Showing posts with label Drills. Show all posts
Showing posts with label Drills. Show all posts

Saturday, September 26, 2015

Terry Gibson - The Art of Elbow Wrenching

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18 years ago on this date of September 26th, Terry Gibson passed away at the age of 44. He was a Full Instructor of Jun Fan Gung Fu (as well as other arts I'm sure) under Dan Inosanto.

In memory of Terry Gibson, I'm posting an article he wrote to Quest Magazine.




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The Art of Elbow Wrenching
By Terry Gibson
Quest Magazine
Vol. 1, #1
February 1994
Pages 4-5


The elbow is a vicious close range fighting weapon. Its potential to do serious damage at a distance of as little as one inch is amazing. The elbow's slashing strikes to the face often cut and if placed to the chin or temple area can knock an opponent stone cold. The elbow can also be very effective as a strike into the body. As used in Thai Boxing, Jun Fan Gung Fu/JKD, Silat and Kali the elbow, when used properly, provides you with an awesome self defense tool.

On the other hand, the elbow joint itself is very susceptible to attack and injury given the right circumstances. Wrenching the elbow is itself an art requiring excellent timing, accuracy and sensitivity. You can wrench an opponent's with a slap of your hans, with your forearm, with your bicep, with the side or top of your shoulder, with your neck or head, with your knees or legs and even with your feet. Essentially, if you can at least temporarily anchor your opponent's wrist, you have a potential elbow wrench.

Click for larger pic

Click for larger pic

Let's look at a couple of examples. First, we'll visualize your opponent throwing a straight left jab at your face. Assuming left leads, you parry with your right as you slide in a left eye jab, grab his left wrist with your left hand and pivot, to your left. Use your right hand, forearm, bicep, shoulder or elbow to wrench his elbow. Apply the force right behind and above his elbow joint. Done with the ballistic movement of your pivot this will injure or break his elbow. Obviously when you are working out with your training partner you have to use controlled movement. Whether on purpose or by accident, you may sometimes find yourself inside your opponent's arm. This situation may occur if you've entered on the inside against a right hook because a second opponent has come into dangerous proximity. Assume you entered with a left arm cover and right elbow to the body. Control his right wrist with your left hand and use your right inside wrist bone-place it behind his right elbow and jerk it toward your body. This is a surprisingly powerful and effective elbow wrench.

There are many drills to work on elbow wrenching skills. Here are a couple: 1) Have your partner throw a variety of punches at you. Start at half speed or less, then build up from there. Work on closing the gap and controlling his arm. Also, work on a variety of tools (forearm, bicep, shoulder) with which to perform the elbow wrench. As you get better, have your partner pick up the pace as well as begin faking and the use of more foot work. 2) Filipino Hubud - This is a great drill for practicing close range elbow wrenching as you parry, trap and hit in the"flow" of the drill. Start applying the concept of how to wrench the elbow. Let your imagination go and see how many different possibilities you can come up with.



In case you missed the previous article by Terry Gibson I posted, you can find it here:






Tuesday, September 24, 2013

Vunak's Top 50 Combat Secrets Ch. 29



Chapter 29 : The Great Eight

When people ask me over the years why Dan Inosanto’s students move differently from other Jeet Kune Do factions ? The empirical answer is they are better athletes. Long answer, gets into why… In martial arts as with any other sport there are specific techniques of the game that enable us to differentiate between football, basketball, mma, stick fighting etc… When these techniques are given to a cross section of people, regardless of what sport or martial art style we are talking about, then the quality of these people at the end of the day is determined by the better athlete.

So out of a 100 people, you will most likely have 5 that excel to the top of their game, additionally you will most likely have 5 that have extreme difficulty doing basic stuff, and the other 90 folks, are on a floating DNA scale. And their success, in their chosen sport or art, has been pre-determined by their respective level of attributes. This includes but not limited too, speed, power, timing, coordination, lateral footwork, conditioning, line familiarization, etc…

When I met Dan Inosanto in the mid 70s, he explained to me how he figured out how to work around this genetic conundrum. He explained, that if we practice our techniques out of drills that involves movement and resistance, that not only will be learning the techniques but we will be improving our attributes simultaneously. As opposed to practicing our techniques out of some lapel grab, or fake punch. Over the many years of training with Bruce Lee and other Filipino masters, and out of the 30 years that I have trained with Dan, there are 8 such drills. Each one of these drills brings out a different set of attributes and a different type of movement.

  1. Hubbad
  2. Chi-Sao
  3. The Thai Clinch Drill
  4. Pummeling
  5. The Lop-Sao Drill
  6. Sumbrada
  7. Numerada
  8. Serrada

These 8 drills combine, weapons with empty hands, Kali with Wing Chun, single direct attacks, attacks by combinations, PIAs, etc… These drills are purely magical. I have witnessed Dan, and I have myself made athletic street fighters out of clumsy mild mannered people.

These drills like anything else can be done at a very basic level, where folks are just repeating the shell of the drill. Or each of these drills, can have full contact sparring, (complete with eye jabs, face bites, and jiu-jitsu) intrinsically woven in to the confines of the drill. The reason why these particular 8 drills, create a functional fighter, is complicated enough to fill 5 encyclopedias. However for now, suffice it to say, that by returning back to each drill, in between our very lethal techniques, this returning back to the shell of the drill, is extremely difficult and requires exceptional athleticism. Standing in the middle of the ring and duking it out takes very little other than a set swinging, conversely when two people are duking it out for a few brief seconds, and then they must return back to a specific drill say, chi sao, this returning back to chi sao, enables a fighter to forever protect his centerline for the rest of his life. The returning back to Hubbad on the other hand gives one the ability to angle or zone. Returning back to sumbrada say with a stick or a knife, gives one the ability to flow without thinking. Returning back to serrada out of full contact stick sparring, gives one the reflexes of a startled mongoose etc, etc…

In conclusion when we give our students these 8 drills, and then teach them our agenda out of these drills, not only are we guaranteeing the functionality of our students, we are also keeping it fun, which guarantees the functionality of our check book.





Please check the Table of Contents for links to other chapters of this Online Book.





Friday, August 30, 2013

Vunak's Top 50 Combat Secrets Ch. 18



Chapter 18 – What Makes Us Different ?


In our martial art careers, just as we want to protect our families, we also want to protect our respective businesses. In the 40 years that I have been training martial arts, I’ve seen some very original people in my days. People that we would now look at and regard as pioneers. However, each of these pioneers, has had detractors, each of these pioneers has had imitators. Although they say imitation is the most sincere form of flattery. In the business world, imitation can dilute and minimize us.


Reality based fighting, is the hippest and easiest venue to teach, and unfortunately the easiest venue to imitate.


And when one is imitating you, the actual things that they are imitating are the finishing moves. Think about it…what do you think of when you see an arm lock on the ground. Most likely that would be jiu-jitsu. What do you think about when you see, a knee to the face out of a Thai clinch, most likely that would be Thai Boxing. Or perhaps what do you think about when you see a bite on a face, I would say your first instinct would be Kinamutai. However, in all of these cases, each of these folks, performing these finishing moves, could be librarians, who have never thrown a punch their life. Anyone can imitate finishing moves. However, what they can not imitate, are the attributes, and skill set that it takes, to proceed the finishing moves.


So therefore what makes us different from our imitators, are the amazing drills, that were passed on to us from Bruce Lee and Dan Inosanto. And when we do our techniques, we do them out of these drills. If we are going to do a headbutt, or if we are going to do a knee, or if we are going to do an elbow, or a pac sao, or a savate kick, each of our techniques are being done again out of one of our drills. Which drills are we referring too? Chi-Sao, Hubbad, Sumbrada, Numerada, Serrada, etc… If we are talking about self-preservation, we are now referring to doing things out of MMA.


The implications behind these statements are as follows: While you are working, whatever specific technique, say a pac sao, If you are doing this out of MMA, this fella could be kicking your thigh, jabbing your nose, shooting for your legs, etc…You must have all of these answers, in other words, you must know MMA. So getting back to what makes us different, think of each of these drills as a different canvas, to paint your picture on. Our imitators, maybe able to imitate a Pac Sao, but they can not imitate a Pac-Sao out of MMA!


Our imitators might be able too, imitate a Savate kick, however, they can’t imitate it out of Serrada. Our imitators, might try to imitate a bite, however, they can not imitate it out of the canvas of Jiu-Jitsu. So at the end of the day, it is not the techniques, that will bring you to the forefront, but the body mechanics, footwork, all of the other attributes and the knowledge of each separate canvas, that make us different. Without these canvases, one can imitate but they can never duplicate.


See ya next week !





Please check the Table of Contents for links to other chapters of this Online Book.




Sunday, August 25, 2013

Vunak's Top 50 Combat Secrets Ch. 16



Chapter 16 : How To Double Your speed !


Speed is a very important attribute. However, most people feel you either have it or you don’t. I believe as with all attributes this is half correct, however speed as with all attributes can indeed be developed ! There are four types of speed. Initiation speed, this is speed off the line. Also can be called quickness. Performance speed, this is purely miles per hour. Alternation speed, this is the ability to alternate from punch to punch, or kick to kick. Also called speed in combination. And 4’th, reaction speed. This is when speed is relative to ones opponent. This is closely linked to reflexes.


In the development of speed, the simplest way to look at any motion is to break it in half.


Drill #1 - Lets say we take a jab, start in your fighting stance, and count backwards from 10 in your head. Knowing that as each number gets closer to one, you are becoming more and more intense. More and more emotional content. Picture the scene, you are in your stance, 10,9,8, and the moment you get to one, BAM, you explode, not the whole jab, but just the first half of the jab. Now we reset, and simply do the same drill again. Count backwards in your head, wait for 1 to occur, which should result in an emotional climax, explode into the first half of your jab. And repeat. I would recommend doing this approximately 100 times on each side.


Drill #2 - Instead of starting from your fighting stance, extend your jab 50% of the way out. Now from this position, start your countdown on your way down from 10, and explode the second half of your jab. Repeat this process again, start your jab half way out, count backwards from 10, and explode. When one breaks any motion in half, we instantly become twice as fast. Once we have put in our 100 reps per weapon a day, for about 3 months, it is time to advance to the final level.


Drill #3 - Grab a one – two pound weight, put it in your hand, and repeat both drills, 100 reps per day, exactly the way you did, for another 3 months, this time with a weight in your hand(one can use ankle weight for kicks) !


If Bruce’s amazing drill doesn’t make you twice as fast, I will give up martial arts, move to Sussex and raise worms. Love, Paul.





Please check the Table of Contents for links to other chapters of this Online Book.





Vunak's Top 50 Combat Secrets Ch. 15



Chapter 15 – The "U-Drill" our most empowering drill.


90% of the battle of teaching someone how to defend themselves lies within the emotional dimension. Once someone has the self confidence that what they do will work the odds of that happening are increased exponentially. Any coach in any sport can affirm this belief. So now the all important question becomes, how do you instill self-confidence in students in a quick and efficient manner?


Since self confidence is an attribute, and attributes are developed by drills then the question becomes, what is the best drill? After 30 years and 30,000 drills later my humble answer to you is the “U-Drill”. For those of you who don’t know, the “U-Drill” comes from our knife training. One side has a knife, one side does not. The person without a knife, gently place or rest one hand on your partners forearm(the forearm holding the knife). The person holding the knife is the teacher executing the drill. The mission of the teacher with the knife is to slowly take, slices at your partners stomach. Think of these slices resembling a tennis forehand and backhand stroke(the mechanics of this action resemble a U). The recipient doing the drill, should switch from right hand back to left hand, occasionally both hands can be checking the knife. As the knife feeder, as you notice your student effortlessly deflecting the blade, you eventually start to speed up. Soon you will find, that your students body is moving nimbly, moving with agility, nimbleness and cat like movement. Once the teacher as ascertained the students maximum speed, it is now time to put on a pair of goggles on your student and grab a live blade. Start out slow again feeding, and work your way up in speed. I will give you my personal guarantee, that as a teacher, when you feed this drill properly to a student in front of a class, going full speed, using a live blade for about 2 minutes, and then stop and the whole class screams out with applause, your students eyes, are as round as quarters. Their heart is pounding, and they themselves are amazed at what they just accomplished. Again in my most humble opinion, I believe this to be the most profoundly and powerful drill, that one can do for self-confidence. And all of this can be accomplished in one hour. -- Love Vu !





Please check the Table of Contents for links to other chapters of this Online Book.





Please check out:



to see the U-Drill demonstrated.


Saturday, August 24, 2013

IN MEMORY OF: Maestro Sonny Umpad (June 26, 1948 - August 24, 2006)


Today marks the 7th anniversary of the passing of Maestro Sonny Umpad. I have not had the opportunity to train with him, but watching some of the Youtubes of him in action, he was super-graceful! He moves very well. Plus he made his own weapons as well as coming up with training devices to help his students hone his skills. 

Please check out Guro Maija Soderholm's videos below. Enjoy!





Flow Training with Maestro Sonny Umpad with Maija Soderholm. 

The focus of the flow is multiple hit entries. What I wanted to show in this video is Sonny's teaching style, and how the flow progresses from basic to more and more difficult. Feeding is an art, and Sonny was a master at it. What starts as a slow, deliberate drill, becomes more and more challenging through the lesson. That was a fun day.








Flow Training with Maestro Sonny Umpad - Sangot with Maija Soderholm.

The Sangot (Sickle) flow teaches about circles, spirals and continuous movement. It trains how to never 'run out of angle'. 








Flow Training with Maestro Sonny Umpad - Sikaran with Pangamut warm up . 

Empty hand flow training, starting with elbows, adding hands and knees, then Sikaran flow. Training is to understand range, timing, and the strong and weak angles. Sikaran is also great training for balance and staying light on the feet, whilst retaining the ability to issue power when needed. Students are Eric Nomburg and Ken Ingram. 







Flow Training With Maestro Sonny Umpad - Hand Targeting and Timing .

Sonny shows his superb ability to play with timing and rhythm during a flow. The focus is only on the hand as target and I believe during this clip, there are over 20 hits that land ... and yes, I am trying to hit him too.
 






Visayan Corto Kadena Eskrima - Sword Practice with Pendulum . 

Sonny Umpad teaching blade manipulation exercises for the Sandung, using a moving pendulum. Maestro Sonny created many different types of pendulum 'targets', and developed flow exercises for practicing aspects of VCKE when training alone. 








Visayan Corto Kadena Eskrima - Practice with Pendulum - Double Blade

Sonny Umpad teaching random flow exercises using a double ended pendulum. Maestro Sonny created many different types of pendulum 'targets', and developed flow exercises for practicing aspects of VCKE when training alone. 

Embedding disabled... please visit http://www.youtube.com/watch?v=FPCUahAWEGE





Maestro Sonny Umpad Teaching in 2004 .

Typical workout with the Maestro. 3 Sword flows with the Long Pinuti, Barong, and Short Pinuti, concentrating on blade manipulation and the defensive box. Student is Maija Soderholm. 

Embedding disabled - please visit http://www.youtube.com/watch?v=5CY00mHQI-g





Maestro - you are missed!





Other Sonny Umpad posts you may be interested in:




For further info, please check out:



Friday, August 23, 2013

Vunak's Top 50 Combat Secrets Ch. 14



Chapter 14 : The Mother of All Drills


What is the single best training drill on planet earth? I have been asked this question in one shape or form, for the last 20 years. And the fact that my answer never changes, I guess is a good one. It’s my way of multiplying my division. The best training drill on the planet has to have the following criteria:

  1. The setting must be as realistic as possible for the street.
  2. The mode of attack must be as realistic as possible, ie, kicking, punching, trapping, and grappling.
  3. Our drill must include weapons of some sort, and finally, in a perfect setting we should all be pre-exhausted before we attempt to apply our techniques.


So now the next phase of this writing will be the how to phase. And you will notice that by the time I’m done giving you directions, on how to perform this drill, all of the aforementioned criteria will be included.


Step 1 – Get together with ideally two advanced students, the three of you throw on a pair of levis, a long sleeve sweatshirt, tennis shoes, elbow pads, knee pads, cup, eye goggles(swimming goggles) and MMA gloves. Each of you stash a wooden sparring knife in your pants, and take off on a jog down any street, any side walk or any alley, while the 3 of you are jogging, roughly every two minutes, one of you lunge out and attack the other person, either kick boxing, clinching, ground fighting, or knife. Two of you engage in some ¾ speed sparring, while the third person is watching your back for stray cars, dogs, cops, etc… After a 3 minute round, each of you take off, and simply alternate attackers. As you get creative, you can work on two on one, three on one, knife fights, etc… At the end of the day, what we are doing is sparring, in the most realistic setting, the actual street, in the most realistic way(MMA and Escrima) against the most realistic odds(sometimes even sometimes not), and under the most realistic physiological conditions. And that state is exhaustion, because your sparring is coming out of running.


It is important to note, that if one does not know how to kick box/thai box, and if one does not know how to grapple, or knife fight, they have no business applying this advanced drill. Conversely, once someone has taken the time and effort to get their stand-up and ground game up to speed, I believe that investing a minimum of 10 hours getting familiarized with your art on cement in alleys against walls, down curbs, and through traffic, will exponentially improve ones likely hood to win.


So in a nut shell add this to your tool box, it is my absolute favorite, and remember to save it for last. It is our most advanced drill.





Please check the Table of Contents for links to other chapters of this Online Book.




Vunak's Top 50 Combat Secrets Ch. 13




Chapter 13 : The Secret to De-Fanging The Snake


When two street fighters are engaged in a edged weapons match, 99 out of a 100 times, the victor will be the person who understands “De-Fanging the Snake”. When we use this expression, the snake refers to the opponent and the fang refers to the weapon. So de-fanging the snake simply means, cutting the opponents weapon hand(once the tendons and ligaments are severed in the hand, the snake is defanged, at this point one can kill it or let it go).


Approximately 1 in 100 weapons fighters actually know and apply this principle. And if you are lucky enough to be one of those people, who know to attack the opponent’s weapon hand you will be in the 1% of people that are victorious in combat.


Lets say out of 10,000 legitimate weapons fighters, the top 1 % of these folks, all know the principle of de-fanging the snake. So that would be 100 people. Now lets say you take 1 person out of this 100, and teach this person our “flash-light” principle. He would beat the other 99 people, 99 out of 100 times.


De-fanging the snake and then applying the “flash-light” principle together will make a world class knife fighter. So by now, you must be asking your self, what in the heck is the “flash-light” principle.


Most individuals that pick up a weapon, usually hold it incorrectly(As if they were boxing). This incorrect method of holding a knife not only points your weapon directly at your own face, it simultaneously leaves your hand wide open for an attack. In order to prevent this, we point the tip of our knife directly at the opponent’s hand. Now when the opponent tries to cut your hand, he gets his own hand cut. The tip of the knife serves to protect your hand. When the opponent sees this strategy, they will cease coming in directly, and start tacking in at different angles. So in order to prevent this, we simply imagine our knife as a flash-light and we attempt to illuminate the opponents attacking hand. Where ever this opponent moves their hand, the tip of our knife follows. It is important to note, that this action need only take place at the wrist. The rest of the arm should be snuggled up and actually touching the body.


When one’s knife hand is about a foot from the body and one’s arm is touching the body, and only ones wrist is moving, continually following the opponents weapon hand, in conjunction with Mohammed Ali type of footwork, this is as close to an air tight defense that one can posses. Now out of this continual movement, combined with our flash-light principle, if we want to apply offense we simply lash-out and cut the opponent’s hand. Most of the time this is an angle 2 trajectory. That is an extremely quick snapping motion, however it is imperative that the knife returns back to the flash-light instantly. If you can picture the scene, one is way out in long-range, dancing around with foot-work like Mohammed Ali, the knife is close to the body, and moving independent of our footwork, and there is an occasional lash out at the opponent’s hand, de-fanging the snake, and return back to flash-light.


So we have footwork, faking, flash-light, and the occasional defang.


Training Drill:


After 30 years of various evolutionary training methods, I can give you the single best. Yes the bulls-eye of all training methods with a knife. Buy a laser pointer, duct tape it to your knife, spar with whomever, and log several hours keeping their hand illuminated. After several hours of this type of sparring, you will notice that your wrist appears to have a brain of its own, moving in one direction and your feet independent of the wrist will have a brain of they’re own moving in yet another direction. When two of my very top knife fighters, say Cruse and Singh, are engaged in sparring, it usually takes between 5 and 10 minutes for somebody to score 1 point. And if you think about it, putting so much emphasis on defense, is a logical paradigm when you are fighting with a razor. Welcome to the world of world class.





Please check the Table of Contents for links to other chapters of this Online Book.




Thursday, August 22, 2013

Vunak's Top 50 Combat Secrets Ch. 12




Chapter 12 : Super Coordination !


Have you ever heard any one say trapping doesn’t work ! Have you ever heard anyone say that pac saos, lop saos, jut saos, and jao saos are ineffective! If you have, most likely these are the same people that are denigrating self-perfection drills. In the world of martial arts, there are simple techniques that can be pulled off quickly. For example eye jab, groin shot, head butt, bite, etc…. And then there are more advanced techniques that take a longer time to develop. For example a flip or a throw or a sweep, and still yet there are what I call advanced techniques, these techniques are for the full time martial artist only. These techniques require a lot of high-level attribute development. Such as those infamous trapping techniques that people say won’t work, pac-saos, lop-saos, etc… The coordination, sensitivity, spatial relationship, line familiarization, and timing that it takes to pull these techniques off during sparring, most people in life simply never acquire.


It is no coincidence that the same folks who dislike trapping also dislike self perfection drills. So in a nut-shell, if you want to pee in the tall grass with the big dogs, and do the advanced techniques, that your predecessors have done, you either have to be born Bruce Lee, Michael Jordan, or have a super advanced scientific training regiment. The following concept that I am about to give you, quadruples the difficulty level of every existing drill that you already know.


So here it goes… name a drill that you know, it does not matter which drill, lets say hubbad, perhaps lop sao drill, chi-sao, sumbrada, numerada, etc… Now think of yourself performing those drills from the waist up only. From the waist down we are going to be doing something entirely different…from the waist down we are going to be actually sparring. The only art that I know that allows one enough sophisticated kicking combinations, in such close range, is our beloved pananjakman. The linty of kicks that pananjakman provide us, all fall under the purview of close quarter combat. It is important to understand, that his is not simply, one person performing their drill, and arbitrarily throwing in a pananjakman kick. But instead, this is about two people, both sparring with pananjakman. Both playing offense and defense. This “sparring match” takes place from the waist down. And from the waist up, one is simply performing, their desired drill. When we cut the body in half, and allow the upper half to perform self perfection drills, and the lower half we allow to spar, we are increasing our attribute development exponentially. Once one has drilled in this manner, for months/years, the notion of performing pac saos and lop saos, and pretty much any trap you want, becomes not only plausible but probable !





Please check the Table of Contents for links to other chapters of this Online Book.



Wednesday, August 21, 2013

Vunak's Top 50 Combat Secrets Ch. 10



Chapter 10 : Isometrics the Secret to the Guard


As we have discussed before, when one has been taken to the ground, by a larger stronger opponent, in most cases we will be on the bottom. From the bottom position there is only one thing to do, there is only one posture that is viable for fighting a larger man, and that is the guard. And also, as we have discussed before when the opponent is in your guard(closed guard), it is imperative that we wrap their head and arm, so that they are unable to get their posture. At this point it is very important that we differentiate between sports jiu-jitsu and street fighting jiu-jitsu. In sports jiu-jitsu, the assumption is that the weight classes will be the same. Therefore the axiom of the best defense is a good offense is correct and appropriate. When someone is in your guard that is your size, to perpetually attack makes sense from several vantage points. When your opponent is defending himself he is not passing your guard. When your opponent is defending himself he is not attacking you. Additionally it is more difficult for your opponent to defend multiple attacks than it is to defend one single attack. As the man on the bottom, when you are perpetually bugging the arm, bugging the arm, and then attacking and bugging the neck, and going from the arm and the neck to the sweep, back to the guillotine, back to the triangle, eventually the strategy of keeping your opponent on defense will pay off and they will trip over something.


On the other hand, when one is in a serious street fight and your opponent in your guard out weighs you by 50 pounds or more there is one tactic and only one tactic to use. The person on the bottom prevents the person on top from getting their posture, by simply hanging on and clinging to them. (This is the only way for David to beat Goliath). What will happen eventually is that the person on top will struggle for several seconds to several minutes and they usually get their posture for a brief second, long enough to throw a few punches at you, then the man on the bottom simply re-grabs and hangs on again. This process of clinging and hanging on, getting hit a few times, pulling the opponent back off posture, and clinging again and then getting hit a few times again, and then clinging and hanging on, this process will repeat itself until eventually the person on top gets tired(much like a rodeo clown on a bull).


The guy on the bottom will notice instantly when the fellow on top is getting tired. There will be an obvious perceptible gasping of wind, and an instant cessation of struggling. This is when David must strike. In Royce Gracie’s case, usually this would take 20 – 25 minutes. And then eventually someone would trip over a lock or a triangle. When the average person, watches Royce’s fights due to the lack of attacking, they call this a boring fight. When a world class street fighter, watches one of Royce’s fights, we all shake our heads in amazement. As I know for a fact, that the aforementioned strategy is the only viable way for David to beat Goliath on the ground. There is still a chance for failure. What I noticed happening to me in my 20s, the first couple of times I fought someone this big was that after about 15 minutes my legs and arms got simply too tired to hang on. Eventually the Bad Guy broke posture, and succeeded in beating me by ground and pound. As they say, a wise man learns from his mistakes, yet a wiser man learns from someone else’s. So before one tries to hold, a strong sweaty Goliath in the guard, David better have a strong Guard !


Solution:

What I am about to give you in my opinion is the most viable and profound Isometric drill available… Jump up on your heavy bag, and wrap your legs around it. Hooking your ankles as if you had someone in your closed guard. Now, let go with your hands, and simply hang on to the bag with the strength of your inner loins only. Your first attempt will have you hanging on to the bag between 2 and 4 minutes. Your goal is 45 minutes ! Good Luck, Luv Voo !




Please check the Table of Contents for links to other chapters of this Online Book.



Monday, August 19, 2013

Vunak's Top 50 Combat Secrets Ch. 8



Chapter 8 - The secret to intercepting !


For me the epiphany that enabled me to stop kickboxing and start intercepting, happened in the office of the old Kali Academy at about 2 in the morning with Larry Hartsell, drinking dark beer and watching Bruce Lee sparring footage (this was our routine, every Tuesday and Thursday night). When Bruce Lee sparred, the way he moved forward and backward, was not the way he described it in his books. In his books, we hear about a step and slide forward, backwards, and then slide step forward and backwards, etc. The very first thing that stands out, when watching Bruce spar, is this freaky shrimp like movement that he would do, that would project him, backward about 10 feet! When the normal person wants to go backward, they do a step and slide backwards, when Bruce wanted to retreat, he would do the shrimp like movement and is called piking. When one pushes off, their front leg and pikes backward, this move is reminiscent of a shrimp (piking is the opposite of arching).


I’m a firm believer, that this was just a natural idiosyncratic gesture of Bruce’s freakish athleticism (I seriously doubt that he knew consciously that he did this, and I can tell you for a fact that it was never memorialized in writing). Now imagine Bruce’s opponent throwing some strike at Bruce, he retreats with our shrimp move and all of a sudden he would be at the other end of the room. The opponent would obviously encroach, chasing Bruce, and Shazaaamm ! The interception would take place. This is when it hit me, I jumped up into Larry’s arms, screaming like a little kid. I got it, I got it, rewind. Bruce wasn’t intercepting punches or kicks, he was simply intercepting the opponent perpetually encroaching on him ! And the whole reason why the opponent, continually encroaches on Bruce over and over, boils back down to our shrimp movement. The opponent would encroach, Bruce would back up, the opponent would attack again, Bruce would back up again. Usually somewhere around the third time, this frustrated opponent, would launch in again, and bingo interception. From this point on, I understood the secret to the stop hit. And to put it in a nutshell, one’s footwork must be reminiscent of Mohammed Ali, perpetually going backward (however using the shrimp), and not like Joe Frazier continually moving in.


Drill:

After I understood Bruce’s shrimp movement, I tried to pass this concept on to my students. In those days my most athletic student with alot of hard work, would finally understand this movement after, about a year or two. The average student, would take 2 to 4 years. And some just simply, could never ever integrate it into their sparring. After about 5 years of sweat tears and blood, trying to teach this movement, one day Inosanto caught my consternation out of the corner of his eye. He approached me and said, “Vunak there is a much better way to teach this movement”. Then he went up to my student (who was no Michael Jordan), pulled out a knife, and took a slice at the student’s stomach, and I watched the most athletic, agile and precise shrimping movement that I have ever seen. Dan shived his knife, looked me in the eye, gave me a wink and walked away. In conclusion, the secret to intercepting is you do not intercept the strikes you intercept the opponent encroaching on you. Number 2, the best way to ensure that the opponent encroaches on you, is the shrimp. Number 3, the best way to teach a shrimp, is to slash angles 3 and 4 at your students. Until next week !





Please check the Table of Contents for links to other chapters of this Online Book.



Saturday, August 17, 2013

Vunak's Top 50 Combat Secrets Ch. 3



Chapter 3 – The Accordion Drill – “The bread and butter backbone of all of our drills.”


The accordion drill is the most complete and realistic drill that we have in our arsenal. The one thing that is guaranteed in a fight is that nothing is guaranteed. The only constant in a fight, is the knowledge that there are no constants. Real combat, flexes and undulates, in perpetual motion. And as this real fight flexes, and “breathes”, so do the weapons, number of opponents, and actual fight locations. As Bruce would say, “be like water and be able to adapt to any container”, I would say, in my slightly less ethereal way, “be complete”. If you are a complete fighter, you can now adapt to the various changes and permutations that occur during most fights. In order to be complete, we must first, ascertain what types of fights there are in the real world. And basically we have, weapons fights, which can be broken down into blunt, or edged weapons, we have stand-up fights, which can be broken down into, one on one, or mass attack. Then there are ground fights, which can be further broken down into one on one or mass attack or with weapons (a blunt weapon such as a stick in most cases is a hindrance on the ground, we find edged weapons more viable).


In real combat, which is fighters bent on each other’s destruction, most fights vacillate between all of the above mentioned scenarios. One moment, we are standing up with the stick in our hand, the next moment we are tackled to the ground and in a world of jiu-jitsu, perhaps we can do a quick bite, come to our feet and be chased for a half of a block, end up fighting two guys, and maybe somewhere in there you find another weapon and this entire violent encounter recycles.


As Bruce said, “one will fight the way they train and train the way they fight”. For this reason the accordion drill is the ultimate training method for this end.


Directions:


Load two of your students up with a stick in their hand, and put a knife in the back of their pants. Now initiate long range stick fighting, allow your students to spar for about 30 seconds, and then have them seamlessly throw down their stick and pull out their knife.


Now allow them to knife spar for about another 20-30 seconds, and then have them kickbox, let this continue for a while, and perhaps instruct them to clinch, allow them to do the Thai clinch and pummeling while they are sparring, and perhaps yell “hit the ground”, now your students are practicing sparring on the ground, using mainly their jiu-jitsu, hopefully simulating their kinomutai. And the teacher, if he or she chooses, can instruct their students to come to their feet, and start all over again with a knife. It is important to know as a teacher, you are allowed to… infact it is your duty … to literally makeup these various sparring permutations on the spot. Your students should never know what they are going to do, till you tell them to do it.


Eventually when you have some of your top guys, going full speed through out this entire accordion drill, going from knife fighting to ground fighting to biting to kickboxing, back to stick etc etc…


It is of dire importance, that the students know, that this drill must continue through all the transitions (Don’t break the flow !!!) of one weapon to another. In other words, one cannot stop, put down the stick, stand-up, scratch their butt, pull out the knife, bow, etc… What they should do is viscerally and effortlessly flow from thing to thing.


Your higher-level students will come to the correct conclusion that every time they come to class they are actually in a streetfight, hidden by a group class. The proverbial broccoli inside the chocolate, until next week.




Please check the Table of Contents for links to other chapters of this Online Book.



Thursday, May 23, 2002

Archone's Updated Weapons Drills

In my previous installment, I described a series of drills, designed to attain basic mastery of most weapons. Shortly after finishing it, I realized that I had excluded many differant weapons and styles. Whether with one or two hands, the weapons used with the previous drills are all SINGLE SURFACE WEAPONS. That means that they have a single striking surface. Furthermore, I failed to take into account the limitations of a student who does not have a job that involves hours spent on an empty lot, with weapon in hand, free to train as he or she pleases. Lastly, I made new discoveries in my studies of weaponry, and have to account for these new areas as well. These new drills will cover everything but flailing weapons such as a chain or nunchuku.

First, let's touch on HOW to strike.

I'm going to go off on a tangent here(and possibly take a lot of flak from groaning "hardcore" types), but please bear with me. Capcom, a noted manufacturer of video games, achieved international acclaim with the release of their instant classic, "Street Fighter II." Arcades had lines going out the door, for people wanting to play SFII. Today, I find it almost impossible to find anyone in the 20-30 age bracket who admits to having played SFII, or even responds to the name. Must be a case of mass amnesia, or something.

ANYHOW... SFII's characters were notable for two areas. Let's disregard the area of "special attacks" that involve massive fireballs and jumping uppercuts. The OTHER area, was that each fighter had three punch and three kick attacks. A "jab" or light attack, a "strong" or medium attack attack, and a "fierce" or powerful attack. Naturally, most early players adopted a strategy of only using fierce attacks. Okay, that's enough discussion of video games.

Now back to weapons training. Weapons training ALSO has three attack types possible. As this is MY system of training, I named them myself, quite imaginitively if I do say so. I call them, "Type 1," "Type 2," and "Type 3" attacks types. I call them this, because of the number of arm joints involved.

A TYPE 1 ATTACK involves only one arm joint in the execution. Specifically, the wrist. The hand is either held out, or shoots out in a flickering movement, while the power comes entirely from the wrist motion, in a type 3 lever action(Resistance at the tip, Force in the middle, Fulcrum at the end). If you are holding the weapon in a two handed grip, it becomes a type 3 lever in conjuction with a type 1, the most powerful lever possible(Resistance at one end, Fulcrum in the middle, Force at the other end). This is the fastest possible attack type.

A TYPE 2 ATTACK involves TWO arm joints. The elbow joint straightens out, bringing the awesome power of the tricep(well, it's awesome if you've done a lot of pushups, anyway...). At the same time, the wrist bends as with a Type 1 attack, combining the power of both joint in TWO type 3 levers(or if you use two hands, three type threes with a type 1). A much more powerful strike, but slower and harder to recover from.

A TYPE 3 ATTACK involves THREE arm joints. As the first two joints extend and flex, the shoulder brings those chest and back muscles into play. FURTHERMORE, the body drives off the hips, either from a stationary stance or stepping forward or back, getting the power of the legs and abdominals into the strike as well. Three type 3 levers(or five plus a type 1) in the arm alone, plus the considerably more complicated(to describe, anyway) power generation of the body. This is THE most POWERFUL attack type possible. Also slow as hell, but...

For the record, a thrust is a type 3 attack, as it involes the use of all three joints, plus the body. And it should be practiced with ANY weapon, regardless of configuration. A club tip jabbed into the stomach works very well(as long as it's not a collapsable baton), as will a hammer or hatchet head shoved into the face. It's especially effective with such weapons, because it's unexpected.

The weapon you use determines the attack types you'll use. A type 1 is most useful with a knife or saber, a light slashing weapon. The rattan escrima sticks can also be used effectively with a type 1 attack. Surprisingly, a hand axe, hatchet, or tomahawk can also be used with a type 1, as the head heavy balance gives it the ability to gash and hack a target with this motion. A type 2 attack is useful with almost any weapon you can carry, from club, to sword, to knife, to axe. A type 3 attack is useful with any heavy hacking or bludgeoning weapon, such as a hickory club-but not a light rattan stick- or axe handle, hatchet, hammer, heavy sword.

Next, we'll touch on the angles again. If you're reading this, you're almost undoubtedly familiar with the concept of angles. Here's my designation of nine angles:

2 1 3
\ | /
4-9-5
/ | \
6 8 7


That's it. Other people use their own system of numbering. This is mine. If you really want to, superimpose your labeling over mine. "Take the best, and leave the rest."

Now comes the drills. Modified, and updated. Do you have an hour and a half a day to spare? That's all this will require.

First, choose your weapon, and the attack type you'll train in. You can choose another attack type to study later, you can choose another weapon to train in later. Please only choose a single surface weapon, though, for your initial weapon. LATER, you can study DOUBLE SURFACE WEAPONS. Start with simpler stuff. This will take you about 2 months.

Month 1: Basic techniques.

In the first week, practice 100, that's one hundred, ten tens, of each of the nine attacks, with the chosen attack type, every day, each hand(for single surfaced weapons that require both hands, i.e. a baseball bat, a katana, etc. switch between left and right handed grips). That's eighteen hundred techniques per day. You can do it first thing in the morning, you can do it in the evening after work. Doesn't matter. 1800 strikes/24 hours. That's all that matters. Also important is that you focus on the technique. Don't just throw it as fast and hard as you can. For this first week, emphasize the technical aspect. If you make a mistake throwing a technique, strike it from the tally and do it again("...80, 81, 82...oops, that one was off...82, 83, 84...). This should take you no more than an hour, assuming an average of one strike every 2 seconds.

In the second week, you'll begin double strike combos. First, deliver ALL the two strike combos that start with a angle 1 strike, i.e. double 1s, 1 2, 1 3, 1 4, etc. Five repetitions of each combo. Then five reps of each combo with the other hand. Then back to the first hand, for all the strikes that begin with a angle 2 strike, etc. This assumes 1620 strikes/day, and an estimated practice time of 28 minutes. Half an hour a day.

For the last two weeks, you'll work on triple strike combos. Let me showcase the "matrix" for the combos.

1111111111111111111111111111111111111111111111111111111111111111111111111111111111
1111111111222222222333333333444444444555555555666666666777777777888888888999999999
1234567789123456789123456789123456789123456789123456789123456789123456789123456789

That's all 81 three strike combos that can start with an angle 1 attack. So you'd do an angle 1 twice, followed by each of the nine angles, for the first nine attacks, then imediately move one to 1,2,X, then 1,3,X, etc. Perform all of them in sequence, only 1 rep of each. Then do the other hand. Then the combos that start with angle 2 strikes, etc. That's 4374 strikes per day, but by now, you'll be delivering them with far greater speed, in rapid combos. Figure at least 1 strike per second, for an estimated time of about an hour and a half each day. Do this every day, for the next two weeks.

Now, you've trained your body to deliver technically proper strikes in rapid combos, even under stressful conditions. I recommend that you keep up your training in the triple strike combo drills, just to stay in practice, further hone your abilities, and maintain your callausses.

Month 2: Accuracy and speed

I used to use empty soda cans for this. Sheets of scrap paper crumpled into a ball works even better, and is easier on your weapon, as well. For a week, practice tossing the target into the air, then striking it out of the air. Do thrusts as well. These will be the toughest. But if you can get the "point recognition" necessary to spear a paper ball with the tip of your sword or stick, then you'll have AWESOME control over your weapon, which will show itself when you spar. And when you fight for real.

Second week, practice tossing two targets into the air, then striking them both out of the sky.

Third and fourth weeks, focus on hitting three targets at once. These will be the toughest, since this is supposed to be a treatise on solo drills, and it's difficult to toss three paper balls into the air in such a way that you can then strike them with three seperate attacks.

Okay, that's it for basic offensive training with a single surface weapon. Now let's move on to double surfaced weapons.

A DOUBLE SURFACE WEAPON, means a weapon with more than one striking area. This means any weapon that is used in pairs, such as a pair of knives, a brace of rapiers, double baston escrima. This also means two weapons used together, like combining a knife with a sword, or grabbing up a screwdriver as an improvised reverse grip knife in conjuction with a 1 1/2" crescent wrench as a club. This ALSO includes the quarterstaff, as a staff, in functional use, is a pair of sticks, joined together at the handles, to increase the power of the strikes thereby.

To learn to use a double surfaced weapon, first learn to use the single surface weapon. That means take the single baton, the single katana, the one knife, and train with it under the methods outlined above.

A double surface weapon allows for a far greater variety of attacks, and far faster combos, since you can strike with the second weapon while recovering with the first. Unfortunately, double surface weapons also require far more control. Having practiced using the weapon with one hand, you definately know how to deliver single strikes(I'll discuss the quarterstaff in greater detail later), precisely and accurately. So we'll go straight to combos.

In the first two weeks, you'll work on two strike combos. But with two weapons, combos become far more varied. With just the angle 1 attack, you have four possible combos: Left Left, Right Right, Left Right, and Right Left. Mathematically, it works out to 18 squared, or 324 possible 2 strike combos. Five of each. 3240 strikes a day. Assuming at least one strike per second, that's a workout time of just under an hour. It WILL be difficult at first, learning to coordinate the strikes. That's what this is for.

In the next month and a half, you'll practice triple strike combos. Now, it's 18 cubed, or 5832 possible combos. Just with angle 1 strikes, you're looking at EIGHT possible combos:

Left Left Left
Right Right Right
Left Left Right
Right Right Left
Left Right Right
Right Left Left
Left Right Left
Right Left Right

You're not even going to try to do ONE rep of each combo. Not unless you have five hours a day to spare. Instead, you'll divide the training into thirds. The first day, you'll do all the combos that begin with the first three angles. The second day, you'll work on the second three angles. Finally, on the last day, you'll start with angle sevens and end with thrusting nines.

I find that the easiest way of keeping track of the combos, is to do the first set of 81 combos(all the ones that start with an angle one) entirely with the left hand. Then, without pausing, move on to all the angle 1 combos that focus entirely on the right hand. Then the Left Left Rights, Right Right Lefts, and so one, just as I stated above. After 1 and a half months of daily practice, you'll have done 14 of each combo. I suggest you keep this up. Even if you were working on single surface practice before, practicing two single surface weapons at once will not only maximize your efficient use of time, but also increase your control over both weapons thereby. Furthermore, you've been swinging a weapon every day, for(assuming you went straight from completing your training with a single surface weapon to using two weapons in tandem or suchlike) for four months. Look in the mirror. Are you a little leaner? A little more muscular(Oh, did you decide to use an axe or heavy sword? A LOT more muscular, then)? The hell with Tae Bo...

Now, a little aside as to how to properly use a quarterstaff. I said the staff is used as two sticks joined together. I meant it. Forget what you've been taught about slamming the stick into your armpits with every strike. The idea is to hit the OTHER guy with the ends of the staff, not yourself.

First, take the quarterstaff in the traditional grip, divided into thirds. Now, let go with one hand, and hold it as though it were a single stick. Now, deliver type 1 attacks, practicing with each hand. Good. Now, grab the staff in the traditional grip once again. Now, again deliver type one attacks with each hand, while AT THE SAME TIME, you guide the other end of the stick, with a hooking, uppercut, or overhand motion. Thus, the right hand strikes with the left tip, and the left hand adds power to the blow, while when the left hand strikes with the right tip, the right hand guides it and adds power. When you deliver what would be a forehand strike with a single stick, like say a type five attack with the right hand, the other (right end, in our example)end swings down and comes up on the other side of your body, while the other hand(left) makes a backhand motion. It sound complicated, but try it, and you'll see that it's like doing figure eight moulinets, it looks fancier than it actually is.

Practice doing these strikes, every day, for the next couple of weeks. Then proceed to the double surface combo drills as outlined above. I recommend you use a FULL staff, made of heavy oak, instead of the lightweight competition bos. Not only will it accustom you to using heavier objects such as metal poles as improvised staves in a pinch, but if you are into competitions, then using a heavy staff will make those flimsy little sticks fly in your hands like magic.

Next time I post, it'll be on so called "special moves," a la streetfighter(only more realistic), that can be applied to real weapons in real life situations(as opposed to swinging a wooden sword and cutting down a skyscraper on the other side of the street, or whatever your favorite fantasy character likes to do...), as well as defensive training.

Well, that's it for this installment. Any feedback would be much appreciated, send it to: aamiller@NOSPAMlv.rmci.net.




NOTE: Posted 8/5/2014 and backdated to 5/23/2002 to mirror my old site. As the contact email was from 2002, it may not work anymore, but take out the "NOSPAM" before emailing. At the time of mirroring, this article on the old site received at least 2,258 pageviews.

Tuesday, February 26, 2002

attn: m.g thread started by armbar612 (more on basketball drills)

attn: m.g thread started by armbar612 (more on basketball drills)

Subject:
From: armbar612
Date: 23-Feb-02 | 06:40 PM

I hope Bolo or roy won't mind. This forum is the only way for me to reach m.g.

----------------------------------

m.g,

First, your posts about solo training have been great. I remember you posting solo drills on pinning someone down (the basketball drills.)

Do you mind posting these again.

That would be great.

Thanks, armbar612


Subject: RE: INFO
From: armbar612
Date: 24-Feb-02 | 06:17 PM

ttt


Subject: RE: INFO
From: armbar612
Date: 25-Feb-02 | 10:31 AM

ttt


Subject: RE: INFO
From: m.g
Date: 25-Feb-02 | 11:52 AM

I have several holddown or pin drills.

Some require the use of a basketball but not all.

Again these drills aren't original in fact one holddown drill I borrowed from Roy (it the shoulder exercise push drill. It is always better to work your muscle in the same manner you use them. So these drills on his websight are excellent for holddown drill work).

Basketball drills: basically lay ontop of the basketball and roll forward. Also try this: you're on top of the ball elbows are into your body with both forearms flat on the ground. From here do a sit out, that is place you legs as if your doing a kesa gatame. However keep you elbows into your body and your forearms on the ground. The purpose of this drill is to practice doing the sitout movement while stablizing your weight on the ball.

I have a few other drills I do with a basketball including a triangle drill.

But I can't post that now because I don't have the time (I"m at work) BUT I will do it later today when I have more time.


Subject: RE: INFO
From: armbar612
Date: 25-Feb-02 | 12:38 PM

Thanks. That's a drill I could use.

No worries about the other ones. Post them whenever you have the time.

Thanks again,

Armbar61


Subject: RE: INFO
From: Stickgrappler
Date: 25-Feb-02 | 04:55 PM

armbar612,

i do not think i got all of m.g's posts on the basketball, but i got one of his posts archived on 1/23/02 - check out my site:

http://go.to/stickgrappler

i have 3 basketball drills threads archived.

HTH.


Subject: RE: INFO
From: armbar612
Date: 25-Feb-02 | 05:02 PM

Thanks stickgrappler I just visted your site.


Subject: RE: INFO
From: Stickgrappler
Date: 25-Feb-02 | 05:30 PM

not a prob. glad it helped. if m.g posts his triangle drills (or anyone else has more to add) i'll archive!


Subject: RE: INFO
From: m.g
Date: 25-Feb-02 | 07:28 PM

Stickgrappler,

Thanks man! You saved me alot of time. What I was about to post is archived on your sight.

Here are a few more things I do when doing holddown drills with the basketball: Most of the time people practice holddowns with the basketball as if their just doing the head to head position (also call the 69 position, but I hate that name for obvious reasons) that is, as they apply pressure to the ball their legs are spread apart. From here alot of people put their hands behind their back and spin around the ball making sure their legs are spread and the have constant pressure on the ball. This is good. But not all hold down position are executed that way so it is good to change them to match other hold down positions like the mount.

In the archived post on Stickgrapplers site I have already described some holddown drills with the basketball for the "kesa" or scarf hold. And I even described how to do the "clock" movement for the clock choke with a basketball. Here is a simple one for the mount. As you're applying pressure to the ball bring the soles of your feet together so that your legs are forming a diamond. This is one of the position you take when you do the mount. It is also the position your body is in when you have the back mount and have applied your hooks and the opponent is face down. Aside from that when I'm in this position I do a few shadow cross chokes. It is kind of tough because as you arch you back alittle to apply pressure (like you do when you do the cross choke from the mount) to enforce the power of the choke you can definitely feel it on your stomach. The pressure is so tough that you can't do to many with out losing your breath (this is an excellent gage of the pressure your applying because of the physic law of "reaction" that is, - for every force there is an opposite and equal reaction - therefore as your applying pressure to the ball the ball is applying the same force back onto you). Nonetheless it is a good way to work on the core muscle that are used when doing this technique EXACTLY in the same way you use them when doing this technique.


Subject: RE: INFO
From: armbar612
Date: 25-Feb-02 | 07:40 PM

Thanks again m.g!


Subject: RE: INFO
From: Stickgrappler
Date: 26-Feb-02 | 04:41 PM

m.g,

not a prob. u keep posting like this, i will be archiving :-)

glad to help out with people who give so freely of their time and experience.

Posted to the Underground forum's Q&A: BJJ.




Other entries about the Basketball Drill can be found here:




NOTE: Posted as-of Feb 26, 2002 on Nov 22, 2013 to mirror my old archives - http://stickgrappler.tripod.com/ug/basketball4.html. Pageviews at the time of copying over from old archives to this site was 1,708.

Saturday, September 01, 2001

Archone's solo weapons training article

NOTE: Fri, 10 Aug 2001 04:38:40 -0700 (PDT); I go by the handle of Archone, and have here a set of single man drills I have developed, which will allow a student willing to train daily for six months to obtain basic mastery of any hand to hand weapon, from stick to sword to chain. I still have to work on drills for 2 weapon fighting, but what I have will work for single weapons held in one or two hands, and I present it with pride.

I work as an unlicensed plainsclothes security guard, for a construction property that on occasion suffers intrusion by the "fringe" elements of society. I have to be prepared for everything from bludeons-including impromptu ones made from the surrounding lumber and metal poles-to knives, to the cheap little pistols that are responsible for most shooting related crimes. And all of this in the dead of night, with the only possible help my relief partner, who works the nights I'm off duty and lives on site.

I train in sabre fencing, and have 12 hours a night to study and practice. I have developed a series of training drills that will give any serious student basic Mastery of any weapon. That means you'll have mastered the basics, and can then go on to the subtle tricks inherant to each individual weapon.

First, let's get a grip. Learn the proper grip for the weapon, for both hands. If it's a one handed weapon, like a sabre or hammer(a particularly good choice to study if you work as a carpenter or related trade-like the Karateka of lore, learn to make your tools into weapons! Unless you live on a farm and cut the wheat with a kama and thresh with nunchuku...), then practice the proper grip, with both left and right handed grips. If it's a two handed weapon, like a baseball bat, katana in standard kendoka style, wood chopping axe, or sledgehammer, practice with both a righthander's and southpaw's styles. Learning to use your off hand skillfully will increase your good side's abilities. It also allows you to change hands depending on injury(like a cut to the hand or arm), or to adapt to the circumstances.

Next, learn to perform the 9 basic strikes. All techniques, with all weapons, come from one of nine basic angles: four horizontal and vertical strikes, four diagonal strikes, and the ubiquitous thrust. Different instructors assign different numbers depending on their systems(or even add additional diagonals to bring the number as high as 13). Here's my preffered labeling:

2 1 3
\ | /
4-9-5
/ | \
6 8 7

Practice 100 strikes with the weapon, for each of the 9 basic strikes, for each hand or side. That means 1800 reps per day(or night, in my case). Perform EACH strike in the proper manner for the weapon, not letting fatigue or blisters affect your technique. A sabre cut should be done with the proper drawing motion, a bat should be swung with the all or nothing technique for hitting a home run, an axe should be swung like chopping wood. If the weapon is not meant to be thrusted...do it anyway. A sledgehammer or bat thrust with a 9 is enough to knock the wind out of an attacker, making an excellent setup for a classic 1 right on his noggin, or a 4 or 5 to the jaw. Also note that the 7 will be a little difficult to perform, and for a two handed weapon, the 8 will be as well. Keep practicing, and they'll become easier. And always remember to aim for a specific point in space with purpose, not merely swing wildly.

Practice for a week. Congrats! You've practiced 12,600 strikes, or 700 of each individual attack! Your hands should have become horribly blistered, then the blisters popped open, fell off, and were replaced by thick hard callaus-which then peeled off to be replaced by softer and smoother but considerably tougher callauses, kind of like what you'd get from iron palm training. Take pride in 'em. A callaused hand is a hand belonging to someone who works hard and is proud of it.

Now for something a little more complicated: 2 strike combos! Nine units in a 2x2 matrix means 81 possible 2 cut combos. Start with a 1 1 combo. Strike downward, then immediately repeat. Do it again, for 10 reps. Then a 1 2 combo, a 1 3, 1 4, 1 5... up to a 1 9 downward strike straight thrust attack. Then on to all the combos beginning with a 2 diagonal downward cut. And so on, until you finish off with 10 repetitions of the 9 9 thrust thrust combo. Again, every night, do what adds up to 180 attacks each technique, or 3240 strikes total(I list these numbers so you can take pride in your accomplishments). After 2 weeks, you're up to 45,360(had to use the calculator to doublecheck that one!)plus 12,600 for 57,960 techniques total. 2520 plus 700 means 3220 strikes with each individual technique. If you've been paying attention to your technique, you should have attained CONTEMPT for the movie techniques performed by most of those "action" stars, even with visual effect enhancements, stunt doubles, and considerable coaching by trainers, when compared to your fast, powerful, simple yet elegant attacks.

Now for the REAL hard one. 3 strike combos. 1 1 1, 1 1 2, 1 1 3, etc. Perform ALL the combos begining with a 1 strike the first session. Then the next day, perform all the combos beginning with a 2. And so on, for 9 days, for each of the 729 possible 3 cut combos for each hand/side. Result(Not even gonna bother doing the math in my head this time.). 101,700 total, broken down into 5,650 individual strikes. You have now attained the raw skill needed to perform a technique without even needing to THINK about it. You just say, "Number 1," and your weapon swings downard, without any conscious thought about technique. You don't need to go on to 4 strike combos, since once you can do 3 move combos, you can blend them seamlessly into a continuous barrage of attacks, both from raw skill and from muscles and hands become hard and tireless from the continuous practice. Now for the FUN stuff...

Emptied soda cans work well for sticks or well made swords, once you've drunk your fill (a good way to practice recycling!), pieces of cardboard for a knife, or even wood blocks or bricks for heavy weapons like axes and hammers. Start with the 1s. Toss the target of choice into the air, then smack it back down to the ground. Again, for 10 reps. Successful reps, repeat them if you miss, only count the ones where you succeed. Move on until you've done all 9 cuts each side, 10 SUCCESSFUL reps each side(remember, we're working on accuracy now). Continue for about a week, or as long as it takes until you can toss and hit successfuly every time, rather than missing one out every two or three tosses. Note that this includes thrusting techniques. Can you toss a soda can into the air, then send it flying into space with the end of your stick?

Then, toss TWO targets in the air, and knock BOTH down (or shatter or cut them, depending on the weapon and target) before the second hits the ground. Only one successful repetition of each combo, this time. 162 successful strike strike combos, each night. Then THREE targets, and so on, as many as you can do. For a light weight weapon like a knife or escrima stick, you can make it up to as many as 5, 6, or more targets, knocked out of the air before they fall to the ground(meaning, six accurate strikes a second!). For a heavier weapon, like an axe, you'll probably peter out at 3(still, THREE strikes a second with an AXE!?). Note, at the time of this writing, I'm on the 2 target drills with a wooden sword, still a bit more to go. Still, ever seen someone tear open a soda can with a WOODEN blade?

Ta Da! You've attained basic mastery with your chosen weapon, in about six months of hard work. Now, seek out a real instructor, and learn the subtle tricks of a true master!

Well, that's it for this installment. Any feedback would be much appreciated, send it to: aamiller@NOSPAMlv.rmci.net.




NOTE: Posted 8/5/2014 and backdated to 9/1/2001 to mirror my old site. As the contact email was from 2001, it's possible it's not a valid email anymore, but I added the "NOSPAM" just in case, take that out before emailing Archone.

Friday, April 06, 2001

Basketball Drill 3

basketball drill 3

Subject: RE: INFO
From: Bolo
Date: 03-Apr-01 | 05:58 PM

Lay your chest on the ball and put your hands out wide as if you are flying like Superman. Sprawl your legs out so the only thing that is touching the ground is your feet. Keeping contact with your torso at all times, lean your weight on the ball and switch your body and leg position as if you are switching to a different pin. Keep changin your body position as if you are switching from pin to pin. Keep your arms out to ensure that you are maximizing the body weight that is being placed on the ball.


Subject: RE: INFO
From: nubian
Date: 07-Apr-01 | 02:45 PM

I only know of a few with a basketball, but you can do more with a heavy bag. With a basketball, you can practice spinning belly down, like if you were spinning from a front sprawl to someone's back. I guess you could practice knee on stomach as well, but this would be easier with a heavy bag or grappling dummy. With a heavy bag, you can practice distributing weight throughout your transistions. Like switching from side control to kesi gatame, to knee on stomach, to mount, etc. Tony Giammatteo


Subject: RE: INFO
From: greenknght
Date: 07-Apr-01 | 05:01 PM

Tony Cecchine teaches an exercise w/ a basketball and a bathroom scale. You put the b-ball on the scale then lay acrross it with your chest as if you had a person in the side mount. The scale registers the amount of pressure you exert, so you can make adjustments until you exert max pressure. You can switch to scarf hold, etc., and if you don't exert the same or similar pressure in all positions, there is room for improvement in your technique. Pretty cool trick.




Other posts about the Basketball Drill can be found here:




NOTE: Posted as-of Apr 6, 2001 on Nov 22, 2013 to mirror my old archives - http://stickgrappler.tripod.com/ug/basketball3.html. Pageviews at the time of copying over from old archives to this site was 2,210.

Thursday, November 02, 2000

Basketball Drill Revisited

Basketball Drill Revisited

Subject: Positioning and Controling Drills
From: coach
Date: 30-Oct-00 | 05:41 PM

Can someone please describe the basketball drill used for grappling training. I hear it's great for positioning and controlling. I would like to introduce some new drills to complement wrestling training.

Thank you in advanced.


Subject: RE: INFO
From: m.g
Date: 31-Oct-00 | 03:19 PM

The basketball drill is an excellent drill to develop holddowns. It is said that Rigan Machado uses this drill alot. However I got this drill from an old Judo book call "the secrets of Judo". This book is essential a physics book which uses Judo as a way to explain Physics (and vice versa).

Basically what you do is start from the hindu pushup position (also call the drive bomber push up) and have the basketball just in front of your chest. Your going to thrust your chest forward like your doing the hindu pushup letting your chest roll on the basketball.

I would start with my hands forward at first, later on you can place them behind your back as you do the movement.

The another drill you can do is lay on top of the ball with both legs behind you. You're going to then sit out with on leg so that you in a "kesa gatame" position. From here you bring the leg back to the center and sitout with the other leg so that you in the "kesa gatame" position in the other direction.

To add spice to this when you sit out to the "Kesa" position walk one leg over the other then move into a sitout, then walk the leg over the other again. What your doing is move in a circle continously walking over the top of one leg and then moving into a sitout with the other. It simulate the leg action of the clock choke or Koshi Jime.

You can also just stay in the sitout position and circle around the ball simulating continous holding with "kesa gatame". The same can be done with the Upper hold (north/south). You just circle around the ball with continous pressure with you leg behind you as if you're in the north/south position. You can put you hands behind your back when you do this (warning putting you hands behind your back is hell on you so don't do that so to long).

You can also do it for knee-on-the stomach and even triangle chokes.

I being using the basketball drills for about 4 years. And it works. It helps you develop sensitivty, and how to spread your body weight over an object. It doesn't take much time and energy to do. There are other drills I use the basketball to develop hold transitions but thats another post.


Subject: RE: INFO
From: bounce
Date: 31-Oct-00 | 03:47 PM

Basketball Newaza Movement Development Drill

Drill Objective

The primary objective of this training drill is to develop kinesthetic awareness through contact with a moving body. The secondary objective of this drill is to improve aerobic capacity.

Equipment Needed

Fully inflated basketball for each player.

T-shirt or sweatshirt(remove your Gi jacket)

Drill Performance

You may not use your hands to keep balance. Begin by lying on the basketball with your chest. Move around the ball to both right and left. As you move around the ball roll yourself over to rest your back on the basketball. Roll on the ball from your shoulders to your hips on all four sides of your body. Spin 360 degrees around the ball on all four sides of your body. Duration: Gradually increase the drill to match the expected duration of up-coming matches.

This is from the Training Drills address that M Tripp gave a while back.


Subject: RE: INFO
From: coach
Date: 31-Oct-00 | 06:58 PM

Thank you very much... Cut and pasted!

Other entries about the Basketball Drill can be found here:






NOTE: Posted as-of Nov 2, 2000 on Nov 22, 2013 to mirror my old archives - http://stickgrappler.tripod.com/ug/basketball2.html. Pageviews at the time of copying over from old archives to this site was 4,164.

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