In the early '90s, when the cross-pollination of
rock, rap, and electronica swept through the popular music industry,
Senser emerged as one of the more promising groups, garnering plenty of
attention and hype before the London band's lineup splintered following
only one album. Began in South West London in the late '80s, Senser
boasted a large and diverse roster of musicians: Andy Clinton (DJ),
Heitham Al-Sayed (vocals), Kerstin Haigh (vocals), James Barrett (bass),
Nick Michaelson (guitar), John Morgan (drums), and Haggis
(producer/engineer/programmer). These artists would integrate numerous
styles -- hip-hop, hard rock, dance, psychedelia, electronica, and more
-- into their music, drawing comparisons and affiliating themselves with
other bands who took a similarly eclectic approach such as Ozric
Tentacles. An appearance at the 1992 Glastonbury Festival was the
culmination of Senser's early gigs. Soon, the press began championing,
or at least hyping, the band, and a record deal soon followed.
Senser's first single, "Eject," went straight to
number one in the NME independent singles chart in early 1993 and went
on to become the NME independent single of the year. Two more singles
followed "Eject" -- "The Key" and "Switch" -- along with the band's
first full-length, Stacked Up, which entered the national charts at
number four. The band toured Europe behind the album, making a sincere
effort to bring such issues as racism to the fore, expressing its
sentiments with both the lyrics of frontman Heitham Al-Sayed and the
band's support of such organizations as the Anti-Nazi League. The band
toured through 1993 and much of 1994 as well, following its high-profile
appearance at the Reading Festival with another European tour, this
time in support of the Rollins Band.
After so much touring, tension began to take its
toll on Senser. There was a brief sabbatical from touring before Moby
invited the band to support him in the U.S. and the band accepted the
offer. This stateside visit proved to be the band's breaking point, and
several members -- John Morgan, Heitham Al-Sayed, and Haggis-- parted
ways in August 1995.
Despite these major losses to the band's ranks,
Senser continued with Haigh as its sole vocalist. There was yet more
touring in 1996 and a new album in 1997, Asylum, recorded with producer
Arthur Baker. However, during the album's recording, Haigh became
pregnant, ending any possibilities for touring. Showcasing yet again its
resilience, Senser soldiered on as De-Senser, an electronica off-shoot
experimenting with strictly electronic music. One drum'n'bass-styled
single appeared in summer 1997, "Om." After this brief venture into
dance music, Haigh returned to the fold, and Asylum was finally released
in summer 1998, followed by a two-month tour of the U.K. and Europe.
Tracklist