Showing posts with label Nipple. Show all posts
Showing posts with label Nipple. Show all posts

Thursday, July 17, 2014

LIFEGUARD

More recycled Dougsploitation.

LIFEGUARD stands out in my mind for two reasons: it was another PG-rated, but sexy film that that premiered on the CBS Wednesday Night Movie (see COACH) and it was an iconic teen-age masturbatory fantasy for gay boys everywhere. What's surprising is that this movie came from Paramount Pictures (and now on DVD from the Warner Archive Collection) - not Crown International or American International or New Line or New World. This was a real Hollywood movie...with music by the legendary Paul Williams (PHANTOM OF THE PARADISE, and that very special episode of THE ODD COUPLE where Edna Unger and her dad Felix argue over Paul's sex appeal).
As the titles roll, we meet our hero, young Sam Elliot, who even at 35 (?) seemed kinda old - but yet sexy. He's putting up a flag, and "intern" lifeguard and Scientologist Parker (HARDY BOYS and BAYWATCH) STEVENSON is helping him. Then a bunch of half-naked teen boys who all look like Carrot Top come up to them and tell them how they plan on getting laid this summer. Right.
Sam then puts on his tight rainbow tank top because his lady friend - a blonde stewardess(!!!) who looks like Sarah (REAL PEOPLE) Purcell coming over for a booty call.
PS- she is carrying the same "stew bag" that Tara B. True used in SUPERCHICK! And she gets to shows her tits and ass...in a PG movie!!! Holy shit - the MPAA would never allow this today. After the fucking, pillow talk between them turns dramatic when she tells him that he's not as good in bed as he thinks he is. He would be better if he loved her. He's like..."whatever" Back at the beach, a teenage girl who looks like a mildly-retarded Kristy McNichol needs a band-aid for her finger. So Sam helps her out. Later, while a dwarf photographer is taking snapshots, Sam and Parker talk about sex. A lot. Which is hot. Then they talk about sex with underage girls. Which is creepy.
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Then there's a boring bar scene which reveals to us that Sam is a "player". A guy that knew Sam 10 years earlier sees him at the bar and the two begin to chat. The guy - who looks like both the ABBA guys rolled into one - tells Sam that he now is a Porsche salesman, and that Sam should consider getting in the car biz.
Stalker teen, I'll call her "Tarzana" shows up again and tells Sam that she has no friends cause girls are snotty and boys are creeps. Then she splashes water on him and he chases her. He gives her a towel and they talk about marriage. Huh? Then she tells him she wants to get better at sex, and she wants him to fuck her. He thinks she's only 14, but when she says she's 17, he figures what the hell...and it does it! "Tarzana" is actually a played by a 22 year old Kathleen Quinlan!

The next day, Sam goes to visit his parents. We wish that it was Sam playing all three characters like Eddie Murphy does. Maybe in the sequel?


Back at the beach, Sam rescues some drowning kids and has to deal with a Cary Grant lookalike who is "showing his privates". We wish Sam and Parker would show each other's privates! Parker can't deal with the old guy cause he looks too much like his dad. Okay, ewww. 

"Tarzana" the Statutory Stalker shows up at Sam's apartment (She followed home!!!). Gulp. He can't make love to her because tonight's his 15 Year High School reunion - making him almost 30!!!

At the reunion, another Scientologist, Anne Archer and WONDER WOMAN's friend Etta Candy (Beatrice Colon) are there! During "Moon River," Anne shows him her kid, but what she really wants to show him is her "kid-maker".

Then there's a triathlon competition and of course "Tarzana" is cheering him on. Sam spits up water for five minutes. He must be too old for this??? A teammate jokes about it and Sam goes nuts. Speaking of nuts, the announcer has big ones. Ewww...

Before you know it Sam's teaching Anne's kid how to swim and how properly wear Groucho glasses.


He shows Anne a pamphlet of women he hasn't fucked yet, and she's in it - but not for long. It's light reading. Then they get it on. There's slo-mo closeups of various body parts. No nipples or balls, just fleshy parts. Soon she's smoking in bed. Must have been good.

The next day Sam goes to see the car dealer guy. Later, "Tarzana" shows up again and asks Sam if they are ever gonna do it again. He tells her no. And then she asks "Is it cause I'm jailbait?" No, she's cause you're crazy. Then she starts crying cause...SHE'S FUCKING CRAZY!

Later, Anne makes lasagna because her Mexican housekeeper can't be trusted with pasta. Sam comes by to tell her that he got a job as a Porsche salesman. Then a song by Paul Williams, the poor man's Elton John, serenades us as Sam drives around LA and says "goodbye" to the beach.

Only he spots someone out swimming where she shouldn't be swimming...and of course it's "Tarzana"! LET HER DROWN!!! But no, he rescues her and gives her a sailor suit to wear. Did a trick leave it behind? He tells her she's crazy. FINALLY! She tells him she LOVES him. Then he puts her in her car and sends her home. Is it really a good idea to put someone who just tried to kill herself behind the wheel of her car?

He tells Anne about Syndy when he visits her at her job (an art gallery). Anne is very supportive, but then he goes and spoils it all by doing something stupid like yelling at a potential art buyer and probably getting Anne fired from her job - or at least embarrassing the crap out of her! By the way, she looks pissed.

It's the next day, Parker's last before he heads back to college (he's gonna make something of his life - not just be a dumb lifeguard). Then the ABBA/Porsche guy comes by to see if he's gonna take the salesman job, and Sam says "no!"...besides there's a pervert hiding in the ladies room and somebody's got kick him out! It's tough out there for a lifeguard. Wonder if "Tarzana" made it home alright...
"Huh?" - 7 outta 10 - mostly cause of all the smokin' hot 70s man flesh. Oh, the guy pictured above isn't in the movie. Buy it today!



Saturday, September 1, 2012

THE BEGUILED

After Clint Eastwood's puzzling appearance at the RNC the other night, here's a post from 2008 harking back to the days of a kinder, gentler, saner Clint.
Part Civil War epic, part baroque melodrama, part dirty soap opera, part gothic horror movie, part gender politics study and part Brothers Grimm fairy tale: THE BEGUILED (directed by Don Siegel) stars Clint Eastwood in his most intriguing and unusual role since he was elected mayor of Carmel, Ca.

After the requisite montage of real Civil War atrocities via sepia-tinted black and white photos...we arrive somewhere in Louisiana during the last days of the Civil War. Eastwood is John McBurney, a Yankee soldier who is near death after falling out of a tree. My guess is that he was hiding up there when he was shot.

A 12 year old girl named Amy (Pamelyn Ferdin, Edna Unger from TV's ODD COUPLE) is out picking mushrooms and discovers his severely wounded body. They talk, exchange names and cell phone numbers, and just before the girl helps him to stand, he tells her she's "old enough to kiss a man" and pulls her down beside him and gives her a long, hard kiss on the mouth. Huh??? She's confused, but happy. I'm confused and kinda grossed out. She then drags him to the mansion on a old plantation that serves as an all-girls school, where "McB" slowly regains his health under the care of sexually repressed headmistress Martha Farnsworth (Geraldine Page) and the horny girl students who live there. Sort of like when Blair first dragged Jo back to the Eastland school where sexually repressed Mrs. Garrett welcomed her with open arms.

Martha puts her skeptical slave Hallie in charge of washing him...above and below the waist! We are treated to hints of incest when Hallie dresses him in Martha's brother's shirt. Afraid of being turned over to the rebel forces, McB behaves like a polite and appreciative guest, after all he is a Quaker! As he gets healthier, he begins to charm (or beguile if you may) the love-starved students.

Soon the girls begin to vie for his affections, at first we think he's actually falling for virginal teacher Edwina (Elizabeth Hartman), but he seems to be inspiring jealousy among some of the others. This reminds me of Tatum O'Neal and Kristie McNichol both going after Matt Dillon in LITTLE DARLINGS. When one of the spurned girls tries to turn McB over to the Confederate army, Martha comes to his defense, claiming that he's her cousin from Texas. When McB tries to "thank" the headmistress for offering him a permanent residence at the school as the groundskeeper (replacing her brother) we witness a full flashback of Martha and and her lusty sibling getting it on. Donny and Marie Osmond they are not!

Following this we are then treated to Martha's wine-induced dream sequence, an eerie montage of McB frolicking with both Martha and Edwina, ending with a lesbian-tinged three-way that transforms itself into a painting of The Pieta. I swear...McB then gets to suck the nipple of one of the slutty girls - teenaged hussy Carol - leading to a an altercation with an enraged Edwina which ends with McB at the foot of the long circular staircase with a newly re-wounded leg. The battle of the sexes has begun!

SPOILERS START HERE. Martha has the girls harness him up and tie him to the dining room table- and announces that she plans to cut off his leg before it becomes infected with gangrene. What follows is some pretty brutal stuff, involving blood, knives, a saw, bloody hands, sweat, facial close-ups, more blood, blurry faces, a sweaty slave, more blood - you name it...

Clint flips out when he wakes up the next day without a leg, and he's now a prisoner rather than a welcomed guest. Amy tells McB that she loves him and he loves her back. I think she's 13 now. Somehow McB gets his hands on a gun - and now he has the upper hand...but only one leg!

After he threatens Hallie, we flashback to her being raped by Martha's brother. Charming fellow. McB then discovers the wine cellar, then he interrupts the girl's lunch with a drunken rant...and news that he has discovered love letters between Martha and her brother! When Amy tries to lighten things up, he flings her pet turtle across the room, killing it!!! Huh? After this hysteria, Martha convinces sweet, innocent Amy to put down the bloody turtle and gather up some yummy mushrooms for the evening's dinner.

At dinner, McB apologizes for his drunken behavior, leads the table in prayer and and announces his intention to marry Edwina, but it is too late...he's been poisoned by Amy's mushrooms!!! Clint realizes this and slowly gets up from the table and struggles to leave the room. Martha demands that the girls leave him be and finish their dinner. They do. He tumbles to the ground off camera and dies. Next the girls wrap up his body and carry it outside the gate to dump it. The end.

This movie is brilliant. I'm not much of an Eastwood fan, but between this and PLAY MISTY FOR ME, I gotta say - he really knew how to pick 'em back them. Great acting from Clint, Page and Hartman also set this film apart from the pack. THE BEGUILED gets a big 10 outta 10 in my book. In an odd coincidence, two of the actresses, Elizabeth Hartman and Geraldine Page, died in the same week. Hartman died on June 10, 1987 after jumping out of an 5-story window in an apparent suicide. Page died on June 13, 1987 of a heart attack. Sad.

Sunday, June 12, 2011

Friday, May 13, 2011

SUPERCHICK

As a Friday the 13th treat, here's a post I originally ran 4 years ago...when I had time to "review" movies...

From the title and poster one would assume that SUPERCHICK was either a WONDER WOMAN parody or a white FOXY BROWN knockoff. In reality, SUPERCHICK has a lot more in common with THE HAPPY HOOKER. A few minutes into the story, we quickly learn that the "joke" of this movie is that things aren't always as they first appear. For instance, at first we see a sexy brunette stewardess...but soon she disappears into a phone booth...and emerges as a sexy blonde in a Black Canary costume. 

Unfortunately the black fishnets do not cover her bruised legs. Ouch. Next we think we are seeing drinks being poured in an elegant restaurant, but the camera pulls back to reveal: it's a bathtub in a fancy suite owned by a brain surgeon who has Thomas Gainsboro "Blue Boy" hanging over his toilet. 


So here we learn that Superchick is sleeping with him in this yellow wallpaper and shag carpeting paradise. I think he asks her to marry him, but I'm not sure since my notes are kinda sloppy tonight. She tells the good doctor - "I feel like an Avon Lady in Sun City." Huh???
From there we see Tom Jones (really Tony Young from POLICEWOMEN as Johnny) in bed with a topless woman who looks like a big-titted Barbara Barrie in her BARNEY MILLER days (actually it's porn legend Candy Samples!). 
Soon Superchick aka Tara B. True arrives in Miami in her stewardess guise. Meanwhile, Johnny puts on a sexy stripe sweater and goes to meet with the Gay Mafia who dress in red and mustard.


They look like plastic condiment dispensers. Johnny gets pissed at them and as they drive away in their fancy car he yells "Fags!" Tara next turns up on Johnny's boat wearing only a fishing net with "floats" on her tits, vagina and ass. Then we think we see skidmarks on Johnny's tighty whities as he mounts her.

This is followed by an endless montage of them doing Miami type things like running on the beach, water skiing, playing tennis, dancing, gambling and drinking. When Johnny asks her to marry him she makes up some Shakespeare quote.

Then Johnny parks in "the white zone" at the airport - and Tara's back in her stewardess uniform (we learn she works for Crown International Airlines - a clever play on the company that distributed the film). 

On the plane, she offers a drink to a rude old man and then fucks a cute marine in the airplane restroom. She arrives at LAX and is greeted by another boyfriend - this one's a rock star who looks like he possibly has Down's Syndrome. Next she's kicking ass in karate class. Huh?

At this point one of my co-viewers declares "I've got no idea what is going on!!!" The rest of us are also confused, so we decide to recount everything that has happened so far...

1) A stewardess gets into a phonebooth and changes.
2) She's brunette, and then she's blonde.
3) She's eating dinner in a bathtub discussing fine art.
4) She flew to Miami.
5) She met the Tom Jones lookalike who was fucking a cow.
6) Tom loses money on dog races and hates fags.
7) He's either a drunk or just tired from the Miami montage
8) She flew to LA to meet the Down's Syndrome guy
9) Oh, she fucked a marine on the plane
10) Oh, she quotes Shakespeare, we think.
11) She met a Chinese guy played by a Hawaiian actor.

We conclude that there is a difference between "actual plot" and "things happening". I think we're all caught up now. But nothing explains this new guy who looks like Norm McDonald playing Burt Reynolds. Then somebody in the movie (I don't remember who) says "Holy shit!" to the camera. He ain't kidding!


At this point, I decide to Google our lead actress Joyce Jillson -pwho turns out to be Joyce Jillson - celebrity astrologer. Joyce was an author of a nationally syndicated astrology column which appeared in nearly 200 newspapers including the LA Times and the NY Daily News! She also was Ronald Reagan's official psychic!!! administration! She died in 2004. Wow...Who knew?

Back to the movie - and her big white stewardess bag. Soon a black guy pays special attention to her. Next we see a woman being whipped - but it's not what you think - it's the set of a porn movie! Tensions are high, especially when the porn actress calls her male lead a "fag". Tara then gets advice from the leading lady "to get into Show Business, you gotta SHOW your BUSINESS!"


Next Tara's at a wild hippy party which looks like it's at a disco - but the camera pulls back to reveal - it's somebody's house! Here she and the black dude, let's call him "Jimi Hendrix", finally hook up as he offers her a joint. (There's even a Hendrix poster on the wall behind them) So then they have a deep moment as she sips a Tab from a straw. 

Things get out of hand when the "heat freaks" (aka "cops") show up and bust everyone, but Tara changes back into her stewardess get-up and escapes. Then she gets "flashed". I think.

So, the rock star guy is playing the piano badly, then they fuck inside of it. NOT on top of it, but INSIDE of it, which must hurt. Downs guy wants to marry her too! EVERYBODY wants to marry Tara! Then she rants over Bolero type music and they fuck more.

Next we meet old John Carradine, who is dressed as a Russian Czar. 

There's fight that involves him and his stunt double, but we can't figure out what it's all about. Then the Gay mafia shows up again on a plane and there's a little boy who also possibly has Down's Syndrome just starring at the camera. What is going on here???

Okay, Tara gets off the plane and it's SO WINDY that her tits pop out of her uniform! Suddenly all three boyfriends are there and she tells them she can't marry them - because she loves them ALL! "Life is made up of people, not ONE person". Oh - so that's what this movie was about all along...now I get it. Wow...I love Superchick too.

But why is she called SUPERCHICK? She doesn't have any powers or fight crime...she just fucks a lot of guys. Super.

9 outta 10 - mostly for the AMAZING soundtrack and fabulous outfits.

Sunday, May 9, 2010

CRAZY MAMA

For our third cult classic "Mama" film (and vintage review from 2007), we've got Jonathan Demme's CRAZY MAMA (1975). An all-star cast brings this BONNIE & CLYDE wannabe to life, sort of. It's PG rating is a foreshadowing of what we are in for.

The backstory is that in the early 1930s, a family farm in Arkansas is taken over by law enforcement, killing the farmer, leaving his wife Sheba (Ann Sothern) and daughter Melba (Cloris Leachman) fleeing the state. They wind up years later running a beauty salon in California. They still not have recovered from losing the farm and Papa.

Soon "Mr. Howell" (Jim Backus) shows up and repossesses all of their belongings. They've out of luck, out of money and Melba's teenage daughter Cheryl (Linda Purl) is knocked up by "Ralph Malph" (Don Most). What else can go possibly go wrong? Well, then they decide to head back to Arkansas and reclaim the farmland that should be theirs! Wonder if they'll ever get there?

So they steal Mr. Howell's car, rob a gas station and head to Arkansas via Las Vegas!. While in Vegas, Sheba picks up a new friend named Bertha, and Cheryl picks up a second boyfriend, a biker named Snake. Not to be left out, Melba wins the heart of married Texas sheriff Jim Bob (Stuart Whitman). This is starting to feel like BEST LITTLE WHOREHOUSE IN TEXAS all over again. Except without the whores.

Despite being married to Ella Mae (Sally Kirkland), Jim Bob also marries Melba while Snake and Ralph Malph rob the chapel. Somehow Cheryl's two boyfriends have become friends and partners-in-crime. Why all three even share a bed! But there's NOTHING dirty going on. What follows is a silly crime spree with stunts like Sheba pretending to faint in a grocery store, in order to grab the cash. More heists, car chases and scams ensue.

The big money-making scheme involves "kidnapping" Jim Bob and holding him hostage, for a ransom that they will all split. Of course things don't go as smoothly as planned and somebody ends up dead. Somewhere during all these shenanigans, Cloris (Oscar, Emmy, and Golden Globe Award winner) wears a see-thru top without a bra. It feels highly disturbing to see Phyllis Lindstrom's nipple. Betty White would never show us her nipple, would she? Hey, I thought this was rated PG! I guess Cloris has a family-friendly nipple.

This film wasn't BAD enough to be BAD, And it wasn't GOOD enough to be GOOD. It wasn't funny enough to be a comedy and it wasn't serious enough to be a crime drama. While the acting was good and the cinematography superb, I was expecting the film to overall be much more FUN - instead it turned out to be a big, crazy bore. Maybe if it was rated R, there would be more sex, more realistic violence and a more spicy script. Instead, we have basically an episode of BEVERLY HILLBILLIES with a nipple.

For those of you who watch those PBS "1950's oldtime rock n roll reunion pledge break specials", the soundtrack might be appealing to you. I found it wretched. I give the film 4 out of 10, because my only "Huh?" had to do with the previously mentioned nipple. Let's hope BLOODY MAMA with Shelley Winters is better - or at least has less nipple!

Monday, May 3, 2010

The Happy Hooker Returns

Here's a post from two years ago...in honor of the late Lynn Redgrave. Since it was Feb. 14th and my other half was out of town, I decided to give myself a special Valentine's Day treat. What's more romantic than Lynn Redgrave as THE HAPPY HOOKER (1975, directed by Nicholas Sgarro)? After GEORGY GIRL, but before HOUSE CALLS the TV series, Lynn decided to star in the first of three theatrical films based on the book by real-life hooker Xaviera Hollander. Interestingly, while her sister Vanessa was appearing in high-profile films like MURDER ON THE ORIENT EXPRESS and JULIA, Lynn was playing the world's most famous madame. Wonder if they had the same agent?

The dvd starts off promising with a 20th Century Fox logo, followed by a MGM logo (MGM makes great movies, right?) but then the dreaded Cannon Group logo appears and we know we are in for some good, trashy fun. It starts off with a bang as the title theme song "Put Yourself in My Hands" is sung by Mary Olga and goes like this:
"I can make you happy
I can turn you on
Bring me all your troubles
Soon they'll be gone
Put yourself in my hands baby
Whatever you want me to do...I'll do
Put yourself in my hands baby
I'll know how to handle you"

It's Christmastime at the police station and all the hookers are there including April Jones, May Smith and Aurora Goldberg they all give their address as 328 West 80th, except a weepy housewife from White Plains - and presenting Miss Xaviera Hollander!

Flashback to the origin of The Happy Hooker - several years earlier she arrives in America from Holland, fresh-faced and ready to get married...only she's left waiting at the airport. She tells us in voiceover that she "was just a girl who crossed the ocean for a man". When the man (named Carl Gordon) finally arrives, he's gross and rude. He even makes her carry the heavy luggage.


















Then they have sloppy sex while his mother bangs on the wall of the apartment next door. She serves him tiger's milk and yeast as he admires his ugly self in the mirror. He's also on an all-meat diet. What does young X see in this freak? Okay - his apartment is fabulous with a great view. Carl's mom arrives soon to make the bed and see how long X plans on staying....she tells Mrs Gordon that she's Carl's fiancee. Mrs. Gordon is decidedly non-plussed.

Later, at dinner, we learn that Carl calls his mom by her first name, Cheryl. Carl's dad falls asleep at the dinner table and Cheryl is mean to her maid Rosita...and starts insulting X about her weight. GEORGY GIRL flashback? Rosita tries to serve a raw steak to Carl, while Cheryl continues to insult X about everything including the fact that she's from Holland - Carl decides to stay with mother as X marches out the door in a huff. So much for love and marriage.

Back in the present X gets to meet the little ladies of the night in the holding cell. Back to the past, X gets her first apartment and is shown around by a rough young blond who dresses like the Brawny lumberjack who tries to rape her when she offers him a drink. Men are pigs!

Soon X hits the single bars scene where she meets "every Tom, Dick and Harry with a pleasant face and tolerable manner". One her tricks has spent the night. He's dressed like a lawn jockey. Huh?
















Next there's another scene at the city jail where all the tough, sassy black hookers start to harass X as funky soul music plays in the background. Another flashback shows X working at the Dutch consulate - and is trying to type something, but obviously her fingers are meant for other activities. A rich French guy asks her to translate a letter from Dutch for him. "It might as well be Chinese!" If only. I think Frenchie invites X to dinner or something, cause soon they are walking through Central Park and she's dressed like a Pierrot - a French clown! Maybe Frenchie has a clown fetish, because before you know it they are post-coital and embarking on a cruise on his yacht. On the boat we meet Frenchie's snobby, bitchy rich friends - this is starting to remind me of THE LAST OF SHEILA. Wonder who'll get murdered?












Soon X is getting a foot massage from Frenchie and one of his lady friends - Madelaine. After a few days of getting gifts and treats from Prince Frenchie Charming, he gives her an envelope of cash for the pleasure she's given him. "You make me feel like a whore!" and she slaps him. He tells her that she deserves to be spoiled by men. And so, Frenchie gives her number to his friends and she makes the transition "from office girl to working girl".

Tom Poston plays an executive who orders her to get on a boardroom table and strip for him and two other guys as he places money on the table from a suitcase. X is wearing black lace bar and panties with garter belts and fishnet stockings. Her long, stringy hair reminds me of the Sea Hag from Popeye cartoons. He stops her right before she's about to moon him. Then she gives him a stock market report full of double entendres as she slowly puts her clothes back on. He likes this. It makes me feel incredibly uncomfortable.













X rides her bike around the city in various silly outfits. She keeps all her hooker earnings in a cookie jar. A Rutger Hauer-ish looking cop comes to visit her. He inspects her apartment without a search warrant, commenting on her collection of booze and looking for pot. He's on to her hooking ways...and then HE tries to rape her!!! Cops are pigs! Well, men cops, anyway.

Next she dresses real hooker-ish with frosted pink lipstick and fake mole to attend a Park Avenue cocktail party where everyone is dressed in fashion atrocities of the 1970s including one call girl in a macrame dress and another one wearing dozens of pearl necklaces. Not to be outdone, the hostess, Madame Madelaine (played fabulously by the amazingly named Lovelady Powell) dons a stunning sky-blue caftan. We next witness a redhead (the late, great Broadway legend Anita Morris) being made into a human banana split. Madelaine gives X some sage advice: "You don't dress like a hooker in whorehouse!" Best line so far.


















A racist Southern whore (Anita Morris- again?) refuses to do a three-way with a client and a black whore, so X decides to do a slow seductive dance with Aurora to show that she's not prejudiced against blacks nor lesbians (as the sexy song called "One to One" plays). Next X dons a CABARET wig for a hairy client named Harry who dresses in leather, and calls his wife on the phone as X and his German Shepherd bark in the background. A true success, X decides to set out on her own, taking some of Madeline's girls with her and the clients followed. She rides her bike in her fur and leads the hookers in a daily jog. She must be successful, cause she's so eccentric!
















Back in the present - the black hookers yell thing like "bet you ain't got no black ass turning tricks in your high-class fucking house" at X and her posse. New best line so far.
















One of the hookers declares that she thinks Bert and Ernie are fags. Meanwhile, the dirty cop continues to stalk X. Madelaine and X negotiate a business deal over tea and Madelaine announces that she's pregnant from a trick! She asks, "Do you think an old whore could be a good mother?" Okay, newest best line!

At X's Christmas party, Carlos (super-hot Guillermo Irizarry in his one and only acting role to date) the whore house boy entertains us by wearing tight pants and a half shirt, while Vincent Schiavelli gets entertained by a whore who sings "The Happy Hooker" song to him. Meanwhile, Anita Morris gets covered with whip cream, which is washed off by champagne. Three guys wearing Christmas corsages (one has a unibrow) turn out to be undercover cops and bust the girls even after X tries to make it seem like all she serves is drinks. Nice try, X. This is actually a great scene and Lynn's performance here is outstanding.

So back to the present - the hookers are bailed out of jail and a group of little kids follow them down the street "You're all little boys," X says to the shopkeeper who chases the kids away...as "Put Yourself in My Hands" returns to amuse us one last time. After all, it is Christmas! The end.

I gotta say, this was far better than I expected it to be. Lynn Redgrave is so much fun to watch and despite it being about sex workers, there is very little sex and nudity in the film. Actually all the sex scenes take place after the actual sex has happened, and the only two nude scenes feature Anita Morris.



















I'm sure the real true story of Xaviera Hollander (pictured here with Lynn) is a bit more racy and must have had some dark moments, but THE HAPPY HOOKER actually made me feel "happy". Far better than PRETTY WOMAN, but not as good as THE BEST LITTLE WHOREHOUSE IN TEXAS. I give it 7 outta 10 big hooker with a heart of gold "Huhs?" Happy Valentine's Day! SWAK!

"Your high-class fucking house". Still laughing out loud.

Tuesday, April 6, 2010

POLICEWOMEN

Another previously posted review. No - not POLICEWOMAN, the awesome nipple-filled NBC TV series from 1974-78 starring Angie Dickinson - but POLICEWOMEN - a groovy nipple-filled exploitation flick from the same year!







































The story starts at a women's prison - where a jailbreak is set in motion. One of the female guards is pretty redhead who resembles the love child of Marcia Cross and Dixie Carter. She takes control of the situation by putting some karate moves on the would-be escapees. A few of the girls make it out and manage to strip naked and change into sexy skin-tight black outfits. After the women guards call in the male officers for help, the girls throw a grenade at them and set off tear gas. Then they head for the roof and blow something up - escaping down the side of the building. Whew! Did I mention one of the girls has a giant Afro?






Then the credits role...we see Sondra Currie, POLICEWOMEN modeling her uniform, a bikini, a raincoat, a dance outfit and an evening gown. This is one of the best opening title sequences...ever!

After the credits we meet the entire Akerfield, CA police department - three dumb cops - Black Cop, Hunky Honky Cop and Fat Cop. They are all sexist pigs who call our hero, Lt. Lacey Bond "honey," "girl" and "troublemaker". Lacey tells the three piggies that she wants to find out what "gut police work is all about" by going on special assignment for them. They doubt that she's capable of handling the case - so they devise a series of tests for her to pass - similar to what Queen Hippolyta came up with to find an Amazon worthy to come to Man's World. So they test her...

Lacey excels at target practice - so much that she blows the head off the target dummy. She then passes the driving test with flying colors after she drives a police car at 40 MPH backwards!!! If that's not enough, she must take on a martial artist named Bill McLardy, who looks like an extra from CAN'T STOP THE MUSIC. At first Bill kicks her ass and then calls her "honey", but then she goes all KILL BILL on him - kicking him in the balls, knocking him down repeatedly and breaking his tooth. So she passes the tests - and they tell her her assignment: she must infiltrate a female mafia that has been smuggling gigantic amounts of gold into the country! Huh? Then a professor (he wears a lab coat and glasses so you know he's smart) gives her a compact that's also a radio and a cigarette lighter that's a micro-miniature transmitter. Cool, just like Q! They tell her they will have the three pigs monitoring her at all times. She's says she's on her own - and she that's just the way she likes it!

Soon, she's on a stakeout with the pigs. We learn that 70 year old Maude Anderson and her 30 year old lover, Doc are behind the whole gold thing. There's a string of indictments against them, but so far no conviction. Looks like Lacey has a challenge ahead of her.

Soon, a chick in a Cadillac convertible attracts Lacey's attention - and she decides to chase her! Huh? The chick is beeping her horn at an old couple in a red Volvo, but she's cut off by the white van, and her car tumbles over a cliff and explodes! The pigs arrive and tell Lacey that the trunk of the car was laced with heroin and that she's responsible for killing the driver. Huh???

After a heated argument with the pigs, Lacey tries to make peace with them, but they are just not having it. Meanwhile, the two escaped convicts pop out of the trunk of another Caddy. We next meet Maude - who looks like a butch cross between Ruth Gordon and Grandma Walton. Maude is sitting in her backyard counting her money while her scantily clad girls frolic in the background. It's like a twisted HODGE PODGE LODGE. The two prisoners are introduced to Maude. When she learns that the Pam (the girl with the Afro) was a hooker, who escaped using a fake pistol - Maude asks "Since when do whores make guns and get involved in jailbreaks?" Hmmm....since when indeed.








Suddenly a crazy Asian girl shows up and begins the most insane racist tirade I've heard since Marge Schott. This is what she says: "I don't want any blacks around here. Blacks are lazy. They spill their guts when they get caught. They have sore feet and big asses. They shuffle and sing spirituals. They stink. I don't give a god damn shit for n******s!" Pam responds "Why honey, I've always said nice thinks about g***s." This was a scene I just needed to watch over and over again.

These two they have a HUGE fight - knocking each other all over the lawn furniture while the rest of the girls cheer them on. Pam beats the living daylights out of the Asian racist girl - and we are happy. Maude is pleased as well, responding "Okay black girl, you got yourself a job." Then we meet Maude's body-obsessed boyfriend, Doc - who is like the gross bastard child of Owen Wilson and Larry the Cable Guy.















After the girls go to their barracks, Doc rambles on about the girls to Maude and how he thinks they are all c***s. This guy is quite a catch, Maudie. Later she yells at him, telling him to stop lifting weights cause he's starting to look like a "dod damn gorilla!" Doc responds by telling her he wants to fuck, but she has a headache AND a sore throat!!! Ewwwwwww...

Meanwhile Lacey wins the pigs over by bringing them food and dressing like a stewardess. Then Lacey and the Hunky Honkey guy Frank are assigned to an undercover mission on Catalina! Back at girl camp, the other escapee (Janette) gives Pam a makeover while another girl slips into the shower with Doc. He resists and she calls him a fag. I'm calling GLAAD tomorrow. We're off to Catalina where Frank and Lacey play tourists - riding bikes, sailing a catamaran, eating shrimp cocktail, riding horses, eating wieners, swimming, drinking cognac - all as romantic music plays in the background. Then they fuck and drink Asti Spumanti and have "pillow talk" where he tells her that she's "a lady with a mission"...and a trick pelvis! Later they are tanning and drinking Tabs when Frank notices a call girl that's he's arrested before on another boat! Huh? Then the hooker notices him!!! From another boat- without binoculars!!! Is this possible at all? So then we have a high-speed game of chicken, which ends with Frank jumping on the other boat. The girls soon gang up on him, hitting him with oars and chains. Hot.

Lacey comes to Frank's rescue with her karate-chopping ways. She kicks ALL their asses very handily, takes the 5 girls prisoner and calls for help on her compact! Then a Paul Lynde look-a-like calls Maude to give her some information about the cops closing in on her. Maude is annoyed that she has to leave her tennis match - but escapes in a VW and then a seaplane! They manage to lure Lacey to their lair, where Doc ties her up and beats her mercilessly. Maude declares "that's enough, for now."

The two escaped cons (Janette and Pam) then recognize Lacey - but think she's one of them! Maude offers her a job - and she accepts! The girls then have a party, and over dinner Janette realizes that Lacey's a cop...and SO IS PAM!!! That's why the title is POLICEWOMEN, not POLCEWOMAN!!! Then Pam and Janette have fight and Janette falls off a cliff. Did I mention Pam is wearing a "Black Pride" tee shirt?

So - turns out Pam is working for the Secret Service - tracking Maude's gold shipments. We find out that the gold is coming in via stock footage of submarines!!! Soon the girls are unloading the gold from the sub and dressing in army uniforms - but Doc discovers that Lacey has a tracking device...the lighter! Maude pulls a gun on them and tells them they are going shove them off a cliff. Lots of cliff in this film, no?

In the back of a convoy of Army trucks, Lacey kicks Doc's ass and Pam grabs the gun from Maude. Then Lacey gives a karate chop to the driver...and they jump from truck to truck, hijacking the convoy. Lacey next takes on the racist Asian chick - getting the final word on that one.

Later, Lacey tells the pigs where the rest of the gold is and Frank tells her that hey are going to be working together again soon. Set up for a sequel??? Then they fuck in a cop car. Meanwhile, Maude is hauled off to jail - and tells Doc that next time they'll try diamonds!

This one's a winner. 9 outta 10 in my book. Rent it, buy it, love it.

Wednesday, January 20, 2010

Rainy Day Movie : THE BEGUILED

When people talk about their favorite Clint Eastwood film, they usually list DIRTY HARRY, a spaghetti western or one of the "important" films that he's made in recent years. My favorite is
THE BEGUILED, which I first reviewed here two years ago. Part Civil War epic, part baroque melodrama, part dirty soap opera, part gothic horror movie, part gender politics study and part Brothers Grimm fairy tale: THE BEGUILED (directed by Don Siegel) stars Clint Eastwood in his most intriguing and unusual role since he was elected mayor of Carmel, Ca.


















After the requisite montage of real Civil War atrocities via sepia-tinted black and white photos...we arrive somewhere in Louisiana during the last days of the Civil War. Eastwood is John McBurney, a Yankee soldier who is near death after falling out of a tree. My guess is that he was hiding up there when he was shot.

A 12 year old girl named Amy (Pamelyn Ferdin, Edna Unger from TV's ODD COUPLE) is out picking mushrooms and discovers his severely wounded body. They talk, exchange names and cell phone numbers, and just before the girl helps him to stand, he tells her she's "old enough to kiss a man" and pulls her down beside him and gives her a long, hard kiss on the mouth. Huh??? She's confused, but happy. I'm confused and kinda grossed out. She then drags him to the mansion on a old plantation that serves as an all-girls school, where "McB" slowly regains his health under the care of sexually repressed headmistress Martha Farnsworth (Geraldine Page) and the horny girl students who live there. Sort of like when Blair first dragged Jo back to the Eastland school where sexually repressed Mrs. Garrett welcomed her with open arms.













Martha puts her skeptical slave Hallie in charge of washing him...above and below the waist! We are treated to hints of incest when Hallie dresses him in Martha's brother's shirt. Afraid of being turned over to the rebel forces, McB behaves like a polite and appreciative guest, after all he is a Quaker! As he gets healthier, he begins to charm (or beguile if you may) the love-starved students.

Soon the girls begin to vie for his affections, at first we think he's actually falling for virginal teacher Edwina (Elizabeth Hartman), but he seems to be inspiring jealousy among some of the others. This reminds me of Tatum O'Neal and Kristie McNichol both going after Matt Dillon in LITTLE DARLINGS. When one of the spurned girls tries to turn McB over to the Confederate army, Martha comes to his defense, claiming that he's her cousin from Texas. When McB tries to "thank" the headmistress for offering him a permanent residence at the school as the groundskeeper (replacing her brother) we witness a full flashback of Martha and and her lusty sibling getting it on. Donny and Marie Osmond they are not!

Following this we are then treated to Martha's wine-induced dream sequence, an eerie montage of McB frolicking with both Martha and Edwina, ending with a lesbian-tinged three-way that transforms itself into a painting of The Pieta. I swear...McB then gets to suck the nipple of one of the slutty girls - teenaged hussy Carol - leading to a an altercation with an enraged Edwina which ends with McB at the foot of the long circular staircase with a newly re-wounded leg. The battle of the sexes has begun!

SPOILERS START HERE. Martha has the girls harness him up and tie him to the dining room table- and announces that she plans to cut off his leg before it becomes infected with gangrene. What follows is some pretty brutal stuff, involving blood, knives, a saw, bloody hands, sweat, facial close-ups, more blood, blurry faces, a sweaty slave, more blood - you name it...













Clint flips out when he wakes up the next day without a leg, and he's now a prisoner rather than a welcomed guest. Amy tells McB that she loves him and he loves her back. I think she's 13 now. Somehow McB gets his hands on a gun - and now he has the upper hand...but only one leg!

After he threatens Hallie, we flashback to her being raped by Martha's brother. Charming fellow. McB then discovers the wine cellar, then he interrupts the girl's lunch with a drunken rant...and news that he has discovered love letters between Martha and her brother! When Amy tries to lighten things up, he flings her pet turtle across the room, killing it!!! Huh? After this hysteria, Martha convinces sweet, innocent Amy to put down the bloody turtle and gather up some yummy mushrooms for the evening's dinner.

At dinner, McB apologizes for his drunken behavior, leads the table in prayer and and announces his intention to marry Edwina, but it is too late...he's been poisoned by Amy's mushrooms!!! Clint realizes this and slowly gets up from the table and struggles to leave the room. Martha demands that the girls leave him be and finish their dinner. They do. He tumbles to the ground off camera and dies. Next the girls wrap up his body and carry it outside the gate to dump it. The end.













This movie is brilliant. I'm not much of an Eastwood fan, but between this and PLAY MISTY FOR ME, I gotta say - he really knew how to pick 'em back them. Great acting from Clint, Page and Hartman also set this film apart from the pack. THE BEGUILED gets a big 10 outta 10 in my book. In an odd coincidence, two of the actresses, Elizabeth Hartman and Geraldine Page, died in the same week. Hartman died on June 10, 1987 after jumping out of an 5-story window in an apparent suicide. Page died on June 13, 1987 of a heart attack. Sad.