Showing posts with label PBS. Show all posts
Showing posts with label PBS. Show all posts

Thursday, May 28, 2015

Remembering BEACON HILL



Due to the success of both DOWNTON ABBEY and the overall revival of interest in period drama- witnessed by shows on both PBS and cable - NBC gave a bright green light to Julian Fellowes’ THE GILDED AGE - a serialized drama set in late 19th Century New York City and focusing on the rising and plunging fortunes of “the princes of the American Renaissance.” The show was announced in 2012 and Fellowes will finally begin writing it later this year when his work on DOWTON ABBEY wraps up.

This news led me to recall BEACON HILL, what was considered by many to be one of the biggest flops of the 1970s. BEACON HILL was CBS's costly (the pilot reportedly cost a million dollars!) and overhyped attempt to recreate the magic of the original UPSTAIRS DOWNSTAIRS. 




The series dealt with he Lassiter family in 1920s Boston, a wealthy Catholic clan. and their staff of servants. The show opened on Prohibition Eve, January 15, 1920 as The Lassiters celebrated with their last drinks. Subplots dealt with brothels, affairs with professors and dalliances with between Lassiters and their staff.


Rather than filmed, the show was videotaped like a sitcom or daytime soap, much like many PBS imports from England. Ratings for the August 26th premiere were healthy (25.4 rating/44 share), but subsequent episodes nosedived, and despite  John Hawkesworth, the producer of UPSTAIRS DOWNSTAIRS, being called over from Britain to assist.




The patriarch was Benjamin Lassiter (Stephen Elliott, later Douglas Channing on FALCON CREST) - a self-made businessman who dabbled in the corrupt Boston politics of the day.



Benjamin’s wife was Mary Lassiter (Nancy Marchand, later the matriarch of THE SOPRANOS) - an elegant society woman who was past her best years.



The Lassiters had five children:



Maude Palmer (Maeve McGuire, later Countess Elena DePoulignac on ANOTHER WORLD) a conventional mother of four, married to the pleasant Richard, who had an interest in yachting (played by the versatile Edward Herrmann).



Emily Bullock (DeAnn Mears, later Judge Maria Gance on LAW & ORDER) was a caustic, jealous beauty. She was married to Trevor (Ray Cooper) who was "old Boston, old money".



Betsy Bullock (TV-movie stalwart Linda Purl) was Trevor and Emily's spoiled 18-year-old daughter.



Fawn Lassiter (daytime soap graduate Kathryn Walker) was artsy, freethinking and sexually liberated - and engaged in an scandalous affair with an Italian piano teacher.




Rosamund Lassiter (Kitty Winn from EXORCIST 1 & 2) was an “old maid” at age 29 - she had a keen business sense and was sleeping with the family chauffeur (Paul Rudd, later Earl Trent on KNOTS LANDING).



Robert Lassiter (David Dukes, later Joseph McPhee on DAWSON’S CREEK) - the lone male heir - had returned from France after the Great War minus an arm and full of bitterness. In one controversial plot, Robert visited a black brothel.



Arthur Hacker (British Music all star George Rose) was the family butler, and like his UPSTAIRS DOWNSTAIRS counterpart, Mr Hudson, he was a father-figure below stairs.



He was married to  Emmeline (Beatrice Straight, later Queen Hippolyte on WONDER WOMAN) a poker-playing Irish housekeeper.



Emmeline’s niece, Maureen Mahaffey (Susan Blanchard - later Tina in the notorious MR. T. AND TINA) was also employed in the house as a maid.



The Lassiter cook, William Piper was African-American (Richard Ward - who later played Steve Martin’s father in THE JERK).



There was a footman named  Terence O'Hara (played by David Rounds, Mel’s cousin Wendell on ALICE) as well as maids Kate  (Lisa Pelikan) and Eleanor (Sydney Swire).



Also appearing: Ken Kercheval (DALLAS), Robert Prosky (HILL STREET BLUES), Michael Nouri (FLASHDANCE) and Holland Taylor (TWO AND A HALF MEN).



The series was produced by the Robert Stigwood Organization with music by Marvin Hamlisch (A CHORUS LINE). It was never rerun, never syndicated, and never released on home video. The show was put out of its misery after only 11 of the 13 episodes had aired. Let’s hope THE GILDED AGE has a better fate.

Thursday, December 4, 2014

King Family Revisited

Last night I met Cam Clarke, son of the great Alyce King. Here's a rerun of a post from Easter 2009.When I was a kid I was obsessed with The King Family.The King Family was this humongous group of clean-cut, mostly-blond, well-dressed white folk who sang cover versions of songs made famous by other people. These were mostly showtunes, spirituals and patriotic songs like Climb Every Mountain, He's Got the Whole in His Hands and America the Beautiful. Sometimes they all dressed alike and sometimes they even dressed like royalty!
The King Sisters (Donna, Yvonne, Louise and Alyce) and their extended musical family had their own ABC prime-time variety series from 1965-66. It was sort of like THE LAWRENCE WELK SHOW if Lawrence had fathered everyone.

In all, some thirty-seven members of the King family, ranging in age from seven months to 79 years, were featured on the show. I wanted to be one.

A short-lived 1969 revival, also on ABC, focused on the younger, hipper King Cousins. Don't they look cool? Back in 1969, channel 11 in LA ran a special Thanksgiving themed hour featuring the King Family - right after an hour of THE BARBARA McNAIR SHOW! Man, sometimes I wish I had a time machine. Actually, I do - it's called PBS.
After this blog post original ran in April 2009 I received several emails and comments from people who also grew up watching the King Family. additionally, a producer of a King Family Christmas special for PBS contacted me.  Visit their officiall website here for more info about the talented clan. Also the DVDs of the shows and specials are available through Cam Clarke, son of Alyce King. Visit his website for more info.

Wednesday, April 3, 2013

Dougsploitation: The San Francisco Treat!

A re-post from 2009 (in honor of Doris Day's 90th birthday!) As a child I fell in love with the city of San Francisco. Not even knowing where exactly it was on the map, I often declared that it was a place that I wanted to live. I think my first exposure to the city by the bay was a famous commercial for a noodle product.
Over the years many TV shows I watched were set in the city of cable cars, including several seasons of THE DORIS DAY SHOW.Every week when I saw this classic opening, I knew it was where I wanted to live.
A few years later, PHYLLIS moved from Minneapolis to SF–therefore making my desire to live there even greater.Another TV show from the 1970s that fueled my desire was the Quinn Martin production, THE STREETS OF SAN FRANCISCO.
Many other dramas also took place in SF, notably cop shows like IRONSIDE and McMILLAN & WIFE, soapy shows like FALCON CREST and HOTEL and doctor shows like TRAPPER JOHN, M.D. and PRESIDIO MED. Did anybody ever watch that last one?
Other famous sitcoms that were based in the city included TOO CLOSE FOR COMFORT, MY SISTER SAM and FULL HOUSE (which to this day, I'm proud to say, I've never seen one episode of!)
But the show that really pushed me over the top was the original 1993 PBS adaptation of Armistead Maupin's TALES OF THE CITY. Having read the first five books, I was already in love with Maupin's wonderful cast of characters. But seeing them come to life in the city that was a much a character as the people themselves drove me to move to the city in 1995, making it my home for six years.
Since then, there were 2 very good TV sequels for Showtime, plus a dreary film adaptation of Maupin's tangental spin-off, The Night Listener. A 6th Barbary Lane novel, the wonderfully melancholy Michael Tolliver Lives was published in 2006.
Followed by 2010's lovely Mary Ann in Autumn.
All this SF talk really makes me miss the city by the bay. Oh, by the way, if you're wondering...nobody in San Francisco eats Rice-A-Roni. Ever.

Saturday, December 29, 2012

Top Tensploitation: TV (2012 Edition)

A lot of TV critics' Top Ten lists seem to be very similar. BREAKING BAD, HOMELAND, MODERN FAMILY, WALKING DEAD, blah, blah, blah. Full of "edgy" and "daring" shows that I have no interest in watching. My list is just a bunch of shows that I enjoy week after week and as a part-time producer, ones that I wish I was involved with.
1) MAD MEN (AMC, Sundays) Back in top form after a hiatus. What can I say? This show is perfection. The most compelling cast and storytelling out there. While others have tried to imitate it's success (PLAYBOY CLUB, PAN AM, THE HOUR, MAGIC CITY and most recently VEGAS) - none were even able to come close. It's hard to pick the best episode or scene of the season because in my eyes it was all great. This is perhaps the best serialized TV drama of all time. There, I said it.
2) DOWNTON ABBEY (PBS, Sundays) Just having seen all of Season 3 (premiering in January on PBS) - this show keeps chugging along with all it's grand soapiness. Outshining and outliving the disappointing UPSTAIRS, DOWNSTAIRS revival - the Downton imitators are soon on their way. Julian Fellows' TITANIC miniseries was well-done in a very similar storytelling style, but ABC buried it over a summer weekend and it was barely noticed.
3) REVENGE (ABC, originally Wednesdays, now Sundays) I was late to the Revenge craze - watching all of Season 1 over one week in late summer in time for the Season 2 premiere. The first season was amazing - a rollicking rollercoaster ride of a mystery that kept me guessing all along the way. Unfortunately, Season 2 has been a huge disappointment - hopefully the show can get back on track.
4) SMASH (NBC, originally Mondays, now Tuesdays) The most entertaining pilot of 2012 led to the campiest bitchfest of a musical ever seen on TV. Great songs and over-the-top production numbers made this show watchable week after week and the backstage Broadway antics may have been unrealistic - but this "GLEE for grownups" made for perhaps the gayest hour of TV ever. I'm really looking forward to see what changes Season 2 brings in February.
5) HAPPY ENDINGS (ABC, originally Wednesdays, now Tuesdays) Funny, dirty, funny, sexy, funny, silly. I never fail to "laugh out loud" each week as these 6 "friends with issues" work with (or against) each other week after week to figure out life and love in the 2010s. Paired with the cartoony B IN APT. 23 for an hour of charming comedy.
6) EPISODES (Showtime) Season 2 of this behind-the-scenes sitcom was even funnier than the first. Great work by all. Looking forward to more.
7) DALLAS (TNT, originally Wednesdays, now Mondays). They said it couldn't be done. Off the top of my head, other than DEGRASSI, it's hard to recall any revival series that was successful. Okay, maybe 90210 - but does anybody even watch that? This revival picked up where the original left off and used the show's rich history to weave in new characters without neglecting the veterans. It will be interesting to see where Season 2 goes after Larry Hagman's death.
8) COMMUNITY (NBC, Thursdays) TV's most underrated and under-appreciated sitcom and the only NBC Thursday night show worth watching anymore continued to amuse, charm and tickle. What will happen now that creator Dan Harmon and co-star Chevy Chase are leaving?
9) PORTLANDIA (IFC) I'd describe this show as 'LITTLE BRITAIN meets TWIN PEAKS'. It's quirky and hipster-ish and while I've never lived in Portland, it somehow seems to get it all right. Clever and unique.
10) DAYS OF OUR LIVES (NBC, Weekdays) Salem continued to keep my attention this year despite some missteps (Alamania, Stefano's "murder", the new Celeste). Fun storylines like the "Daysaster" and Eileen Davidson's return as Kristin Blake have been balanced out by great dramatic turns like the Will/Sonny relationship and Caroline Brady's Alzheimer's plotline. We said goodbye to favorites Lexie Carver, Bo Brady, Carrie Brady and Jack Devereaux - but welcomed back some beloved characters as well (Eric Brady, Nurse Maxine, Nick Fallon, Doug and Julie). Behind-the-scenes drama led to a quick disposal of Madison James and Ian McAllister and a few others - but Dr. Marlena Evans finally took the spotlight in some well-written scenes with her gay grandson Will and her newly-returned nemesis Kristin. While ratings have been up & down - I feel the show is a solid contender and with the popularity of serial drama once again on the rise - DAYS may be around for a few more good years.

So, you may ask, what dropped out of my TOP 10 from last year? Well, let's take a look:

PARKS & RECREATION (NBC, Thursdays) Still a well-made show - but I've dropped it from my regular viewing because it just wasn't as funny as it used to be. Not sure why.

UPSTAIRS DOWNSTAIRS (PBS, Sundays) A disappointing second season was a poor exit for the revival of the TV classic. Be forewarned DALLAS.

LOUIE (FX, Thursdays) Some great episodes this season - but overall I found it too depressing to keep watching.

WILFRED (FX, Thursdays) The concept wore really thin, really fast for me.

and finally...

AMERICAN HORROR STORY (FX, Wednesdays) - Last year this show was my #1 pick. My favorite series of the entire year. This season, however...it has become a weekly dose of "torture porn". It is so sad to see great actors like Jessica Lange, Sarah Paulson, James Cromwell, Clea DuVall, Chloe Sevigny and others demean themselves week after week in a series of violent, pointless and just plain dumb scenarios. Plus, it's not even scary anymore. I gave ASYLUM a fair chance and lastedabout 6 or 7 episodes when I decided I just couldn't take it anymore. To see this show still on some critics Top 10 lists sickens me. Never has a series gone from great to utter crap so quickly. Not sure if it will ever redeem itself.

That's how I see it. Feel free to discuss. Happy New Year!



Wednesday, September 26, 2012

Andy Williams (1927-2012)

Originally posted in 2008. Despite his recent nutty attacks on on our "socialist" President, here's my tribute to the late Andy Williams. Pop singer Andy Williams is known as "Mr. Christmas," due to unmistakably smooth renditions of on many much-loved holiday standards, specifically The Most Wonderful Time of The Year. But in my opinion, it was his holiday TV shows and specials that solidified this title.
After hosting a short-lived half-hour ABC show in 1958 featuring Dick Van Dyke, this undeniably handsome crooner became the star of his own hour-long weekly CBS show during the summer of 1959. In 1962 NBC awarded him an ongoing series, which ran, more or less until 1971.
While never a Top 20 hit, the show proved very popular no matter what competition it faced. In it's debut season, NBC aired it Thursdays at 10PM, opposite CBS's ALFRED HITCHCOCK PRSENTS. For seasons 2 and 3, the show was moved to Tuesdays at 10PM, alternating with the BELL TELEPHONE HOUR. THE ANDY WILLIAMS SHOW returned to a weekly schedule in 1965, when it was moved to Monday at 9PM-opposite THE ANDY GRIFFITH SHOW, creating the infamous "Battle of the Andys". The show then became part of NBC's Disney-led Sunday night line-up in 1966.
The show took two seasons off and returned on Saturdays at 7:30PM for a final two years. In total, the show went on to win three Emmy Awards for outstanding variety program (1963, 1966 and 1967). While each week was jam-packed with great songs and fabulous production numbers featuring top knotch guest stars, the absolute highlight of each season, of course, was the annual Christmas show. Even after the series ended, through the early 70s, Andy's Christmas specials were among the most popular of the season, setting the tone and format which many others have copied and parodied ever since.The Osmond Brothers, who Williams "discovered" performing in Disneyland made their TV debut on the 1962 Christmas show, and stayed with Andy for the rest of his run. Andy's wife, the lovely French chanteuse Claudine Longet and their three children, Noelle, Christian, and Robert all appeared on the Christmas shows. For more about Claudine go here. I guess part of what made his holiday shows so special was the appearances by Andy's family, notably his very talented brothers. The visual of these guys singing in harmony wearing matching sweaters has had a profound effect on me over the years. Here's a photo from my annual Christmas shindig:So, when you get the Christmas blues or are sad because you can't afford to buy any gifts for your friends or family this year, just think of Andy's warm, comforting voice and it will bring you back to a time when the TV landscape was littered with so many magical hours of song, dance and cornball comedy. Luckily some of that magic has be captured and is now available on dvd (or on your local PBS station).In addition, Williams has recorded eight Christmas albums over the years and has performed in his own theater in Branson, Missouri since 1992. Here a great little (and totally unauthorized) compilation that I came across on YouTube. You can see more clips over at Marc Harshbarger's DEEP DISH.