The Art of Michael Visocchi and Lemn Sissay in Fen Court: London #19

Tucked away in Fen Court is this remarkable sculpture, which is explained, with the poem, in the interpretation plaque below.

 

 

 

 

'GILT OF CAIN

By

Michael Visocchi & Lemn Sissay

 

This powerful sculpture was unveiled by the Archbishop Emeritus Desmond Mpilo Tutu on 4th September 2008. The sculpture commemorates the abolition of the transatlantic slave trade in 1807, which began the process of the emancipation of slaves throughout the British Empire.

 

Fen Court is the site of a churchyard formerly of St Gabriel's Fenchurch St and now in the Parish of St Edmond the King and St Mary Woolnoth, Lombard St. The latter had a strong historical connection with the abolitionist movement of the 18th and 19th centuries. The Rev John Newton, a slave-trader turned preacher and abolitionist, was rector of St Mary Woolnoth from 1780 – 1807. Newton worked closely alongside the famous abolitionist William Wilberforce.

 

The granite sculpture is composed of a group of columns surrounding a podium. The podium calls to mind an ecclesiastical pulpit or slave auctioneer's stance, whilst the columns evoke stems of sugar can and are positioned to suggest an anonymous crowd or congregation gathered to listen to a speaker.

 

The artwork is the result of a collaboratin between the sculptor Michael Visocchi and poet Lemn Sissay. Extracts from Lemn Sissay's poem, 'Gilt of Cain', are engraved into the granite. The poem skilfully weaves the cold language of the City's stock exchange trading floor with biblical Old Testament references.

 

HERE IS THE ASK PRICE ON THE CLOSED POSITION,
HISTORY IS NO INHERENT ACQUISTION
FOR HERE THE TECHNICAL CORRECTION UPON THE ACT,
A MERGER OF TRUTH AND IN ACTUAL FACT,
ON THE SPOT, ON THE MONEY – THE SPREAD.
THE DEALER LIED WHEN THE DEALER SAID
THE BULL WAS CHARGING THE BEAR WAS DEAD,
THE MARKET MUST CALCULATE PER CAPITA, NOT HEAD.

 

AND GREAT TRADERS ACTING IN CONCERT, ARMS RISE
AS THE ACTUALS FROUGHT ON THE SEA OF FRANCHISE
THROWN OVERBOARD INTO THE EXCHANGE TO DROWN
IN DISTRESSED BROKERS DISCONSOLATE FROWN.
IN ACCOUNTING LIQUIDITY IS A MOUNTING MORBIDITY
BUT RAISING THE ARMS WITH SUCH RIGIND RAPIDITY,
OH THE REAPING THE RAPING RAPACIOUS FLUIDITY.
THE VIOLENCE THE VICIOUS AND VEXED VOLATILITY.

 

THE ROARING TRADE FLOOR RISES ABOVE CRASHING WAVES:
THE TRADER BUYS SHIPS, BENEATH THE SLAVES.
SWAY MACHETE BACK, SWAY MACHETE AGAIN
CUT BACK THE SUGAR RUSH, CAIN.
THE WHIPSAW IT'S ALL AND THE WHIP SAW IT ALL
THE RISING MARKET AND THE CARGO FALL
WHO'LL ENTER "JERUSALEM" MAKE THE MARGIN CALL FOR ABEL?
WHO WILL KICK OVER THE STALL AND TURN THE TABLE?

 

CAIN GATHERS CAIN AS GILT-GIFT TO HIS LAND
BUT WHOSE SWORD OF TRUTH SHALL NOT SLEEP IN HAND?
WHO SHALL UNLOCK THE STOCKS AND SHARE?
BREAK THE BINDS THE BOOND UNBOUND – LAY BARE
THE TRUTH. CASH FLOW RUNS DEEP BUT SPIRIT DEEPER
YOU ASK AM I MY BROTHER'S KEEPER?
I ANSWER BY NATURE BY SPIRIT BY RIGHTFUL LAWS
MY NAME, MY BROTHER, WILBERFORCE.

 

This project was initiated by British Black Heritage and the Parish of St Mary Woolnoth and was commissioned by the City of London Corporation in partnership with the British Land Company.'

 

ADDENDUM: Lemn Sissay has now won the vote for Chancellor of the University of Manchester. Phew! I'm very pleased to say he easily beat the horrendous Peter Mandelson: we don't want dinosaurs, especially hypocrites like the architect of New Labour!

 

Links to my other posts of Lemn Sissay public poems are given below:

–––––––––––––––––––––––––––––––––––
Lemn Sissay's Poetry in Shudehill, Manchester
Hardys Well and Lemn Sissay's Poem

Lemn Sissay's 'Flags', Tib Street, Manchester
Lemn Sissay's 'RAIN'

William Cowper and John Newton in Buckinghamshire

The Cowper and Newton Museum website has a tab called 'Plan Your Visit' for visitors to click on, and it was clear and unequivocal that the museum was open on bank holiday Mondays (that is, before they deleted the bank holiday information today: coincidentally(?) just after I had complained to them about the fact that their published hours of opening were incorrect). We had driven to Olney in good faith on 4 June this year (two days ago), which was a bank holiday Monday, and we went with the specific purpose of visiting the museum, but it was closed. Of course, we didn't check with Facebook or Twitter, as the museum House Manager seems to have expected us to: what? After careful reflection, Penny and I consider that someone made an error but won't admit it. Needless to say, we won't be returning: the choice is yours, but the church (see below) is an absolute must.

'WILLIAM COWPER

1731 – 1800

POET & LETTER-WRITER

TRANSLATOR OF HOMER

LIVED HERE

1768 – 1786'

In 1765 Cowper was a boarder in the Reverend Morley Unwin's home in Huntingdon until Unwin's death in 1767, when he moved to Orchard Side in Olney with the widow Mary Unwin. (He is depicted here with John Newton.)

John Newton (1725–1807) was a former sailor and slaver who had renounced his former ways and been curate of Olney since 1764. Cowper and Newton became friends and wrote Olney Hymns (1779) together.

The Parish Church of Saints Peter and Paul, Olney.

There is a very interesting stained glass window in the north aisle, which is in thanksgiving for those who returned safely from World War I.

A book shows one of Newton's hymns ('How Sweet the Name of Jesus Sounds') and one of Cowper's ('God Moves in a Mysterious Way').

To the bottom left is a representation of John Newton, with two slaves to the left and a ship to the right. He holds a scroll marked 'OMICRON A. D. 1774': in that year Newton published, under the pseudonym 'Omicron', a book containing 26 letters on religious subjects, along with hymns, etc. Also shown is the (unnamed) De Imitatione Christi (The Imitation of Christ) by Thomas à Kempis, which probably played a strong part in the process leading to his religious conversion.

And to the bottom right is a representation of William Cowper, with Cowper's oak (Cooper wrote a poem called 'Yardley Oak' in 1791) to the left, and Dr Henry John Gauntlett to the right. Some small images are included, such as Cowper's summer house in the garden at Orchard Side; a rough sketch of Orchard Side itself; and a frying pan and tossed pancake (Olney being noted for its Shrove Tuesday pancake race). Cowper's comic poem '(The Diverting History of) John Gilpin' is also mentioned, showing a riding whip and a horseshoe: the poem was originally related to Cowper by Lady Austen to ease his depression, and describes a disastrous journey, with Gilpin on a borrowed runaway horse, on the day of the intended celebration of his 20th wedding anniversary. It was included in the book The Task (1785). 

Gauntlett is sometimes called 'The father of church music', and estimates have been made that he wrote the tunes for over ten thousand hymns.

Between Newton and Cooper, inevitably, Cooper's three famous pet hares had to get in on the act.

This lower panel of the south window of the chancel shows Newton preaching in the middle, and the ship caught in the storm played at least a part in his conversion.

John Newton's pulpit.

'THE ABOVE PLATE IS FROM THE COFFIN OF THE

REVD. JOHN NEWTON,

RECTOR OF ST. MARY WOOLNOTH, LONDON,

AND FOR 16 YEARS CURATE OF THIS CHURCH.'

'To the Memory of

the Rev. MOSES BROWNE,

Chaplain of Morden College,

Blackheath, KENT,

and Rector of Sutton, LINCCINSHIRE [sic],

and who was 34 years Vicar

of this Parish,

who died 13th. September 1787,

Aged 84.

He sleeps in Jesus.'

The vicar Moses Browne employed John Newton as a curate, and also Thomas Scott, who wrote A Commentary on the Whole Bible, which was a bestseller of its day. Scott was the grandfather of the architect George Gilbert Scott.

Before leaving the church, I must add that it's interesting to observe this amusing specimen: an imp, which reminds us that Olney was formerly in the diocese of Lincoln.

'JOHN NEWTON

DIED 21ST. DECR. 1807

AGED 82

––––––––––––

MARY NEWTON

DIED 15TH. DECR. 1790

AGED 61.'

'THESE REMAINS

WERE REMOVED FROM THE CHURCH

OF ST. MARY WOOLNOTH IN THE CITY

OF LONDON AND RE-INTERRED HERE

25TH JANUARY 1893'

'JOHN NEWTON, CLERK,

ONCE AN INFIDEL AND LIBERTINE,

A SERVANT OF SLAVES IN AFRICA WAS

BY THE RICH MERCY OF OUR

LORD AND SAVIOUR JESUS CHRIST

PRESERVED, RESTORED, PARDONED

AND APPOINTED TO PREACH THE FAITH HE

HAD LONG LABOURED TO DESTROY.

NEAR 16 YEARS AS CURATE AT THIS PARISH

AND 28 YEARS AS RECTOR OF ST. MARY WOOLNOTH.'

James Andrews was a monumental mason who lived on the High Street and who gave Cowper drawing lessons.

Cowper and Unwin moved to The Lodge, a house in Western Underwood less than two miles from Olney, in 1786.

The entrance to Cowpers Alcove, Wood Lane, Weston Underwood.

'The summit gain'd, behold the proud alcove
That crowns it! yet not all pride secures
The grand retreat from injuries impress'd
By rural carvers, who with knives deface
The panels, leaving an obscure, rude name,
In characters uncouth, and spelt amiss,
So strong the zeal t'immortalize himself
Beats in the breast of man, that ev'n a few
Few transient years, won from th' abyss abhorr'd
Of blank oblviion, seem a gorious prize,
And even to a clown. Now roves the eye;
And posted on this speculative height,
Exults in its command.

THE TASK

WILLIAM COWPER LIVED IN OLNEY AND WESTON UNDERWOOD
BETWEEN 1783–1795. MANY OF HIS WORKS,
INCLUDING THE TASK, WERE WRITTEN DURING THIS TIME, PROBABLY IN THE ALCOVE. THE ALCOVE, ERECTED BY THE THROCKMORTON FAMILY IN 1753, NOW FORMS PART OF THE BUCKS COUNTY COUNCIL GREEN BELT ESTATE.'

The Alcove ceiling.

The view from the Alcove.

The Alcove from Wood Lane.

The poet is remembered in the name of the village pub, Cowpers Oak.