Showing posts with label Ausgepicht. Show all posts
Showing posts with label Ausgepicht. Show all posts

Wednesday, October 11, 2017

8 GIFs of Kneepicks aka Knee taps




I had noticed the kneepick used periodically in UFC fights. Made some GIFs. I chatted sometime ago with my friend Ausgepicht about kneepicks as he is a MMA coach.

My deepest gratitude for Ausgepicht's commentary!



A good old fashioned Kneepick.

A kneepick works in one of two ways based on violations in your opponent's posture - intentional or forced by your hand:

1. Drive his head past his knee - or ankle if it's an ankle pick - with a collar or underhook. In rare cases, if you are a strong person you can do it with an overhook. Ankle pick is the same technique, different control points.

2. You use one of the aforementioned ties and instead of driving his head past his knee, you drive his knee past his head BECAUSE he had no weight on it. 100% weight on one foot is a severe posture violation.

Knee picks, as opposed to its sister the ankle pick does not require much of a level change if at all. Unlike most versions of its cousins, the single and double. So it's a rare leg attack that doesn't require much of a level change. It's efficient, faster and effective. Very good for MMA.



UFC 79 - GSP's Kneepick with Underhook against Matt Hughes in their third fight
(realtime and slomo)



Another GSP Kneepick with Underhook
(realtime GIF mislabelled as UFC74 when in fact, it's UFC79 and slomo GIF)
 




WEC 53 - Dominick Cruz with and underhook and kneepick on Scott Jorgensen(realtime and slomo)






UFC on FX 5 - Jake Ellenberger gets a kneepick on Jay Hieron(realtime and slomo)





For selected posts by my good friend Joe Siliva aka "Ausgepicht" that you may have missed, please check out:



Saturday, July 12, 2014

Joe Silvia - Improv or ad libbing combos...

Excerpted from Spladdle.com:"

Joe Silvia aka "Ausgepicht" on Improv/ad libbing combos ... Basically, don't be robotic and throw your combinations blindly. Learn to "read"/observe your opponent - take what's given to you in terms of openings instead of launching into your pre-set combo and the opponent has no openings where your pre-set combo is targeting.




Usually the party line is learn strict orderly combos, and then learn to free them up. "Learn the fundamentals, before violating them." I feel that the fundamentals come before technique....posture, breathing, alignment, stepping, etc. the principles that the technique come from. If there is something BEFORE a jab, it has to be more fundamental, no?

In other words, if I am bent over at the waist and throw a jab, there is something that needs to be fixed/done properly BEFORE the jab. There is also a certain way to stand, extend the arm, place the deltoid and chin, etc. THOSE are fundamentals.

So what am I getting at? I feel the fundamentals are FIRST to be learned, but learning strict combos is not the way to go because it completely ignores the sports principle of reading and adjustment through feedback....in other words, what is the difference between a karate kata and a 4-5 punch combo that you repeat over and over?

How well would a football team do if in the huddle they decided on a play, then got to the line, the QB refused to call out anything after he saw the opposing team's line, and then closed his eyes threw the ball under the assumption that the receivers were going to run the afore planned pattern no matter what the defenders did?

Adjust, adjust, adjust! Get feedback, make a call. Specifically speaking if you throw your treasured 5 piece, and your partner/opponent slips his head in the "wrong" direction and you have to abandon your 5 piece, do you access your memory to find another 5 piece or do you PAY ATTENTION TO THE MOMENT and unleash a 5 piece that is ALIVE? Living, breathing, humbling acknowledgment that the reality unfolding is more pertinent than your attempt to force your will upon it. Paying attention and learning to read allows you to adjust by the necessary inches to trace a moving target.

Anyone who saw RJJ's finishing combo on Vinny Paz will recall what I am getting at. Anyhow I was inspired to rant after I saw these Ali GIFs. Whether you agree or disagree, enjoy these GIFs of Ali improving, breaking rhythm, and displaying mastery of cadence, but more importantly egoless and one with the moment.

Much gratitude to Cleveland Williams for taking a beating for the cause.







Here's a display of reading. Sweet.







NOTE: My thanks to the original GIF maker(s). These are not my GIFs. Also, deepest gratitude to my friend Joe Silvia for his kind permission in archiving to my site his postings.




For selected posts by my good friend Joe Siliva aka "Ausgepicht" that you may have missed, please check out:



Friday, July 11, 2014

Joe Silvia - "Every throw has specific fundamentals."

Yesterday, I posted something my good friend Joe Silvia (aka "Ausgepicht" on some MMA forums) wrote up for me when I asked him a question on the name of a technique:



Today's entry is a followup by Joe expanding on General Fundamentals vs Specific Technique using Throwing as an example.


My deepest gratitude to Joe for sharing of his time, experience, knowledge and teachings with me! Hope you will benefit from Joe's wisdom!



Fundamentally speaking, every throw - and sweep, which is actually a horizontal throw....or is a throw a vertical sweep? - has specific fundamentals. To put it simply:

  1. Locking arm & power transfer
  2. Cant & tilt (Disrupt base camp - his posture, alignment, breathing, etc.)
  3. Intention towards the triangle point
  4. Reading, adjust, finish.

This means there is really just "one" throw and everything is a variant of it. If a person focuses on these fundamentals they "know" every throw on earth and will improv and create new throws in the moment.

There is everything practical and nothing mystical about this. Every successful throw has these in common. EVERY class should be about experiencing these and NOT 10,000 dry runs. Practice the root and not the 10,000 variants - of which you'd a few lifetimes to learn.

For example, in Ronda's Koshi Guruma - which SG corrected me on - we have:




  1. Locking arm: seat belt with left arm around Alexis's upper back sealing her to Ronda's body. Power transfer: pulling with tricep control on Alexis' left arm.

  2. Cant & Tilt: bend Alexis over at the waist so she is in poor posture and will have a harder time defending.

  3. Triangle point: Ronda's right leg and Alexis' left leg form the base of the triangle and Ronda drew her towards the apex of the triangle in front of them both.

  4. Read: Alexis was basing out trying to make herself heavy. Adjust: Ronda bumped her hip into Alexis's hip disrupting her balance. Finish: continue through the triangle point to the ground.


Of course, Ronda could have improved any of these variables INSTANTLY. Instead of the seat belt, she could have had an underhook, overhook, collar tie, etc. Instead of tricep control she could have pulled with a collar tie or wrist control. Of course, closer to the hips means more control, so there is an hierarchy.

Instead of the hip bump, she could have reaped one of Alexis's legs or both of her legs. If Alexis pulled back instead of falling forward, she could have back heel tripped Alexis.

Yada, yada, yada.

Practical point of all this:

You can spend 20 minutes getting 1,000 reps of a throw - no context, and in a completely sterile environment. Or....

You can teach a man how to fish, by working on the fundamentals.

Spend a 5 minute round pummeling with various control ties, try different combos of locking arm & power transfer.

Next 5 minute round, use your control ties to disrupt posture, alignment and balance. Nothing more.

Next 5 minute round, practice pushing and pulling into each other's triangle points.

Etc.

Happy training!

-Joe



For selected posts by my good friend Joe Siliva aka "Ausgepicht" that you may have missed, please check out:



Thursday, July 10, 2014

My friend Joe Silvia aka Ausgepicht on Technique vs Fundamentals

Yesterday, I posted 11 GIFs I've made from the following fight:

I asked my friend Joe Silvia aka "Ausgepicht" what the name of the technique/throw Ronda Rousey did to Alexis Davis was.


He's a wrestler, so he wasn't sure of the Judo name since Rousey is a Judoka. Additionally, he wrote up something that I sometimes don't remember, and I'm guessing some beginners like me would need to be reminded of sometimes... Technique vs Fundamental... learn 1 technique and you have 1 technique. Learn 1 fundamental and you have 100’s of techniques!


Please read on for Ausgepicht's thoughts/teachings and learn the difference between specific Technique vs a Fundamental.




The technique in question:





Of course, a general throw like this is in pretty much every form of wrestling. We both know the debate on where it originated is pointless. Though I think there is some merit to it, since roots are always important.

Generally speaking, this is a Back Step throw. One of the fundamentals of wrestling. It has many variants and in this case it is a Headlock throw (using a backstep) with an inside leg reap.

Since Ronda is a Judoka, she learned the throw as an Uchi Mata, IIRC. (SG's NOTE: Ausgepicht's strength is wrestling... I've asked some friends who are Judo-savvy and they said it's a "Harai Goshi" in Judo - thx Michael W. and Pierre H.! As the Japanese are very precise with the naming of techniques, elder999 corrected me and said it's actually Koshi Garuma. Domo arigato gozaimasu elder999!)

Here's why I think "roots" are important in this particular throw:

1. It is easy to see the Uchi Mata as a technique. This leads to mindless repetition without context. Which is akin to turning a parked car's steering wheel left and right 10,000 reps for "automatic response." We both know again how pointless that is, yet it is a primary training method for most martial artists and combat sports enthusiasts.

2. Since a backstep is a fundamental, there is tremendous value in emphasizing its daily experience. Knowing one fundamental allows you to have 1,000 variants or techniques - which one you use depends on the LIVE interaction and sport reading in the moment of the two players in UNION.

3. Knowing it as a fundamental allows you to adapt its variables - its grips, feet positioning, a weight shift, locking arm, etc. One will not feel it must be executed EXACTLY as rigid rote repetition has taught them, but have the FREEDOM to express and be alive. Being more effective is a good thing!

The position she had when she landed is as you correctly stated: Kesa gatame. IN Catch its called a Head and Arm Hold. In wrestling just a headlock pin or some other regional variant.

Happy training!

-Joe




For selected posts by my good friend Joe Siliva aka "Ausgepicht" that you may have missed, please check out:



Saturday, June 29, 2013

Randy Couture's Takedowns Animated GIF's Set 1

Last Saturday, June 22, was Randy Couture's 50th birthday! Hope he had a bash on that most blessed of days!

Apologies to my readers for the tardiness. As promised from my Randy Couture's Dirty Boxing animated GIF's post, here is Randy's Takedowns Animated GIF's Set 1. I took the liberty to include Technical Commmentary from my friend Joe Silvia (aka Ausgepicht on some mixed martial arts forums) who is a MMA coach.

Enjoy!



UFC 28-Randy Couture vs Kevin Randleman




UFC 39-Randy Couture x Ricco Rodriguez



Joe Silvia on the above 2 GIF's:

The rest of the footsweeps show you that there is a LOT that Freestyle has to offer that people aren't even aware of.


UFC 44 - Randy Couture X Tito Ortiz



Joe Silvia:

Actually that is a botched takedown that worked in spite. Randy wanted to step his left foot deeper behind Tito's right leg. Hard to see why he couldn't/didn't do it....one of those unseen variables. Could have been a weight shift from either one, fatigue causing him to misjudge or just Murphy's Law. It even looks like his foot skids, maybe on sweat.

It still worked because Randy had a base camp and had Tito's completely destroyed.


UFC 68 - Randy Couture X Tim Sylvia Rd 4


Joe Silvia:

Couture goes for a classic/textbook shin box. Some wrestling circles call it a back heel - in the block family. This is the first double leg on my curriculum that everyone learns due to how easy it is to convey to a noob. It's also effective up to the highest levels of competition as clearly shown by Couture.



UFC 68 - Randy Couture X Tim Sylvia Rd 5



Joe Silvia:

Couture does a penetration step so he can get his hips under Tim's and take control of center mass. When you are connected to an opponent, the two of you become a union, or one mass. He who controls the center of this mass runs the show.

Once Handy has center mass, he follows the next fundamental: canting and tiliting to set up the takedown. This is called Kazushi (sp?) in Judo. You need to attack his base camp....his posture, breathing, and alignment. When you have done that you THEN bring him towards one of the triangle points.

You'll notice in this case, since they are now ONE mass, the triangle point that Couture brings Tim towards is a 3 dimensional one that they are sharing....as all unions do....share. The base of this triangle is Handy's right foot and Tim's right foot. When Handy broke Tim's alignment (spine to head axis) he twisted which lifted Tim's left foot off the ground. He in essence replaced Tim's base with half his own by forcing Tim to use Randy's right foot as a stabilizer instead of his own left foot. Problem for Tim here, is that he is using Handy's right foot as a stabilizer and Handy want's him on the ground.

Tim could prevent this, but he has no base camp to work with. No posture, no alignment. Handy owns center mass.


Again, I hope Randy had a blast on his 50th birthday. Also I hope my readers enjoyed the GIF's.





Thursday, April 18, 2013

MMA: Ronda Rousey armbars Uriah Hall (Ego and Chain Wrestling)


This season's The Ultimate Fighter had Ronda Rousey come on and give Team Sonnen a few pointers. Check her out vs. Uriah Hall.




Rousey's comments:
A lot of the guys I roll with, I call it "testosterone poisoning"—where I get a couple of [moves] on them and they try to rough me up back because they get frustrated.

[Team Sonnen] kept their composure and it's a quality that's very valuable in fighters. If you can't keep your composure in practice against some chick, if you're in a ring with some dude swinging at your head, you're not going keep your composure there, y'know?



Some comments on the vidclip from 2 friends:

Excerpted from Spladdle Forum on which my friend Joe Silvia aka "Ausgepicht" wrote on the Martial side of the vidclip:

She does something that EVERYONE should be doing. They even talk about it. Everyone knows it, but few actually practice it: chain wrestle. It's the whole point of taking up martial arts, isn't it? Using technique to overcome someone bigger, stronger, and faster. Otherwise, why take martial arts? The height of martial arts is being so far above your opponent technically that he is out of his/her element even if bigger, stronger and faster.

If your opponent is in a situation, where he doesn't understand the territory....you are chaining a,g,h,e and his experience is a,a or a,b then he's f*cked. You want to be Neil De Grasse Tyson discussing dark energy and actual equations in a class of 6th graders discussing the solar system.

We actively work on this stuff at Hematoma. We A,B,X drills, pioneer drills, exploratory drills, root drills, primary drills, and often I will present a problem to everyone and based on the PRINCIPLES they have been taught, they have to dialogue and play to find the solution. I may drop hints in the form of QUESTIONS, but don't really play a role. I want people to find solutions that work for THEM. I want them to develop sport reading and being attentive to the MOMENT not a combo they learned in a strict manner. I want to be alive.

Ronda excels at this. You think the solution is to power out of it, to smash and mush. This works GREAT against beginner's and intermediate fighters, but once your technique is chain wrestling is off the charts, the only solution is a technical one.


My friend "jonwell" wrote on the Ego/Social/Sub-conscious side of the vidclip:


She's REALLY GOOD, on any scale. And it's going to take guys a long time to figure that out. Uriah was very respectful in the interview but on the mat he still couldn't resist the jokes that I'm sure Rhonda has heard 1,000,001 times now. It's self effacing yes, and I know he meant no harm, but he and his coaches and the spot in general were all focused on the disbelief of what happened.
-------------------------------------------------------------------------------------------------------------------------

If Male Judo Gold Medalist And UFC Champion showed up and tore threw the TUF cast it wouldn't be worthy of comment, in fact it happens all the time. "It was great to train with George (or wev) cuz he's the best and he showed us some great stuff." It's an event when Rhonda does it because it's not considered normal for women to compete athletically with men.

And ya, like I said, I know he was kidding. But there's still a difference between the jokes you hear when Male Champion shows up and when Rhonda shows up. I'm not saying Uriah is a jerk or anything, he seems very nice and genuinely respectful. This is a comment on more deeply ingrained misogyny, something you don't even notice unless you look for it or experience it (like Rhonda obviously does when she talks about testosterone poisoning).

For related concepts see, "It's not racist to say that Asians are good at math because it's a compliment!" (It's still racist.)



Food for thought from both Ausgepicht and jonwell! My sincerest thanks to them for their insightful comments.

Sunday, January 20, 2013

MMA: Cracking the Turtle by Joe Silvia




Introduction
Just a warm-up drill, right?

The primer which includes the warm-up and review have been specifically designed. It is not some random assembly of cool drills. EVERY workout starts with fundamentals. Every science, art, sport, or other endeavour starts and ends with fundamentals. I can't tell you how many stories I've heard or footage I've seen of Dan Gable drilling his shoot, or Rickson Gracie practicing his Shrimp, or Karelin practing his crotch lift, or John Smith practicing his lo-lo, or Serena Williams drilling her forehand, etc. It's only the beginner and intermediate athlete that wants to amass techniques as if the answer has anything to do with technique. Techniques are the END RESULT. When your posture, alignment, composure, breathing, and other fundamentals (base camp) are in perfect place and you have disrupted your opponent's base camp a technique will unfold. Don't artifically force a technique onto reality or you will be punished.

Having said that, cracking the turtle is a fundamental of the transitional range of "Fighting Short." In wrestling it's called mat wrestling or par terre. In BJJ or MMA it's called the turtle. Guys like Telles and Sakuraba have made the turtle into an entire system. They have made it OFFENSIVE. Many people gloss over it and maybe give it passing mention, however it's one of the most important positions on the ground.

As I mentioned you must assume base camp and break hi and THEN we use technique. Do we want to attack a person that is at 100% ability or 50% ability? If we attack his posture, alignment, breathing, composure, etc. he'll be at 50% ability or less. This MUST be first. This is why it's called a fundamental. You attack a person as he is trying to get his balance, breathing, posture or alignment back. He HAS TO to be effective.So what are some of the things a top player can do to break down his opponent's base camp while he is turtled? Let's start with the environment.


Environment

* SEAL: you NEVER break the seal between your chest and his back. It's this pressure that makes everything happen. The bottom player WANTS space so he can escape, counter, or attack. Do not give him/her what they want. This pressure will affect two elements: breathing and posture. With heavy weight on his back, he cannot pick up one of his hands or his face will piledrive into the mat. If he can't lift his hands, he can't use them. The seal must always be there.

* PRESSURE: Pressure must always be directed either sraight DOWN or at a DIAGONAL towards the floor. Do not pressure sideways, because that pressure is useful to your opponent. Secondary pressure is PLASTIC. This means not 100% hard, but not too light either. If you commit 100% and your opponent counters you are going to be in trouble.

* READING: All sports utilize reading. You need this sensitivity. You must bring awareness into the picture through observation. Listen to his breathing. Watch the look on his face. Observe how he shifts his weight. Is he faking? Bluffing? Getting ready to escape? Does he always respond by pushing back? Is he stronger or weaker? This feedback loop will provide you with the information you MUST HAVE to make the right decisions. Otherwise you are making guesses and that's no way to do a combat sport.

* DESTRUCTURING: Here is where you use your limbs to ruin his posture and alignment. Turning his face away, bending his joints into artifical not necessarily painful) positions, taking his head and spine off alignment, narrowing or widening his base, removing his balance points (posts), etc. Constantly breaking down his structure places him on the defensive even more.

* ACTIVE: Don't stay in one position and unleash all this. Spend a second or two attacking and then moving into different positions. Never let him know what your plan is or where you plan on doing it from. He has to feel like there are two of you and you are in front of, behind, on top and on the side of him. He has to be overwhelmed.

* SUBSTRATUM: You must ALWAYS be striking. This is not BJJ or Wrestling. This is MMA. Striking is the great equalizer. Someone can be many belt ranks above you, but when you are driving an elbow into their face or kneeing them in the ribs, their inexperience in MMA is exposed and your ranks are now equal or yours may even be higher. Like Tyson said: "Everyone has a plan until they get hit in the face."


Fundamental Motions 

So what are some of the ways we can break his base camp? The primary method used is called tilting. The vast majority of what you will be doing is tilting since it involves control and breaking his base camp. Let's leave the detail and "secret" moves for class.

  1. Ankle picks: w/ or w/o a seat belt. Single and double picks.
  2. Seat Belt: This allows you to prevent him from stopping you putting your hooks in or getting a harness.
  3. Undercup: Single or double. This is for getting a variety of Nelsons, turnovers, submissions, and pins.
  4. Nelsons: half, quarter, power, full, reverse, etc. Great for control, submissions and turnovers.
  5. Crossface: GRIND and mush his jawline.
  6. Trap Lift: Having trouble getting his elbows away from his hips? Be clever. Lift his traps.
  7. Hip Drag: Use your momentum, not just arm stregth to destroy his balance and posture.
  8. Wrist Control: Great way to prepare for arm attacks anf get his elbows away from his hips.
  9. Grapevines: Single or double, stretcher or base attacks.
  10. Hooks: Pry his elbow away and place these wedges in. This is not the placing of your heels in, but the placing of your knees at his hips.
  11. Leg Rides: Typically on his near leg, with inside or outside rides.
  12. Navy Ride: Break him down and control his hips by threading his legs.
  13. Spiral Ride: Break his stance in two positions.
  14. Elbow Chop: Collapse his near side elbow.
  15. Stickshift: Pull his post out from under him.
  16. Head Lever: Drive your head into his triceps, best with wrist control.
  17. Chin Drag: GREAT when assisted with tricep control.
  18. Armpit Chop: Transition from front to side.
  19. Underhook: Use to tilt him into pancakes, cow cathers or cement mixers or exposing him to front naked chokes, brabos, D'arces, etc.
  20. Tricep Drag: from outside or inside.
  21. Nape Post: Drive his face into the mat.
  22. Chinstrap: Use a reverse collar and chin control.
  23. Blanket Ride: Great way to flatten from the side.
  24. Claw Ride: a little pain to get him tilting.
  25. Iowa Ride or Turk Ride: Great way to get turnovers.
  26. The Cheap Tilt: 2 on 1 control.

When all of these things are happening.....things you won't find in a magazine, book or instructional video (which is why you lurkers should come down to train) THEN you will be informed on what the best technique for that MOMENT is: G&P, submission, turnover, etc. Gather the info before making a decision.The general theme of this post applies to all facets of your MMA game, or for those specialists who just do BJJ, Boxing, Kickboxing, Judo, etc. you should appreciate, elevate, and admire the importance of fundamentals BEFORE techniques.






NOTES

My sincerest gratitude to Joe Silvia for his kind permission in posting this primer.

Saturday, January 19, 2013

MMA: Front Naked Choke Tips by Joe Silvia



Introduction:


This is an OLD Hematoma Submission....one of many that we keep as trade secrets that you will ONLY see at Hematoma. We have about a dozen trademark submissions, sweeps and takedowns that you rarely if at all ever see. The less an opponent knows about something, the harder for it is for him to recognize what it is and defend it. Remember how effective BJJ was at UFC 1?

We've been doing the FNC for almost 5 years now. I will leave these notes as they were when I wrote them years ago. So much has been added and the move has evolved, but those aren't going into public domain.


Discovery:

Here at the Hematoma Gym we have been working on this choke a few months before Jens pulled it off on Cub. We had never seen it before, and it’s one of those things that we “bumped” into and was easy to learn and VERY dangerous. We were nailing it standing and on the ground. We were naive enough to think we would spar it for a few months and “unveil” it at local competitions, so we called it the “Hematoma Choke”. Then one night on VS during a WEC….Jens, I love you, but you ruined it!!!


The Details:

Where to nail it:

  • During opponents poor shoot where his head is low and he is staring at the ground with his head on your hip.
  • Any time you have a FHL, you can switch to a standing FNC or even sprawl to the ground, bringing him with you and finish.
  • Underhook and collar tie to get his head low. Capture it and sink it in.
  • Wizzer w/ or w/o collar tie as above.
  • When you have side control and he leg threads to the turtle and/or to get a single leg.
  • If he shoots shallow and not deep and you successfully sprawled on him.
  • After a successful double collars and spear knee that gets him to bend over.

Your opponent’s only real chance is to know it’s coming and start to get wrist control to slow it down or defend it. What it has unintentionally done is improved everyone’s wrestling and drastically altered and forced an evolution in how we shoot here. Now, the head outside doubles and singles are not favorites. There is more head inside and higher level/Greco style shoots.


Evolution:

When someone does shoot, they are aware that the FNC may be coming, so they modify their shoots as follows:

  • Shoot with your chin WELDED to your sternum, so there’s little to no room for him to slip his arm in.
  • Shoot with your gaze straight ahead.
  • Shoot with your gaze up towards the ceiling.
  • Shoot and stick the top of your head as a wedge into his armpit.




NOTES

My sincerest gratitude to Joe Silvia for his kind permission in posting his article.

Friday, January 18, 2013

MMA: Hematoma Fight Club - Blue Shirt Requirements by Joe Silvia



Introduction


Blue Shirt is where you get your feet wet, spend a lot of time re-learning to use your body, develop mental and phyiscal attributes, learn to navigate around the MMA universe, get comfortable with getting hit, slammed and twisted. There is so much material that at times it may seem overwhelming and MMA in the beginning may seem very foreign.

You are also learning how to have a unique relationship with another person whereby you support them and they have your back. When they are down, your will uplift them, when they have doubts, you will encourage them, when they have good days and moments you will proudly join them. They will do the SAME for you. This relationship is a unique one and for many completely new.

Lastly, YOU are developing the atmosphere in the gym with every action, word, and decision you make. The more positive, encouraging, and generous you are the faster your training partner will progress. The faster he progresses the faster YOU progress. You will improve ONLY by improving him. That is REAL.


Qualities

1. Display composure.
2. Knowledge and ability to execute base camp in all ranges.
3. Has training gears and is sharing the "glory."
4. Demonstrates mentoring and sportsmanship.
5. Shows cardiovascular endurance, heart, and confidence.
6. Is well-rounded in the 3 ranges of MMA:
  1. Stand-Up
  2. Clinch
  3. Ground
7.  Well-rounded in the 2 transitional ranges
  1. The Gap
  2. Fighting Short
8. Shows knowledge of the 3 striking sub-ranges: long, middle range, and close quarters.
9. Demonstrates a comfort level with being hit, thrown, and submitted.
10. Shows stance & motion in all 5 areas.
11. Shows he/she can Cant and Tilt with every Tie-Up.
12. Can dust his partner off.
13. Can use his conditioning as a weapon.
14. Can use both a crushing and floating game on the ground.
15. Shows forehead position in the clinch and on the ground.
16. Can create space (loosening the nail) when pinned and in the guard.


List of Techniques

The Defense in each area will NOT be detailed as they are specific to the gym's style and in many cases prescribed to an individual.


Stand-Up
  • Punches: Jab, Cross, Hook, Swing Hook, Overhand, Body Shots, & Uppercut
  • Elbows: Horizontal, Diagonal, and Upward
  • Knees: Long Knee
  • Kicks: Round kick to head, ribs, and inside and outside leg, Jab/Push Kick
  • Defense: Parry, Cover, Head Movement, Footwork

Gapwork
  • Break-ins: Parry Crash, Helmet, Crazy Monkey, Slip, Shoot, Kick Wrap, Kick Shelf
  • Break-outs: Crazy Monkey, Throw By, Chin Shove, Shoots: Inside & Outside Penetration, High, Mid-level, and Lo-Lo
  • Shoot Defense: Sprawl, Half Sprawl, Nelson, Wizzer 

Clinch
  • Fibbing: Uppercuts, hooks, knee flashes, elbow flashes, stomps, inner elbow,
  • Control Ties: Collar, Double Collar, Reverse Collar, FHL, Underhook, Bodylocks, SHL, Overhook, Wrist Control, Elbow Control, Bicep Control, Forearm Hook, Seat Belt, Russian 2 on1,
  • Transitions: Arm Drag, "V" Lift, Collar Pries, Duckunder, Throw By, Slide By Submissions: Front Choke, FNC, Bar Arm Strangle, Front Face Lock, Japanese Surfboard, 
  • Takedowns
  • Single: Treetop w/ sweep or cradle suplex, Run the Pipe, Front Knee Block, Back Knee Block, Dive (2 variants), Re-Shoot, Pick-Up, Lo-Lo
  • Double: Flair/Barsagar, Golf Swing, Pick-Up, Submarine, Japanese Blast, Shinbox, Lo- Lo, 
  • Hi-C: Seat Belt & Crotch Pick-Up (2 grips & 2 Dumps)
  • Fireman's: High and mid-level w/ base variants
  • Backstep: Headlock, underhook, overhook, wrists,
  • Bodylock: Lift & Dump, German Suplex (Optional)
  • Miscellaneous: Knee & Ankle Picks, Reaps, Sweeps
  • Defense to above: Top Secret

Fighting Short
  • Rides: Stretcher, Side, FHL, Back, Knee, Leg
  • Breakdowns & Turns: Crossface, Picks, Turk, Spiral, Nelson, Arm Hug, Harness Turnover, Near Leg & Far Arm Drive, Leg Hug Drive, Cow Cather/Cement Mixer, Butt Drag
  • Escapes: Sit-Out, Peek-Out, Hip Heist, Switch, Peterson, Donkey Kick, Sucker Drag, Stand-Up
  • G&P: Uses Tomahawks on "ears", Uppercuts under the armpit, knees to thigh & ribs, knee chips, ridgehands, back elbows, 
  • Submissions: Crucifix, RNC, Facelock, Rolling Armbar, Teacup & Saucer,  Passing the Sprawl: Tripod Single, Re-Shoot, Baseball Slide, Peek-Out,

Groundfighting
  • Bases: Mountain (High & Low), Low Combat Base, Combat Base, Staggered Stance
  • G&P: Skip elbows, 6 o'clock punch, tomahawks, elbow chips, thigh spikes, rib elbow smash, Mongolian Chop!, Elbow Turnover vs grip, Shoulder Butt
  • Extras: Shoulder of Justice, Pendelum, Popcorn, Gooseneck,
  • Navigation: Shuffle, Hip Switch, Cossack Walking, Knee Pivot, Leg Swipe, Stomp Mount, Knee Slide Mount, 
  • Pins & Rides: Saddle/Mount, Back Mount, Side Control, Leg Control, Twister Side, Head & Arm, North/South, Knee Ride, Cossack Ride, 
  • Guards: Close, open/spider, half, Mission Control (optional),  butterfly
  • Passes: Spanky, Smash, Shackle, Combat Base, Tripod, Surf, Leapfrog, Ankle Control & Tripod, Tornado
  • Opening Closed Guard:  Elbows, Standing, Quasimodo, Combat Base, Stepover, Can Opener
  • Sweeps: Scissor, Tomahawk/Flower, Elevator, Old School, Cross Sweep, Hip Heist
  • Escapes: Leg Thread, Shrimp & Bridge variations
  • Submissions: Armbars, straight armbar, Bow & Arrow, Double Wrist Lock, Top Wrist Lock, Arm Triangle, Wrap Choke, Telephone Call, TWL w/ Legs, Heelhook, Inverted Heelhook, Achilles, Toe Hold, Arm Scissors, Knee Scissors, Kneebar, Seated Armbar, Papercutter





NOTES

My sincerest gratitude to Joe Silvia for his kind permission in reposting this note.

Thursday, January 17, 2013

MMA: Hematoma Fight Club - Partner Exercises for the Primer by Joe Silvia



Introduction

These drills are to be done loose and light. Do not hog all the glory, but share it. The sole goal here is to review old material, work on proper form, develop athletic attributes, and prime the body. This isn't sparring, even though the contact may be moderate. Do NOT turn it into a sparring session.

These exercises and drills have been specifically chosen for a reason: they are FUNDAMENTALS and therefore the most important movements in your training and why they must be done when fresh and at every workout. Sloppy fundamentals mean pile of crap perfomance and why these must be done loose and light. Proper fundamentals make life easier, because things are done efficiently and intelligently which is the WHOLE IDEA behind martial arts or combat sports. You aren't trying to use your strength and speed advantage to overcome and opponent, because if you are the bigger, stronger, and faster person, you don't need martial arts. You want to be strong, fast, skilled AND intelligent.

The mental toughness, doggedness, and determination developed alongside these exercises are also fundamental. So place a priority on these exercises. You are building your whole ability to perform on them. Don't build your foundation on a rowboat, but bedrock.

Lastly, don't be fooled by the words "Primer" or "Warm-up." In the past we have lost more potential members because of how intense this primer is than anything else. Initially I thought that being hit, slammed, twisted and choked would be a barrier to membership, but as time went on it was the WORK that was most intimidating. Because of this, there will be no obligation to do every exercise at an athletic pace. Every person can work at a pace that is comfortable for him or her. However, anyone that is not challenging themselves will be told to ratchet things up a bit. Ideally, anyone starting out would get a number of privates to learn these exercises so they aren't "left in the dust", but the economy where it is makes that difficult. Everyone who just signs up will get one free private lesson to get adjusted. I will also reward good attendance with discounted privates.

I always suggest that people begin the primer with that which they are worst at. That is your weakest link, so bringing that aspect up is something you should always be doing. However, it is up to each person to customize the primer. Do the exercises they need and like, at the intensity and pace that is right for them. One can do ALL the exercises in a marathon style primer, can pick one or two aspects to focus on, or a theme i.e; armbars, posture, mitts, etc. The mats during this phase should be a medley of all kinds of exercises. Having said that these exercises are detailed in no special order.

Acclimatizing and Tempering (Absorption)
This drill is often incorrectly thought of as a superman drill. Listen, I would never recommend that a person brace up, and take a punch or kick to the face. That is plain stupid. The reason why you are taking a punch to the face is to develop relaxation, and mental pliability. The physical aspect of the drill is to maintain a normal breathing pattern, and to roll with punches, slams, and submissions. The psychological aspect is learning to be relaxed, free of tension and tone, and to maintain focused.

A normal untrained response maybe to have tone in the muscles: raise the shoulders, hold one's breathe, blink, or flinch. You simply are slower to respond, IF you have the wherewithal to respond at all, when these things are going on!

Doing this drill will help you to not do those things, and remove the "fight or flight" response and replace it with cool headed, relaxed attention. Secondly, you can reduce damage and injuries by downgrading it's impact. By rolling with things, you can downgrade a KO punch to a heavily damaging one, a heavily damaging one, to a lighter one, and a lighter one to hardly anything. Once an automatic response is built in and this drill is done with eyes closed, you will then begin to downgrade sucker punches for those of you interested in street applications.

Some options for this drill are:
  • 1, 2, or 3 for 1, 2, or 3
  • One man barrage, one man all "D"
  • Eyes closed
  • Phrasing or passing through 2 or more ranges
  • Strikes, fibbing, ground and pound, submissions, takedowns 

Stance & Motion
Chin tucked, shoulders rounded, hips thrust, knees bent, elbows in, and a profiled torso are the starting points for base camp in everything from standing to the ground. Being able to utilize this posture WHILE in motion under stressful conditions is called composure.  The following drills need to be known inside and out: 
  • Jockeying: Using footwork to one of the three zones of distance or flanking while keeping the measure. 
  • Break ins/Break outs: Using footwork to get to the clinch or get out of the clinch.
  • Clinch: Using staggered and square stances to fibb or grapple, while pummeling for superior control-ties.
  • Fighting Short: Moving from the 4 directions through inferior and superior positions.
  • Ground: Moving from escapes and pins, passes and sweeps.  
These areas can be drilled by using dry runs, position for position drills, soft flow, chains, stay and play gripfighting, base camp, and canting and tilting drills.

Shooting
Shooting is one way to break-in or bridge the gap/measure. For the love of all things holy and unholy do not shoot from "Timbuktu." WORST case scenario is shooting from punch range...the distance where if you raise your hand it will contact your partner. The only greater pet peeve I have than seeing someone shoot from a mile away with no set-up, is someone throwing a kick to a thigh with no set-up, eating bombs, and then ignorantly repeating it. Grrrrrr.

EVERY shoot should have this progression: nPound step-> Level Change->Penetration Step->Contact->Bring Trail Leg Up->Base Camp.

The only exception is when this progression is mastered, you may omit the pound step. Everyone is expected to know the following drills:
  • Hit 'n Run: Of pivotal and fundamental importance is punching the hip. Either ricochet or Barsagar/Flair
  • Double Leg Series: High, Mid-level, Lo-Lo
  • Single Leg Series: High, Mid-Level, Lo-Lo, and Sweep Single; Inside and Outside Penetration
  • Swinging Gate: Head inside, switching from Japanese/Blast double to outside and inside singles depending on his response
  • Magnet Drill: Doing a swinging gate at mid and lo-lo level.  
For more detail on the shoot, refer to this Guide to the MMA Shoot.

Lifting
As a gym known for it's wrestling, lifting is considered fundamental. If done with the right mechanics, you can easily lift someone twice your size. Some of you may recall how Amy, who weighed about 100-110#s would demo this by lifting me when I was averaging 205-210#s. She would even rep it. Since there are hardly easier finishes to execute when you have one or two of a person's feet off the ground, this is a mandatory skill.

Most of these lifts will involve the forward wave, which everyone should have mastered in the solo exercises. This wave is a modern version of the "squatting" style lift. Using body posture and momentum is simply more efficient and reserves your energy in case you want to suplex, back arch or lateral drop someone. Here are the lifts, beginning with the "Big 5":

  • Single Leg Lift: high knee, treetop, and crotch lifts.
  • Double Leg Lift: pickup, Barsagar/Flair, and Tablecloth lifts.
  • Hi-Crotch: 2 grip variations of crotch lift Fireman's Carry: proper, near-arm/far-leg, high and low Backstep: with multiple grip variations. REMEMBER PASS YOUR HIPS THROUGH AND DO NOT SQUARE THEM TO HIM.
  • Bear Hugs: Many facing and grip variants for Lift 'N Dumps, Back Arches, Suplexs, Lateral Drops, and Saltos.
  • Ground Lifts: From fighting short, including reverse crotch lift and bodylock and reverse bodylock lifts.
"D" Core
Defensive core is going through all one's strikes and allowing the other person to prime his defense. There are 3 types of defensive options that a person has that are utilized on a PLATFORM of keeping the measure:

1. Evasion: head, torso and limb movement.
2. Covering: using your forearms to soak an incoming strike. A more advanced option is spiking.
3. Parrying: using your hand to re-direct an incoming strike. Paired with evasion to double it's efficacy.

Drills can be done in a 1, 2, 3 for 1, 2, 3, one man barrage, or isolating one defense in a crazy monkey, or onion layer drills (softwork). 

In addition, clinching by breaking in is another form of defense. A person should be able to break in on any and all manner of strikes from the opponent, as well as offensively breaking in by using "sticking the opposum", feints, fakes, and drawing.

Miscellaneous Techniques
Pass and sweep starts, submission chains, bump-ups, breaking closed guard, guard forming, sub escapes, counters, re-counters, set-ups, follow ups, etc.





NOTES

My sincerest gratitude to Joe Silvia for his kind permission in posting this primer.

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