Showing posts with label Lygia Fagundes Telles. Show all posts
Showing posts with label Lygia Fagundes Telles. Show all posts

Thursday, April 7, 2022

It's Chilly in Here, Don't You Think? by Lygia Fagunes Telles

It's Chilly in Here, Don't You Think?

by Lygia Fagundes Telles
Translated from the Portuguese by Eric M. B. Becker

 

She slowly extricated her hand from his grip and turned toward the wall. A blank white wall, not a single picture or even a nail mark—nada. If only there were a tiny hole left from a nail she could crawl into and disappear. She suddenly remembered the small insect struggling to crawl into the lime mortar, forcing itself into a small opening before it disappeared, fleeing. It’s easier to escape when you’re an insect, she thought, and folded her hands. What’s the first thing you do after making love? was the moronic question all those morons answered on the talk shows. I light a cigarette and lie there looking at the ceiling, some said amid giggles. Others provided more detail: I throw on my boxer shorts and grab a beer from the fridge. Or chicken wings. More giggles. And the talk show host never remembered to ask how they would react in a more delicate situation, when nothing happened at all. Where was one supposed to look? She turned back toward Armando, who was propped up against the headboard, with his elbows on the pillows, smoking and listening to music with an expression of pure ecstasy. I’m nothing more than a disgusting romantic, she thought.

Lygia Fagundes Telles / Master of the Haminan and the Fantastic

 


Lygia Fagundes Telles

LYGIA FAGUNDES TELLES, MASTER OF THE HUMAN AND THE FANTASTIC

By Lorena Sales dos Santos

April 6, 2020

My first contact with the work of Lygia Fagundes Telles was during my early years of college, during a summer vacation. My mother,  who was an avid reader and had recently started to write some short stories, was reading Telles’s book Antes do Baile Verde (Before the Green Ball would be the literal translation of the book’s title). The book was first published in 1969 but has had several other editions. Since I was looking for something to read during the lazy afternoon hours of the summer, when I returned from the beach to be with cousins and friends, my mother offered me the book she had just devoured so fast.

Wednesday, April 6, 2022

Lygia Fagundes Telles, Popular Brazilian Novelist, Dies at 98

 

Credit...
Photo by Chico Albuquerque

Lygia Fagundes Telles, Popular Brazilian Novelist, Dies at 98

One of her country’s first writers to address female sexuality from a woman’s perspective, she produced four novels and dozens of short stories that could be read as political allegories.

Michael Astor
April 4, 2022


Lygia Fagundes Telles, one of Brazil’s most popular writers, whose stories of women trapped in unsatisfying relationships could also be read as allegories of her country’s political situation, died on Sunday at her home in São Paulo. She was 98.

Lygia Fagundes Telles and Manuel Alegre

Lygia Fagundes Telles



Lygia Fagundes Telles 

and Manuel Alegre


BOMB 102
Winter 2008
The Brazilian novelist and short story writer Lygia Fagundes Telles and the Portuguese writer Manuel Alegre met each other at the Book Biennial in Rio de Janeiro, which took place last September. Alegre is renowned in Portugal as a novelist, poet, and public figure with a long engagement in politics, from his early days as a law student opposing the 40-year dictatorship of Antonio de Oliveria Salazar (1933–74) to his imprisonment and exile in Algiers, to his running for president in the 2006 Portuguese elections. Alegre traveled to Brazil to participate in the launching of his book Cão como nós (A Dog Like Us), a lyrical memoir featuring his family’s relationship with Kurica, an epagneul breton, their companion over many years.

Seminar on the Extermination of Rats by Lygia Fagundes Telles

 

The Dance of Rats
by Ferdinand van Kessel


Seminar on the Extermination of Rats

A Short Story by Lygia Fagundes Telles

Translated by Eric M. B. Becker.

 

“My god, what a century!” exclaimed the rats and
they began to chew the building to pieces.


The Chief of Public Relations, a young man of medium stature, a smile and eyes that shone brightly, adjusted the knot in his red tie and gently knocked on the door of the Secretary of Public and Private Wellbeing:

“Your Excellency?”