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How we made Closer – by Clive Owen and Patrick Marber
Interviews by Chris Wiegand
Tuesday 9 July 2019
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Patrick Marber. Photograph: Jane Bown |
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It began with a phone call, out of the blue. "Thing is, I've got a hit [Dealer's Choice] at the National, so for five minutes I can do what I want – and I want to direct your play." Confident. Shrewd. Opportunistic. Empirical. Unbothered when I told him the Almeida had already turned my play down. Modest, he knew he was hot. "But it will need some re-writes." My play was an updated version of Racine. Patrick wanted it to be funnier and more violent – more like Tarantino. Rewriting was surprisingly pleasurable; we goaded each other on. "This bit here," Patrick said, "when he says, 'Weren't those two lovers?' What about a joke?" The line became: "Wasn't he showing her the rhubarb a bit back?" It cracked up the cast at the first read-through. On stage, though, it got a laugh twice.
Patrick always knows what he is talking about. Racine is radio drama: all talk and no strides. He had the designer Vicky Mortimer build a billiard table that rose from the floor, so the actors had something to do while they threaded their way through some very long speeches. It was a great idea, but it was over-budget: Patrick used his director's fee to pay for it. You see? Heroic. And he is a wonderful writer, too.
THE GUARDIAN2009
001 My hero / Oscar Wilde by Michael Holroyd
002 My hero / Harley Granville-Barker by Richard Eyre
003 My hero / Edward Goldsmith by Zac Goldsmith
004 My hero / Fridtjof Nansen by Sara Wheeler
005 My hero / Mother Mercedes Lawler IBVM by Antonia Fraser
007 My hero / Ernest Shepard by Richard Holmes
008 My hero / JG Ballard by Will Self
009 My hero / Alan Ross by William Boyd
010 My hero / Ben the labrador by John Banville
011 My hero / Vicent van Gogh by Margaret Drabble
012 My hero / Franz Marek by Eric Hobsbawm
2010