THE MOTHERS-IN-LAW: The Loud & The Furious

From 2010

I'm currently nearing the end of Disc 7 in the eight-disc THE MOTHERS-IN-LAW Complete Series collection. For those who are unfamiliar with the show, the series was a two-season wonder from producer Desi Arnaz that ran on NBC Sunday night between megahits WONDERFUL WORLD OF DISNEY and BONANZA from 1967 through 1969.

THE MOTHERS-IN-LAW was a big, brassy sitcom built around sweet, lovable wisecracking actress Eve Arden and loud, abrasive musical-comedy performer Kaye Ballard. The two are cast as long-time neighbors: WASPy Eve Hubbard and ethnic Kaye Buell whose college student children (Eve's daughter Susie and Kaye's son Jerry) have decided to marry. The two moms are constantly competing with each other — and for attention of their lovelorn children. After the kids marry they move into the converted garage between the Hubbard and Buell houses, creating an additional reasons for friction between the Moms.

Eve and Kaye's henpecked husbands, the cantankerous lawyer Herb Hubbard (played by Herbert Rudley) and frugal TV writer Roger Buell (played by gay actor Roger C. Carmel in season one, replaced by gay actor Richard Deacon in season two), always get drawn into the ludicrous situations their wives create. The Lucy-like plots usually wind up with all four of the parents either covered in some kind of goop or performing a big musical number.

While some episodes border on unwatchable, there are several that stand out as great time capsules of the late 1960s when "the generation gap" seemed to be the trigger of so many comedic conflicts between television characters. One interesting episode features handsome game show panelist Scoey Mitchell as a lawyer who tries to rent the garage when Susie and Jerry plan on moving out. The girls are trying to be open minded about having an African-American tenant but wind up coming off as extremely prejudiced. It's an awkward situation and aside from a terrible watermelon joke, it's very well-played.

Jokes always seem to stem from situations involving Roger's cheapness, Kaye's Italian heritage, and Eve's penchant for redecorating. The Hubbards and Buells have a love-hate-love relationship and often end up arguing loudly about something ridiculous before each episode is over. Kaye and Eve can't help but interfere in almost every aspect of their kids' lives - a situation aggravated even further in season two when Susie gets pregnant.

Other recurring gags include Eve being referred to as "Mother Hubbard", the garage door in the kid's apartment opening to comedic effect, Kaye insisting that their grandchild will be a boy and Eve convinced it will be a girl (spoiler alert - Susie has twins!). All-in-all the show is quite entertaining. The live studio audience adds to the theatrical feeling and the performers always seem like they are giving it their all. A  special treat and curiosity on Disc 8 is the unsold Desi Arnaz pilot for THE CAROL CHANNING SHOW. 

More Random TV GUIDE Ads - MAKIN' IT

SATURDAY NIGHT FEVER brought disco and Italian-Americans together creating the "guido" movement, which still lingers on in certain places (witness MTV's overhyped JERSEY SHORE "phenomenon"). Two years later, ABC decided to cash in on the East Coast disco craze with MAKIN' IT - a Garry Marshall concoction starring non-Italian Dr. Pepper jingle crooner David Naughton as Billy Manucci, who worked at a New Jersey ice cream parlor by day and danced at the Inferno disco by night. Cast as Mrs. Manucci, we have John Travolta's sister (and Lily Tomlin lookalike) Ellen. The show lasted only nine episodes, but it's theme song (by Naughton) reached #5 on the charts! Following MAKIN' IT on the ABC schedule was WHAT'S HAPPENING!!

Dino De Laurentiis 1919-2010

ALICE SWEET ALICE

Here's a Friday flashback to a post from 2007. Recycling is good for the blogosphere!
ALICE SWEET ALICE (1976), directed by Alfred Sole was originally released as COMMUNION but returned to theaters two years later to cash on the fame of child-actor Brooke Shields. The film is set in 1961 for some reason and has many references to JFK, Jackie and even to PSYCHO. It's also known as HOLY TERROR - but I'd like to rename it PROBLEM CHILD: THE BEGINNING.

The film opens with some real groovy titles - then we visit a rectory where a hunky priest named Father Tom (Rudolph Willrich) lives. Single mom Catherine Spages (played by Jackie Gleason's daughter Linda Miller) and her two daughters Alice (19 year-old LIQUID SKY actress Paula Sheppard playing a prepubescent teen!!!) and Karen (a very young Brooke Shields) are paying a visit.

Angelic Karen will soon make her first holy communion, and the sexy priest gives his late mother's crucifix to her as a gift. I sense some sexual tension between Catherine and Tom. Karen's bratty sister Alice is jealous, and wanders about the rectory - scaring the wacky Italian housekeeper Mrs. Tredoni (Olympia Dukakis lookalike Mildred Clinton) with a really creepy Halloween mask.
Later Alice (who sort of resembles the Downs Syndrome girl "Jill" from the infamous menstruation education film ALL WOMEN GET PERIODS) is seen terrorizing Karen by abusing her toys and locking her in a room. Mom Catherine doesn't seem to react to her daughter's morbid hobbies, possibly because she's distressed about her failed marriage. Things soon go from bad to worse when Karen is strangled at her first communion - by a stranger in a yellow rain slicker and Halloween mask! And I thought vomiting at MY first communion was bad! (This is true - I threw up and they thought I was possessed!)

After Karen is killed, her body is stuffed into some sort of bench, her crucifix is stolen and then her corpse is set on fire with a church candle. Jeez! Where was the Catholic League when this was released???

When Mother Superior sees smoke, she opens the bench and screams - attracting the attention churchgoers including Catherine and her meddling sister Annie (the very effective Jane Lowry). A funeral follows and Catherine's handsome
ex-husband Dom shows up to help. Annie decides to stay with Catherine to help her through this difficult time and to attempt to discipline Alice, who has only gotten more bratty since Karen's murder. Alice then recruits her chubby cousin Angela to taunt the reclusive and extremely overweight landlord Mr. Alfonso (possibly the most disgusting character since Divine played his own rapist in FEMALE TROUBLE). Suffice to say, people who piss themselves should NOT wear white!

Dom begins to work with the cops to solve his daughter's murder, and tries to call Father Tom, but Mrs. Tredoni interferes, with the intention of protecting the priest from getting too involved. Tom later tells Dom that the police suspect Alice is the killer. Back at the Spages' home Alice drops a bottle of milk and Aunt Annie has a shit fit and tells her it's time to go back to school. Alice then puts on her yellow slicker and pays Mr. Alfonso and his cats a visit. After she wrinkles the rent check, Mr. A. tries to feel her up - she responds by picking up one of his cute kitties and throws it across the room, killing it. What a little bitch!I sure hope the Humane Society was there for that scene!

We see that Alice has built an altar in the basement - where she has candles, her mask, her raincoat, a two-face doll, ballet sleepers and other assorted creepy items. This girl needs therapy in a big way.

Aunt Annie heads out during a storm, but as she walks down the stairs she is suddenly attacked by a masked figure who stabs her repeatedly in her legs and feet. She fights back as best as she can, yelling out Alice's name and attracting Mr. A as a witness. Catherine finds her sister lying in a pool of blood on the sidewalk just as Dom and Rev. Tom drive up. Good timing, guys!

Later at the hospital, Annie tells her milquetoast husband Jim that Alice tried to kill her. Soon Alice is taken in for a lie detector test. She kinda fails when she tells the cops that she saw KAREN attack her aunt. Huh? Karen's dead...I think. Another disturbing scene follows when two cops discuss Alice's breasts. What the fuck - she's supposed to be like 11 or 12. We later learn that Alice has has her first period. This IS just like the Jill video - except Jill doesn't kill anyone from what I remember.

Catherine and Dom are convinced that Alice is innocent - Catherine thinks Annie just wants to pin it all on Alice because she has always hated the born out-of-wedlock child - and Dom thinks Angela (Annie's daughter) is the slasher. Sparks begin to reignite for the divorced couple, until a phone call from his new wife serves as a cold shower for Dom. Dom then receives a suspicious call from Angela. But the voice on the phone is an adult's - and Dom doesn't notice. Huh? "Angela" tells Dom that she has Karen's crucifix and wants to meet him in an abandoned building. Okay... After believing for an hour that Alice was the slasher, I began to wonder just WHO the masked killer was. Could it be Catherine? Could it be Annie's husband Jim? Could it be Alice? Angela? The sexy priest? One of the cats? I'm stumped!

Dom arrives at the warehouse and is attacked by the slasher (wearing the Halloween mask and the yellow raincoat.) He is soon stabbed in the shoulder and then hit in the face with a brick. Dom is then tied up and pushed out of window. This is so not a good week for the Spages family!

Finally the slasher takes off the mask and is revealed to be...XXXXXXX!!!! HUH??? Wow - I did NOT see that coming! XXXXXXX declares that Dom and Catherine are sinners. During Dom's autopsy, they find Karen's crucifix lodged in his throat, apparently he tried swallowing it to keep it away from the killer. Thanks, we were wondering where that went.

It's soon time for Sunday mass. Alice first stops by Mr. Alfonso's apartment to put cockroaches on his stomach as he sleeps.
Nice. Meanwhile, XXXXXXX packs a knife in a shopping bag and stops by the Spages' apartment. Mr. A wakes up and spots XXXXXXX - and thinking it's Alice, he grabs the killer, who then pulls out her knife and stabs him!!! Well, that's one character I can live without.

Later at church, just as XXXXXXX is about to receive Holy Communion, the slasher pulls out the knife and stabs Father Tom in the neck. The priest falls on the altar and into XXXXXXX's arms. Chaos ensues. In the final shot, we see Alice as she walks away from the altar carrying the shopping bag. Then she pulls the bloodied knife out of it and stares blankly into the camera!!! SUPER CREEPY!!!!

What else can I say about ALICE SWEET ALICE? This movie is fan-fucking-tastic! 10 outta 10. Scary, funny, crazy, sacrilegious - this one's a keeper with or without little Brooke. Thanks to my buddy Mike for helping me recall some of the details on this one.

Al Martino 1927-2009

A Coal in My Stocking

Yesterday, for the first time since I started blogging (in Sept. 2007), I received hate mail.

The email was in response to a review of the bizarre Italian Christmas film, THE CHRISTMAS THAT ALMOST WASN'T - which my good friend Danny reviewed (more like dissected) on November 26th of last year.

Rather than ignore it, I have decided to address it here. In the spirit of the season, I will substitute some of the more colorful words with seasonal favorites. Notes will follow...Mr. Anonymous writes... "Let's see if I can be as crude and mean spirited in my acessment of YOUR REVIEW of this movie Mr.Dougy...why don't you take this DVD and rub it up against YOUR reindeer you imbecile. You dumb, hateful SNOWMAN SHMUCK--go sing Christmas Carols to your porn and leave decent wholesome films to people with a SOUL--SCROOGE!"Okay, first of all - if Mr. Anonymous would have bothered to actually read the "review" he (or she) might have known it wasn't written by me. My pal Danny has a wildly offbeat sense of humor and his interpretation of events in the film are the way he sees it. It's called comedy.Second of all - rub a dvd against my reindeer? That's just sick.Third of all - "my porn" that he is probably referring to is the feature film SOCKET which I co-produced and art directed. Which by the way, has it's television debut on Logo in January. It is not porn, it is science fiction. FYI -Netflix does not rent porn. Who's the Snowman now? Besides I'd rather sing Christmas Carols to DudeTube.Fourth of all - THE CHRISTMAS THAT ALMOST WASN'T is not a decent, wholesome film - it's a disturbing, unsettling and just plain creepy oddity that makes my skin crawl.
Fifth of all - I have no Soul? Okay, you got me there. I can't dance or sing to save my life.
So, Happy Holidays, Mr. Anonymous - I hope you don't get any coal in your stocking. Hugs & Kisses, Mr. A. - from the dumb and hateful imbecile called Mr. Dougy!

EVIL EYE

Sometimes a movie makes no sense whatsoever, but still is a hoot to watch. EVIL EYE aka MALOCCHIO (1974) is one of those films. Maybe something got lost in the translation, but this Italian/Spanish/Mexican concoction feels like three or four different movies edited together by a tagteam consisting of Stevie Wonder, Marlee Matlin and Corky from LIFE GOES ON.
It starts with movie #1 - a horror film- as a woman wearing a cape performs what looks like tai chi while robed figures are placing candles around a triangle. Then a guy wearing a red satin KKK hood & robe steps into the triangle and we see a photo of a very good-looking man. Cut to a freaky looking guy with colored contact lenses and the same good-looking guy dreaming that he is being hunted by a gaggle of totally nude people, who stand over him and groan, before breaking into one of those PBS modern dance specials from the 1970s.

Next is movie #2 - a breezy European sex comedy - a poorly dubbed woman named Talia is lounging on a waterbed in a room with a lamp that looks like a giant lightbulb. Her pet poodle is jumping all over the bed as if it really has to go for a walk. Talia is on the telephone, calling a man named Peter (the Mexican hunk Jorge Rivera). He is awakened by her call, only to find dozens of half-naked people sleeping all over his groovy house. It's like a scene from BEYOND THE VALLEY OF THE DOLLS. Annoyed by Talia's phonecall and his houseguests, Peter tells his butler Walter to "get rid of the bodies". Walter proceeds to blast a trippy disco LP to wake up the unwelcome guests. Peter then finds a sexy naked guy in his shower, and he turns out to be his British best friend Robbie. The two lounge on a big fluffy pink couch and chat - but Robbie dismisses Peter's disturbing dream. A kicky bossa nova melody accompanies Peter as he drives around Rome and into a fashion show where Talia is waiting for him. She tries to get it on with him, but he's too tired from driving around Rome listening to music. Meanwhile, Robbie is losing his shirt in a casino. He obviously has a gambling problem. Why do we need to know this?

Next we meet a French woman named Yvonne just couldn't sleep - she has got to speak to Peter. So she goes to see him. He pours himself a good stiff drink as she begs for his forgiveness. She says that her husband has been dead for a while and she's ready for Peter, even though she's heard about him being dangerous. Huh? Peter starts to feel her up, but suddenly he gets a flashback of the freaky guy from movie #1. Then Peter turns around and there's a thunderstorm! Lightning strikes, statues move, artwork falls off the walls, her eyes get all fucked up looking and he stares back at her with HIS evil eye...and strangles her!!! Then he wakes up in a short yellow robe, flashes back to the killing - but his house has been restored to the way it was before. Who could have done that? Meanwhile, Walter the butler is washing the car.

Movie #3 - a medical mystery movie - begins when we meet Doctors Stone and Turner. Stone is an old crusty guy and Turner is a hot young female. Peter tells the docs that it's as if he's awake and dreaming at the same time. Meanwhile, a detective who's name we never get (we'll call him McColumbo) discovers that Yvonne has been found dead - but her jewelry and money was not taken. Next is a truly disgusting scene where Peter and Talia shower together and brush their and each other's teeth at the same time - French kissing with mouths full of toothpaste while game show music plays on the soundtrack. Gross! Then Peter gets a crank phone call and tells Talia that he needs to get away for a while.

Movie #4 - a gothic ghost story - kicks in as Peter is driving down a long, dark, winding road when his car breaks down. Did I mention he is wearing a tie-dyed denim pantsuit? He arrives at a mysterious house where he is greeted by an old woman. It turns out that the master and mistress of the manor KNOW him. Of course their phone line is dead, so he'll have to stay with them a while. While the husband attempts to fix Peter's car, the wife turns down the lights and proceeds to fix Peter's penis. But then Peter notices a portrait on the wall and asks the wife who it is. She tells him that it's her husband's late aunt - the woman who answered the door!!! Then he strangles her...and her husband as the old woman watches and smiles. Okay, NOW this is getting creepy.

Back in movie #3, Dr. Stone comes to see Peter and thinks he's hiding something - so he demands a full physical examination. Meaning, naked. He puts him on tanning bed and x-rays his head. He tells Dr. Turner that Peter is clinically perfect, but somehow unbalanced. He needs rest. Then Talia comes to see him , and has a bitchy confrontation with Dr. Turner, all while sunny, romantic music plays in the background. Meanwhile, the most annoying ambulance you've ever heard speeds by. We see a little dog tied up in the woods, and nearby they discover the decaying body of the old woman from movie #4. Ewwwww...

McColumbo's Joan Collins lookalike wife tries to paint a portrait of him as he tells her about the recent murders. She thinks evil spirits are responsible. Whatever. Soon Dr. Turner finds Peter waiting for her - smoking cigarettes in a hospital room. Nice. He tells her that he's written a prescription for himself - dinner with her. And then the cigarettes begin to move by themselves in the ashtray. Huh???

So Peter and Dr. Turner have a romantic dinner as he continues to sport his very tight tie-died denim jeans. Then they slow dance in the moonlight...leading to fornication in hot red lighting while the cigarettes dance and fly out of the ashtray. Peter sneaks back into the clinic in the morning and a nurse hands him a letter. Then he dreams about the naked groaning people again - this time they are trying to touch him. He wakes up slightly upset. (see photo).

Peter tells Dr. Stone that there are people who are killers, but they don't have hands - so they are using him to kill. He asks to be locked up. So he is locked up - wearing incredibly tight beige polyester slacks. Suddenly he goes all CARRIE - as everything in the hospital is thrown around. Confusion ensues.

Back to movie #2 - a naked pool party/orgy is going on, but a sudden downpour moves the festivities indoors. Peter shows up at the house (I guess he escaped from the hospital) to have a talk with Robbie. It seems that since we last saw Robbie, he has inherited money and a house. Good for him! But Peter claims that Robbie killed someone to get his newfound fortune. He says the victim told him. So I guess Peter can talk to dead people??? Then Robbie's dead too. Oh well.

In a scene that makes no sense whatsoever, Peter is walking home and a truck drives past him. Suddenly a rock flies up from the street and shatters a nearby window. HUH??? Meanwhile, McColumbo grills the orgy goers lightly about Robbie's death - and then immediately tells them all to leave. Peter continues to walk through the streets of Rome as pretty piano music plays. He finally returns home to find Walter in bed with a haggish woman! Walter knows all about the the murders - he's been covering up for Peter and is now blackmailing him!!! The plot really thickens. I think.

Peter shows up all unshaven and sexy at Dr. Turner's - and she's convinced he's innocent. She tells Dr. Stone that Walter may be behind Peter's problems, and she is going to take him under her care. Walter and his hag are waiting for Peter to return - with blackmail money. The hag thinks Peter is gonna kill them, so she tries to get away. Walter then smashes her over the head with a liquor bottle, and reports her death to the police as "another murder". Looks like butler did it!!!

Dr. Turner brings Peter to her family's secluded cabin in the woods. Is this movie #5? A sexy Spanish telenovela? He lights a fire as she fixes dinner, and they talk about Dr. Stone and the fact that had an affair with Peter's mother. Could Dr. Stone be Peter's father? Maybe...maybe not.

McColumbo shows up at Peter's house only to find the hag dead on the floor while Walter is spitting up frogs in the next room. Yes. Spitting up frogs. Then a gun falls off a shelf and shoots and kills Walter. Huh???

Peter once again is sleeping restlessly, dreaming about nudists. Dr. Turner wakes him up and tells him the nightmares are NOT real. But she is...and the soapy music soars. Oh yeah, McColumbo tries to make a phone call, but something has been effecting his hearing. Oh - and there's a subplot about a piece of jewelry that I've forgotten about too...not sure if it's an earring or a keychain.

So then Peter (dreams that he?) sees Dr. Turner beheaded on a train track. Okay.

So, McColumbo spots two guys beating up a woman near a construction site - and he goes to help her. Only a crane full of cinderblocks is hanging overhead. He rolls the woman over and she is a smiling ghoul - just then the cinderblocks begin to fall towards him. He rolls out of the way just in time - but she is crushed! When he goes to inspect her dead body, he finds nothing but the gem!!!

Back in the cabin, Dr. Turner plays a record for Peter ("Tom Jones or Beethoven?"). While back in Rome, McColumbo confronts Dr. Stone. He asks him, "Who are you? What do you want?" Peter gets pissy with Doc Turner, tells her he doesn't want to be her guinea pig. Then they pop pills together and the romantic music soars! After sex, Doc Turner asks Peter for a cigarette - so he goes upstairs to get them - but the door locks behind him. He throws a chair and kicks at the door, but it's no use. Downstairs, an image of the ghoul woman appears and causes the record player to freak out, forcing an LP to fly across the room and floor tiles to begin to move.

McColumbo races towards the house , but his car breaks down. Of course! Somehow Peter and Dr. Turner have managed to escape the cabin and head towards "the light" in her light blue VW. Only the road has plenty of blind curves and Herbie goes flying off a cliff. What???

THEN...we hear a voice say "Let's go back" and we see Peter waking up again just like the beginning of movie #2. Holy shit!
I mean, really -Holy shit! What did this all mean? Was it all a dream? What about the gem? What's the deal with Dr. Stone? Talia? Her poodle? The red-hooded guy at the beginning? Were they witches? Satanists? Vampires? Aliens? Scientologists? It just doesn't add up...or matter much cause every minute of EVIL EYE was amazing and craptastic! 9 outta 10.

THE CHRISTMAS THAT ALMOST WASN'T

While Doug watched MAME, STONE PILLOW, BENJI and DOLLS, Danny got into the sprit of the holidays with a little charmer from across the seas:
THE CHRISTMAS THAT ALMOST WASN'T should be renamed THE DVD THAT ALMOST WASN'T!!! because I ended up fast forwarding through most of it.  This is a rare Italian family movie from 1966, with Italian actors, poorly dubbed into English that should remain rare for it's own good!

The plot goes something like this: aptly named Mr. Prune didn't like Christmas so he bought the North Pole and threatrened to evict Santa and his band of truly frightening elves. I found the one that looks like Rachel Dratch the most haunting. There was also a tall creepy guy in charge of the elves that sang (Oh yeah, did I tell you it's a musical?)  "Gooble gaggle boogle faggle toys, boys, noise!  Flit, flat, clit, blaht mysogyny rules!"  For real!
Later, in order to help save Christmas, creepy Mr. Whipple (No, not that one, the accountant one) convinces Mr. Macy of Italy to let Santa work in the department store.  So there's Santa selling roller skates.  Wait!  That was MAME.  This is LAME. So Santa's job is to sit with Mr. Whipple and play with toys while singing.   My favorite toy was the toy train that kept bumping into Santa's ass.  I suspect it was his favorite toy, too!  Soon the kids are all at the store sitting on Santa's lap, whilst Santa gives them the most frightening toys ever.  In this shot Santa gives a little girl what we called the Deer Spider!!  In close up you see what it really looked like ...
Yes, these are the sick & twisted toys Santa was handing out.  In an effort to stop Santa, Mr. Prune tried popping balloons, but they just had more.  Then he tried pouring itching powder on Santa & the kids, but he just got it on himself.  So he took the next logical step...just fucking blowing up Santa and all them damn kids with dynamite under Santa's chair!!! He must REALLY hate Christmas to blow up Santa!

Fortunately, a very stern looking boy child caught Mr. Prune's eye and wiggled his finger as if to say, "nah uh, not cool."  That one simple finger wiggle was enough to stop Mr. Prune from blowing up the shit out of that place.  So, Mr. Prune finally buys Italian Macy's and fires Santa and Auntie Mame!!!

Then in the throes of desperation, Santa sits on a park bench in a dimly lit park.  Now, I was still fast forwarding, but if I got it right, it went like this...  this very adult looking 9 year old boy comes to Santa carrying a tree, (you see...he's got wood for Santa) Then, he and Santa look longingly into each other's eyes.  Then, Santa takes the boy's hand and the boy gets on his knees.  I figure the kid was all, "Hey, Santa, I can help you get your rent money by turning a few tricks.  I'll show you how I do it..."  then he starts blowing into a horn-like thing and all the kids in Italian world bring their piggy banks and give them to Santa and he pays his rent.

Wow! Christmas has been saved! Therefore it's THE CHRISTMAS THAT WAS AFTER ALL! Next year, I'm watching MAME instead.

On Doug's scale - lotsa "Huhs?", but no hugs - 4 out of 10 from Danny.

ALICE SWEET ALICE

ALICE SWEET ALICE (1976), directed by Alfred Sole was originally released as COMMUNION but returned to theaters two years later to cash on the fame of child-actor Brooke Shields. The film is set in 1961 for some reason and has many references to JFK, Jackie and even to PSYCHO. It's also known as HOLY TERROR - but I'd like to rename it PROBLEM CHILD: THE BEGINNING.

The film opens with some real groovy titles - then we visit a rectory where a hunky priest named Father Tom (Rudolph Willrich) lives. Single mom Catherine Spages (played by Jackie Gleason's daughter Linda Miller) and her two daughters Alice (19 year-old LIQUID SKY actress Paula Sheppard playing a prepubescent teen!!!) and Karen (a very young Brooke Shields) are paying a visit.

Angelic Karen will soon make her first holy communion, and the sexy priest gives his late mother's crucifix to her as a gift. I sense some sexual tension between Catherine and Tom. Karen's bratty sister Alice is jealous, and wanders about the rectory - scaring the wacky Italian housekeeper Mrs. Tredoni (Olympia Dukakis lookalike Mildred Clinton) with a really creepy Halloween mask.
Later Alice (who sort of resembles the Downs Syndrome girl "Jill" from the infamous menstruation education film ALL WOMEN GET PERIODS) is seen terrorizing Karen by abusing her toys and locking her in a room. Mom Catherine doesn't seem to react to her daughter's morbid hobbies, possibly because she's distressed about her failed marriage. Things soon go from bad to worse when Karen is strangled at her first communion - by a stranger in a yellow rain slicker and Halloween mask! And I thought vomiting at MY first communion was bad! (This is true - I threw up and they thought I was possessed!)

After Karen is killed, her body is stuffed into some sort of bench, her crucifix is stolen and then her corpse is set on fire with a church candle. Jeez! Where was the Catholic League when this was released???

When Mother Superior sees smoke, she opens the bench and screams - attracting the attention churchgoers including Catherine and her meddling sister Annie (the very effective Jane Lowry). A funeral follows and Catherine's handsome
ex-husband Dom shows up to help. Annie decides to stay with Catherine to help her through this difficult time and to attempt to discipline Alice, who has only gotten more bratty since Karen's murder. Alice then recruits her chubby cousin Angela to taunt the reclusive and extremely overweight landlord Mr. Alfonso (possibly the most disgusting character since Divine played his own rapist in FEMALE TROUBLE). Suffice to say, people who piss themselves should NOT wear white!

Dom begins to work with the cops to solve his daughter's murder, and tries to call Father Tom, but Mrs. Tredoni interferes, with the intention of protecting the priest from getting too involved. Tom later tells Dom that the police suspect Alice is the killer. Back at the Spages' home Alice drops a bottle of milk and Aunt Annie has a shit fit and tells her it's time to go back to school. Alice then puts on her yellow slicker and pays Mr. Alfonso and his cats a visit. After she wrinkles the rent check, Mr. A. tries to feel her up - she responds by picking up one of his cute kitties and throws it across the room, killing it. What a little bitch!I sure hope the Humane Society was there for that scene!

We see that Alice has built an altar in the basement - where she has candles, her mask, her raincoat, a two-face doll, ballet sleepers and other assorted creepy items. This girl needs therapy in a big way.

Aunt Annie heads out during a storm, but as she walks down the stairs she is suddenly attacked by a masked figure who stabs her repeatedly in her legs and feet. She fights back as best as she can, yelling out Alice's name and attracting Mr. A as a witness. Catherine finds her sister lying in a pool of blood on the sidewalk just as Dom and Rev. Tom drive up. Good timing, guys!

Later at the hospital, Annie tells her milquetoast husband Jim that Alice tried to kill her. Soon Alice is taken in for a lie detector test. She kinda fails when she tells the cops that she saw KAREN attack her aunt. Huh? Karen's dead...I think. Another disturbing scene follows when two cops discuss Alice's breasts. What the fuck - she's supposed to be like 11 or 12. We later learn that Alice has has her first period. This IS just like the Jill video - except Jill doesn't kill anyone from what I remember.

Catherine and Dom are convinced that Alice is innocent - Catherine thinks Annie just wants to pin it all on Alice because she has always hated the born out-of-wedlock child - and Dom thinks Angela (Annie's daughter) is the slasher. Sparks begin to reignite for the divorced couple, until a phone call from his new wife serves as a cold shower for Dom. Dom then receives a suspicious call from Angela. But the voice on the phone is an adult's - and Dom doesn't notice. Huh? "Angela" tells Dom that she has Karen's crucifix and wants to meet him in an abandoned building. Okay... After believing for an hour that Alice was the slasher, I began to wonder just WHO the masked killer was. Could it be Catherine? Could it be Annie's husband Jim? Could it be Alice? Angela? The sexy priest? One of the cats? I'm stumped!

Dom arrives at the warehouse and is attacked by the slasher (wearing the Halloween mask and the yellow raincoat.) He is soon stabbed in the shoulder and then hit in the face with a brick. Dom is then tied up and pushed out of window. This is so not a good week for the Spages family!

Finally the slasher takes off the mask and is revealed to be...XXXXXXX!!!! HUH??? Wow - I did NOT see that coming! XXXXXXX declares that Dom and Catherine are sinners. During Dom's autopsy, they find Karen's crucifix lodged in his throat, apparently he tried swallowing it to keep it away from the killer. Thanks, we were wondering where that went.

It's soon time for Sunday mass. Alice first stops by Mr. Alfonso's apartment to put cockroaches on his stomach as he sleeps.
Nice. Meanwhile, XXXXXXX packs a knife in a shopping bag and stops by the Spages' apartment. Mr. A wakes up and spots XXXXXXX - and thinking it's Alice, he grabs the killer, who then pulls out her knife and stabs him!!! Well, that's one character I can live without.

Later at church, just as XXXXXXX is about to receive Holy Communion, the slasher pulls out the knife and stabs Father Tom in the neck. The priest falls on the altar and into XXXXXXX's arms. Chaos ensues. In the final shot, we see Alice as she walks away from the altar carrying the shopping bag. Then she pulls the bloodied knife out of it and stares blankly into the camera!!! SUPER CREEPY!!!!

What else can I say about ALICE SWEET ALICE? This movie is fan-fucking-tastic! 10 outta 10. Scary, funny, crazy, sacrilegious - this one's a keeper with or without little Brooke. Thanks to my buddy Mike for helping me recall some of the details on this one.

BLOOD AND BLACK LACE aka SEI DONNE PER L'ASSASSINO

During an amazing opening sequence, we are introduced to the fabulous models of Countress Cristina's fashion house. Suddenly one of the models (Isabella) is brutally attacked by a faceless assailant wearing a trench and fedora - looking much like the DC Comics' The Question. Through some of the worst dubbed dialogue ever, we soon learn that there are all sorts of secrets floating around the fashion house - including the fact that some models use cocaine!!! This is 1965 people - in Italy. How progressive - I don't think American models snorted coke til the mid-70s.

But the fashion show must go on! It is revealed that Isabella had kept a diary, and suddenly almost the entire House of Cristina becomes distressed, especially when another model finds the diary and declares that she is bringing it to the cops. I think this happen on CHARLIE'S ANGELS once too.

The book is stolen from her purse, she suddenly finds herself stalked by The Question, and is also brutally killed!!!
Another model has stolen the diary, and has decided to burn it in her fireplace - The Question soon attacks her, and is then tied to a chair and tortured. She is able to unmask The Question, who then kills her by burning her face off. Not pretty!

All the men of the fashion house are then placed under arrest. But then The Question strikes again! Is the killer a woman??? Or are there two Questions??? (In DC Comics the original Question died and was replaced by a woman...hmmm).

Well, after the men are release from jail, it turns out that there ARE two killers - and it all involves blackmail and the dreaded diary! Later that night, a the voluptuous Siouxsie Sioux lookalike model is drowned in her bathtub by The Question -who then removes the mask and is revealed to be _______! The killer then slashes the corpse’s wrists in order to make the death seem like a suicide. What follows is a final confrontation between the two killers.

With plenty of opportunities to ask "Huh?," this one is a classic - if not only for the amazingly kitschy production design. The hairstyles, fashions and office decor in the fashion house scenes make THE DEVIL WEARS PRADA look like GREY GARDENS. Score: 9 outa 10.

This Mario Bava film is an example of Italian "giallo" (yellow) films - named for pulp paperback novels with yellow covers.. The title of this film translates as SIX WOMEN FOR THE ASSASSIN, though I like to call it ITALY'S NEXT TOP DEAD MODEL. This film is also credited for inspiring the modern-day stalker/slasher flick.

THE WILD, WILD PLANET aka CRIMINALI DELLA GALASSIA

First let me say that this Italian sci-fi epic from 1965 is a production design dream come true for me. Clean, streamlined miniature sets with beautiful old school Tomorrowland-style architecture, funky futuristic furniture, mod fashions, amazing hairdos and some far-out vehicles. You name it - it's the future that I wish we were living in right now. So I highly recommend this film to anyone who is a fan of this style of design.



As for the storyline, I'll try to convey it the best I can: It's the future and Earth is ruled by evil transnational corporations (think Haliburton). Aboard a space station we meet Cmdr. Mike Halstead and biochemist Dr. Nurmi of the Chembiomed corporation (aka CBM). Nurmi and his staff have set up a laboratory on the station in order to cultivate replacement human organs for transplants. Halstead doesn't like Nurmi and his experimental organs - and isn't too thrilled that doctor is after his slutty sexpot of a girlfriend, Lt. Connie Gomez. Mad scientist Nurmi invites Connie to join him for a spontaneous holiday getaway. Connie first refuses to go, but them he gets her drunk and she's like - yeah, okay, I'll go.

We are soon treated to a crazy minimalistic dance performance. Then Halstead gets a call from Earth asking him to investigate a situation involving some strange disappearances. You see some voluptuous big-haired women and mysterious bald sunglass-wearing Zombie-men in black trenchcoats (did this look inspire THE MATRIX?) have been roaming the planet, shrinking people down to Barbie doll size!!! One such attempt goes awry when they only manage to shrink an old man down to midget-size, but only after they kill his young bratty granddaughter. They also attack a studly male gymnist who is wearing a skimpy brilliant blue leotard and they try to kidnap Halstead's apparently Asian nephew - but his non-Asian mom intercedes. Later, Halstead discovers a briefcase full of miniaturized victims, a four-armed (!) dead zombie man, and a bunch of the big-haired women. What does this all mean??? I just don't know.

When Halstead comes across a list of the victims, roads start to lead back to CBM and the wild, wild planet Delphus - where CBM conducts most of their research...and just happens to be where Nurmi took Connie for their little getaway! Once on Delphus, Halstead confronts Nurmi, who reveals his ultimate goal is to create a new master race of perfect people. Beautiful women and physically perfect men. He's doing this by kidnapping them and shrinking them down to doll size and then blowing them back up to normal size. I'm not sure what the heck this all has to do with the zombies and the replacement organs that they grow. Am I missing something here? Maybe I fell asleep and didn't know it.

It turns out his plans for Connie are even more evil - Nurmi wants to somehow "merge" himself with her to form the perfect person. Halstead and his men decide it's time to kick Nurmi's ass and all sorts of chaos ensues- ending with gallons of not-quite-gelled Jello-O bursting through the walls of the CBM complex. Complex indeed.

This movie had me asking "huh?" quite a bit - mostly because it sometimes felt I was watching more than one movie and that I was accidentally flipping channels. Everytime it seemed like something finally made sense, something strange would happen that would make me go "Huh?" again. For all that plus all the fabulous imagery, I have to give this one a big 8 outta 10. Apparently there are three sequels out there!!!