The 25 best romantic films of all time
In the Mood for Love: No 5 best romantic film of all time
Ryan Gilbey
Sat 16 Oct 2010 11.50 BST
W
ong Kar-wai takes his time shooting a film, setting out without a conventional script and waiting to see where the mood takes him; his actors rarely have possession of the bigger picture. As it turned out, this is a sizzling romance about two cuckolded next-door neighbours (Tony Leung and Maggie Cheung) who fall in love with one another. As rendered by Wong's regular cinematographer, Christopher Doyle (and his replacement, Mark Lee Ping-bin, who took over when the shooting schedule overran), the lush colours on screen are mellowed with nostalgia and ripened by sensuality. As much as this is the story of love blossoming out of rejection, it is also a testament to its director's ongoing infatuation with cinema. What he can do with a passage of music, a close-up or an adjustment in film speed makes most other directors look unfit to shoot a nativity play. Doyle observes the tentative encounters from behind lamps and cabinets, or from under a bed. If you didn't already know this cinematographer's work, you might assume Wong had hired a private detective for the job, so skilful are the furtive compositions.
It is an unorthodox romance, widely regarded as the director's finest work. And it is as impeccably turned out as you would expect from a Wong Kar-wai film. Audiences might well emerge craving props and costumes featured in the movie – the silk and gossamer dresses worn with perfect Audrey Hepburn poise by the regal Cheung, or the brilliantine that gives Leung his authentic Clark Gable sheen, or the snazzy noodle-flasks with which these almost-lovers collect their supper from a basement cafe. Unlike its 2004 semi-sequel, 2046, there is more here than just style. A heartbreaking final scene more than substantiates the idea that it is a Brief Encounter for the 21st century.
THE GUARDIAN
