Showing posts with label Knife. Show all posts
Showing posts with label Knife. Show all posts

Friday, January 05, 2018

The Foreigner - Flexible X Knife animated GIF set



Friends, it's Friday and you know what that means? It's "Flexible Friday"! I can hear you asking what is "Flexible Fridays"? LOL

On some Fridays this year, I will post a video and an animated GIF set from Movies/TV featuring a flexible weapon in use. Kicking off this new project, today's Flexible Friday features a fight from Jackie Chan's new film, The Foreigner, where a BG (bad guy) uses a knife on Jackie and he is able to grab an 'equalizer'.

Enjoy!








Knife thrust to slash

The wrap and turn to throw

Ippon! :)

The Choke

All-In-One GIF:  The Wrap, Throw, & Choke




BONUS GIFS


The Wrap & the Throw

Choke

Choke switchover


Extended All-In-One GIF



Please check my Projects page for more videos/GIFs on Flexible Weapons in Movies/TV.

Friday, February 24, 2017

"I Am Wrath (2016)" GIF Set 1



My friend Ted B. informed me of a movie which had 3 knife fight scenes all of which featured the knife in reverse grip! Given many movies with the knifefighters weilding the knives in standard grip aka hammer grip, I had to check out the movie!


I Am Wrath (2016) is an action thriller film directed by and written by Yvan Gauthier/Paul Sloan. Justin Yu is the Fight Coordinator. John Travolta headlines the movie and Christopher Meloni co-stars. My guess is that Justin Yu was the one responsible for the reverse grip showcase.

Enjoy this first GIF set of Christopher Meloni's fight scene in "I Am Wrath (2016)"!



















Bonus GIF - isolating just for 1 action





GIF of the whole scene










For more information, please check:


Saturday, June 27, 2015

Sonny Umpad: Kniferoll & Angles of Attack GIFs

Yesterday would've been Sonny Umpad's 67th birthday. 


In his honor, I made some animated GIFs of him in action - namely the kniferoll and angles of attack with a knife. I took the liberty to make the GIFs from the below source video.


Enjoy!




Pierre Hartman's tribute vid of Maestro Sonny Umpad







Kniferoll


Kniferoll - isolated just the right and left roll





Angles of Attack



Blazing speed!







Other Sonny Umpad posts you may be interested in:






For further info, please check out:



Friday, June 26, 2015

Maestro Sonny Umpad would've been 67 today - posting some great quotes.

Click for larger resolution pic~
Maestro Sonny Umpad

(June 26, 1948 - August 24, 2006)


Today would've been Maestro Sonny Umpad's 67th birthday.


In his honor, I'm posting some of his great quotes.


Enjoy!



"To hit is easy. To get hit is even easier ... but to NOT get hit ...? That's where the art is."



"You can always tell someone who has no roots, because he guards the leaves. But the true student has roots and a trunk, so he is always willing to give away leaves freely."



"The stick is the husband and the knife is the wife."



"The blade arts must not be confused. They are not a sports game. 

It is about life & death. 

When you look at a blade on the flow of traditional angles, the movements are very beautiful. 

Once they are used in actual combat or in use for real, they turn dark, very dark. 

Just hope that you don't have to use it or call on the dark side."



Other Sonny Umpad posts you may be interested in:






For further info, please check out:



Friday, December 26, 2014

Dwight McLemore's Thoughts on the Bowie Knife


Dwight C. McLemore wrote 2 books on the Bowie Knife as well as instruction in a video: 


1) Bowie and Big-Knife Fighting System

Click for larger pic


2) Advanced Bowie Knife:  The Finer Points of Fighting with a Large Knife

Click for larger pic

3) Bowie Knife, Big Knife Dueling video



He posted some thoughts on the Bowie Knife on his Facebook in hopes of clearing the air surrounding the mystique and misinformation on the Bowie as well as on the man himself.




For some reason every year about this time I get a lot of messages asking questions about Jim Bowie, The Bowie Knife, the sandbar fight etc. Guys, while I am honored to be asked I,m not the fountainhead of knowledge on this subject. In spite of what you may hear, or see on the forms there are no specific Bowie Knife Techniques! 19th century articles by fencing masters, and newspaper articles are just really an opinion and reflective of the period. Take them for what they are worth. All that said before I hurt someone,s feelings below you will see what I consider to be the most accurate reputable books on the subject. Go find them, go read them! All the answers are there. I, ll describe these in subsequent posts.





Photo credit:  Dwight McLemore's Facebook


This book covers the historical life of Davy Crockett, William B. Travis, & James Bowie. It goes along way to reveal the truth about Bowie the person and debunk the myths about his life. You can read it in total chapter by chapter or pick out the chapters on the person you are interested in. Really worth the time if you want to know about Bowie,s personality.....





Photo credit:  Dwight McLemore's Facebook


This book is all about Bowie Knife myths, types & designs, and the folklore associated with what we call the Bowie Knife. It busts a lot of people,s bubbles about Jim Bowie the Mythical knife duelists. Expense, coffee table size book that is well worth having.





Photo credit:  Dwight McLemore's Facebook


This is fellow artist Paul Kirchner latest contribution on the subject and present an accurate picture of many bowie knife fights & techniques from the 19th century.




Photo credit:  Dwight McLemore's Facebook



This is the best account of the historical sandbar fight that began Bowie, s reputation and contributed so much to the myths & folklore.




Photo credit:  Dwight McLemore's Facebook

Photo credit:  Dwight McLemore's Facebook



Two examples : The Iron Mistress is fiction and purely a tall tale that influences people,s idea about the heroic Jim Bowie, his excaluber like knife, and numerous duels. Great fun read but folklore pure and simple. Raymond Thorpe,s Bowie Knife, is based on 19th century newspapers and is a good example of how we can easily be influenced by folklore.....Lord Knows I used to believe this stuff. Well I,m done! Go read thus stuff.




In case you missed these related-entries:





For more information, please check out:


Friday, July 25, 2014

Surviving Edged Weapons (1988) (Full video)


A very important video on the realities of the knife. Classic! Manong Dan Inosanto and Supreme Grand Tuhon Leo Gaje are in it too. Made for Law Enforcement.



In an intense action-filled 85 minutes, you will learn to defend yourself again the mounting threat of “knife culture” offenders: how to assess an edged weapon before he strikes… what really works and what doesn’t to control him physically… when to use your baton – and deadly force… how to avoid the fatal reactions untrained officers instinctively have to sudden knife attacks… life-saving survival insights from officers who have nearly been killed with edged weapons… how prison inmates and knife experts train for the ultimate deadly attack… what’s the latest in improvised weapons… how to search for the most dangerous weapon… medical self-help to save your life if you are cut or stabbed… and much, much more!








For more information:






Please check out these related Dan Inosanto entries you may have missed:




Saturday, April 05, 2014

Michael Blackgrave - The Knife (Practical & Tactical)



In a vast majority of cultures the knife has remained a prized and necessary tool. As it was in the beginning the knife is still used in various ways, from cooking to utility work, and everything in between. Within these cultures there remains an element of using the knife for more unsavory tasks, i.e. killing! These combat manifested knife methods are imbedded deeply in the folklore and every day life of the people from whence it came. There are western methods that were forged in the halls of Europe and put to use in the many battles waged there and abroad. The most known methodologies of knife usage for combat comes from the South East Asian Archipelagos, namely the Philippines.

In the Philippines the indigenous arts for the most part are weapon oriented. The mindset is simple, what one can do with his weaponry he can do with his empty hand. With this mindset in tact the teaching process is a simple progression from long weaponry to knife and empty hand. When one learns the weaponry aspects first it transfers comfortably. Empty hand to weaponry does not transfer as fluidly.

The Filipino fighting arts come in many forms. There is Escrima, also spelled Eskrima depending on region and who you ask. There is also Arnis. It is common to hear the word Arnis in reference to the fighting arts in the northern areas of Luzon. In the Cebu regions one usually hears it referred to as Eskrima. There is also another exponent called Kali. The word Kali in regards to indigenous fighting arts is highly debated. Under these umbrella titles there lies systems, Modern Arnis, Balintawak, Doce Pares, Lightning Scientific and so on. These systems all contain various elements of stick work, both double and single, sword play as well as empty hands. Where these and most of the Filipino arts differ from other cultural combat systems is in the implementation and usage of the knife as it relates to the art of combat.

Every instructor who teaches the way of the knife will have their preferences. Some will tout very basic movements as truth while others believe that more is more and that flash sells. I have a firm belief that those who advocate flash have never met the business end of a knife. My personal way of teaching the knife is rooted in simplicity. If it doesn’t have a natural feel to it I will not put it into my personal hard drive, nor will I teach it to my people. Having survived two altercations where I had to deploy my knife I speak from a bit of experience. In each altercation I went right to my basics that I was taught years ago, hit what is available and make it methodical and straight to the point.

Many teachers in the bladed arts covet the duel. The duel as most know is a fickle component in the over all makeup of a bladed art. To advocate dueling is to me pure nonsense. This however does not mean that it shouldn’t be trained. The reality of the knife is in it’s proper usage. The knife is an ambush weapon not a dueling weapon and this aspect should be instilled more so than a one on one duel. The problem seems to be the definition of what an ambush is and the legal ramifications of said action. Most people see the ambush as a skulking act behind ones back, when they least expect it, and it is. It is however something much more. The ambush is also a state of mind that one can manifest when it all goes south. It is the ability to be facing an enemy and in a seconds blink being able to retrieve the blade and put it into optimal use. Within this component lies many features that must be addressed;

  1. mindset
  2. body positioning
  3. the draw
  4. the application

The first aspect is mindset. In a situation where one is truly up against it the proper mindset must be quickly set into place. We call this in SEAMOK the conjuring of the beast. You know it is coming, you can feel it and smell it, now it is time to get the mind right and prepare for business. This conjuring takes mili seconds to achieve and pays dividends in a vast amount of ways. When one is ready to rock n roll it is quiet obvious to any thug that his chosen victim has now become a threat, and thugs prefer victims not threats to their own safety. The mindset of a fighter can truly discourage the most vigorous of tough guys.

The second aspect in the preparedness game is body positioning. Body positioning is crucial, no one wants to be caught off guard when it all goes south. If you feel it and know it’s coming you must shift your body into an advantageous position which in turn will keep your targets off his line and put his on your line. This also leads into a more simplistic drawing of the blade. This act of positioning will vary slightly depending on where your knife is located and whether or not it is a fixed blade or a pocket clipped blade. The same body positioning will also pay dividends no matter the weapon system. It can also be utilized with the empty hand methodologies.

The draw is our third entity that is perhaps the most crucial. When drawing the knife complete and utter confidence must coincide hand in hand with the first two components. If your mind and body is not properly aligned the draw will turn out to be cumbersome at best, and being cumbersome in crunch time can leave one in a very bad predicament. Drawing your knife should become second nature to each and every practitioner of the knife. It is perhaps one of the least trained areas within the bladed arts, sadly enough. When we look at the various carry options you will find several positions depending on the knife itself and the design. You will have straight blades that are sheathed and carried in numerous places, the lower back, down the leg, on a shoulder rig, stuffed in the waste band etc. With a lock blade the carry positions are regulated mainly to pockets. The key lies in the user. How do you carry? Is it edge forward on draw or is it coming out in the ice pick or saber grip? These are the questions we have to answer for ourself. It is up to each of us to perfect not only our EDC [Every Day Carry] but to also perfect our drawing of the blade as well as the application of the weapon. What I have found in the knife community is far to much application with very little attention paid to the carry and draw, which in my opinion leaves the application a moot point. If one cannot get the weapon out in crunch time the rest is for naught!

The fourth component is application. Application of the knife has as many flavors as we discussed earlier. The usage of the knife should follow suit with your drawing technique. If the knife is positioned to come out in the ice pick grip your first attack should be in line with the draw or repositioned to a comfortable point for future use if the situation you find yourself in worsens. The same applies with the saber or hammer grip. When the knife is put into high gear in a simplistic fashion you will see the quickest results. The knife once drawn and engaged should flow in a resolute manner with results far over shadowing flash and hype. It will also prove the safest for the wielder.

Within the application stage comes targeting. Targeting is a key element to any knife application. I am in the camp of hit what is given, that less is more. In this fashion one will stay safer and definitely have less to explain if it ever comes to justifying your actions. The safety factor is crucial. It is a simple mindset that one employs and trains for. In SEAMOK I teach my people the terracing application. It is the act of hitting what is given, staying to the outside of the enemy and working towards the flank. In this way we stay safer by not throwing ourselves into the wheel house of our opponent where anything can and probably will go wrong. If disaster is your game then the inside lie definitely brings doom.

The flip side to the less is more coin is the overkill continuum. There are those who believe that more is more and that the key in knife combat is to inflict as much damage as humanly possible no matter the consequence. While I understand that this action may have validity in a combat zone one must remember that we all are not members of a military unit or working head long in some dirt hamlet far off in Afghanistan. In America, and I am sure many other countries the carrying and use of a knife in self protection can be a pitted field. The overkill mindset and subsequent action can leave one in a physical, financial and legal mess that can tie you up in the courts and subsequently lead to a lengthy incarceration.

People need to understand that the investigation of knife usage when used in a combat situation will be a significant piece of evidence either for or against the user no matter if it appears to be an open and closed case of self defense. In the less is more method one can easily explain having to use the blade once or even three or four times to finish the situation, whether that be in maiming or killing. To try and explain your reasoning behind the thirty four cuts of death to a prosecuting attorney and subsequently to a jury and judge of your piers will be a hard task. The experts are all working for the man, i.e. the forensic specialists, the blood splatter experts, the coroners etc. These professionals will be able to determine the exact blow that expired the individual, the time and the method used. With this being said I challenge anyone to validate their use of overkill. It will not be easy explaining why you perforated the enemy 36 times when he had long since expired on puncture three. If your skilled with your blade overkill is simply a waste of energy and time.

Legalities in any fashion truly suck. We all know this and we all do our best to stay far away from that sector of life. With that being said we as instructors and practitioners of these arts must take a personal responsibility to learn our craft well with practical and tactical methods. We also take on the burden of safety not only for our selves but for others as well. Having these skills is akin to a loaded gun at your finger tip. We know that our skills can and will destroy life if we let them, or if we need them to. It is our responsibility to pass on the knowledge but to also pass on the wisdom of truth as it pertains to these arts and the consequences that may occur in such a time that your blade has to sing.

My father told me a long time ago, “Son when that blade comes out someone’s life changes forever. Right, wrong or indifferent, someones life will change.” I truly understand my fathers words. Whether it is put into use or simply brandished..someone’s world is about to turn. Be smart, train hard, think practical, react tactical!

Mike Blackgrave
SEAMOK Tactical Solutions (TM)
Simplicity with Intent!



For further info, please contact Amo Guro Mike Blackgrave via:




NOTE:  My deepest gratitude to Amo Guro Blackgrave for his kind permission in allowing me to repost this.



Please check out these other articles, in case you missed them:



Sunday, March 23, 2014

Mike Blackgrave - The Bad Guy aka PIPER




What is PIPER? This is a question asked within various knife communities. Is it a bastardized FMA or Silat system as so many of the internet experts profess? Or is it a contrived notion of a mad mongoose in a far off hemisphere? In all actuality it is neither. It for a lack of a better term is the bad guy. Yes that's right the bad guy. PIPER is a case study on how the bad guy thinks, reacts, moves, attacks. It isn't based on a system, rather it is built on the premise of what South African good guys face on a daily basis in the streets of Cape Town, Johanesburg, Durban and many more. Now most people will never believe that there can be this much danger in such a small country, but I assure you there is. People must remember that before 1994 this country was under apartheid rule. During this time life was extremely hard for the down trodden. They, like anyone did what they felt was right to survive the tide.

As in this country, often times survival leads to a violent and gang like mentality. The strength in numbers mindset takes hold and once your in your there for life. This is where the violence becomes old hat. The gangs of South Africa like gangs everywhere are fiercely loyal and take their work seriously. Gone are the days of banging for survival. Now the gangs bang for pure profit. They look at what they do as their career. They understand that the circumstances that surround them make it next to impossible for a poor kid from soweto to crack the infrastructure of success due to his disadvantaged nature i.e. black and dirt poor. While apartheid has been officially crushed the sentiments still remain in tact on some levels thus feeding the gang frenzy and the violent nature to which they do their work.

The mad mongoose I made light of in the opening stanza is none other than Nigel February the man behind the PIPER madness, and a highly misunderstood, misquoted bloke at that. It seems people take umbrage with Nigel for speaking his mind and talking of truth as it pertains to the dilemmas of violence in his home country of South Africa. He never loses his cool and starts flame wars via the net but rather, he discusses the truth as he knows it. I have known him for quiet a while and not once have I heard him say anything derogatory about any other system of knife. On the contrary, I have heard him praise some as top notch and those he finds lacking he simply refuses to disrespect or talk bad about as he knows this does nothing but flame the fires. To each their own is a motto he covets ... although it is voiced in far different words than afore mentioned.

PIPER was built for the good guys. It is nothing more than that. It is not a set sequence of technique that one simply learns from a template or from a give and take lesson. Nigel put this together by studying the bad guy. He grew up in rough ways and endured much as a youth, and perhaps saw far to much at a young age that pushed him into this undertaking. By studying the criminals of Cape Town and how they moved he understood the danger that they place the average person in and how inept the average citizen was at preserving his own existence under such duress.

This knowledge was the seed to PIPER. PIPER has now grown in South Africa under the protection of Nigel and his Master guardians. They realize that to defeat violent action, violent action must be understood by being able to not only perpetrate like motion and violence but using that same mindset to build ways to defeat it and survive it. The PIPER way is now spreading, slowly but surely in the hands of good guys who understand violence and have survived violence. Piper is not intended to be the same everywhere. It is a blueprint of study. It is up to the individuals who hold the PIPER knowledge to make the effort to fit it to the situation at hand. Criminals are criminals that much is true, but not all employ the blade the same way as their South African brethren. PIPER addresses this, and as Nigel tells me constantly "Bro PIPER is the bad guy..the study of him, take it and study your bad guys..find how the method can destroy the intent of the attacker". That's it in a nut shell folks..that is PIPER.

The quirky individualistic movement that each PIPER player brings to the table is unique and deadly. As I said PIPER is not based on rote movement where you and I are doing the exact same thing on a feeder / receiver basis. For the most part knife in America, especially FMA (which I love) is based on the concept of the duel. The progression is based off of abecedarios and often times assumed that the enemy knows and will react just as it drilled in class. The same applies for the so called knife defense. PIPER does not work this way at all, this is why it is feared and loathed, blasphemed and spit on by a vast majority of the so called knife greats of the western world.

PIPER forces you to react, and by reacting wrong in training one can attempt to fix the PIPER problem...if there is such a thing. I find that the standard fma defenses work only if the motion remains akin to what is comfortable, hence a feeder/receiver base. What doesn't get addressed is the ambush, how do we come out of that mode where we are behind the timing? How do we hit combat mode while under duress. I know how but teaching it is something different as every person rarely buys into the premise of the work.

The fact is the people learning PIPER understand that they will be hit..if you can get them comfortable with that idea the rest will happen if the time and the effort in training is put forth ( a rare commodity indeed). Most students will refuse that they can or will be hit, they revert back to the status of invincible, especially those who have been fed that only one way is absolute truth. That's why PIPER is a threat, a threat to reality, a threat to self and a threat to innate laziness. Most people will never study the bad guy, in their mind why should they? They don't get it, they can't imagine a good guy ever stooping to the depths of shit to study why this happens, how this happens and to whom this happens. The box of truth gets deeper and deeper.

So in closing look at PIPER as a gift. If you empty your cup and open your mind truth will always find it's way out of the box. The entire premise of PIPER lies in the study of the bad guy, your bad guy. The motion and action of PIPER can then be tweaked to fit each and every individual who chooses to pursue it. It is nothing more and nothing less. It cannot be compared because comparing is not in the PIPER mindset. In fact it doesn't even come into conversation because it is a waste of time and effort. The PIPER brethren (of which I am blessed to say I belong, although a pup) simply look at what they do as crucial to their everyday survival. In feeling this way they find it pertinent to pass on what they have discovered to those interested and in need so that they may find the ways via the PIPER to deal with the bad guys near them.

An empty cup and an open mind coupled with a firm desire to understand the violent nature of others are tools to be polished and placed firmly in the personal tool box. Use them when needed but always use them!


Mike Blackgrave
SEAMOK Tactical Solutions.




For further info, please contact Amo Guro Mike Blackgrave via:




NOTE:  My deepest gratitude to Amo Guro Blackgrave for his kind permission in allowing me to repost this.



Please check out these other articles, in case you missed them:



Saturday, February 15, 2014

PR-24 Baton and Knife GIFs from The Raid: Redemption

Following up on my first set of GIFs of Iko Uwais in action from The Raid:  Redemption:




Here is the 2nd of 3 animated GIF sets I made in celebration of Uwais' 31st birthday!


Enjoy!













Here's the 3rd GIF Set:





For other GIFs I made featuring the Baton (Telescopic), please check out:





For further info on Iko Uwais:




Wednesday, February 12, 2014

Happy 31st Birthday Iko Uwais! (The Raid: Redemption Animated GIF Set 1)

Happy 31st Birthday Iko Uwais!!


In celebration, I made 3 sets of animated GIFs from his 2nd movie, The Raid:  Redemption. Here is the first set which features Iko Uwais using a PR-24 baton and knife vs bad guys!


Enjoy!













Here are the next 2 GIF Sets in this series:




For other GIFs I made featuring the Baton (Telescopic), please check out:





For further info on Iko Uwais:





NOTE:  Posted Feb 14, 2014 as-of Feb 12, 2014. Home sick and didn't have a chance to make the GIFs in time for Iko Uwais' birthday :(  Deepest appreciation to my friend Rosemary D. for the reminder!

Thursday, October 31, 2013

Ron Saturno on Knifefighting




I just evaluated a video sent to me showing several people just going at each other with knives. The people attacked in ways that someone would most likely get attacked by the average person under duress. Most of the attacks began with deep lunges with the knife ending up, at, or around shoulder height. The people were usually and initially at or about a step and a half from each other. Mostly, one lunged and the other responded. If both responded to each other and stepped into one another: They both usually seemed confused about what to do next. Their being a step and a half from each other meant that their both coming into one another soon after, put them at corto and near corto range and seemed to put them in a confused state, because of how fast and how close that they both came into danger upon just one step.

Successful movements usually depend upon three things. Structure, movement and distance and they all have to be satisfied. If one of the three is not present and applied the movement (attack) usually fails. Kind of like our needing to have a match, fuel and air to make something burn. We can borrow from the other man in order to complete structure. We can borrow movement from the opponent and we can borrow distance from an opponent. These fighters discombuberation was a result of their messing up on one of the primary requirements of successful movements. Remembering that if even just one needed part of the three is missing, the movement usually fails. When their opponent stepped into them as quickly as they did: They both soon after lost control of target distance, this inhibited their movement, because they lost structure in order to regain control of their seemingly dire situation. They were scared of being hit with the blade. They were planning on engaging their opponent at another range and just couldn't mentally regroup quickly enough to be able to make a telling blow upon their opponent safely. They had joined the confusing, challenging and exciting world of knife fighting. Never a dull moment. When two people play with razor sharp implements with deadly intent: How could knife fighting be anything other than exciting. "Living on the Edge!" These are the new catch words for my style of knife fighting. These people were living on the edge. Teaching students the fluid dynamics of knife fighting is very hard to do. But it can be done. This is where drills can help students learn to automatically and hopefully learn to also properly respond to an attack by their opponent.

One of the rules that I have adopted that was taught to me by Angel Cabales is to go high before low and not low before high. So I initially teach students drills that let one of the students attack high and than low and the other student defends against a high and than low attack with the blade. If we go low before high, the rising arms are are slow, because of the time it took to feint or attempt an attack at the lower range, before rising into the upper attack. We dropped before rising and this is not as effective, because one of our movements was not worrying our opponent. This leaves the arms slightly more subject to cuts and allows the opponent to occupy the high ground throughout the attack. They will have to rise up and we can go down faster than they can come up. Those Big-Macs have fattened a lot of asses (including mine) and getting that ass moving gets harder and slower with each new birthday. So Angel Cabales would feint with a high blow and make the middle blow the meaningful one. The same move works quite well with a knife, just as well. It worked for Angel Cabales and so I believe in the movement. It is a bread and butter Serrada movement. If we bait the opponent with the (high) initial attack, many men and women naturally respond by raising their arms. As they raise their arms: Our next inward traveling movement slices the arm on the way in. This is the high low. Get them to respond to the high offered hit and hit them with the low. Fake the fucker to raise his arm up and expose himself and than slice inward and hopefully catch something good while sliding across his exposed arm. This move has all of the makings of brilliance. We get drama, a rising crescendo and than fulfillment. The defense is to make a strong initial attack upon the incoming blow so that they can't redirect.

Another response is to make a go at the feint and when and if it is not there, drop the forearm into a cross block (like Wing Tsun), while coming in towards them and than controlling them further, depending upon your sensitivity at that moment. A high/low can be directed outside in from a back hand or forehand attack. Both attacks should be prcticed until they are fluid. Getting someone to take the bait takes longer. Well, we are an art. What kind of artist are you? I would not expect a true artist of any given choice to not know the basics of his craft. We might not buy a bad painted picture, but screwing up the basics in the art of knife fighting has much more serious consequences. I loved the video. I love knife fighting. I would love for knife fighting to become an accepted form of exercise, like Jazzercise. Escrima should also have many more tournaments which involve knife fighting. Knife fighting is our forte, because a knife will most likely be the weapon that we as Escrimadors will most likely have to use and defend against in a real life deadly encounter. Much of my personal training focuses upon defending myself unarmed against a knife. I like the worst case scenario type of focused training. Defending unarmed against a knife is nothing, but a serious chess game with sharp chess pieces. So I will further evaluate the video and than send back a response. I am enjoying myself watching the video. Hope the rest of you are enjoying Escrima as much as I am.





Other articles by Master Saturno:






Notes


My deepest gratitude to Master Ron Saturno for his kind permission in allowing me to repost his articles to my site. 

You can contact Master Ron Saturno via:

Email:  5masterserrada@gmailNOSPAM.com (take out the "NOSPAM")
Phone:  209-513-8027
Facebook:  http://www.facebook.com/ron.saturno

Saturday, October 05, 2013

BIRTHDAY: Today would've been Guro Ted Lucaylucay's 68th birthday!



Today would've been Guro Ted Lucaylucay's 68th birthday!

I'm posting 3 videos in celebration! Enjoy!



Museum Hall of Fame






Filipino Knife





Shadowboxing and Panantukan







Happy 68th Birthday Guro Lucaylucay!





Another posting on Guro Lucaylucay:







Please share any stories/memories you have of him. 


For further information on Guro Ted Lucaylucay, please check out the following:



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