Various ‎Artists – "From Brussels With Love" (Les Disques Du Crépuscule ‎– TWI 007) 1980

They say, 'You either love Brussels or Hate them', like marmite.
They are, of course, referring to the noble sprout rather than the capital of the  European Union.
Its a 50/50 split, not unlike the famous 'will of the British public', when it comes to loving or hating the European Union.A rather nietzchien statement from same pitiful twerps who formed the German national socialist workers party in the 1920's.
The stats on this compilation on Ian Curtis' ex-girlfriend Annik Honoré's(RIP) 'Disques du Crepescule' label, should be rather more clean cut than Brexit.
Showcasing the close ties between Brussels and with Factory records in Britain. Its a mixture of stuff from both labels and a smattering of highbrow artists from Eno's Obscure label.
As this post marks the end of our trip in the Belgian underground, and its flavour is distinctly British, it gives one the opportunity to segue smoothly into some UK synth, that was obvious highly influential to the Belgian scene and beyond. It wasn't just Kraftwerk and Suicide that shaped the near future, infact one of these influetial figures is on this tape,personified in John Foxx.Then of course we have Eno.....so godlike that we only refer to him reverentially by a single word......E Knows y'know, Eno does.
As for Brussels, the vegetable, I love them.....but Bollocks to Brexit.And if you support Brexit then Bollocks to you!
Any right wing post-truth propaganda in the comments section will be no-platformed and deleted, so don't fucking bother.

DOWNLOAD some seasonal vegetables HERE!

A Certain Ratio ‎– "The Graveyard And The Ballroom" (Factory ‎– Fact 16) 1980

One of the earliest of the post-punk crowd to introduce the 'Funk'into the 'Punk', was Manchester's shorts wearing doom funk merchants, A Certain Ratio.

Factory undoubtedly flirted with Fascist chic,both in their artwork and the group names.There are obvious examples,but here we're looking at 'A Certain Ratio'. Their name came from a speech by Hitler referring to the ratio of Jewish blood someone needed to have before they were considered as being a Jew.This was later explained away as coming from Eno's song "The True Wheel".....if correct, maybe they should have done a bit more research before using it.....but then again why not? These days all one has to do is mention anything 'Third Reich'-y, and the finger pointers are out labelling one a Nazi.Which is a major violation of the old adage, "Forget the past and you're doomed to repeat it".

A bit like pop music and art I suppose. 

Back when Cassettes were futuristic in conception,this cassette only release,hit the streets in February 1980,and came in plastic pouches of various colours and designs.Not very Nazi-chic,until you see the photo of four sharp young men clad in various tank tops,cardigans,with the odd moustache,then think that this wouldn't have looked out of place on the cover of a Laibach album in the 90's. 

"The Graveyard and the Ballroom" contains 14 tracks: 7 demo songs from a session recorded at Graveyard Studios in September 1979 (side A) and 7 songs from a gig at the Electric Ballroom in October 1979 (side B), together with Joy Division* and The Distractions.

This album captures ACR at their best, still raw (as in BH...before Hannett),Dark and not too funky.

[*NB....Just so happens that I have a bootleg of the Joy Division set from that night as well.....which you can download by clicking HERE!]

Tracklist:

The Graveyard
A1 Do The Du (Casse)
A2 Faceless
A3 Crippled Child
A4 Choir
A5 Flight
A6 I Feel
A7 Strain

The Ballroom
B1 All Night Party
B2 Oceans
B3 The Choir
B4 The Fox
B5 Suspect
B6 Flight
B7 Genotype/Phenotype

DOWNLOAD from beyond the graveyard HERE!