Showing posts with label Rachel Louise Snyder. Show all posts
Showing posts with label Rachel Louise Snyder. Show all posts

Sunday, January 26, 2020

O.J. Simpson case helped bring spousal abuse out of shadows


In this May 14, 2013, file photo, O.J. Simpson appears at an evidentiary hearing in Clark County District Court in Las Vegas. In a letter that surfaced after her 1994 death, Nicole Brown Simpson detailed the fear and violence that framed her marriage to O.J. Simpson. In the 25 years since then, spousal abuse has moved from a private matter to a public health concern. (Ethan Miller via AP, Pool, File)

O.J. Simpson case helped bring spousal abuse out of shadows

By MARYCLAIRE DALE
June 12, 2019



In a letter that surfaced after her 1994 murder, Nicole Brown Simpson detailed the fear and violence that framed her marriage to O.J. Simpson, the charismatic football star who became a TV pitchman.

Saturday, January 4, 2020

No Visible Bruises by Rachel Louise Snyder review / Domestic violence in America

The most dangerous place for an American woman to be is her own home.

Th10 

best books of 2019


No Visible Bruises 

by Rachel Louise Snyder 

Domestic violence in America

An explosive new book condemns the male culture that sees 50 women a month in the US shot dead by the men they love
Amy Bloom
Monday 10 June 2019


W
hat do we talk about when we talk about domestic violence? We talk about the scary, rageaholic man and his hapless female partner. We talk about the sudden boiling over. We talk about, as the American journalist and author Rachel Louise Snyder puts it, “the unfortunate fate of the unlucky few”. We talk about the woman’s (they are mostly women, 50 a month gunned down in the US) tragic pattern of filing charges and dropping them, making complaints and frequently recanting, greeting him with hugs and kisses and a hot dinner the day he gets out of jail.

What is also talked about are the more recent remedies (for most of history, assault of a wife by a husband was not any kind of crime) of restraining orders and the need for the safe haven of shelters for abused women and their children.





Snyder is here to tell us, in her clear, smooth and accessible style (never folksy but never academic, and so matter-of-fact you can feel the writer holding herself in check so as not to overwhelm us with painful details), that we have misunderstood. The most dangerous place for an American woman to be – the most dangerous place on Earth – is in her own home. Snyder uses the case of a Montana family, Michelle and Rocky Mosure and their children, to create a strong narrative spine that runs through the book (which has been much praised in the US, described as a book that will “save lives” by the Washington Post). She interviews everyone who can be heard from: family, attorneys, police officers.There is a river of shame and grief in this book, and even the most well meaning wade in it. Even those who seem to refuse responsibility (“The criminal justice system isn’t set up for uncooperative witnesses,” says a former district attorney) do also seem to know better and to regret, genuinely, all the things that went wrong and led to a young woman and her children being murdered by a man who was known to the police and to the courts for having beaten and terrorised them all repeatedly.
In one of the most powerful passages, Snyder describes the home movies of the Mosure family; how Rocky keeps turning the camera on Michelle in her underwear. She asks him to stop, she asks him to stop again. Then she gives up asking and ignores him. It’s just a home movie. He’s just kidding around. And Snyder writes: why is that not OK? Why does her skin crawl, while watching? “Because she asked him to stop. And he didn’t. And eventually she gave up asking. This is loss of power at its most elemental.”
This is the problem with power: most men who abuse are not consumed with constant rage, they are consumed with the need to be treated the way they believe (and they way they have been taught) men should be treated. They should be served. They should be at the head of the table. They should be respected, above all, in their own homes. (And by respected, they mean obeyed.)

It doesn’t come up much, in discourse about domestic violence in the US; this bright red thread of everyday expectations for female behaviour in intimate settings with their partners. But once you read Snyder’s book it is impossible not to see a whole culture (at its most normal – I am including lots of fond dads and grandpas, not Trump and his henchmen) of women fetching and soothing and placating.
There was a charming episode on black-ish, the US sitcom, about making your man a plate of food. I loved it and I cringed. I don’t think that making your man a plate of food is the linchpin of domestic violence. I do think that the casual outstretched hand, eyes on the TV, expecting and receiving service as part of being a man, is not unconnected to the much darker manifestations of furious control and demands of abusive men.

And it’s certainly understandable that most people don’t wish to see those threads as connecting, although abusers in programmes such as RSVP and Emerge in the US often do come to see that they are coercive and manipulative in their relationships with women and that since childhood they have been fed a line of what it is to be a man, which includes a lot of blame, combat, denial of responsibility and resentment. Their testimonies about their lives are classic reports of disappointed narcissists – often charming, quite rational, not more impulsive than the rest of us.
Snyder sums up in the most straightforward way possible. She writes that there are two things that require our careful attention, and, if attended to, can make it so that domestic violence no longer accounts for 15% of all violent crime in the US. It turns out that strangulation (the act of choking someone) is a very reliable red flag for domestic homicide, much more so than a slap or a kick. Take note, police officers. Take note, clinics.

It turns out that if a timeline of activities (threats, stalking, choking, breaking restraining orders) is kept and shared among police and courts in different counties and states – the signs are there and the violence can be predicted.
It turns out that this ancient and unending wave of violence can be, if not stopped dramatically, permanently limited. Snyder lays it out and says: what will it take?

Amy Bloom’s most recent novel is White Houses (Granta)
 No Visible Bruises: What We Don’t Know About Domestic Violence Can Kill Us by Rachel Louise Snyder is published by Bloomsbury US

Wednesday, January 1, 2020

The 10 Best Books of 2019 / The New York Times




Th10 

best books of  2019

The editors of The Times Book Review  (The New York Times) choose the best fiction and nonfiction titles this year.
Published Nov. 22, 2019
Updated Nov. 25, 2019


Disappearing Earth
By Julia Phillips



In the first chapter of this assured debut novel, two young girls vanish, sending shock waves through a town perched on the edge of the remote, brooding Kamchatka Peninsula. What follows is a novel of overlapping short stories about the various women who have been affected by their disappearance. Each richly textured tale pushes the narrative forward another month and exposes the ways in which the women of Kamchatka have been shattered — personally, culturally and emotionally — by the crime.
Fiction | Alfred A. Knopf. $26.95. 

The Topeka School
By Ben Lerner
Lerner’s exhilarating third novel, after “Leaving the Atocha Station” and “10:04,” rocks an emphatically American amplitude, ranging freely from parenthood to childhood, from toxic masculinity to the niceties of cunnilingus, from Freud’s Oedipus complex to Tupac’s “All Eyez on Me.” Adam Gordon returns as the protagonist, but this time as a high school debate star, and mostly in the third person. Equal portions of the book are given over to the voices of his psychologist parents, and to a former classmate whose cognitive deficits are the inverse of Adam’s gifts. The earlier novels’ questions about art and authenticity persist; but Adam’s faithlessness is now stretched into a symptom of a national crisis of belief. Lerner’s own arsenal has always included a composer’s feel for orchestration, a ventriloquist’s vocal range and a fine ethnographic attunement. Never before, though, has the latter been so joyously indulged, or the bubblicious texture of late Clintonism been so lovingly evoked.
Fiction | Farrar, Straus & Giroux. $27.

Exhalation
By Ted Chiang

Exhalation by Ted Chiang review / Stories from an SF master


Many of the nine deeply beautiful stories in this collection explore the material consequences of time travel. Reading them feels like sitting at dinner with a friend who explains scientific theory to you without an ounce of condescension. Each thoughtful, elegantly crafted story poses a philosophical question; Chiang curates all nine into a conversation that comes full circle, after having traversed remarkable terrain.
Fiction | Alfred A. Knopf. $25.95

Lost Children Archive
By Valeria Luiselli

 Lost Children Archive by Valeria Luiselli / Review by Anthony Cummins



The Mexican author’s third novel — her first to be written in English — unfolds against a backdrop of crisis: of children crossing borders, facing death, being detained, being deported unaccompanied by their guardians. The novel centers on a couple and their two children (all unnamed), who are taking a road trip from New York City to the Mexican border; the couple’s marriage is on the brink of collapse as they pursue independent ethnographic research projects and the woman tries to help a Mexican immigrant find her daughters, who’ve gone missing in their attempt to cross the border behind her. The brilliance of Luiselli’s writing stirs rage and pity, but what might one do after reading such a novel? Acutely sensitive to these misgivings, Luiselli has delivered a madly allusive, self-reflexive, experimental book, one that is as much about storytellers and storytelling as it is about lost children.



Fiction | Alfred A. Knopf. $27.95.
Night Boat to Tangier
By Kevin Barry




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A desolate ferry terminal on the Spanish coast isn’t a place where you’d expect to encounter sharp-edged lyricism or rueful philosophy, but thanks to the two Irish gangster antiheroes of Barry’s novel, there’s plenty of both on display, along with scabrously amusing tale-telling and much summoning of painful memories. Their lives have become so intertwined that the young woman whose arrival they await can qualify as family for either man. Will she show? How much do they care? Their banter is a shield against the dark, a witty new take on “Waiting for Godot.”




Fiction | Doubleday. $25.95.


Say Nothing
By Patrick Radden Keefe





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Say Nothing by Patrick Radden Keefe




Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book — as finely paced as a novel — Keefe uses McConville’s murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga.



Nonfiction | Doubleday. $28.95.

The Club

By Leo Damrosch







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The Club by Leo Damrosch


The English painter Joshua Reynolds just wanted to cheer up his friend Samuel Johnson, who was feeling blue. Who knew that the Friday night gab sessions he proposed they convene at London’s Turk’s Head Tavern would end up attracting virtually all the leading lights of late-18th-century Britain? Damrosch brings the Club’s redoubtable personalities — the brilliant minds, the jousting wits, the tender camaraderie — to vivid life, delivering indelible portraits of Johnson and Reynolds, Edmund Burke, Adam Smith, the actor David Garrick, the historian Edward Gibbon and, of course, Johnson’s loyal biographer James Boswell: “a constellation of talent that has rarely if ever been equaled.”



Nonfiction | Yale University Press. $30.


The Yellow House
By Sarah M. Broom






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The Yellow House by Sarah M. Broom




In her extraordinary, engrossing debut, Broom pushes past the baseline expectations of memoir to create an entertaining and inventive amalgamation of literary forms. Part oral history, part urban history, part celebration of a bygone way of life, “The Yellow House” is a full indictment of the greed, discrimination, indifference and poor city planning that led her family’s home to be wiped off the map. Tracing the history of a single home in New Orleans East (an area “50 times the size of the French Quarter,” yet nowhere to be found on most tourist maps, comprising scraps of real estate whites have passed over), from the ’60s to Hurricane Katrina, this is an instantly essential text, examining the past, present and possible future of the city of New Orleans, and of America writ large.



Nonfiction | Grove Press. $26.


No Visible Bruises
By Rachel Louise Snyder








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No Visible Bruises by Rachel Louise Snyder review / Domestic violence in America


Snyder’s thoroughly reported book covers what the World Health Organization has called “a global health problem of epidemic proportions.” In America alone, more than half of all murdered women are killed by a current or former partner; domestic violence cuts across lines of class, religion and race. Snyder debunks pervasive myths (restraining orders are the answer, abusers never change) and writes movingly about the lives (and deaths) of people on both sides of the equation. She doesn’t give easy answers but presents a wealth of information that is its own form of hope.

Nonfiction | Bloomsbury Publishing. $28.



Midnight in Chernobyl
By Adam Higginbotham





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Midnight in Chernobyl by Adam Higginbotham / Manual for Survival


Higginbotham’s superb account of the April 1986 explosion at the Chernobyl nuclear power plant is one of those rare books about science and technology that read like a tension-filled thriller. Replete with vivid detail and sharply etched personalities, this narrative of astounding incompetence moves from mistake to mistake, miscalculation to miscalculation, as it builds to the inevitable, history-changing disaster.



Nonfiction | Simon & Schuster. $29.95.