Lucien d'Azay: À la recherche de Sunsiaré : Une vie (2005)

In some respects Lucien d'Azay's À la recherche de Sunsiaré resembles Didier Blonde's books: recovering people from oblivion by detective work. Certainly Blonde's Leïlah Mahi 1932 (2015) is called to mind: a strikingly attractive young woman about whom very little is known. This applied to Sunsiaré de Larcône, who died in a car crash in 1962, which took the famous and highly noted 'Hussard' Roger Nimier with her. She had just published her first novel, La Messagère, which she saw as just a 'trigger' for what she was due to bring to the literary world. Obviously her ambitions were killed along with her, but just who was she? In a detective story which resembles a biography but also (unlike Blonde's investigations) contains autobiographical elements, D'Azay tries to find the answers.

Sunsiaré was born in Rambertvillers (Vosges) modestly, as Suzy Durupt, to a car mechanic father and a mother who was a hairdresser, although her mother remarried the pied-noir Diego Larcone (without circumflex), a soldier in 1947. Suzy was brought up by her paternal grandparents, who had a restaurant in Rambertvillers. Suzy left school at the age of 14. 

D'Azay's account is fascinating, containing as it does many first-hand accounts of who Sunsiaré was, her change of name (to go with her change of image ), plus many letters to add to our knowledge of her. Sunsiaré was what we might describe as an intellectual groupie, but she was a force to be reckoned with. She had many conversations and correspondences with literary figures, such as Julien Gracq (whose Château d'Argol and La Rivage des Syrtes influenced her a great deal), and other friends of hers included Guy Dupré and Raymond Abellio. This book is not much light to 400 pages, and is surely without question the definitive work on this obscure and entrancing individual.

Sunsiaré, Columbarium, Père-Lachaise, Paris 20e.

Antoine Blondin and Pierre Assouline: Le Flâneur de la rive gauche: Entretiens (1988)

This is an edited collection of interviews made in 1988 between Pierre Assoulline and Antoine Blondin, three years before the writer's death. As might be expected, it is really humorous, and at the same time appears to be very honest. But.

Associated with what Bernard Frank (of whom Blondin speaks highly) in 1952 calls Les Hussards, when taken to task on the definition of this group, Blondin says that it essentially referred to himself, Roger Nimier, Michel Déon and Jacques Laurent: the 'core' Hussards, which was never a 'school' as the writers were very different. To Blondin, the common ground was the criticism of Sartre (who was nevertheless praised in Nimier's early writing) as an 'intellectual terrorist' without humour.

Assouline tries to dig out Blondin's political affiliations, although he says he has none: he repeats (as in his chat with Serge Gainsbourg (available online via Youtube)) that he's seen as left-wing by the right, and right-wing by the left. He vaguely situates himself somewhere in the middle. Vagueness seems to be a norm with Blondin.

What isn't vague is Blondin's drinking, which is almost a religion to the man. Alcohol is to some extent an escape, certainly a way of life, but the comfort it brings, and in particular the false companionship that accompanies it, is not exactly everything to Blondin, but it's halfway there. That's all in the fun: the 'bullfighting' of cars on the Boulevard Saint-Germain, the spending of six entire days 'Chez Blanche' (a bar on the rue du Bac), the 33 arrests, Roger Nimier rescuing him financially from the cops, and on and on.

Blondin had many literary friends, Nimier being perhaps his greatest (until his death in 1962), but then there's also Marcel Aymé, Paul Morand, Jacques Chardon, etc. The idea of Blondin being elected to L’Académie française wasn't impossible: but how would he have reacted to such an invitation? Well, there were five cafés between Blondin's flat and the Académie: he would never make it there: although only 150 metres away, he would start out in his habit vert, leave his sword in the first bistrot, leave his cocked hat in the second, and shamefully end up at the Académie française in his underpants!

As for Blondin's most famous quotation, the last sentence of his novel L'Humeur vagabonde: 'Un jour nous prendrons des trains qui partent' (lit. 'One day we'll take leaving trains.'): the meaning? On 30 July 2018, the day France won the world football cup, Frédéric Beigbeder, in La Frivolité est une chose serieuse, claims that at last he's understood what Blondin meant: happiness has to be shared, otherwise it's worthless; being  proud of your country brings people closer to others. Yeah, sure, whatever you say, Beigbeder. Assouline tried hard to eke out a meaning from Blondin, and the first answer is: the quotation means that one day Blondin will write a readable book. Assouline repeats the question, and Blondin says that the meaning is that the trains will take him home. Er...

Antoine Blondin's grave in Père-Lachaise.

My Antoine Blondin posts:
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Antoine Blondin and Pierre Assouline: Le Flâneur de la rive gauche
Antoine Blondin: Monsieur jadis ou l'école du soir
Antoine Blondin: Les enfants du bon Dieu

Antoine Blondin: Monsieur jadis ou l'école du soir (1970)

Antoine Blondin was not part of a school, although he is generally associated with the Hussard writers, right-wing and anti-Sartre. Regarding Blondin's politics, though, he said in a conversation with Serge Gainsbourg in a bar (available on YouTube) that the right considered him left, but the left thought him right. It was Bernard Franck who gave them this title, and the other three Hussards are Roger Nimier (who 'provided' the name with his novel Le Hussard bleu), Jacques Laurent and Michel Déon.

For many years, Blondin was a very well-known character around Saint-Germain-des-Prés, mainly for his relentless drinking, and for his resulting antics, such as playing at 'bull-fighting' with oncoming cars. He was also well-known to the police, who arrested him on a number of occasions, and as well as novels also wrote for L'Équipe sports paper.

Monsieur jadis ou l'école du soir is a kind of autobiography. I say 'kind of' because it's all over the place, it's an opportunity for Blondin to give a fine display of his verbal pyrotechnics. It's difficult to describe because the novel has no plot, being the memories of a fiftysomething's behaviour years ago, including the disagreements with his wife, but mainly the many bars he went to (particularly the ever-open Bar-Bac (also known as 'chez Blanche') on rue du Bac. Roger Nimier also features strongly in the novel, as in the episode when he agrees to help Blondin out financially when he can't pay his taxi fare. Other writers who make an appearance are Albert Vidalie (of whom the eldest daughter was Blondin's god-daughter) and Giulio Cesare Silvagni. A crazy but brilliant man, and a fascinating book.

My Antoine Blondin posts:
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Antoine Blondin and Pierre Assouline: Le Flâneur de la rive gauche
Antoine Blondin: Monsieur jadis ou l'école du soir
Antoine Blondin: Les enfants du bon Dieu

Marie Nimier: La Reine du silence (2004)

Marie Nimier's story of her search for her father is in effect a search for herself too. Prominent writer Roger Nimier died in an Aston Martin in 1962. It is quite possible that the beautiful Sunsiaré de Larcône, who also died in the crash and had just published her first novel, was driving the car. La Reine du silence strives to pull together the various and many pieces of a jigsaw in an attempt to discover the mystery of Marie's father, who died when she was only five.

Marie Nimier tries to draw on the obviously very limited memories that she has of her father, makes investigations, questions people who knew him, makes many digressions and speculations, but gradually – through the various snippets of information that she finds – she arrives at truths that are far from comforting.

Along the way we learn of her paternal grandfather Paul Nimier being an engineer who devised the first talking clock, of her paternal grandmother Christiane Roussel being a violinist before her marriage. We also learn that, after several failed tests, Marie eventually gained a full driving licence. We never learn why, at twenty-five, she jumped into the Seine in a suicide attempt, but then she doesn't know either.

Roger Nimier was a heavy drinker and sometimes did things that are very odd and disturbing, such as holding a gun to her slightly older brother's head, or stubbing out a cigarette in the plastic yoke of the egg in Marie children's tea set. There were rows with his wife, whom he once grabbed round the throat, and they were getting divorced at the time of his death.

The worse blow for Marie, though, is when she sees some of her father's possessions being auctioned. After seeing a letter he's written using a pseudonym and pretending to be a manufacturer of dildos, she reads this about herself at the end of another letter:

'By the way, Nadine had a daughter yesterday.

I immediately went to drown her in the Seine so as not to hear her anymore.

See you soon, I hope.

                                    Roger Nimier'

In a postcard once, Roger wrote to Marie: 'WHAT DOES THE QUEEN OF SILENCE SAY?'

Of course, if the 'queen of silence' says anything, she'll no longer be the queen of silence. So Marie Nimier chooses to write.

An amazing book.

My Marie Nimier posts:
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Marie Nimier: La Reine du silence
Marie Nimier: La Girafe | The Giraffe