Showing posts with label Robin Wright. Show all posts
Showing posts with label Robin Wright. Show all posts

Wednesday, October 6, 2021

Why I love… Robin Wright

 

Robin Wright

Why I love… Robin Wright

Resolve, strength, practicality, vulnerability. It’s all there in her eyes, her jaw, her smile. It’s what makes her so compelling

Bim Adewunmi
Sat 17 Jun 2017 05.59 BST

M

y love of movies and television is matched only by my love of books, so nothing makes me happier than when screen and page collide. The other week, I found myself rereading one of my favourite books-turned-movies, William Goldman’s The Princess Bride. I adore the film, which I watched as a child, as much as I adore the novel, which I discovered as a teen. And even though she is underwritten, I’ve always loved the character of Buttercup. I suspect that was down to the actor who played her on screen, the luminous Robin Wright.

Wednesday, July 29, 2020

Based on a 1971 sci-fi novel by Stanislaw Lem, this movie begins


STANISLAW LEM

Based on a 1971 sci-fi novel by Stanislaw Lem, this movie begins

Tuesday, August 26, 2014 12:28pm
Based on a 1971 sci-fi novel by Stanislaw Lem, this movie begins intriguingly as Hollywood satire. Robin Wright plays Robin Wright, an actress on the wrong side of 40 with two kids to support. The roles aren’t there, so her agent (a very warm, welcome Harvey Keitel) gets her an unusual audition with a studio boss (Danny Huston, ever charming and malevolent). Basically the deal is this, he explains: We get your past and future likeness to manipulate however we want in the computer—but no porn!—now and forever, so as to not compete with yourself. “I need Buttercup,” he says. “I don’t need you.” These are the best, funniest scenes to The Congress, though not the most eye-popping ones, which soon follow.

Tuesday, May 14, 2019

Colin Farrell / Sissy Spacek / A Home at the End of the World


A Home at the End of the World (2004)

Cynthia Fuchs
21 Jul 2004

A HOME AT THE END OF THE WORLD

Director: Michael Mayer
Cast: Colin Farrell, Robin Wright Penn, Sissy Spacek, Dallas Roberts
MPAA rating: R
Studio: Warner Independent Pictures
FIRST DATE: 2004
US RELEASE DATE: 2004-07-23 (LIMITED RELEASE)
In Cleveland, 1967, cute-as-can-be Bobby Morrow (Andrew Chalmers as a nine-year-old) comes to self-consciousness with the help of his brother Carlton (Ryan Donowho). Or maybe more precisely, he comes to realize the world is a wildly beautiful and unpredictable place. Here he as likely to view his first sex scene (via Carlton's unlocked door: "It's just love, man, it's nothing to fear") as to have his mind expanded (via Carlton's LSD) or his heart broken (via an unexpected and quite brutal death). Wide-eyed and apparently cherubic (his favorite grave marker in the local cemetery is the angel), the child absorbs his lessons serenely, a proverbial blank screen onto which you're invited to project your own desires.

Unfortunately, Bobby's vagueness tends to be more tiresome than inspiring. This despite the fact that, after a few scenes as a 15-year-old (played by Erik Smith), he grows up to be Colin Farrell, whose full frontal has already-famously been cut from the finished film ("Too distracting" is the filmmakers' reported rationale). And, aside from this bit of promotional detail, A Home at the End of the World, written by Michael (The Hours) Cunningham from his novel, is doesn't have so much to frame its central character. The movie doesn't quite translate the book's lyrical internal monologues to embodied characters. Bobby's naïveté grants him a blithe ignorance of anything outside his narrow existence, everyone around him admires, resents, adores, resent and lusts after him, usually all at once. As complicated and intriguing as such a range of responses might sound, A Home at the End of the World, directed by Michael Mayer, doesn't provide much in the way of motivation for any of them. Why do all Bobby's acquaintances (okay, three characters) fall all over themselves to be in love with him?

Sunday, March 24, 2019

Blade Runner 2049 Drops A New Poster


Blade Runner 2049 Drops A New Poster


LEONARDO FAIERMAN
August 25, 2017

Let’s catch up: the highly anticipated and/or contentious sequel Blade Runner 2049 releases October 6th, now with a brand new poster to show for it!







Burgeoning director du jour Denis Villeneuve helms this sequel, which counts a number of co-conspirators in its ranks, including original director Ridley Scott as executive producer, as well as screenwriter Hampton FancheI have an intensely personal relationship to, and fondness for, the original Blade Runner, from its smoky, neon-blasted-noir backdrop, to its sparse but ruminative plot workings, to the weird intimacy of its performances. It’s a storied, iconic, evergreen film, dignified in its art design, and loaded with dark mysteries on both sides of the screen. As a kid, it was one of the first open-ended films I’d ever seen, and I’d be confident enough to say that I know the entire script by heart; to be fair, this is not a tremendous ask, as it runs significantly less than 6,000 words.




At least, in this generation of obligatory remakes, Blade Runner 2049 is a specifically stated sequel, with a story occurring 30 years after the original. Although he first emerged as a surprise inclusion in early trailers, Harrison Ford reprising his role of Rick Deckard is now positioned neck-and-neck with lead actor Ryan Gosling (keep in mind that this might be a mislead, as earlier reports indicated Ford’s screen-time as minimal). In addition, the colors in the poster—a sort of dusky amber and an icy teal—distinguish the four actors, almost color-coding them: Gosling, Jared Leto, and Ana de Armas are saturated in the former, Ford alone in the latter. Interestingly, this is in contrast to the posters released in May, which swapped these identifying colors for the two leads.




I’m tremendously excited for this film, though I expect a lot out of it. Villeneuve has had an incredible run as a director, and trailers imply that the crucial aesthetic qualities of the sci-fi classic have been effectively attempted, which speaks highly of Roger Deakins’ return as Villeneuve’s cinematographer. The question remains of how much of the film will take place in the steamy, buzzy streets and locked-down ziggurats of 2049 LA versus the wasteland-like environs where Deckard has apparently sequestered himself.
In a month and a half, most of our questions will be answered. For now, take another look at the most recent trailer:
————-
Production Details below:
In 3D and 2D in select theaters and IMAX on October 6th

(Warner Bros/ Alcon Entertainment)

Director: Denis Villeneuve

Writer: Screenplay by Hampton Fancher and Michael Green, Story by Hampton Fancher,

based on characters from the novel Do Androids Dream of Electric Sheep? by Philip K. Dick, 

Producers: Andrew A. Kosove, Broderick Johnson, Bud Yorkin, Cynthia Yorkin

Executive Producers: Ridley Scott, Tim Gamble, Frank Giustra, Yale Badick, Val Hill, Bill Carraro
Cast: Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, with Dave Bautista and Jared Leto

Sci Fi Thriller: Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.

DE OTROS MUNDOS

DRAGON





Friday, July 13, 2018

Robin Wright on her co-star Kevin Spacey / 'I did not know the man'





Robin Wright on her co-star Kevin Spacey: 'I did not know the man'

Telegraph Reporters
9 JULY 2018 • 9:17AMFollow


Robin Wright has addressed the allegations of sexual abuse facing her House of Cards co-star Kevin Spacey in a new interview.