DRINKING FROM PUDDLES: A RADIO HISTORY Various Artists 1999

 

Discogs 

 

Comp on Kill Rock Stars - 16 years worth of live performances on KBOO's Drinking From Puddles program, compiled by Brandon Lieberman, the show's creator.

Tracklist

1	Murder City Devils–	Dance Hall Music	1:28
2	Come (2)–	Hurricane	6:06
3	Hazel (4)–	Mr. Magazine Man	2:10
4	Obituaries–	Nobody Else	2:02
5	Prolapse–	Cacophany #A	4:41
6	The Geraldine Fibbers–	Butch	6:43
7	Jeffrey Lee Pierce–	Lucky Jim	3:21
8	Cadallaca–	You're My Only One	2:35
9	Nicole Panter–	Fuck	2:50
10	Poison Idea–	Taken By Surprise	3:04
11	Kristin Hersh–	Gazebo Tree	3:24
12	Pleasant Gehman–	Monsanto	4:15
13	Elliott Smith–	Everybody Cares, Everybody Understands	3:08
14	Gilly Ann Hanner–	Outta Money	2:19
15	Cindy Lee Berryhill–	Aquamarine	3:03
16	Dead Moon–	Graveyard	2:35
17	Cat Power–	We Dance	3:02
18	Roger Manning–	Pacifica Blues	3:15
19	Madigan*–	Snowfell Summer	4:09
20	Crackerbash–	Song For Lon Mabon	3:10
21	Lydia Lunch–	Excerpt From Paradoxia: A Predator's Diary	2:59
22	Soul Junk*–	Sweet To My Soul	3:34

SARAH DOUGHER Day One 1999

 

Discogs 

 

Sarah Dougher Biography

by Heather Phares

Portland, OR-based singer/songwriter Sarah Dougher has played in groups like the Lookers, The Crabs and Cadallaca, which also features Sleater-Kinney's Corin Tucker. In addition she holds a Ph.D. in Comparative Literature, teaches Greek and Roman Literature and writes for the Willamette Week, San Fransisco Bay Guardian and other publications. Dougher also wrote Sent Out On The Tracks They Built: Sinophobia in Olympia, 1886, a book on racism and railroad building in Olympia, WA, with artist Nikki McClure. Her personal and political solo debut album, Day One, was released in 1999 on K Records; Walls Ablaze, her second album and her first for Mr. Lady Records, appeared in spring 2000 and shows in England, Japan and the eastern U.S. followed. She and fellow collaborator Jon Reuter played The Knitting Factory in New York City for a month-long residency in January 2001, selling out every show and earning props from The New Yorker, The New York Times, and The Village Voice. As one of the founders of the rising Ladyfest festival, Dougher played Ladyfest Glasgow in summer 2001, just prior to issuing her third studio effort The Bluff.

 

Tracklist

  1. Hold The Bar
  2. Everywhere West
  3. Girl In New Orleans
  4. Moving
  5. Day One
  6. Art Lover
  7. 40 Hours
  8. Secret Porno Collector
  9. Drunk #1
10. Take It To The Limit
11. Bella Abzug
12. Summer

THE LOOKERS In Clover 1997

 

Discogs

 

Lo-fi / indie rock from Portland, Oregon featuring Sarah Dougher from Cadallaca.

Tracklist

1		Track Star
2		The Liar
3		Leaving Texas
4		The Feeling Is Mutual
5		The Office
6		My Luck Has Changed
7		Molly In The Capitol
8		Ladybird
9		Magpie Side
10		Murphy Bed
11		New Year's Eve
12		Light And Stand Back

 

CADALLACA Introducing Cadallaca 1998

 

Discogs

 

Cadallaca Biography

by Jason Ankeny

Olympia, Washington's folk-punk supergroup Cadallaca comprised singer/guitarist Kissy (a.k.a. Sleater-Kinney frontwoman Corin Tucker), organist Dusty (the Lookers' Sarah Dougher) and drummer Junior (1 Threw 7's sts); their debut LP Introducing...Cadallaca appeared on K Records in late 1998, followed in early 2000 by Out West.

 

Tracklist

1		Your One Wish	3:21
2		June -N- July	3:12
3		You're My Only One	2:41
4		Pocket Games	4:28
5		Night Vandals	4:38
6		Two Beers Later	3:09
7		O Chenilla	3:34
8		Cadallaca Theme	2:32
9		Firetrap	3:16
10		Winter Storm '98	3:20

 

SLEATER KINNEY You Ain't It 7 inch 1994

 

Discogs

 

Artist Biography

by Stephen Thomas Erlewine

Like many a great band, Sleater-Kinney inhabited their time so thoroughly it took an extended hiatus to realize the extent of their legacy. In many respects, they were the defining American indie rock band of the second half of the '90s, the group that harnessed all the upheaval of the alt-rock explosion of the first part of the decade and channeled it into a vigorous mission statement. It was not incidental that Sleater-Kinney were an all-female band -- prior to S-K, co-leaders Corin Tucker and Carrie Brownstein both started playing music in Northern Pacific riot grrrl bands and their feminism and queercore roots were deeply embedded in their rock & roll -- but calling them the best female rock band of their generation is too confining. By every measure, Sleater-Kinney were one of the best bands of their time, capturing the tenor of their times and then expanding at a rapid clip, delivering record after record that redefined their music without abandoning their punk rock (or political) ideals. Their hot streak began once drummer Janet Weiss joined for 1997's Dig Me Out and it ran until 2005's The Woods, after which they entered an "indefinite hiatus" that lasted nearly a decade. During those ten years of silence, Tucker pursued a solo career, Weiss drummed with ex-Pavement leader Stephen Malkmus' new-millennial band the Jicks, and, most surprisingly, Brownstein turned into a mainstream star due to her starring role on Portlandia, the comedy sketch show she created with fellow indie rock refugee Fred Armisen in 2011. Portlandia helped push Brownstein and Sleater-Kinney into a mainstream they had never known, so when they returned in 2015 with No Cities to Love, it was welcomed by their largest audience yet. No Cities to Love turned out to be as much a conclusion as a comeback. Janet Weiss left the band just prior to the 2019 release of the St. Vincent-produced The Center Won't Hold, an album that brought Tucker and Brownstein into new, adventurous territory they continued to explore on 2021's self-produced Path of Wellness.

Tracklist

A		You Ain't It!
B		Surf Song