The label was well known for handing out these compilations for free at gigs. Largely featuring Robert Cox in his various guises.
The catchphrase being : "You Don't Know What You'll Like Until You Hear It!"....which, in my experience isn't entirely true.
There were countless times I knew I'd like a record purely going on Artwork,and any number of those dodgy reviews in the music press from their golden era .The art of reviewing a record has long died a painful death since the birth of the internet. Like the reviews section in Mojo,which sound as retrogressive as Mojo mag is;like it came from the sixties, simplistic and very reverend. Tending to just describe the music rather that the thoughts and attitudes behind it.
But, hearing it first does help....a bit.
So in the post-truth woke conspiracy addled planet of today, hearing it again is all part of the over exposure to information that is fucking up anything with it's own mind...seemingly for good, and certainly for the Bad.
Therefore in 1982, it was necessary to get the kids to actually hear it for free; something we take for granted today. So 'Not' hearing it in the modern context i would argue has many beneficial qualities.
No-one expects the Spanish Inquisition, and no-one expects to be expected to like something one has never heard. This concept is very much part of the culture wars straight jacket we find ourselves in today. Most of the unexpected stuff from the past would have never surfaced were it not for the luck in appearing in the pre-internet existence. Censorship, i would also argue could also have many beneficial attributes,re-creating the awe and mystery of stuff you aren't allowed to see,hear or feel. Yep, i'm arguing for censorship here, and chinese style internet controls......probably banning me in the process;but i'll take one for the team if it results in the allure of the forbidden to return, and the art world ceasing to be so fucking BORING!
Ok, rant over,and time for me to describe this great tape as if I worked for Mojo Magazine in 2024, or The NME in 1963.
This is one of those classic UK DIY compilations from the Heyday of British cassette culture. Plenty of nice tunes that could be a hit. Especially Pop-tastic being Coventry's favourite post-Jurassic period Donovan fans, the tuneful Digital Dinosaurs.
For all you cool fans of early industrial hits, there's Muslimgauze himself, assuming his early disguise as EG Oblique Graph. The late Bryn Jones and his estate,who is still....,inexplicably, around today, despite the inescapable laws of nature. These laws can obviously be bypassed using the reanimating power of ferric oxide even if he is long dead.
Another myth from the misty shores of a DIY Albion, is the very illusive Lurch, who makes a rare appearance on several of these Unlikely compilations. Ever since he appeared on the classic "Deleted Funtime" C-90 on Deleted records in 1980, i've been on the lookout of that Lurch tape; sadly to zero effect.....one can still dream I guess?
Reading back at this failed attempt to sound as twee and reverend as Mojo and the 1960's music press, I really shouldn't have bothered.....thankfully, I failed.
Censorship will return to free our minds again., fear not; put into effect by your Woke mates who will be watching you in the emptying Pubs of Great Britain and beyond. That coupled with New Cold War paranoia will ensure the return of music and art in general to a new relevance last seen during the art renaissance of the 20th century. Blah Blah Blah!
A1 Syd Nairda– Nevada
A2 Lurch– High-Steppin' Mamma
A3 Digital Dinosaurs – Sideways Man
A4 Digital Dinosaurs – Red Fire Engine
A5 Jonathan Rush – Synthasalsa
A6 Jonathan Rush – New Dawn
A7 Y Celfi Cam – Mab Y Gweinidog
A8 In Embrace – Excerpts From Clutching/The Air In Between
A9 E. G. Oblique Graph – Scar
A10 The Ffuts (Formerly The Stuff)– Luscious Love
A11 The Same – 453-549
A12 Tom Cramp And The Epileptic Ducks – Die For Doggy
A13 R J Curd– Excerpts From Wastelands 1/The Dream Fades/Interspace/Scepsis/New Dance/Remembrance/Night Flight/Dreaming Of You/Surveillance/Tape Walking/Wastelands 2
A14 Emergency Exit – Falling For You
B1 Emergency Exit – Voices
B2 Part Form– Excerpts From Wire Walking/Waiting Room/Part Form
B3 Future Future – Operator
B4 The Toy Shop – Excerpts From The Maze/Live Wires Kill
B5 Extension-Two – Gaps
B6 General Motors – Tubular Turds
B7 General Motors – Live Wasp Omelette, Lung
B8 Piers Of The Realm– Manic
B9 Someone Else – Something Else
B10 The Same – Set Zero
B11 The Same – Hot & Cold
B12 The Same – Larruping Shuftly
B13 The Same – If You Want To, Do So !
B14 The Same – Du Ma Casa
