady
A2 I'm A Liar
A3 I Need Her
A4 Going Fishing
A5 New York Groover
B1 Outa My Brain
B2 Waiting For You
B3 No Way In
B4 Last Train
B5 Message To The World

DOWNLOAD and get the message HERE!

Monday, 12 September 2022

The Hammersmith Gorillas – "Gorilla Got Me" (Big Beat Records - CDWIKD 185) 1999


 

This is what CD's were invented for....surely?....,Primarily so we could get all of The 'Ammersmiff Gorilla's non album work in one place.
If you look closely at the sartorially elegant gentlemen on the cover,you may have noted that two of them were last seen in proto-Punk flag bearers Crushed Butler. Sporting a fine set of muttonchops would be rockin' warhorse Jesse Hector, with the late Alan Butler himself (he fell off a horse),sporting a rather fetching Steve Marriot on heat haircut.
Alongside, Eddie and the Hot Rods,Doctor Feelgood,Ducks Deluxe and the Bishops, The Hammersmith Gorillas helped keep alive the Rock and the Roll for the poor kids who, sadly, came of age post Sgt Pepper, as part of the Pub Rock circuit around 1974,which basically served the same purpose as the Ramones/Heartbreakers end of the arty New York CBGB's/Max's scene; but with a lot more Rock'n'Roll and a lot less pretentious bohemian prancing involved.Out of which sprang forth most of the 'Punk' groups. Basically,the formula reads something like this Pub Rock plus Ramones,plus Glam plus the Sex Pistols management created what was now called Punk Rock in 1976....unsquared. A formula, if left unchecked,or applied incorrectly, will lead to a New Wave of British Heavy Metal....which it did.
The Gorillas,as they were known,in their contracted Punk Rock form,were certainly a mixture of Glam, which had its own more nostalgic revival of Rock'n'Roll going on and the hooligan friendly Slade inspired Bovver Rock of the pre-punk period.
These chaps certainly know their Rock history,selecting to cover the two main precursors on how to be a punk Rock group,namely "You Really Got Me" and "Wild Thing"....that's where the seeds were sown,maybe cross-pollinated with a bit of "Johnny BeGoode" and "Louis Louis",from here sprung hither the mutant.
Whatever, the Gorillas had great Haircuts and recorded for legendary Punk Label Raw Records, straight outta Cambridge.


Tracklist:

The Hammersmith Gorillas
1 You Really Got Me
2 Leavin' Home
3 Eleanor Soapdodge
4 I Live In Style In Maida Vale
5 Luxury

The Gorillas
6 She's My Gal
7 Why Wait 'Til Tomorrow
8 Gatecrasher
9 Gorilla Got Me
10 Move It
11 Song For Rita

The Hammersmith Gorillas
12 Moonshine
13 Shame Shame Shame
The Gorillas
14 Feel It Easy
15 Miss Dynamite

The Hammersmith Gorillas
16 You Can't Judge A Book (By Looking At The Cover)
17 Leavin' 'Ome
18 Come On Down
19 Jailhouse Rock
20 Wild Thing
21 Keep On Chooglin'
22 Foxy Lady

23 It's My Life (Raw Single)
24 My Son's Alive (Raw Single)
25 I'm Seventeen

Wednesday, 15 June 2022

Three & Four Pullovers - "Three & Four Pullovers (1975-8)" - (Emanem – 4038) 2000

What were you doing in 1975? 
I was enduring the transition from primary education to take my place in the final year that Grammer Schools existed in the UK.Soon to be phased out because the Labour Government thought it 'Elitest', Unlike the government? Shirley Williams was the Secretary of Education,who had the non-elitest luck to have been evacuated to California in World war 2, along with her mate Elisabeth Taylor.They both tried out for the lead role in National Velvet.....and guess who won? That's right, Not Shirley Williams,who channeled this bitterness to fuck up intelligent kid's education prospects with her 'socialist' values,which, as far as i could see, were designed to keep the working class in their place,as factory and family fodder.
So in between being beaten up at school by the older kids,....us being the last years intake....we would never get the chance to beat up the younger kids,so we were doomed to be the youngest kids for the entire 5 years.
Then, carrying the stigma of being a Grammar school kid on a council estate, I was beaten up on my home turf too.For some reason being classed as intelligent means that you are 'Posh' according to my peers,who named me "Posh Cunt" before the kicks tained in....that's elitism for you alright.Pablo Picasso never got called an Asshole...but we did. 
In between kickings, I spent my time listening to such unadulterated rubbish as Queen, Status Quo,Dr Feelgood,Thin Lizzy, The Sweet,The Glitter Band....etc....you get the picture? With pretensions towards Prog.
Meanwhile Steve Beresford and his London Music Collective chums Nigel Coombes and Roger Smith were making ,such crazed improvised tomfoolery as "Three Pullovers".....(later expanded to "Four Pullovers" whenever Terry Day bothered to turn up).
What would have been rather splendid,was if Thin Lizzy played a version of "The Sea Of Mice" by Three Pullovers as an encore at one of their proto-NWOBHM gigs,even though Sweet were far more metal than them.The mid-size college arena would have emptied in record time...well, either that or a Riot.
 The Glitter Band are excused,as their Guitar sound was probably the most avant garde statement in the whole Glam scene. Dr Feelgood were living art however, but The Quo could have at least finished their 'Blue For You' album with some Free Improv to totally piss off their denim clad,and 100% male audience.....this could have been lauded as another one of those, sadly stupid "Punk before Punk" moments. The fantasy of the late Rick Parfitt whipping out the toy glockenspiel would have made for a most tantalizing prospect.
Its the Toys that make the Noise.



 DOWNLOAD and pullover HERE!

Thursday, 7 April 2022

Jilted John – "True Love Stories... Plus" (Castle Music – ESM CD 771) 1978



I remember sending me mum downtown to the record shop to get "Jilted John" by Jilted John on Rabid back in '78......but,it had SOLD OUT?!
This tchoon's time in the limelight coincided with the only visit logged to date of my Australian relatives from the suburbs of Sydney.......I'm now thinking of that fine song by The Fall, "Australians in Europe.....Peel Session version", that reignited my enthusiasm for MES and said group. These were absolutely NOT fans of The Saints,or any of those fine Oz Punk groups.Cousin Carl still wore the most horrible flared jeans,and liked stuff such as Fleetwood Mac and The Beatles(!?)So he was rather shocked at what was happening in the the whole of the UK, music wise. He accompanied me to the Record Shop where i bought that Raw Records Compilation "(Oh No)...it's More From Raw", which included such classic Punk Rock tchoons, as The beyond great Users' "Sick Of You", faux cockney's The killjoys, Some Chickens' manson inspired "Blood On The Wall",Hammersmith Gorillas etc.....not a bad track as far as i was concerned,but Carl was Horrified;later confiding in my mother that he felt Old and past it....he was 17.This of course only encouraged me to play it constantly,and at some stage i slipped Jilted John,on EMI, onto my turntable.This got an enthusiastic response from the female end of our antipodean relations.Cousin Clare was my age and secured herself a copy to take back to Wolongong to show off her new Punk single to her mates.
Describing this novelty single as "Punk" was pushing it a bit,but it had the sneery vocals,one chord guitar work,the group,....or the Rabid Records staff... looked a bit scruffy, but it did have its DIY roots,so i couldn't discourage the idea.This could have been by Johnny Rotten if he had a more privileged upbringing lived in Manchester and was nice.
I never bought, or even know of a Jilted John album until it got re-released in 1999.It's largely awful,and provided further evidence that this Graham Fellows project should have lasted for one single only;but, it does sound like a potential Lost-Teenage dream nostalgia musical that never was.....so maybe in the future?

Tracklist:

1 Jilted John– Going Steady 3:52
2 Jilted John– Baz's Party 4:30
3 Jilted John– I Know I'll Never 1:32
4 Jilted John– I Was A Pre-Pubescent 2:57
5 Jilted John– Fancy Mice 5:10
6 Jilted John– Jilted John (LP Version) 3:02
7 Jilted John– The Birthday Kiss 3:53
8 Jilted John– The Paperboy Song 4:17
9 Jilted John– True Love 3:16
10 Jilted John– In The Bus Shelter 1:36
11 Jilted John– Karen's Letter 1:49
12 Jilted John– Shirley 4:17
13 Jilted John– Goodbye, Karen 2:37
14 Jilted John– Jilted John (Single Version) 2:58
15 Gordon The Moron– Fit For Nothing 3:08
16 Gordon The Moron– Sold On You 4:00

Wednesday, 6 April 2022

Jilted John – "Jilted Jam Demos Rehearsals & Gigs 1977 - 2008" (Boss Tuneage – BTRCRS090) 2016


Another from the same northern monkey school of straddling that grey area between acting, comedy and music, would have to be,one Graham Fellows aka, Jilted John and John Shuttleworth. As was so kindly mentioned by someone in the comments section,he appeared on manchesters' Rabid records, along with stablemates Slaughter and the Dogs, John Cooper Clark, Chris Seivey (Frank Sidebottom),Ed Banger and the Nosebleeds;featuring none other than Vinni Riley of Durutti Column fame,and briefly Jilted John....before EMI snaffled him up.
Yes, "Jilted John" by Jilted John, was a top ten smash in summer 1978.Back in the days when You could say things like Slag,Bitch and Puff on television and not face being cancelled. As this clip of John's third appearance on Top Of The Pops demonstrates, beginning with Jimmy Saville cavorting alongside three possible victims while introducing John on live vocals.Sadly it was destined to become yet another novelty one hit wonder......but there was more....an album and a slew of flop singles.Not to mention demo's and even a couple of gigs!?
Essentially, Graham was more on the Actor who does music rather than the musician who does acting,which never works out great, does it David Bowie ? Actors who do music did have rather more sucess than the aforementioned disasters...namely Punishment Of LuxuryShoes For Industry,  Albertos y los trios Paranoias and...erm....Jilted John.
I rather think the Jilted John Project would have been better left as just a novelty hit, but of course, when a major label is involved, they squeeze the juice out of anything they get their stupid hands on.Which reminds me of the time when the top EMI record executive met new signings Pink Floyd, and asked which one was 'pink'.
Jilted John would have been a musical in the west end if it was made now....it still could I guess,it's all there,the story sung in half-rhyme,the nostalgic characters,the teenage  memories,the hit, all that's needed is some naff choreography by Wayne Sleep and a few million quid from Andrew Lloyd-Webber's bulging coffers, and an unsanctioned Oligarch.The Public would love it.
John/Graham had another brush with minor fame,this time as an actor,playing Gail Tilsley's inappropriate young lover in Coronation Street.....before reinventing himself as retired Steelworker John Shuttleworth,who spent his redundancy on a secondhand Yamaha keyboard in a quest for fame as a singer songwriter. His greatest hit I would suggest, has to be "Pigeons In Flight" (more on the way....recorded in Dolby.

Tracklist:

1 Jilted John (Live At Erics, Liverpool, May 12th 1978) 3:28
2 Unknown Interview Clip 1 0:50
3 Jilted John (Original Demo, December 1977) 3:20
4 Going Steady (Live At Erics, Liverpool, May 12th 1978) 3:36
5 Unknown Interview Clip 2 1:00
6 Jilted John (What's On, Granada TV, April 1978) 2:43
7 Going Steady (Live At Big Chill, August 2008) 4:39
8 Baz's Party (Band Rehearsal, September 1978) 5:03
9 Radio Clip 1 (BBC Radio 1, November 1978) 1:17
10 Birthday Kiss (Live At Erics, Liverpool, May 12th 1978) 4:26
11 Shirley (Band Rehearsal, September 1978) 3:53
12 Unknown Interview Clip 3 0:33
13 My Love's Just Begun (Unreleased Recording, 1979) 3:24
14 Baz's Party (Original Demo, 6th August 1978) 6:17
15 Radio Clip 2 (BBC Radio Manchester, November 1978) 1:39
16 Birthday Kiss (Live At Big Chill, August 2008) 4:50
17 Paperboy Song (Original Demo, July 1978) 4:09
18 Radio Clip 3 (BBC Radio Manchester, November 1978) 0:55
19 Keira Knightly (Live At Big Chill, August 2008) 2:39
20 Stoodup Stephen (Original Demo, January 1978) 6:08
21 Debbie, Debbie (Live At Erics, Liverpool, May 12th 1978) 2:42
22 Trendy Wendy (Original Demo, April 1978) 4:15
23 Jilted John (Live At Big Chill, August 2008) 5:10
24 Sharon's Song (Original Demo, Incomplete, Early 1978) 1:14


Tuesday, 29 March 2022

The Freshies – "All Sleeps Secrets" (Razz Records – RAZZ CS1) 1978



Of course you do know that the singer songwriter lead guitarist and general busy body of this group, Chris Sievey, was also Frank Sidebottom.....or wazzit that Frank Sidebottom was also Chris Sievey? I dunno,i'm confused,mentally bruised, and live the life the way i choose.
Not too great a fan of The Freshies' flimsy new wave cycledelia with unhealthy pretensions towards chart action,one has to say;but it's inoffensive,and has its fair share of G.S.O.H,...gosh. Like fellow Manchester band, 10CC, too clever by half,but largely lacking tunes. Of course, 10CC had a handful of good,maybe,great songs,and so did The Freshies,though i'd be struggling to tell you which ones....."Yellow Spot" was not bad i think, although sadly not on this self-released cassette,that came out as Chris tried to be even more New Wavey later on.
Chris was never shy at self-promotion,being a veteran of a musical sit in at Apple Corps offices in '69.But none of the Beatles were in, and nobody said "Hey that's a great song maan I wanna sign you up".
This didn't discourage the young Sidebottom,and he/they proceeded to release stuff by his group on his own cassette label,in 1974, at the height of 10CC's fame incidentally ,and long before most UK DIYers were doing the same thing. Chris shows his age when the Psych-pop of his formative years becomes mixed with some very fashionable,for 1978, three minute new wave symphonies.
This guy should have been on the Telly.

Tracklist:

A1 Slip 3:13
A2 Baiser 2:35
A3 Two Of The Same Girl 1:53
A4 Ballrooms And Moon 2:55
A5 No. 1 Fear 5:03
A6 Bogey man 4:34
B1 Into The Wind 3:31
B2 Over The Sun 5:22
B3 18 Down To 24 fps 1:33
B4 David The Shepherd 2:25
B5 Big Top/I'm Falling 2:38
B6 Lovely Bars 8:27

Friday, 18 February 2022

Weidorje – "Weidorje" (Cobra – COB 37014)1978



The envious ears of a bunch of over-paid Parisian session men vibrated to the sound of Magma and they thought that they could do the same...but,as musicians are prone to think, they were better at it and could do better.
They managed to release just three tracks in their lifetime,which made up their sole album,here beefed up with a couple of live outings
They were of course very Magma styled,even nicking their Kobaian name from a Magma track,blending in elements of systemic music, and some saxophone.An element long ago dropped in early Magma giving it a distinctive sound of its own(it says here!).Yep....more Zeuhl-lite for potential chart action.The ill-advised use of Brass steers proceedings firmly towards the Fusion-end of Zeuhl,but at least those Wagnerian Brunhilde vocalists don't make an appearance.
The session men involved soon realised that there was no money in having their own Zeuhl band,and soon melted away back into playing guitar solo's for Johnny Hallyday or arranging romantic string sections for Sacha Distel.
They did however leave us one of the most listenable French Prog records,that may even attract people into the room rather than drive them away from it....dunno if that's a good thing, but sometimes its useful.Even if it's just to avoid the noise of the unenlightened majority demanding that this racket be turned off.

Tracklisting:

1.Elohims Voyage 16:33
2.Vilna 12:20
3.Booldemug 7:10

Bonus Tracks:
4.Rondeau 8:49
5.Kolinda 12:28

Friday, 7 January 2022

Ose – "Adonia" (Egg – 90 277) 1978


French Prog Kosmiche Project enacted by music journalist and multi-instrumentalist Hervé Picart, joined by two members of Heldon(Richard Pinhas & Francois Augar).Which in other words means Journalist makes Heldon album and claims it for himself!?
There's only one idea worse than music projects by music journalists,that's music projects by actors, both superseded by musicians who act in movies,the list of shame being too endless to mention here.
Picart thought he could sidestep these commandments carved in volcanic stone from the do's and don'ts of Rock,and given to Moses,
who,must have forgot to bring them down from the mountain.Instead bringing stone tablets obviously donated by Satan that banged on about such rubbish as not coveting your mate's missus, honoring your idiotic parents,worshiping your false rock gods and making Graven Images of your favourite pop stars.What a bunch of crap was that shit!? Add to that "Thou Shalt Not kill thyself", and Strictly "No Wanking",then you've got yourself one heap of unsustainable bollocks that is sure to plunge the planet into the long cycle of endless war and self-destructive madness that we are witnessing today.It's all your fault you see,says the Big Bad Daddy in the sky.
The tablets for Rock music were left at the summit,so no-one got to hear such home truths as No Keyboards....ever,No Backing Singers,all Brass Sections are pure EVIL,Never...Repeat NEVER let your Drummer write any songs, split up if you get to Stadium Level,and if you have to take class A drugs,make sure you overdose halfway through making the second album.Not forgetting that Reforming is a capital offence punishable by a fatal stoning from a drunken mob of adulterers.
All those may seem like quoting the bleeding obvious,but you'd be surprised how stupid Human Musicians can be.
Hervé here, conveniently forgot the hardened rule,as composed by Satan himself, that should any actors, Journalists,or classically trained pop musicians venture into the no man's land of having a go themselves,that they should be sentenced to an eternity in Heaven with Jesus and dozens of other goody goody's telling you that you can't kill yourself because you're already Dead! No Escape.
As it 'appens, if I had a mind to blow,it would have been by this soaring piece of Heldon plus,electronic space rock. Cultivated by racks of Oberheim Expanders, Moog's and ARP's of all descriptions,glued together by Pinhas's trademark frippery with the old six string.
Yeah, Picart plays his version of Heldon guitar too,but the album wouldn't have missed him even if Satan had banished him to Heaven for Breaking several of the 11 commandments of Rock'n'Roll.Serves him right for having two jobs....another rule sitting on the subs bench of rock rights and wrongs.

Tracklist:

A1 Approche Sur A 16:00
A2 Orgasmachine 3:45
B1 29 h 08 mn 6:55
B2 L'Aube Jumelle 9:48
B3 Retour Sur Adonia 3:34


Thursday, 6 January 2022

Kosmose – "Kosmic Music From The Black Country" (Sub Rosa – SRV394) 1973-78/2015


Straight from the "Black Country" in the dark ages of the mid-seventies came Kosmose's kraut-a-like improvisations; but for us English, the Black Country means grim hell-holes such as Stoke-on-Trent,the home of D-Beat punk,like Discharge and GBH. If you were caught listening to some Belgian Kosmiche music anywhere in the black country of the UK, you'd have been beaten up and called a "PUFF!" in no uncertain terms.There was no sanctuary,and everyone usually bore an uncanny resemblance to Quasimodo's uglier brother,and that was just the women(I know i've used that joke before, but it's a good one!).Although that observation was based on a particularly grim section of Stoke City fans I have encountered on many an occasion,so I may be wrong....even though Robbie Williams grew up there,if grow up is the right word in relation to Mr Williams......he was a Port Vale fan,from the weirder side of town,so one never got to visit vale park too often as they rarely appeared in the higher divisions during my Hooligan career.
One therefore assumes that "The Black Country" in this incidence is none other than Belgium.The place that is the butt of the dumbest jokes in France,by the dumbest Frenchmen,where it is understood that Belgians are stupid,and the French are far superior. This misnomer is made even more ridiculous when one realises that it should be the other way around.....especially when it comes to Beer, Chocolate,and...music.Even the famous 'French' singers turn out to be actually Belgians in disguise, like Johnny Hallyday,Jacques Brel and Plastic Bertrand; or collaborating Nazi Whores like Edith Piaf. Quite like Canadians were in the USA,with such luminaries as Leonard Cohen,Joni Mitchell, and Neil Young to name but three...although I have it on the strictest confidence that Joni Mitchell was NOT,and indeed, NEVER WAS a Nazi Whore!
Of course Belgium's golden years were still to come half a decade after 1973.It was left to the French to make the prog,which preceded a steady decline into the laughing stock of western Europe they are now.Magma excluded.
However, these archive tapes of what must have been Belgium's premier Prog band,prove that kraut-style prog was alive and vibrant north of the Maginot line.
In a country as compact and bijou as Belgium,which was twice used as a short cut to get at the British Expeditionary Force, it was the synth and drum machine that propelled the local populous into the 'very good file' of early eighties pop music.Forming a solid buffer zone,for once, between Germany and France.A battle of the Belge that the Belge actually won. Helped vastly by the actions of one Alain Neffe,founder of DIY cassette culture label Insane Music.
Neffe was also indeed a founder member of Kosmose,and deserves some kind of medal (The Golden Cassette) for the excellent resurrection job he made of these dusty old tapes.
The music is a heady mix of kraut style kosmiche,free jazz,with hints of CAN and most other things Krauty.Absorbed through a semi-permeable membrane by the musical process of Kosmosis,which one assumes is what the gist of the band name is?

Tracklist:

The Second Untitled Track / B.93.1 6:40
The Third Untitled Track / B.30.4 9:30
The Fourth Untitled Track / B64 4:20
The Fifth Untitled Track / B.40.9 5:45
The Ninetieth Untitled Track / 10 Reverb 9:00
The Tenth Untitled Track / 30.2 9:10
The Eleventh Untitled Track / 31.1 8:40
The Sixth Untitled Track / B.80.3 13:30
The Seventh Untitled Track / B.101.2 22:40
The Twelfth Untitled Track / 102.3 28:00
The Eighth Untitled Track / KS 18:56


Sunday, 26 December 2021

Spacecraft – "Paradoxe" (Self-Released) 1978



It looks Kraut,sounds Kraut,feels Kraut,but it's French.....ish......naturally there's a English guy involved.In fact an English Gentleman from no lesser electro-rock outfit than Bill Nelson's Red Noise,namely the eye-wateringly famous, John Livengood...yes THAT John Livengood..This has gotta be good then....LivenGOOD at least?
Yeah, I've never heard of him either,but google has.
The Paradoxe is that this is one of those records who would be quietly inserted into the post-2001 Krautrock sections in your local CD emporium,keeping it hushed that they were mostly Frogs ,but in the vinyl days they would have been lost in the dreaded vacuum of the miscellaneous category. Its not German but it's Kraut era Space rock-a-like,aka la Musique Kosmiche. It's a mixture of influences,worn boldly on their wizards' sleeves,including such obscurities as Early Tangerine Dream from their Alpha Centuri era, the BBC Radiophonic workshop,and Early Electronics.
As for 1978,the market would have been rather limited for shifting units of this kind of hippie nonsense.But thanks to the small-mindedness of the 1970's buying public,these treasures are left to fester like musical dinosaur footprints in the muddy waters of re-issue detecting.
French Prog and all it's tendrils,are often lazily dismissed as German,or just European.....of course the Brits don't consider themselves at all as European,and refer to mainland Europe as "The Continent".This is also applied strenuously to music; "Ahhh, That's European",they'd announce,meaning "Continental"....and also ,most probably..."Rubbish".
As a young lad,I too harbored this assumption that anything 'Continental'was ,by definition, automatically Rubbish....I mean look at ABBA....total Eurotrash nonsense with rhymes and ear piercing double tracked vocals. This attitude changed,when I realised that DAF were in fact, German.A fact given away because they sang in German,rather that English with cheesy foreign accent style so beloved by all Eurovision acts....and they (DAF) were,shockingly,.....Good?! Then Sounds started writing about CAN,which opened a whole new world for me...overlooking the terrible sartorial styles in evidence, favored by the main protagonists .Something the whole musical world outside of the Anglo-Saxon world has still to figure out.Even DAF looked like a couple of sweaty S+M rubberclad rentboys .There was Kraftwerk I suppose,very smart looking gents,if a tad silly on the we are Robots front....and normally anyone French turned out to be Belgian.Generally The Benelux mob could qualify as UK overseas territory musically,so they qualify as exempt.
Then once discovered,every Kraut/French prog record is consumed and hailed has the best thing since sliced Roggenmischbrot.
That is until you've heard them a few too many times,and ten years later realise that 90% of it is in fact shite after all.Even CAN i find rather dull theses days....or is that....titter,smirk,laff.....Amon Dull?
Alas, Spacecraft I have heard but twice, so I don't think this is shite yet.....come back in ten years and it certainly will be so.

Tracklist

A1 Lumière De Lune 3:51
A2 Cosmic Wheel 10:55
A3 Chromatique One's 5:18
B1 Harabizant 9:35
B2 Ananda 2:35
B3 Surface 7:20


Wednesday, 22 December 2021

Wolfgang Riechmann – "Wunderbar" (Sky Records – sky 017) 1978


After encountering Harald Grosskopf's rather good "Synthesist" album,I noticed there was another German in full makeup with expertly groomed lacquered blue hair....also in the "Euro-Rock" section of Revolver Records.....This is not the image one had came to expect from Germans in pop. Terrible, long fly-away hair, afghan coats and unkempt handlebar mustaches were just a few of the minor indiscretions against fashion that I had noticed,particularly among members of CAN .This chap, Reichmann could have been in Duran Duran.
Expecting some disco Kosmiche mash-up, I wasn't put off by the BBC Testcard music of the opening and title track.....strictly not Wunderbar at all.
However,as I had just spent the best part of four quid for it I persevered, and ultimately found it riechly rewarding.Full of analogue wunders and sweeping seascapes to satisfy any disillusioned punk rockers into the realms of relaxation .
Dunno about the Blue Lipstick though....each to his own i guess?
There's always gotta be a downside to every story,and Wolfies' is no exception,as he got fatally stabbed by a  random nutjob shortly after this record was released. Destiny dictated that he would never make a follow-up,and due to his medical condition.....he was dead....he never did start that difficult second solo album;so there's no opportunity for my Third Riechmann LP joke...shame....Unless they have synth's in heaven,or in hell for that matter. 
Both places being purely fictional, I doubt it,but at least a lot of early twentieth century Germans got out of certain eternal torture and melted away into oblivion.

Tracklist:

1.Wunderbar 5:40
2.Abendlicht 4:21
3.Weltweit 7:00
4.Silberland 7:41
5.Himmelblau 8:38
6.Traumzeit 1:11

Tuesday, 9 November 2021

Armand Schaubroeck Steals – "Ratfucker" (Mirror Records Inc. – Mirror 7) 1978



 Tee-Hee-Hee.....This one seems to be popular. It's got lot's of sweary cuss words on it....well,I say lots,it's actually mainly just one sweary cuss word repeated a lot as a pronoun or verb.Gee, this guy must be one of those "Punk Rockers with their spitting and their habits;what they don't realize is that i only wanted to be looooved!" (Jah Wobble, Fodderstompf 1978)
Armand only wanted to be loved,ie Noticed.So I think he's now convinced himself that he invented Punk Rock.
How do you become a Punk Rocker man when you're over Thirty? Simply, add lots of profanity to your rubbish tunes,and get an album cover that looks like Lou Reed's "Transformer" artwork.To up his Proto-Punk credentials, he does a very good Lou Reed in talky mode impression for the title track, plus extra sweary cuss words....I'm frightened.
Armand, did however, miss a vocation here,as he continues that off-Broadway musical feel that permeates all of his work.This could have been the follow up to the Rocky Horror Show, minus the catchy bits.
Someone mentioned that classic Stan Laurel line from "Brats" in the comments section,which can certainly be applied to crazy man Armand..."You can take a horse to water but a pencil must be lead".
You can surround yourself with all the instruments on the planet,but that doesn't mean you know how to use them.
There must have been a delivery of a few Syndrums to "The House Of Guitars",as they make a brief appearance on Disco setting on a couple of the tracks,even before Joy Division used one!?
On the cover it states that 'This album is dedicated to the late Peter Laughner,self-destructive founder member of Pere Ubu and offshoots.Like a little brother,Armand was obviously impressed by Laughner's incredibly dumb lifestyle. Peter lived the R'n'R myth to the maximum and made the ultimate sacrifice and died for his own sins,definitely not mine!Rock'n'Roll Jesus's should not be allowed to roll away the rock once they have been entombed.
Armand, like countless millions of others,was trapped in the romance,or pretense of the Rock'n'Roll myth.The mystique of self-disintegration, hollowness and dishonesty, coming forth from this incoherent rage at the so-called establishment. And this self-disintegration, in most cases is also a hoax, since most of these people, like Marilyn Manson or Smashing Pumpkins(I don't know any modern Rock groups to use as examples), are well organized hustlers,like our Armand here. It’s very rare that someone like GG Allin, John Beverly and Nancy(they could have been a puppet act with a neme like that?), or,cough, the Cobain, lives out the myth by actually destroying themselves. You do have the occasional suicide or overdose, but what is more normal is for them to become enormously wealthy, like Eminem! It’s the youth rebellion industry. This mystique of bottomless emptiness is clearly not real. I mean someone who actually was all those things would just melt in their tracks if they were infinitely hollow, alienated. It's as if they want to keep falling through the rotten floors of illusion forever (I paraphrased ex-VU person Henry Flynt for this truth by the way,if you didn't notice?)......there are far worse cases than Schaubroeck of course, he's just playing at it, but he's certainly a Hustler, who really just wanted to be looooooved!....and sell you a guitar.....maybe even a Syndrum?

Tracklist:

A1 Ratfucker 3:47
A2 Gigolo, Gigolo 3:14
A3 I Love Me, More Than You 2:24
A4 Buried Alive 1:42
A5 The Independent Hitter 5:05
B1 Preteen Mama 3:12
B2 The Queen Hitter 11:40

Wednesday, 27 October 2021

Ron Warren Ganderton / Sound Ceremony – "Guitar Star" (Celestial Sound Production – RWG 1001) 1978


Praised by private-press hunters, esoteric appreciators and “out of time” searchers alike.Canadian and legend in his own extended lunchtime,Ron Ganderton,and his output hold echoes of monotone  proto-punks such as Jonathan Richman and Lou Reed,but without the good looks(*?), or the charisma,...or even the questionable talent of those aforementioned fellow travelers....*check out that boatrace# girls!? 
Similarities to outsider cult acts such as the extremely nutty but clued up Armand Schaubroeck and the less nutty but completely clueless Kenneth Higney,are as inescapable as they are wrong.....Ron.
Ron was fortunate enough to have the Subway Sect's drummer Bob Ward, and later, Martin Chambers of the excellent Vacants,and the later,but lesser combo, The Pretenders; to back his Velvets out-take tunes and keep him in roughly four four time.....which is a talent very few outsider Rockers seem to embrace.Ah bless him, he's trying his best,but he's missed the wave again....several times by the look of him.
The usual tactics are involved in the new wave cred myth building stakes,as the punk before punk hands shoot up in the room, claiming that this record was made in 1974,so Ron Warren Ganderton must have invented Punk,right?...along with Death(the group), The Modern Lovers,Stooges, and many other proto-punk pretenders.The "I was a Mod before you was a Mod" syndrome. Ron was never a Mod,and he's obviously tried to jump on any bandwagon that was going before the wheels fall off; but Ron's Wheels fell off long ago by the sound of it,and he also fell off the noo wave bandwagon too.Especially when you hear his second, and truly dysfunctional outsider classic album,simply called, just, "Sound Ceremony".
Maybe Lou reed ripped him off and we've all got it so very wrong.....Ron?.....somehow I doubt it!
NB;

# Boatrace is cockney for Face
&
Get the even nuttier second album HERE!

Tracklist:

A1 Guitar Star
A2 Letter To Moma
A3 Concrete Rodeo
A4 Miss Vickey
A5 Come The Change
A6 Feelings
A7 Love
B1 Blues Miss Your Mind
B2 Fool
B3 Lonely Road
B4 Booze, Drugs And Sound
B5 The Lady And Me
B6 The Devil
B7 I'll Go To Hell For Your Love My Lady


Friday, 14 May 2021

Barry Dransfield – "Bowin' And Scrapin' " ~~(Topic Records – 12TS386) 1978



Rumour has it that Barry Dransfield's fiddle bow was beefed up by strands of Barry's own eyebrow hair liberated by some handy wire-cutters,which adds that extra raspiness so characteristic of Barry's solo fiddle style. I suspect that Dave Swarbrick did the same thing, but this time using his ample sideburn hair.?
All the secret age old techniques of Folk music are being brought into the light here, so one must curtail these revelations pronto or risk a visit from a fuming Green Man with wood on,looking for sexual recompense of the type as described in "Recitation Upon A Gentleman Sitting On A Cremona Violin".
Although Barry's youthful looks as pictured on his first solo album had waned somewhat by 1978.This has to be the best album cover in the vast Topic Records catalogue. Which isn't saying too much,as most of 'em are bloody terrible.Here we have a police helicopters view of Barry's piercing eyes framed by the famed eyebrows,handling that fiddle like a freshly sheered sheep's arse.
The back cover has our second favorite fiddler doffing his cap in an unsettlingly Russell Brand-like pose,but with a better hairstyle than the self-styled Che Guevara of Hampstead,or Citizen Smith of Beverly Hills when he's on set in Hollywood.
But when Barry's a-fiddling he, the hideous spectre of ex-junkie stand up joker Brand,disappears like a mirage in a desert of forgotten folk reissues. 

Tracklist:

A1 Rattling Roaring Willie / Metal Man 3:18
A2 Fiddler's Progress 2:29
A3 Who Know Where The Time Goes / My Lagan Love 4:15
A4 Sheffield Hornpipe / Pet Of The Pipers 2:18
A5 Up The Aisle Medley: Swedish Wedding March - Wedding Song - Bridie's Wedding - Norwegian Wedding March - Wedding Morris 6:35
B1 Sandy Bell's 1:19
B2 Obliged To Fiddle / Planxty Davy / Spanish Cloak 4:32
B3 Bushes And Briars / Swedish Air 2:45
B4 O'Carolan's Concerto 3:42
B5 Recitation Upon A Gentleman Sitting On A Cremona Violin 6:19
B6 Sally Gardens / Clonmel Races 2:06


Thursday, 18 February 2021

Ornette Coleman – "Body Meta" (Artists House – AH 1) 1978


 As we were briefly on the subject of Ornette Coleman in the last post,I may as well cheer myself up,and seem intelligent at the same time by posting my favourite Ornette albums,and they were all done in the 1970's,like most of Miles's were. Before at least 1969 it was too bloody jazzy for me.
By 1977/8 Coleman had realized that free jazz was far more effective if one had a semblance of  what appeared to be an accessible time signature,and a rhythm section that hung around something  us normal humans can grasp hold of and go along for the ride.
This could have been a No-Wave group from lower Manhattan,but no, its Ornette Coleman and buddies showing that they had invented No-wave years earlier but decided to do something better.
The guitarist on here, Bern Nix, appears on many James Chance records,and with many others in that trendy Manhattan clique.
But...Having been in a slump,nay, a Beirut Slump.....note clever No-Wave  reference there...as in, Emotional Slump, of late,I have indulged in the time-honored practice of listening to miserable music,Nick Drake, Sandy Denny etc...you know where i'm coming from?..All this to the point of an unhealthy obsession....by the way always veer towards the Demo versions from these artists,but definitely dangerous to your health.
To get myself out of this slump, I put this album on at huge volume,and one detected sheer unadulterated 'JOY',from both myself and the musicians. Even better when i glanced at the sleeve notes,and noticed that this stuff wasn't just totally improvised....they had charts ffs!This stuff was composed!? Which can only enhance the connection for me. Although I did notice that Ornette is dead, like Drake and Sandy,who died in the year this was released....whoops I'm slipping back into my existential crisis again.....the answer....MORE Coleman, less Guinness!?

Tracklist:

A1 Voice Poetry 8:00
A2 Home Grown 7:36
B1 Macho Woman 7:35
B2 Fou Amour 8:31
B3 European Echoes 7:40


Sunday, 24 January 2021

Kaoru Abe / Motoharu Yoshizawa / Toshinori Kondo / Derek Bailey ‎– "Aida's Call"(Starlight Furniture Co. ‎– *09) 1978/1999


So now we know that Kaoru Abe or Abe Kaoru was a pretentious bore and a wife beater. Here he is in free improvisation with Derek Bailey in 1978 who, and i'm guessing here, was most certainly NOT a wife beater...not even sure he had a wife to beat.Could Google it, but don't you all think that google search has ruined all pub arguments......not that there's any pubs open to NOT argue in!?...If you're reading this ten tears from now, this was written during the pandemic hysteria that you all laugh about in the future.That one when we fucked up the lives of the enormous amount of survivors by destroying the world economy, when all we had to do was wash our hands regularly and stop hugging strangers for six months.
I don't know what I'm complaining about, its what us anti-capitalists wanted wasn't it? The planes are grounded, and now i'm moaning that i can't go anywhere,not that I went anywhere anyway,but its what was necessary to cut carbon emissions wasn't it? I also derided the angry mob of trump supporters who stormed the Capitol,but isn't that what we've been advocating for years.....it was just the Wrong Mob!
I'm just a hypocrite like everyone else,wanting a comfy life and something to help me feel superior to others. Yeah, bring back capitalism and lets party again while Rome burns...i think thats my new philosophy, and Free Improvisation is its perfect soundtrack......but yeah....Kaoru was misogynistic woman battering macho man.Another opportunity for us to separate the man from his art.An art that Keiji Haino said wasn't quite as good as others made out. So we can carry on turning a blind eye to our trumped up morals and take the easy way like we always do.....there are exceptions,and we usually follow their example to the point of naming a shitty park after them,or some forgotten street behind a shopping mall.......and why not? What makes them so special? Martin Luther King delivered his most famous speech,round about the same place that the Wrong Mob stormed the capitol building last week.The Wrong Mob needs a martyr....any volunteers? 
Kaoru was dead shortly after this concert,to claim his prize as a free Jazz martyr,and has suitably,from some quarters been awarded the much coveted jazz bores saxophonists's saxophonist choice as having  the most abrasive saxophone sound in Jazz history.The jury's out on that one,but being dead doesn't do any musician or artist any harm in the bullshitty myth stakes.....yeah he's got an abrasive sound,but so has Peter Brötzmann and John Zorn,but they ain't dead.


Tracklist:

1 Administratio 23:41
2 The Man From S.L.A.P.P.Y. 9:47
3 Spear-Core 6:27