David Lynch Photo by Sandro |
By David Marchese
Photograph by Sandro
Since Eraserhead in 1977, David Lynch has reigned as one of our most compellingly enigmatic directors. Whether it’s films like Blue Velvet and Mulholland Drive or TV’s Twin Peaks (that is, 1990’s first season and last year’s triumphant Twin Peaks: The Return — skip season two), Lynch has shown himself to be a master of haunting surreality. He also long ago proved to be adept at concealing the intentions behind his work. Which is why the arrival of a new sort-of memoir, Room to Dream, is so surprising. “I know people will read the book for clues,” says Lynch, sitting with a cup of coffee and a pack of cigarettes in the painting studio at his home in the Hollywood Hills. “But giving anybody clues has nothing to do with why I did it.”