The Douglas Michael Show with Juul Haalmeyer

Here's a Juultide treat from 2009.SECOND CITY TELEVSION or SCTV in all it’s incarnations (in syndication, on NBC and on Cinemax) is remembered as one of the funniest TV series of all time.This outrageous Canadian sketch comedy import launched the careers of such greats as John Candy, Eugene Levy, Andrea Martin, Rick Moranis, Catherine O’Hara, Harold Ramis, Martin Short, Dave Thomas, Joe Flaherty and a few others – including Juul Haalmeyer. Chances are if you've ever seen a SCTV sketch, you've seen Juul's work.Juul Haalmeyer was SCTV's resident costume designer, who was also featured on the show as the choreographer of Melonville's top dance troupe, the Juul Haalmeyer Dancers, a pathetically incompetent ensemble of variety show dancers made up mostly of writers and crew on SCTV. I consider Juul one of my comedy heroes and a unsung TV legend!!!Over the years, Juul also worked as a costume designer for many movies, TV shows, theatre and concert productions. He's done all the classics from ALL MY SONS to LONG DAYS JOURNEY INTO NIGHT, his designs have dressed everyone from Jack Lemmon to Alice Cooper, from Shari Lewis to Jethro Tull, from Dolly Parton to Anne Murray, from Bobby Vinton to Bobby Bittman! It is with great honor that I welcome my guest, Juul Haalmeyer!!!
DOUG: Hi Juul, first of all let me say thank you for all the laughter you and the folks at SCTV have given me over the years. The show is a true classic. I watched it from the very first episode (on WOR TV channel 9 in New York) to the very last Cinemax episode. In fact I subscribed to Cinemax just to watch SCTV! Now exactly when did you join the show?

JUUL: Well, unfortunately I didn’t do the first season because there just wasn’t enough money; and I thought that there was way too much material to get out per week for me to be able to handle. It just looked too scary and daunting and I thought I’m not going to kill myself over a show! That’s my biggest regret with SCTV because it did turn out to be the most rewarding and enjoyable experience of my career.DOUG: Well, thankfully you we able to join the show for season 2. I read somewhere that it took 100 hours a week to make one of the 90-minute NBC shows. Is that true?

JUUL :Yes it did, and sometimes more. It was a real slog, and after each three month cycle, you just had to scrape yourself off the floor and pray the next cycle would be easier. But it never was; it just kept growing bigger!DOUG: Bigger and BETTER-If you ask me! So who was your favorite character or player to design for?

JUUL: ALL OF THEM! The cast of course were all very special people and each one of their characters were very endearing. The challenge came in the situations they wrote for themselves as to how complicated the sketch would become from a wardrobe point of view. Could not have done it without the incredible help of Luigi, the head cutter at Malabar costumes, Eva Richter, who always had an impossible shopping list, and my mother, Trudy Haalmeyer, who cut and sewed everything on set.
DOUG: With all the crazy folks that passed through the doors of SCTV - was there any character that stands out as being the most creatively challenging? I somehow think John Candy as Divine must have been a case where you had to top what the real Divine was already wearing!

JUUL: Again, it was my support staff that saved my ass on everything; whether it was "Shake and Bake" (twenty nine period costumes in primary colours in three days) or Edith Prickley as Queen Elizabeth (the first with two days notice),Divine as Peter Pan, or Divine On Ice; You name it! The challenge was always the time frame within which we had to get it together, and again, my team deserves all of the credit.

DOUG: That Divine On Ice number - Santa Bring My Baby Back to Me is still one of the most hysterical things I've ever seen. And you and the boys are featured prominently in that segment. So, how did the Juul Haalmeyer dancers come about?

JUUL: Well, you can’t hire people to be as bad as we were, so when Lola Heatherton needed dancers she (Catherine O'Hara) remembered that I had done musical theater. But they would let me sing, turn the light off, and yank me offstage, because I just didn’t move well, as you’ve seen. It became a group of writers, sometimes cast, grips, propmen, whoever was available that day. God, it was fun though. Nice to know that anytime you need a bad actor, loud singer, or really lousy dancer, you can depend on someone on your crew to come through! Voila!

DOUG : Did you ever have any formal dance training?

JUUL: What are you smokin' dude?????? Of course not! I did take a Dancercise class one year to get some excess poundage off, which worked, at The Roland and Romaine Academy of Dance,but they always made me move to the back of the class because I always farted with the first bend down in the warmups!
DOUG: That's hysterical. What makes you think I was smoking something while watching SCTV? LOL. It's great that people all over the world are rediscovering the magic of Juul Haalmeyer!JUUL: I'm on Facebook now (I had never heard of it before), and guess what turned up? A Juul Haalmeyer Dancer fan club based in ICELAND! I hope they're not just now getting SCTV! I have gotten more notoriety from the bad dancing than anything I have ever done as a costume designer in the last 40 years.
DOUG: Iceland! How cool is that? Do you keep in touch with any of the cast members?

JUUL: Not really. It was great to see all of them at a very generous 'Benefit of Laughter' reunion show they did last year to set up an SCTV alumni fund for ailing participants of the show. I did get to work on the Disney film COOL RUNNINGS (1993) with John–which was a real privilege and an absolute blast. Ten weeks of poker and dominos in the sun!DOUG: Aside from the charity performance, do you think there would ever be a SCTV REUNION SPECIAL? And if so, would the Dancers come out of retirement?

JUUL: I don’t think that’s in the cards, with everyone’s careers as diverse as they are, but it would be nice. As for the dancers, I don’t think we can get enough day passes issued out of retirement homes at the same time to let all of the dancers come together again! Although I hear that Ellen Degeneres wants to challenge us to a Dance Off!

DOUG: LOL - I'd love to see you and Ellen go at it! So, what have you been up to since SCTV left the air? Are you still doing wardrobe these days?

JUUL: In a way. I still have my costume company, Homemade Tarts, and I rent out vintage clothing to the movies, but I don’t do any designing anymore; couldn’t handle the stress of it all. Back in those days they were all wonderful people to work for who appreciated your craft, but now the shows are mostly in the hands of bean counters, who just want to get it done as cheaply as possible, to heck with creativity. I stopped about nine years ago after I won an Emmy for NODDY AND FRIENDS, a childrens show for PBS.DOUG: That's awesome. Belated congratulations on that Emmy! And lastly, is there any truth to the internet rumor that you are going to be on DANCING WITH THE STARS?

JUUL: Ha Ha! That was a very clever and funny piece someone posted and I got over one hundred e-mails from people who actually believed it! Had a lot of fun with that one! Found the guy who wrote it and he’s just a big fan of the show.

DOUG : Well, you never know with internet rumors. Once something is out the in the universe, it could very well happen! Thanks again for being a guest and being so entertaining!
JUUL: Thank you, It’s been great talking with you!

King Family Revisited

Last night I met Cam Clarke, son of the great Alyce King. Here's a rerun of a post from Easter 2009.When I was a kid I was obsessed with The King Family.The King Family was this humongous group of clean-cut, mostly-blond, well-dressed white folk who sang cover versions of songs made famous by other people. These were mostly showtunes, spirituals and patriotic songs like Climb Every Mountain, He's Got the Whole in His Hands and America the Beautiful. Sometimes they all dressed alike and sometimes they even dressed like royalty!

The King Sisters (Donna, Yvonne, Louise and Alyce) and their extended musical family had their own ABC prime-time variety series from 1965-66. It was sort of like THE LAWRENCE WELK SHOW if Lawrence had fathered everyone.

In all, some thirty-seven members of the King family, ranging in age from seven months to 79 years, were featured on the show. I wanted to be one.

A short-lived 1969 revival, also on ABC, focused on the younger, hipper King Cousins. Don't they look cool? Back in 1969, channel 11 in LA ran a special Thanksgiving themed hour featuring the King Family - right after an hour of THE BARBARA McNAIR SHOW! Man, sometimes I wish I had a time machine. Actually, I do - it's called PBS.
After this blog post original ran in April 2009 I received several emails and comments from people who also grew up watching the King Family. additionally, a producer of a King Family Christmas special for PBS contacted me.  Visit their officiall website here for more info about the talented clan. Also the DVDs of the shows and specials are available through Cam Clarke, son of Alyce King. Visit his website for more info.

THE PAUL LYNDE HALLOWEEN SPECIAL

A classic post. This may be the 4th time I'm running it. What has been heralded as one of the worst hours of television ever - THE PAUL LYNDE HALLOWEEN SPECIAL has got to be seen to be believed. This ABC special originally aired once in 1976, but after years of showing up a bootleg copies, it's finally available on DVD.The show has a loose "storyline", as legendary flamboyant HOLLYWOOD SQUARES celebrity Paul first thinks it's a Christmas special, then an Easter special, and then a Valentines Day special - until his elderly housekeeper (guest star Margaret Hamilton) sets him straight, so to speak. After a barrage of cornball jokes (some written by Bruce Vilanch), Paul breaks out in song: a decidedly Halloween take on "Kids" from "Bye, Bye Birdie". (Which Mr. Lynde introduced in the original Broadway show). Basically the song is a complaint about the younger generation, calling out everything that is wrong with them. My favorite line is "Too much Alice Cooper and not enough Alice Faye!" Like anyone in 1976 knew who Alice Faye was! During this number he gets attacked by trick or treaters dressed as devils - but two of the gang members are revealed to be his ABC pals Donny & Marie in a cheap cameo.After the song, Margaret convinces her bitchy and bitter boss Paul to take a drive with her to visit her sister, who lives at the mysterious Gloomsbury Manor. Sis turns out to be none other than the fabulous Witchie-Poo (Billie Hayes) from H.R. PUFNSTUF! Then, amazingly Margaret transforms herself into her WIZARD OF OZ character - the Wicked Witch of the West! Talk about crossovers! It turns out the witches want to enlist Paul to help them erase their negative media image. 1970s little person superstar Billy Barty shows up as the butler–just in time for some insulting midget jokes, followed by an appearance by a delightfully youthful Betty White as Miss Halloween 1976 - who has won a date with Paul, but she was expecting PAUL NEWMAN! The witches then offer Paul 3 wishes...Wish #1 - Paul wishes to be a "rhinestone trucker", apparently so he can communicate with Tim Conway via CB radio-which was all the rage in '76. Tim arrives at a dinner where Pinky Tuscadero (Roz Kelly from HAPPY DAYS) is the waitress. Tim is about to marry Pinky, but Paul crashes through the wall with his big rig in time to stop the wedding and ask Pinky to marry him instead! Pinky challenges the guys to a contest to see who's more macho. Billy Barty plays the "short order cook"-and he's the most macho!!!Whaa-whaa. What does all this have to do with Halloween? Then there's an awful musical number with Paul, Pinky and Tim and some square-dancing disco dancers. After which the witches invite some of their musician friends to perform "chamber music" for Paul - and the quartet turns out to be none other than KISS - who perform "Detroit Rock City," while the camera rotates 360 degrees and viewers get queasy. Then the witches play Monopoly with Paul. Huh?Wish #2 -Paul wishes he was in the Sarah dessert - he's now a dashingly romantic sheik and Florence Henderson is his potentially lusty lover. Mrs. Brady was already used to faking romance with gay leading men-so she plays along just fine. He tells her he first fell for her after he saw her "milking a cobra"! Then he talks about the "ruby portals of her lips" and he gives his rival Tim Conway a cock-a-too "cause a man gets lonely in the foreign legion." Bruce Vilanch was probably giggling backstage and loving that he got away with all this filthy innuendo. How can they top this? Wish #3 - Paul goes to a haunted discotheque - "the only play where a person can hustle without getting arrested". Then just when you think it can't get any worse, Florence appears sporting a Dorothy Hamill hairdo and a glittering black gown and sings a disco version of "That Old Black Magic".Then KISS comes back to sing the monster hit "Beth" and another song called "King of the Nighttime World." (I think it's supposed be about Larry King, but I'm not sure) It all comes to an end when Pinky returns to sing "Disco Lady" with Paul and the rest if the cast in an epic production number, while the guys from KISS look on in disbelief. Roll credits.
This has to be the strangest, gayest, bitchiest, most surreal mess ever to air on primetime TV - but of course, I love it. Now if only someone would put out a DVD set of the one-season wonder THE PAUL LYNDE SHOW - then I'd really be happy. Imagine Paul as an upscale, wisecracking Archie Bunker-type dad who gets dumped in the swimming pool each and every week - doesn't that sound truly heavenly?

Just What I've Always Wanted...

Andy Williams (1927-2012)

Originally posted in 2008. Despite his recent nutty attacks on on our "socialist" President, here's my tribute to the late Andy Williams. Pop singer Andy Williams is known as "Mr. Christmas," due to unmistakably smooth renditions of on many much-loved holiday standards, specifically The Most Wonderful Time of The Year. But in my opinion, it was his holiday TV shows and specials that solidified this title.
After hosting a short-lived half-hour ABC show in 1958 featuring Dick Van Dyke, this undeniably handsome crooner became the star of his own hour-long weekly CBS show during the summer of 1959. In 1962 NBC awarded him an ongoing series, which ran, more or less until 1971.

While never a Top 20 hit, the show proved very popular no matter what competition it faced. In it's debut season, NBC aired it Thursdays at 10PM, opposite CBS's ALFRED HITCHCOCK PRSENTS. For seasons 2 and 3, the show was moved to Tuesdays at 10PM, alternating with the BELL TELEPHONE HOUR. THE ANDY WILLIAMS SHOW returned to a weekly schedule in 1965, when it was moved to Monday at 9PM-opposite THE ANDY GRIFFITH SHOW, creating the infamous "Battle of the Andys". The show then became part of NBC's Disney-led Sunday night line-up in 1966.

The show took two seasons off and returned on Saturdays at 7:30PM for a final two years. In total, the show went on to win three Emmy Awards for outstanding variety program (1963, 1966 and 1967). While each week was jam-packed with great songs and fabulous production numbers featuring top knotch guest stars, the absolute highlight of each season, of course, was the annual Christmas show. Even after the series ended, through the early 70s, Andy's Christmas specials were among the most popular of the season, setting the tone and format which many others have copied and parodied ever since.The Osmond Brothers, who Williams "discovered" performing in Disneyland made their TV debut on the 1962 Christmas show, and stayed with Andy for the rest of his run. Andy's wife, the lovely French chanteuse Claudine Longet and their three children, Noelle, Christian, and Robert all appeared on the Christmas shows. For more about Claudine go here. I guess part of what made his holiday shows so special was the appearances by Andy's family, notably his very talented brothers. The visual of these guys singing in harmony wearing matching sweaters has had a profound effect on me over the years. Here's a photo from my annual Christmas shindig:So, when you get the Christmas blues or are sad because you can't afford to buy any gifts for your friends or family this year, just think of Andy's warm, comforting voice and it will bring you back to a time when the TV landscape was littered with so many magical hours of song, dance and cornball comedy. Luckily some of that magic has be captured and is now available on dvd (or on your local PBS station).In addition, Williams has recorded eight Christmas albums over the years and has performed in his own theater in Branson, Missouri since 1992. Here a great little (and totally unauthorized) compilation that I came across on YouTube. You can see more clips over at Marc Harshbarger's DEEP DISH.

A Basket Full of Easter TV Treats

Here's a timely pastiche of old posts dealing with Easter-themed television. It seems like Easter was once a much bigger deal on TV back in the 1970s. Not only did the three major networks air a slew of animated specials, but regular series also aired special Easter-themed episodes!
THE LIFE & TIMES OF GRIZZLY ADAMS was one such series. This NBC family adventure series about a hairy dude (play by future drug afficinando Dan Haggerty) who lived with bears was quite popular during it's two-year run. Grizzly was loosely based on a real person, a bear handler in P.T. Barnum's circus during the early 1980s. This 90-minute holiday episode guest-starred Western legend John Wayne's less than legendary son Patrick. This show should not be confused with BJ AND THE BEAR - which starred Greg Evigan and a monkey named "Bear."

From bears to killer whales...Perry Como, the famously bland singer, hosted a batch of holiday specials on the networks through the 1970s. Joining Perry for this splashy outting - taped at San Diego's Sea World (nothing says Easter like killer whales) are the equally bland duo Grammy-winning Grizzly Adams lookalike Kenny (The Gambler) Rogers and Debby (You Light Up My Life) Boone. The fact that this snoozefest aired at 10PM must have alienated the elderly and grammar school audience that it was meant to attract. I mean who else loves water parks and squeaky-clean easy-listening music but people who are in bed by 9PM?

Speaking of easy-listening, regular readers of Dougsploitation know that when I was a kid I was obsessed with The King Family. The King Family was this humongous group of clean-cut, mostly-blond, well-dressed white folk who sang cover versions of songs made famous by other people. These were mostly showtunes, spirituals and patriotic songs like Climb Every Mountain, He's Got the Whole in His Hands and America the Beautiful. Sometimes they all dressed alike and sometimes they even dressed like royalty!

The King Sisters (Donna, Yvonne, Louise and Alyce) and their extended musical family had their own ABC prime-time variety series from 1965-66. It was sort of like THE LAWRENCE WELK SHOW if Lawrence had fathered everyone.

In all, some thirty-seven members of the King family, ranging in age from seven months to 79 years, were featured on the show. I wanted to be one.

A short-lived 1969 revival, also on ABC, focused on the younger, hipper King Cousins. Don't they look cool?

This special, HAPPY EASTER WITH THE KING FAMILY may have just been a syndicated repeat of an Easter-themed episode of their weekly show, or it may have been an all-new hour-long King-fest. I'm not sure, There was a great King Family Christmas clip show that airs on PBS each holiday season. I heard a follow-up on their non-Christmas shows will be made as well.
Wow! What a star-studded eggstravanga this was! Poor Frankie, first THE HAUNTED HOUSE OF HORROR now an Easter Special from around the same time with an unimpressive line-up of guest stars. Very sad. Brings to mind one of my favorite lines from GREASE, "Would you pull that crap with Annette?"