Showing posts with label Art. Show all posts
Showing posts with label Art. Show all posts

Tuesday, October 02, 2018

Inktober 2018 - Day #2: Fundamentals: Grips

Welcome to Inktober 2018 Day 2!

Inktober is an event where artists draw 1 picture for each day in the month of October. This year's focus/theme will be on the staff/spear with my notes. Please forgive my crappy picture of the page.

Enjoy!











NOTES

  1. Palm Up/Down grip - Fight initially at long ranges and can rapidly shift hands to center of staff for close-quarters. Powerful long and short strikes using 'push-pull' action of the hands.
  2. Palms Down grip - For close-quarters and levering. Effective for blocking and pushing.
  3. Baseball bat grip - Facilitates rapid, circular, flourishing attacks, where the staff makes a series of vertical spins to block and strike. Best for 5-6 feet staves. If hands closer together, can deliver powerful strikes like holding a baseball bat.
  4. Single-end grip - Used at long range. Facilitates long- and medium- range fights. Can deliver fast long-range thrusts.
  5. Reverse grip - Good for ascending strikes or levering between legs for takedowns/trips.

KEY POINTS

  1. Some grips may be better for attacks, blocks or both.
  2. Practice various grips in various situations.

SOURCES

  1. McLemore, Dwight C. "The Fighting Staff". Paladin Press, 2009.
  2. Demura, Fumio. "Bo:  Karate Weapon of Self-Defense". Ohara Publications, 1976.
  3. Varady, Joe. "The Art and Science of Staff Fighting". YMAA Publication Center, 2016.



My drawings for Inktober 2018 (this will be updated daily to add links to each subsequent picture in the series):






Inktober 2017's focus was predominately knifefighting and if you want to check it out, please visit my Projects page.

Monday, October 01, 2018

Inktober 2018 - Day #1: Fundamentals: Staff Lengths

Welcome to Inktober 2018 Day 1!

Inktober is an event where artists draw 1 picture for each day in the month of October. There is an official prompt list for the picture of each day. Last year, I put my own spin to Inktober by focusing each drawing on the martial arts. After the first few pictures, I decided to focus on 1 theme for the whole month. Last year's focus was knifefighting and if you want to check it out, please visit my Projects page.

This year's focus/theme will be on the staff/spear. I am ambitious with this project, will do my best to post 1 picture a day. I also will be jotting down notes to each drawing as after all, I'm trying to learn staff/spear. Additionally, I need to hone my 'gesture drawing' skills as it will be beneficial for notes taking after a martial arts class/seminar. Drawing and notes will be on an 8.5" x 11" paper and I will collect them into a folder.

Enjoy!







NOTES

  1. "...you shall stand upright, holding the staff upright close by your body, with your left hand, reaching with your right hand your staff as high as you can, and then allow to that length a space to set both your hands, when you come to fight, wherein you may conveniently strike, thrust, and ward, & that is the just length to be made according to your stature."
    ~George Silver's Paradoxes of Defense (1599)
  2. George Silver is saying length of staff is determined by one's height.
  3. Waist height and shoulder height - best to use sword techniques
  4. Some Chinese styles consider eyebrow height as ideal
  5. Chinese and Germans used 8'-12' staves.


KEY POINTS

  1. Shoulder height or shorter, use the staff as a sword.
  2. Eyebrow height (~5') up to 12', use staff techniques.

SOURCES

  1. McLemore, Dwight C. "The Fighting Staff". Paladin Press, 2009.
  2. Lindholm, David. "Fighting with the Quarterstaff". Chivalry Bookshelf, 2006.




My drawings for Inktober 2018 (this will be updated daily to add links to each subsequent picture in the series):




Thursday, November 02, 2017

What I learned from Inktober 2017



Some of my comics geek friends are artists and participated in Inktober, where the original idea of the drawing challenge was to do one ink drawing a day in the entire month of October. 31 days ... 31 drawings.

I've learned something from participating in the Inktober event and wanted to share with you on what I learned. Perhaps my lessons learned may help you in your sojourn of septillion steps.

As with anything you learn in Life, try to expand on it. Look for the broader lesson to be learned. One narrow lesson when broaden will help in all aspects of life. My deepest gratitude to my friend Badger Johnson for expanding my thinking on this.

OK, without further ado, here we go, below are the 7 lessons I've learned from participating in Inktober 2017 ...


1. Just let it go.


My first few pictures were drawn like what artists are taught:  compose/block out the picture, draw basic shapes, tighten up the lines, and clean it up. As time went on, I dropped the preliminary basic shapes and just drew the outlines as I was into 'gesture drawing' and not an accurate nor stylized or even lifelike depiction. My intent was to capture the action of the scene. My goal is to be semi-proficient with gesture drawing so if I had to take notes after a martial arts class or seminar, I could do something decent enough to jog my memory upon review later.


Broader Life Lesson


Sometimes to start something, instead of meticulous planning to the point of taking forever to start, jump right into the pool, so to speak!

 
"Just do it!"
~Nike motto



2. Find a focus.


Generally I'm a martial arts geek, and I can chat on various aspects of it. Just love the martial arts. However, when it came down to drawing a picture a day, as well as adding some notes for my research/studies, I was all over initially for Inktober. Witness the first 3 days:  Taiji, Knifefighting, and Yoga. I was stressing myself out on what to draw! With a then-upcoming knifefighting seminar I was to attend, a lightbulb lit up. I narrowed my focus to just knifefighting instead of the broad subject of martial arts. Lo and behold, I had focus. It immediatedly helped me on what to draw. Instead of being too broad, with the narrow focus on knifefighting, it was easier to draw pictures for Inktober.


Broader Life Lesson


Sometimes we wander aimless in Life. Find a focus. Work towards that focus, that goal. Although it's said that it's the sojourn and not the stop (my version of :  "It's the journey not the destination." :) but the sojourn is made easier if you have a general idea of where you want to end up or of what you want to do.


3. Journalling.


I've been meaning to journal. There are days when I had an interesting thought and I didn't jot it down. Despite the sophistication of mobile technology, I didn't log the thought on my smartphone during that 'Eureka!' moment. Later when I did have a chance to capture my thought, I've lost that fleeting thought ... gone back into the deep recesses of my pea brain.

I've found with a hardcopy journal, that writing thoughts down helped me tremendously with recall as well reinforcing the thought. Also, I felt a sense of satisfaction of seeing each blank page fill with my thoughts and a log of my learning. With each page or a few pages capturing that day, it was fun flipping the pages and recalling each precious thought and moment as if it just happened. As I have old man memory, the journalling is super-helpful!

The journalling system I'm using is called 'bullet journalling'. This system has helped me organize my journal better and especially at finding notes and information faster.


Broader Life Lesson


Capture your thoughts. They are pieces of a big jigsaw puzzle. The current thought you have may need one or more other jigsaw puzzle pieces to bring clarity to the current thought. Journal those thoughts and moments of Life. Everything is connected!


4. Extract the essence.


Some of my notes on my Inktober pictures as well as in my journal was too wordy. I had to learn to extract the essence of the teaching. By extracting the essence in a few words vs whole paragraphs, it made me look what I thought was the key concept(s) ... the main idea(s) ... there is extraneous filler that helps to reinforce or get the main concept across, but search out the essence.


Broader Life Lesson


Usefull Life skill ... instead of plowing through extraneous filler, by distilling the key concept, it helps you as well as others to get the main idea right off the bat. By developing this skill, it will help one to have a critical eye and laser-focus.


5. Deadlines are delightful.


"The ultimate inspiration is the deadline."
~Nolan Bushnell


Outside of 2 days in October/Inktober, I was able to stick to a schedule of posting 1 picture a day surprisingly. Some nights, I had extra time, and I 'cheated' by drawing 2 or more pictures to prepare as a buffer so I didn't feel the dreaded deadline. The delay of those 2 days was because I attended a knifefighting seminar and didn't prepare a buffer prior to attending the seminar. Got home late that night and well, slipped to 2 days behind. I, of course, caught up, but it was a bad feeling of being behind on a project. Needed catching up and luckily I did.

Deadlines helped me with time management. Although I confess, there were some nights I felt the burden of the deadline and I had no good ideas for a picture. Many people who deal with deadlines may freak out and come to hate deadlines, but that just means they didn't prepare properly and establish the pace needed to complete the project by the deadline, if not earlier.


Broader Life Lesson


Give your projects or your goals a deadline. Deadlines are your friends and not your enemy. Don't dread the deadline. Frame it positive! Deadlines are delightful! With a deadline in place, you won't meander all over. There will be a clear path to follow ... like going through a tunnel and seeing the light at the end of the tunnel.


6. Knifefighting.


I have a few books on knifefighting which I've read ages ago. My focus generally has been on stickfighting. It was a good opportunity to reread my knifefighting books as I was going to attend a knifefighting seminar. As it turns out, I learned/re-learned some things I didn't recall from my previous readings/research.


Broader Life Lesson


Even if you think you know something, revisit it. Get a refresher. There are some courses where it's a prerequisite that you retake the course 1 or 2 years later to be up-to-date on the current understanding/knowledge of the course.


7. Blogging is fun.


I was burnt out from blogging daily.

I was lackadaisical in blogging this year, although I surpassed last year's total output of 31 with 38 just in the month of October alone LOL.  The Inktober concept sounds simple enough:  31 pictures in 31 days. But the reality of the situation is that it is not. Steven Pressfield, noted author of the historical fiction novel, "Gates of Fire", wrote in his first non-fiction book called "The War of Art" about this. It is his manifesto of sorts to deal with what all creative people deal with be it 'writer's block' with writers, and whatever painters/artists/etc call 'writer's block' in their creative endeavors. Pressfield has named this writer's block of sorts to apply to all creative people's efforts as "Resistance". Resistance was kicking my butt big-time. I was down on all judges' cards going into the 5th round, 40-36, and I needed to get back into the swing of things with respect to blogging.

I'm not an artist. Out of solidarity I joined my artist friends with an eye towards killing 4 birds with 1 stone! I used the essence of Inktober to practice "gesture drawing", reread/research knife fighting books, blog daily in October as well as start journalling. Gesture drawing are simple drawings capturing the essence of the situation. My goal was to develop a modicum of skill in gesture drawing so that I can enhance my notes if I attended a martial arts class and/or seminar. As I was going to a knifefighting seminar, I used knifefighting as a focus for my pictures for Inktober. I drew in pencil onto the lined pages of a notebook which I used as my journal. I added those pictures along with any notes I thought was useful and posted to this blog. Ultimately, I used Inktober as a kick in my butt to start blogging regularly again.

A digression:  now that October/Inktober is over, there is a writing challenge in the month of November called the National Novel Writing Month, for short ... "NaNoWriMo". NaNoWriMo is committing to writing 50,000 words in the 30 days of November. That's it! Sounds simple enough? LOL Yesterday's post totaled a little over 1,900 words fitting 5 pages in MS Word. That's a lot of writing for me! I will use the overall framework of NaNoWriMo to blog regularly again.

One project on the backburner is my "Lessons Learned" series. I will start with the movies I like and found useful as viewed though a 'self-defense' lens. I have the lessons learned from 10 to 15 movies in various stages of being finalized and ready to publish. As I feel ambitious with this project, I may not be able to post daily ... seeking near perfection in each entry ... we'll see ... need to let go of the perfection and seek progress and post if good enough.


Broader Life Lesson

Find something you are passionate about. Find something that is fun to do. Make the most of your time. Instead of focusing on negativity and stressing out, focus on fun and passion. You will live a healthier and happier life!



There you have it, the 7 lessons I've learned from participating in Inktober 2017 as well as the broader life lessons derived from them. As always, I truly hope this helps you in your Sojourn of Septillion Steps!!




What was your favorite picture(s)/subject(s) I drew for Inktober 2017? Please leave me a comment and let me know!






WORDCOUNT

(This section I will not add towards November's tally as well as the header picture I used above... I will only use hand-drawn pictures or animated GIFs I've created towards Nov's totals):

This post: 2,022 words
November running tally: 3,958 words
Words left:  46,042

Tuesday, October 31, 2017

Inktober Day #31: Craig Douglas' Pikal: Some points and stance



Today marks the last day of October and if you have been following along with me, that means it's also the last day of Inktober where artists draw a picture a day in October. I am not suggesting I'm an artist though. I used Inktober to practice my 'gesture drawing' skills as well as read/reread/research knifefighting. Why knifefighting? Learn how to use the knife in order to know how to defend against it.

Can you believe it? It seemed daunting at the onset, but lo and behold, here we are! For my Day #31 of Inktober picture, I'm focusing on Craig Douglas' Pikal expression.

Thank you all for your feedback and support as well as joining me in this project in my Sojourn of Septillion Steps!




In case you missed my other Inktober pictures on stance I've posted, please check out:



And in case you missed my other SouthNarc/Craig Douglas entries I've posted, please check out:




OK, now that the above 'housekeeping' is done ...

(Begin Big John McCarthy voice :-)

Are you ready?

LET'S GET IT ON!

(/voice)



From "An Expression of Pikal"
Craig Douglas aka "SouthNarc"
Pages 1-2


Points
  • "Pikal" - Visayan dialect; means "to rip"
  • "RGEI" - Reverse Grip Edge In... Edge facing body... thrust-heavy application
  • Angles are simply the common #1 and #2 strokes in Filipino Martial Arts regardless of whether it's a diagonal, horizontal, upwards or downwards
  • Objective:  Bull through adversary, thrusting like a sewing machine, rapid-fire and ballistic
  • Attributes that drive the system:
    • Footwork - allows one to close and hit
    • Power - drives blade and sink tip through flesh/clothing
    • Mechanics - hook and clear the interrupted thrust line

Stance
  • Weapon side forward
  • Point facing adversary
  • Unencumbered hand behind weapon
  • On balls of feet for quick zoning in and out of range
  • Keep everything compacted

Notes

  • Face obscured because at the time, SouthNarc was still an active duty undercover narcotics officer in the southern USA when he shared his expression of Pikal, hence, his nick of "SouthNarc"
  • Rear heel raised
  • RGEI - prior to Craig Douglas sharing his expression of Pikal, there were not many instructors publically teaching the RGEI... any time you look in a book or article prior to his teaching, anytime you saw reverse grip aka "icepick" - the edge was facing out and not INTO the body!
  • Humans are generally stronger pulling in than pushing out and with RGEI, a lot of damage can be caused on the pull-in
  • More on SouthNarc's Pikal in the near future.





My drawings for Inktober 2017 - drawing at least 1 pic each day in October:



Monday, October 30, 2017

Inktober Day #30 - Michael Janich's/MBC's Abanico



30th day of Inktober! After today, only 1 more day and picture left! What a project!

Today's picture is on the Abanico technique as taught by Michael Janich that is common in the Filipino Martial Arts. 

My previous drawings/notes on Michael Janich / Martial Blade Concepts in case you missed them: 



From "Knifefighting:  A Practical Course" (1993)
by Michael Janich, Pages 37-38


"Abanico"


Caption

"Abanico" is a quick combination of two cuts. First cut is a 'meet the force' (your attack meets his attack) and intercepts the incoming slash. Immediately after the first cut, put your safety check in place and rotate your hand to flow into a second cut in the opposite direction. Moves are tight and fast. Draw your edge through each cut.


Notes
  • "Abanico" is the Spanish word for "Fan"
  • Combination of inward slash and a backhand slash thrown in quick succession
  • After the knife cuts, quickly rotate wrist to palm down and cut in opposite direction with a backhand slash
  • Can reverse the order of cuts
  • Can progress to doing two abanicos

One more day/picture tomorrow!



My drawings for Inktober 2017 - drawing at least 1 pic each day in October:


Sunday, October 29, 2017

Inktober Day# 29 - Hank Reinhardt - Old fencing trick


2 days left to October and that means 2 pictures left for Inktober! Can you dig it?

Flipping through Hank Reinhardt's book, this caught my eye. Hope it helps in your MA and/or your defense.



From Hank Reinhardt's Book of Knives (2012)

There’s an old fencing trick that can be adapted here, as well. Since the lunge is made from the left foot, draw the left foot close to the right. Your opponent will judge your effective distance from your normal position, but when you lunge forward, your reach will be greater than he expects.

I once taught a judo and self-defense class at a YMCA that had a fencing team. One of the fencers was interested in knives, so we made some dummy knives to work out with after class. He was good at fencing and had won several matches in the Southeast. He moved beautifully and with frightening speed. When he lunged, he had about a 30 percent chance of landing a good hit. When he failed, however, he would have been crippled or killed.

Or else the right hand, holding the knife, can drive the point into your arm, causing you to slice your own forearm as you move forward.

Fencing lunges are always preceded by some fake or series of attacks designed to bring the opposing sword out of line so that the thrust can reach home. This isn’t possible with a knife, so the thrust and lunge have to be made as a single movement, with speed as the keynote for success. It just doesn’t work all the time. To sum all this up, I would advise you against lunging. You’re safer staying with cuts to the arm and leg until you can move in and finish your opponent off safely.






My drawings for Inktober 2017 - drawing at least 1 pic each day in October:


Saturday, October 28, 2017

Inktober Day #28 - Bloody Brazilian Knife Fighting Techniques' Immobilizing Targets




Day #28 of Inktober ... October and Inktober closing out soon. What a spectacular sojourn this has been for me! Following up on my previous Inktober pictures focusing on targeting, today's pic is from Uncle Fester's "Bloody Brazilian Knife Fighting Techniques".

If you missed my previous Inktober pictures on targeting, please check out:


Below are some of my notes. HTH!




P. 6
For those of us who have faced knife-wielding assailants, there is a defining moment, that split second in which you realize you are facing ghastly wounding or death and you MUST act and act decisively.


P. 12
Know your targets - A knife allows one to flee, negotiate, hurt or kill the opponent. In contrast to a handgun, one can have, almost literally, surgical precision with it. A skilful fighter must have a thorough knowledge of human anatomy to be able to achieve the expected effect with each attack.


P. 20
Injuries on tendons, muscles or nerves - stop any bleeding by direct pressure and immobilize the limb. Protect the open wound with clean sterile dressing. It will be necessary to seek surgical intervention in a proper medical environment.


P. 25
Attack types

Knives and many other objects can cut or perforate skin and contuse. Criminals use the most diverse way to cause violence. Attacks can be categorized as:

Immobilizing:

Characteristics - The goal is to incapacitate the opponent preserving its life.
Targets - Ligaments, muscles and tendons. Avoid main arteries.

  • Eyes (avoid deep thrusts, superficial cuts)
  • Shoulders - muscles and tendons
  • Arms - Biceps and Triceps
  • Forearms - Tendons
  • Hand - Tendons
  • Knees - Tendons, ligaments (front and back)
  • Feet - Tendons and ligaments (front and back)

As always, I hope this project as well as my blog helps in your Training!



My drawings for Inktober 2017 - drawing at least 1 pic each day in October:


Friday, October 27, 2017

Inktober Day #27 - Fernan Vargas'/Raven Combatives' Fairbairn Vital Template


Misnamed this Inktober Day #28 LOL

4 more days in October, 4 more drawings for Inktober! I am glad you were along for the ride!

Today's topic is a variation of targeting that I have focused on for the past 2 days known as a Vital Template.

If you missed my previous Inktober pictures on targeting, please check out:


Good luck in your training!



From Way of the Raven:  Blade Combatives Vol. One (2014)
By Fernan Vargas, Master at Arms
Page 143




THE FAIRBAIRN TEMPLATE

W.E. Fairbairn was arguably the most influential man in the history of WWII era combatives. Fairbairn's system of knife work was extremely simple and effective for the context in which it developed. One of my favorite Gems of information from the WWII era can be found in Fairbairn's book "Get Tough". In "Get Tough" Fairbairn includes a very small section on the use of the Smatchet, a large combat knife with a leaf shaped widely used thoughout the British military at the time. In this section Fairbairn demonstrates four techniques in sequence. For our purposes we have adopted the sequence as a vital template, paying special attention to the targets demonstrated by Fairbairn. The Fairbairn Sequence is as follows:


  1. Thrust to the abdomen.
  2. Backhand slash to the carotid artery
  3. Forehand slash to the carotid artery
  4. Pommel smash downwards into the face



From Get Tough by William E. Fairbairn


Close-In Blows

  1. Drive well into the stomach (Fig. 116).
  2. "Sabre Cut" to right-low of neck (Fig. 117).
  3. Cut to left-low of neck (Fig. 118).
  4. Smash up with pommel, under chin (Fig. 119).
  5. Smash down with pommel into the face (Fig. 120).

Fernan Vargas' Fairbairn Vital Template is a little different than the sequence depicted in Get Tough which is very cool! An example of the classic Bruce Lee/Jeet Kune Do quote in action!

"Absorb what is useful, reject what is useless, add what is specifically your own."

I'm guessing that the sequence flowed better by dropping one strike, the smash up with pommel under the chin. Play with it, make it your own! Only you know how your body moves and what flows well and what doesn't. My understanding of Vital Templates in general is to emphasize Flow like water looking for an empty space to fill. Flowing between the targets and if met with obstruction, flow to the next target in the template.

Just Flow!

Source pictures from Get Tough below found off the Internet.





And my edit of the Fairbairn Vital Template as one picture.

I took the liberty to make a picture of the Fairbairn Vital Template from source pictures from Get Tough.


As always, I hope this helps in your Training!




My drawings for Inktober 2017 - drawing at least 1 pic each day in October:


Thursday, October 26, 2017

Inktober Day #26 - Amante Marinas'/Pananandata's 12 Targets



Day #26 of "Inktober"! 5 more days! Can you believe it?

Here's another drawing related to knifefighting as well as my notes below. Today I'm continuing on targeting. In case you missed my previous posts on targeting:


Below is my transcription as well as some comments.



From "Pananandata Knife Fighting" (1986)
By Amante P. Marinas Sr.
Pages 5-11


The Twelve Tagas

The eighteen basic attacks of pananandata may be grouped twelve at a time. The possibility of the repetition of an attack within the group of twelve movements will result in numerous combinations. By algebraic methods, the exact number of 12-taga abakadas (forms) may be determined. Though not directly applicable to combat, the twelve tagas , practiced diligently, will lend instinctive skill to the free fighter.

The twelve tagas have for their targets parts of the body from the groin to the top of the head. The twelve tagas consist of nine cutting actions and three thrusts. Two of the thrusts may also be delivered like cuts. Of the cuts, six are executed horizontally; two diagonally; and one vertically. Five of the attacks originate from the right, five from the left, and two from the center. The cuts, thrusts, and their targets are:

  1. Tabas talahib: Temple - RFH (right forehand) slash to temple, palm up
  2. Tagang alanganin: Jaw - RBH (right backhand) slash to jaw, palm down
  3. Tabas talahib: Biceps - RFH slash to biceps, palm up
  4. Tagang alanganin: Elbow - RBH slash to elbow, palm down
  5. Saksak sa sikmura: Solar plexus - Right thrust to solar plexus
  6. Aldabis sa ilalim: Groin - RBH slash to groin - palm down
  7. Saksak sa kanan: Chest - RFH thrust to chest - palm down
  8. Tagang buhat araw: Top of head - Right vertical slash down to head
  9. Tabas talahib: Neck - RFH slash to neck - palm up
  10. Tagang alanganin: Neck - RBH slash to neck - palm down
  11. Tagang San Miguel: Side of head - RFH slash to side of head - palm up
  12. Sungkit sa kaliwa: Side of face - RBH thrust to side of face - palm up

Note: Any mistakes in transcription/interpretation are mine.



My drawings for Inktober 2017 - drawing at least 1 pic each day in October:


Wednesday, October 25, 2017

Inktober Day #25 - John Styers' Targets



Day 25 of Inktober... day 25 of drawing a picture a day in the month of October. Staying with John Styers from the past 2 days, today's focus is on his targeting.

In case you missed my previous pictures on Targeting as well as my previous Styers' and related posts:


Below are my notes and comments. HTH!



From John Styers' "Cold Steel" (1952)
Page 67


TARGETS

After the fight you'll probably want to wipe off your blade. But if you don't hit anything you won't have to clean it; as a matter of fact, if you don't hit anything, your opponent probably will and what he hits will be PART OF YOU.

LOOK for targets on HIM, and let them feel your steel. IN A KNIFE DUEL, ANY TARGET IS A GOOD ONE TO BEGIN. THE KILL, HOWEVER, IS THE ULTIMATE.

Here are your targets:

  1. The hand that holds his blade.
  2. The heart which pumps his blood.
  3. The throat which contains his windpipe and blood supply to and from his head.
  4. His chest area which contains his lungs, heart, diaphragm and various other things he'd rather not have punctured.
  5. His back, below the shoulder blades. Thrust the knife INBOARD, toward the center of his body. Work your knife handle back and forth; this will do far more damage than a single thrust. In any portion of the back, chest, stomach or throat area PUMP THE HANDLE OF YOUR KNIFE.

Comments

Sometimes in Life one has a specific goal in mind, a target if you will. And if the target is obstructed, and won't be easy to achieve/access, then what does one do? Keep going for for the target? If you have your mind set on putting the square peg in the square hole, but you keep finding a circular hole, do you keep trying to force the square peg in?

Do not fixate on a target. Learn to flow. Look for the opening to your target but if obstructed, flow, take the target given to you! As Styers says above, "In a knife duel, any target is a good one..." Earlier this month, I attended a Terry Trahan knifefighting seminar. On targeting, he taught something to the effect of  go for the large targets.

Recall the Kelly McCann quote (writing as Jim Glover, in Guns & Ammo, May 1995):

"Any time sharpened steel meets flesh, flesh loses. Once the fury of flashing steel begins, it is almost impossible to stop without sustaining injury. That is the reality of a knife attack. That is what makes a knife so dangerous to fight against."



My drawings for Inktober 2017 - drawing at least 1 pic each day in October:


Tuesday, October 24, 2017

Inktober Day #24 - John Styers' Passata Sotto




WOW! Cannot believe I have been fairly consistent (outside of 2 days) in this Inktober project of drawing a picture a day. A week left!!

For today's topic in my knifefighting research, I'm revisiting the Close Combat classic, John Styers' "Cold Steel", specifically the Passata Sottto (I noticed too late my typo on 'Passato' in my picture).

In case you missed my previous Styers' posts and a related post:


As always, I hope this post, this project, as well as this site helps you in your Sojourn of Septillion Steps!



From John Styers' "Cold Steel" (1952)
Pages 68-70


Captions

  1. For an enemy attack, feint a low attack; draw his weapon low.
  2. When the opponent lowers his blade, attack his hand or wrist. (undrawn)
  3. Whip the blade up for a thrusting cut to your opponent's head.
  4. Attempt a straight thrust for your opponent's head or throat. (undrawn)

Notes


PASSATA SOTTO

Another means of getting your blade into your opponent, other than the direct manner from the guard position, is to perform a passata sotto in which you merely BEND THE TORSO VERY LOW and to the LEFT from the guard position. Thrust directly into the LOWER RIGHT CHEST or ABDOMINAL AREA of your opponent. This is a fine attack against an opponent who raises his right arm high in his attack, or otherwise exposes his lower right side. In some instances a left step may accompany the attack. This movement is also excellent for FAKING a low cut, drawing your opponent's blade low, whereupon you strike for his HAND, FOREARM or HEAD. If he refuses to be drawn low, you may safely risk an attack on his KNEE CAP.

Styers' Passatta Sotto is the Yang to the Yin of Bob Kasper's "Passata Sotto".

One concept, many techniques. Anytime you learn a technique, think broadly my Friends.

  • If you can feint low, you can feint high.
  • If you can attack high, you can attack low.
  • If you can feint low and attack high, then you can feint high and attack low.

Analyze and research the underlying concept of what makes the technique work. Play/explore the variables/factors. This is the Art of Learning!

One concept, many techniques.



My drawings for Inktober 2017 - drawing at least 1 pic each day in October:


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Stickgrappler's Sojourn of Septillion Steps