How do we tell the story of Sylvia Plath?
Variously depicted as a victim or a villain, perhaps no other writer has an afterlife more contested than Plath.
The 10 Best Books of 2021
By Anna Leszkiewicz
14 October 2020
Variously depicted as a victim or a villain, perhaps no other writer has an afterlife more contested than Plath.
Sylvia Plath is standing in her vegetable garden. It’s a warm summer evening in Devon. In her arms she holds a great bundle of loose papers. At her feet, a bonfire blazes. While her mother and her daughter watch from the kitchen, she tears up page after page of writing. Leaning over the bonfire, she sets the papers alight and watches them burn.
Frances Leviston’s The Voice in My Ear: a sharp, insightful story collection
The ten stories all centre around a different protagonist named Claire, each clouded by a difficult mother – whether they dominate the foreground or linger slightly out of frame.
“Isn’t it a bit hackneyed to be talking about mothers?” Claire says, bewildered. A silhouetted woman wearing a white coat and carrying a clipboard has just asked her a series of leading (if not misguided) questions: “Your mother was a difficult woman, yes? She was very hard on you, yes?”