Showing posts with label Cambridge (MA). Show all posts
Showing posts with label Cambridge (MA). Show all posts

17 December 2011

The Anne Sullivan fountain in the Helen Keller garden, Cambridge, Massachusetts: Literary New England #23

Down a small pathway off Brattle Street in Cambridge is the Helen Keller fountain with a small lion with water coming from its mouth. Keller explains the revelation that Anne Sullivan brought to her in The Story of My Life (1924).

On the brick wall at each side of the fountain is a plaque, one of which is in Braille.

The other is in English:

'IN MEMORY OF
ANNE SULLIVAN
TEACHER EXTRAORDINARY — WHO,
BEGINNING WITH THE WORD WATER
OPENED TO THE GIRL HELEN KELLER
THE WORLD OF SIGHT AND SOUND
THROUGH TOUCH
BELOVED COMPANION THROUGH
RADCLIFFE COLLEGE
1900 — 1904'

31 May 2011

Inman Square, Cambridge, Massachusetts

Inman Square is in Cambridge, but away from the center, and describes the area around the junction between Inman, Cambridge, and Hampshire Streets.

Ryle's is on Hampshire Street, and is mentioned several times in David Foster Wallace's Infinite Jest, notably by this quotation:

'Ryle's Jazz Club's upscale pub-type bar, guys in tweed caps and briar pipes in mouths at angles taking all day on a pint of warm stout.'

There's another of these Bukowski Tavern dive bars (which are affectionately known as 'Buk's') in Boston, but this is on Cambridge Street and is everything you might expect with a name like this. Shame about the cars in the way, though.

Lorem Ipsum Books, also on Cambridge Street, has the right idea by telling people to read instead of watching TV.

Henry Wadsworth Longfellow, Cambridge, Massachusetts

Longfellow House was built in 1759 for John Vassall Jr, and used as General George Washington's headquarters during the siege of Boston (July 1775 to April 1776). Henry Wadsworth Longfellow (1807-82) first rented two rooms here from Elizabeth Craigie when he was appointed Smith Professor of Modern Languages at Harvard. In 1843, on Longfellow's marriage to Fanny Appleton, his father-in-law Nathan Appleton bought Craigie House as a wedding present.

Visitors to the house were many, including Emerson, Hawthorne, Dickens, Trollope, and Julia Ward Howe.

Longfellow had the carriage house built in 1844. It is now used for public lectures and workshops, and education programs.

The entrance to  the garden, and also to the visitor center.

 
The Longfellow Memorial in Longfellow Park, which stretches from Brattle Street to Mount Auburn Street near the Charles River. Daniel Chester French completed this memorial in 1914: the bronze bust of Longfellow stands in the center, with six characters from his poems behind in relief:

Miles Standish from 'The Courtship of Miles Standish' (1858).

The angel Sandalphon from 'Birds of Passaage' (1858).

The blacksmith from 'The Village Blacksmith' (1841).

The Spanish student from The Spanish Student: A Play in Three Acts (1843).

Evangeline from Evangeline: A Tale of Acadie (1847).

Hiawatha from The Song of Hiawatha (1855).

25 May 2011

Mount Auburn Cemetery, Cambridge, Massachusetts

Mount Auburn Cemetery is a huge area in Cambridge, Massachusetts, and was established in 1831 as the US's first landscaped cemetery, with several lakes and many impressive trees, shrubs and flowers. People seem to come here as much for the plants and birds as the famous graves, and it's even considered a wonderful place for a first date. For fifty cents you can pick up a map showing the site of the graves or memorials of the most famous people here, or you can find lesser known ones on a computer in the visitor center. Unfortunately, we arrived here just as it was threatening to rain, and that threat established itself as a major torrent for the rest of the afternoon, so we had to return the following day. Needless to say, virtually all the graves below are of writers or people with assocations with writers.

William Ellery Channing (1780-1842) was a Unitarian preacher who had a profound effect on the Transcendentalists. There is a statue of him in Boston Public Garden.

This grave is of two poets: James Russell Lowell (1819-91) and his wife Maria White Lowell (1821-53), who was a member of the Boston Female Anti-Slavery Society who before their marriage persuaded James to become an abolitionist. They lived at Elmwood, James's birthplace not far from Henry Wadsworth Longfellow's home. One of his books written at Elmwood and published anonymously, A Fable for Critics: A Glance at a Few of Our Literary Progenies (1848), satirized a number of literary figures of the day.

Poet and novelist Thomas Bailey Aldrich (1836-1907) was born in Portsmouth, New Hampshire, and his widow Lilian turned their house into a memorial to him, which in 1979 became part of the much larger Strawbery (sic) Banke Museum. He spent most of his youth in the South with his father, and later in New York. Between these two periods, though - from to 1952 - he went back to Portsmouth to live with his grandfather.

On marrying in 1865 he moved to Boston, where he began writing by drawing heavily on his years in Portsmouth with his grandfather, and the result was the novel The Story of  a Bad Boy (1870). It was the first realistic treatment of boys in literature, and was an inspiration to Mark Twain.

Charles Eliot Norton (1827-1908) was born in Cambridge, educated at Harvard, and influenced by John Ruskin and the Pre-Raphaelites. He translated some of Dante's work, and edited North American Review with James Russell Lowell. He traveled a great deal in Europe and was friendly with Thomas Carlyle, John Ruskin (whose literary executor he became), and Edward FitzGerald. He is perhaps best known as an art historian, and until his retirement was for more than twenty years professor of the History of Art at Harvard.

Julia Ward Howe (1819-1910) was an abolitionist and a poet who is undoubtedly best remembered for her patriot song 'The Battle Hymn of the Republic', which is set to the tune of 'John Brown's Body', which became very popular during the Civil War on the Yankee side. She later devoted herself to women's welfare. Her autobiography, Reminiscences: 1819–1899 (1899) is here.

The polymath Buckminster Fuller (1895-1983), or 'Bucky' as he is usually more affectionately remembered, is noted - along with his sense of humor, tremendous energy, etc - for his popularization of the geodesic dome, one of which became his home during his stay at the University of Southern Illinois, Carbondale, which I believe I've mentioned elsewhere. 'Call me Trimtab'? Please don't ask - it's science, and I'd no doubt get any explanation hopelessly wrong.

Popularly, Margaret Fuller is perhaps best remembered for the effect she created among the sages of Concord, Massachusetts. Here, the memorial speaks in her many abilities, and of the tragedy of her death, along with that of her husband and son on the same occasion:

IN MEMORY OF
MARGARET FULLER OSSOLI
BORN IN CAMBRIDGE, MASS., MAY 23, 1810

BY BIRTH A CHILD OF NEW ENGLAND
BY ADOPTION A CITIZEN OF ROME
BY GENIUS BELONGING TO THE WORLD

IN YOUTH
AN INSATIATE STUDENT SEEKING THE HIGHEST CULTURE

IN RIPER YEARS
TEACHER, WRITER, CRITIC OF LITERATURE AND ART

IN MATURER AGE
COMPANION AND HELPER OF MANY
EARNEST REFORMER IN AMERICA AND EUROPE

AND OF HER HUSBAND
GIOVANNI ANGELO, MARQUIS OSSOLI
HE GAVE UP RANK, STATION AND HOME
FOR THE ROMAN REPUBLIC
AND FOR HIS WIFE AND CHILD

AND OF THAT CHILD
ANGLELO EUGENE PHILIP OSSOLI
BORN IN RIETI, ITALY, SEPT. 5, 1848
WHOSE DUST REPOSES AT THE FOOT OF THIS STONE

THEY PASSED FROM LIFE TOGETHER
BY SHIPWRECK JULY 19, 1850
 


It's always heartening to find a personal touch on a grave, however ephemeral it may be. But the note here has survived the long downpour of the previous day: 'Oh Robert! How I miss your advice, help, emails, letters, and your New England /yet Southwestern voice on the phone! 4.30.11'. That tells us a thing or two about Robert Creeley (1926-2005).

Amy Lowell (1874-1925) was born in Brookline, now part of greater Boston, and came from a wealthy family whose money derived from cotton: the Massachusetts towns Lowell and Lawrence are named after the two industrialists John Amory Lowell, her paternal grandfather, and Abbott Lawrence, her maternal grandfather.

She didn't begin writing poetry until 1902, when she was inspired by the great Italian actress Eleonora Duse. In 1912 she published her first book of poetry - A Dome of Many-Coloured Glass - and met actress Ada Dwyer Russell. Poetically, Lowell identified herself with imagism, although Ezra Pond disparagingly called it 'Amygism'.

Lowell began a 'Boston marriage' with Russell and wrote poems that clearly concerned the love of women. When Lowell died, Russell, both Lowell's executrix and her heir, destroyed personal correspondence accordingly to Lowell's instructions.

Fanny Merritt Farmer (1857-1915) was born in Boston and grew up in Medford, Massachusetts, but due to illness in her teens was forced to stay at home and do the cooking for her family and boarders her family took in, which she later developed into a career. She studied and graduated from the Boston Cooking School, and within four years was Principal.

Farmer detested vague, unscientific cooking instructions such as 'heaping cup' and 'rounded teaspoon', and the hard-earned publication of the clumsily named Boston Cooking Book Cook Book - latterly simply known as Fannie Farmer - was a huge success. 

The Longfellow plot is large and impressive. As repetition is pointless, I shall make no comments now because I shall speak more of Henry Wadsworth Longfellow (1807-82) when we visit his house and grounds - but alas, not the interior (we were out of season) - in a later post.

Francis Parkman (1823-93) is most noted The Oregon Trail (1849), and maybe that's the best entry into his work: his life just seems too bizarre for me to take in at the moment, so the book's here.

Oliver Wendell Holmes (1809-94) was so impressed by the publication of a newspaper article revealing the impending scrapping of an 18th century frigate, the USS Constitution, that he wrote the poem 'Old Ironsides' in 1930 as a tribute to the ship, and the great publicity caused by it led to the ship being preserved: it is now a tourist attraction. And although he's mainly remembered as a poet - he was often called upon to write commemorative verse - it was in the medical profession that he devoted most of his energy, first as a doctor and later as a lecturer at Harvard Medical School.

Jacob Bigelow (1787-1879) was the architect of Mount Auburn Cemetery, and the photo below gives an idea of how impressive it is:

This is Halcyon Lake, with Egerton Swartwout's monument to Mary Baker Eddy to the centre right reflected in the water.

A close-up of the monument. Mary Baker Eddy (1821-1910) was the founder of Christian Science, and has briefly been mentioned below in relation to the Mary Baker Eddy Library on Massachusetts Avenue, Boston. She wrote a number of religious books.

21 May 2011

Elizabeth Bishop in Boston, Massachusetts

A pedal-powered swan boat on the lake in the Public Garden, Boston, pulls into dock at the end of a tour. It was of an event during one such ride, a number of years ago, that a future major American poet later spoke.

Elizabeth Bishop (1911-79) was born in Worcester, Massachusetts, and her father died when she was eight months old. Her mother was institutionalized in 1916, when Elizabeth went to live with her maternal grandparents in Nova Scotia. Bishop never forgot the occasion when she was about three when she went for a ride on a swan boat with her mentally ill mother still wearing her widow's weeds, and her mother feeding peanuts to a swan which bit her and drew blood through her black glove. She later tried to write a poem about it but never managed to complete it.

Bishop's friend Robert Lowell (1917-77), born in Boston, wrote a poem titled 'The Public Garden', in which he speaks of a 'jaded flock of swanboats', and 'the arched bridge' from which I took this photo.

(Another book which includes the Public Garden is the children's story The Trumpet of the Swan (1970) by E. B. White (1899-1985), which concerns the trumpeter swan Louis, who is mute, but on learning to play a real trumpet becomes a celebrity on the swan boats before moving to richer pickings.)

Toward the end of her life Bishop lived for a few years at 60 Brattle Street, Cambridge, Massachusetts, but preferred Boston (particularly the North End with its Italian butcher shops, and bakeries for macaroons), and at the beginning of July, 1974 she moved to 437 Lewis Wharf, off Atlantic Avenue, on the fourth floor, where she had a superb view of the Atlantic Ocean. A late interview by Elizabeth Spires made at Lewis Wharf and published in the Paris Review is here.

15 March 2011

Alexander Theroux: Laura Warholic: or, the Sexual Intellectual (2006)

Laura Warholic: or, the Sexual Intellectual is a big novel in more ways than one. It is almost 900 pages long, weighs in at almost two kilos, and is the first prose novel published by Fantagraphics Books: Theroux chose them as they made no editorial demands on his manuscript. He expects no one to read his book until its discovery in about 2047.

Theroux - whose work includes (at least 20 years before this) the novels Three Wogs, Darconville's Cat, and An Adultery - eschews plot for a character-driven narrative, and in Laura Warholic his characters are almost all grotesque, repulsive, three-quarters-mad and obsessive,  but oddly entrancing at the same time. Laura Warholic is an ugly, 36-year-old stick-like creature with a permanent unpleasant smell who is addicted to sex and rock culture - a chapter is titled 'Exile in Guyville' after Liz Phair's influential 1993 album - and the other main character is Eugene Eyestones, an older down-at-heel journalist fascinated by Laura, and who writes a brilliant but list-obsessed and sometimes overlong, sometimes highly politically incorrect column called 'The Sexual Intellectual' for Quink magazine.

Quink is edited by the concupiscent (but probably impotent) monster Minot Warholic, Laura's estranged husband who calls her a whore and is obsessed about the money he says she owes him. The female 'sex-weasels' Muscrat and Squishy live with him and accompany him most of the time. Various unsavory characters linked to the magazine hang out in such places as Welfare's, a bar in the Boston area in Massachusetts, where the book is set and the magazine based.

Eugene and Laura live in dumps in Cambridge, Laura living rent free in return for regular sexual services to the insane landlord Micepockets, who - a menacing priapic cripple - is another monster. During a two-month road tour of the States with Laura, Eugene (who has an annoying habit of 'correcting' her grammar) finds out how truly incompatible they are, and yet both remain together, locked in a fascinated love-hate bond. To kiss her repels him because of her permanent halitosis, and he won't have sex with her as she refuses to take an Aids test, so she just masturbates herself to sleep.

There are many lengthy digressions, often rants, which are often in the form of lists, such as the 'Sex Questions' chapter that is a list of miscellaneous sexual oddities that Eugene collects in a notebook, and which resemble the lists compiled in David Markson's Reader's Block mentioned somewhere below.

This is an extreme example of Theroux's crazy polysyllabic style, and is the second sentence of the chapter 'The Sewing Circle', referring to a local bar in the novel:

'It was packed sardine-tight with amazons, cowboy girls, berdaches, women in lumber-jackets, dime bull-dykes, inertinites, female mastodons, kickboxing bansheettes, tribadists, succobovaients, gynoids, sex sufists, dandle queers, sexual variety artists, female infonauts, exchromonians, tinjinkers, bold she-males, old boy actresses, lumber-mothers, algogenesolagniasts, gregomulcts, mammathigmomaniacs, asylum-seekers, nerdoïdes, two-fisted falsettists, ambiguas, half-and-half figures, neurasthenic seek-sorrows and various other big-boned women anesthetical to the lacquers of glamour and lineaments of grace.'

Laura Warholic is a brilliant, hugely digressive, tragic novel which is a biting satire on contemporary American society, and keeps making me think of a 21st century Lionel Britton.

(The photo on the dust jacket cover is of Evelyn Nesbit, and information about her is here. A short piece on YouTube puts together a number of photos of her, with Scott Joplin as background music, here.