Showing posts with label Marc Behm. Show all posts
Showing posts with label Marc Behm. Show all posts

Friday, June 5, 2020

Marc Behm / The Eye

Marc Eye


The Eye
Created by Marc Behm


An unnamed private detective, known only as "THE EYE" is the hero of one of those peculiar books written in the genre but not 'of' the genre, if you see what I mean. Hired to tail a young man, The Eye witnesses the murder of the young man by his new wife on their honeymoon, and is soon obsessed with her. His obsession seems to know no bounds, and as the novel unwinds, The Eye follows his prey around the world over a span of several years, as she works her way through a string of husbands, and the body count climbs.

As Behm says, in the introduction to the Black Box Edition of Behm's three novels, "It's the story of God in disguise as a Private Eye, searching for his daughter: a quest for grace."

Fair enough, I thought (although this does raise the possibility of some Hotel Dick spotting a weird looking guy sitting in the lobby reading a paper with two eye holes in it and asking someone like Marlowe, à la The Maltese Falcon,"Who's the punk?" to which Marlowe replys "It's just God, on a job" ).

Anyway, amongst many other things, it does raise the question of The Eye as an 'eye' (ie just what is it we actually 'see' when we see something) - as in "you don't see things the way they are but the way you are." Or, to put it another way, just how do men see women in this hardboiled genre. If questions like this don't concern you, then don't worry, because I suspect you'll enjoy the book anyway despite it being the longest tailing job ever written.

An edgy, unsettling novel which seems to evoke strong reaction among any who've read it, it's one of those books you either love or hate. Newgate Callendar in The New York Times Book Review called it "One of the most remarkable combinations of a private-eye novel and psychological suspense story, with an entirely new slant, that has ever been published," and critics in France have hailed Behn as a major new writer. In fact, it was filmed in 1983 , in French, as Mortelle Randonnèe, directed by Claude Miller, and starring Isabelle Adjani. Ironic, since the book started out as a film script for Philip Yordan, but when that project fell through, it became a novel. In many ways it still reads like a 'book of the film'. Still there are plenty of laughs in there as well.
Ojos que te acechan (1999) - CINE.COM


A new film version, this time in English, featuring Ewan McGregor (Trainspotting, etc) as The Eye, filmed in my hometown, with Montreal substituting for a dozen cities around the world, and directed with tons of style by Stephan Elliot (The Adventures of Priscilla, Queen of the Desert) was released in January 2000. Although it's been getting mixed reviews, it certainly is an impressive-looking bit of film.

But then, there always has been a film-like quality to the novel--after all, Marc Behm was a scriptwriter before he turned to writing fiction, working on the classic 1960s flicks Charade (starring Cary Grant and Audrey Hepburn) and Help! (featuring--who else?--the Beatles). Behm currently lives as an expatriate writer in France, and continues to produce distinctive crime-related novels that--unfortunately--remain unpublished in the U.S. In fact, Eye of the Beholder was out-of-print for many years until it was finally reprinted as a tie-in with the new film.

On a final point, Behm said, in response to the critical acclaim that followed the book and labelled him the new Hammett etc, "I've read my share of contemporary thriller writers and I still find that Graham Greene is the master of us all. I find Chandler rather boring and Hammett, although nice to read, belonged to a school of writing I find tiresome."
Sacrilege!

UNDER OATH
  • "The best PI novel ever written.....a roller-coaster ride that combines poignancy and metaphysical anguish: a book that stands alone in the field like an unpolished diamond."
    -- Maxim Jakubowski, of Murder One bookshop in the UK
NOVEL
  • The Eye of the Beholder (1980)
FILM
  • MORTELLE RANDONNÈE (1983; in French)
    Based on the novel Eye of the Beholder by Marc Behm
    Directed by Claude Miller
    Starring Michel Serrault, Isabelle Adjani
  • EYE OF THE BEHOLDER (2000, Seville Pictures)
    Based on the novel by Marc Behm
    Screenplay by Stephan Elliot
    Directed by Stephen Elliot
    Starring Ewan McGregor as THE EYE
    Also starring Ashley Judd, Patrick Bergin, k.d. lang, Jason Priestley, Genevieve Bujold
    Filmed in Montreal
    Producers: Nicholas Clermont, Tony Smith
    Co-producer: Al Clark
    Executive producers: Hilary Shor, Mark Damon
    John Griffin, film critic for The Montreal Gazette, called it "a super stylish, designed-to-the gills thriller...a techno- psycho- road-movie- surreal- serial-killer- romantic thriller that looks and sounds so good you might not mind it's all over the narrative map."

TRILLING DETECTIVE

Marc Behm / A writer lost to translations



Marc Behm


Marc Behm

A writer lost to translations


Marc Behm was a terrific American novelist. So why are his books only available in French?

Maxim Jacobowski
Friday 21 September 2007

The news of the death of Marc Behm on July 12 has only just reached me. Unsurprisingly, I haven't seen a single obituary in either the American or British press - it was through the pages of a French magazine that I found out about his passing. (He was something of a cult figure in France, where he spent the final part of his life after marrying a French woman.)
Behm was born in 1925 in Trenton, New Jersey and served with the US army in Europe during the second world war. Following a decade of small parts as an actor on the stage and US television, he initially made a name for himself as a screenwriter, penning the short story Charade, later expanded into a full-blown screenplay in collaboration with his friend Peter Stone. The film that resulted, directed by Stanley Donen and starring Cary Grant and Audrey Hepburn, is widely acknowledged as a classic.
Two years later, he boarded the Beatles bandwagon and wrote the screenplay for Help! for Richard Lester and moved full-time to Europe. His later screenwriting assignments were of a journeyman nature, with lucrative but artistically frustrating work including Trunk to Cairo, The 13 Chairs, an Edith Piaf biopic and sundry Charles Bronson and Sylvia Kristel vehicles. The screenwriting paid the bills as he shared his time between Paris and the Brittany coast, but it's his second life as a writer that should ensure he is not forgotten.
His first novel The Queen of the Night was published to total indifference in America in 1977 - a curiously baroque and deliberately over-the-top romance set in Nazi Germany which was years ahead of its time and found echoes in Jonathan Littell's blockbusting Les Bienveillantes last year. He followed this up in 1980 with a crime novel The Eye of the Beholder, which has since been recognised as a pivotal work in the history of mystery fiction, has been filmed twice and is constantly reprinted worldwide.
The Eye is a private detective whose daughter has been missing for many years. In his desperate search for her, he comes across a mysterious femme fatale with a unique talent for seducing rich men, swindling and then killing them. Even though he is aware of his own delusion, he pretends she is his daughter and follows her, disposing of evidence and covering her tracks in a sort of road movie with obsession upped to overdrive.
Again, the book had no impact on initial publication and it wasn't until three years later that I published it (alongside the first novel and the then unpublished Ice Maiden, which has long been a film project of Jean-Jacques Beineix) in the UK, where the reviewers went wild for its curious blend of amour fou, crime and fatalism. Of course, in France, Marc's book had already been acclaimed as a modern classic and a film version of the book, directed by Claude Miller, featuring Michael Serrault and Isabelle Adjani made a major impact as Mortelle Randonnee. A later English-language version by the director of Priscilla, Queen of the Desert, Stephan Elliott, was however a bit of a disaster, miscasting Ewan McGregor and Ashley Judd in the main parts.
By then, though, Marc had retired from screenwriting and his writing became something of a hobby. He would complete another five novels, all initially published only in France apart from Afraid to Death, picked up by No Exit Press in the UK. This latter is a fascinating mirror image to Eye of the Beholder, in which the male character becomes the prey of a female stalker cum angel of death, yet again a striking tale of obsession unbound and a disturbing psychological chiller. It was quite unlike the mainstream of contemporary crime fiction, but then Marc was never one for fashions, moving across genres with an easy contempt for the obligations of modern publishing whereby you stick to one mood and type of story and just keep writing it over and over.
Although highly popular in France in translation, his other novels remain unavailable in his own language, a fact to which he was quite indifferent. They include his serial killer epic Off the Wall, two picaresque chase thrillers with a supernaturally gifted heroine, Seek to Know No More and Crabs, and the madcap satire of Pulp Novel. He also wrote a handful of short stories, again collected in book form only in France.
Although Marc lived to a ripe old age, I can't help regretting he didn't write more or make stronger efforts to get his books published in this country. I came across a secondhand copy of The Eye of the Beholder in an Oxfam shop and made it my mission to create an imprint in which I could publish it. Now that I am myself retired from publishing, I can only hope there will be another editor out there who will one day be captured by the dazzling folly of Marc Behm's books and will make those missing novels available. They will astound you.

Thursday, June 4, 2020

Ewan McGregor and Ashley Judd / Eye of the Beholder

Ojos que te acechan (Eye of the Beholder) (1999) – C@rtelesmix

Eye of the Beholder
Film

Time Out says



Ewan McGregor plays the Eye, a surveillance operative in British Intelligence. Investigating blackmail, he witnesses murder. The killer is a blonde - or is she brunette? - who disappears into metropolitan anonymity; yet the Eye will not let it go, and hearing about a suspiciously familiar-sounding crime some months later, he picks up the trail, gradually closing in on Joanna (Judd) even as he loses the plot. The Eye, you see, is an unreliable witness, whose only human interaction is with the voices in his head, and who comes to believe that Joanna and his missing daughter are one and the same. A change of tack for Aussie auteur Elliott, formerly a purveyor of garish, misanthropic camp (most famously The Adventures of Priscilla Queen of the Desert), this swaps bad taste comedy for bad taste romance: it's a love story for sociopaths. Marc Behm's post-modern noir novel - Lolita with a body count - has been filmed before: most hauntingly by Claude Miller as Mortelle Randonnée, with Isabelle Adjani and Michel Serrault; then, unacknowledged and with a gender twist, by Bob Rafelson as Black Widow. Elliott's flamboyantly surreal version is undone by the central miscasting of McGregor - at least a decade too young to be fixated on a long-lost daughter. Judd is more murderous mannequin than 'Marnie', but then the real star is Elliott's inventive mise-en-scène. Staking a claim as the heir apparent to ageing stylists Brian De Palma and Dario Argento, he drives the voyeurism theme to hi-tech distraction. The result is compellingly bonkers.




Eye of the Beholder trailer


Details

Duration:
110 mins

Cast and crew

Director:
Stephan Elliott
Screenwriter:
Stephan Elliott
Cast:
Ashley Judd
Ewan McGregor
Patrick Bergin
kd Lang
Jason Priestley
Geneviève Bujold

Marc Behm / Screenwriter known for Charade and The Eye of the Beholder

Marc Behm

Marc Behm

Screenwriter known for Charade and The Eye of the Beholder


Christopher Hawtree
Tue 30 October 2007

When the opening credits of the Beatles' Help! zap across the screen while they perform that song, few may have noticed screenwriter Marc Behm's name superimposed upon Ringo's drum or recalled it from the equally distinctive credits of Charade (1963). Both films feature a beautiful woman -Eleanor Bron, Audrey Hepburn - caught up in plots generated by some men's quest for a valuable object.