Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Wednesday, June 6, 2018

What's Harder? Erm...


Nobody dive in the gutter. I am double entendreing but neither is sexual at this point in my blog (early days, yet, I know)...

For some context: Welcome to Insecure Writer's Support Group and First Wednesday! So this is what I will get to first. THEN I will talk eating plan (I'm on day 24 gang!) *cough*

As for the writing... say it with me... WHAT WRITING!?

*now for the tears* So many tears.

But I can still answer QUESTIONS about writing, can't I? That's legit. I mean I haven't totally forgotten. I've just lost my discipline. So let's do that.

June's question: What's harder for you to come up with, book titles or character names?

Totally character names. Easy peasy.

Know WHY?

VOLUME. 

I only have to hit one title I'm happy with for a whole book and I actually have sort of a knack for it. But you know what? EVERY SINGLE CHARACTER wants their own darn name! Man, what a tedious exercise. I mean I usually do fine with my first 3 or 4, but then I begin to realize they all start with M, or some such nonsense. I need to get clever and have my names mean something. That would help. Or complicate things. One or the other.


These beauties make everything right
Now for the FMD Portion of this blog.

Know what is harder? All the parts that don't allow any fat. Phase I and II are BOTH hard, then I get to Friday and get to add healthy fat (avocado, nuts, olive oil) and suddenly life is smooth sailing. There are hard things about the supposed “soothing days” (soothing, my butt—I may be allowed carbs, but HELLO, no fat! Sooth Schmooth. It's not). And the protein heavy days... GADS! Five times a day and every single time is meat (and vegetables, sure, whatever) but that is a LOT of meat. Add to that the complication that the only meat I eat is turkey and fish. So the hard part is all the no fat part.

Know the irony? Those three days I get to add the fats back in are the weight loss ones. I'm not breaking any land speed records but averaging just over 2 pounds a week--always lost in those last 3 days when I add the fats back in (about 8 pounds so far and I have 4 days left).

I plan to MOSTLY continue, but the lack of fat on those 4 days is making my joints hurt, so I am adding in cooking amounts of olive oil on those two days and allowing myself the occasional social splurge or I will derail. I know myself, and I can do the no splurges for the 4 weeks (though I did have a couple splurges, but not bad), but to go on I need to make some allowances.

Tuesday, August 9, 2016

Mind Those Teeth!!!


I bet this is the only blog you see about teeth today, but I have an excuse.

So I just got a deep cleaning. For those of you unaware, this is what happens when you neglect your every six month check-ups and fall back on flossing. You end up needing then to dig in there and do a little cleaning UNDER the gumline.

My mouth hurts.

So don't do that. Floss at least 3 or 4 times a week. Go to the dentist every six months. It may not be your favorite activity, but it is better than the other thing...


And it's got me thinking... Teeth can be a really striking part of a person's appearance. I remember falling for a guy named Wendell in college because he had the same wonky teeth as David Bowie. He also had the two tone eye thing, but both were blue with brown specs, rather that one of each eye, but never mind. The mouth... that the crooked could appeal to me so much because it reminded me of Bowie...

Some people really love straight, white teeth, and don't we all want them, but that filed eye teeth thing movie stars do? Not for me. Gimme natural edges. I also prefer bigger teeth to smaller teeth, but it's not a deal breaker.

But OTHER than that straight, white teeth thing... how often are teeth mentioned in fiction? I mean grody teeth are shorthand for meth-heads, so there is a genre or two that get into that domain...

There is a Zadie Smith novel actually called white teeth... about a heroine with NO front teeth at the start... I remember liking the book but it's been ages, so I don't remember much about it, though I know white teeth were something associated with class and self confidence.

So how do YOU feel about teeth? Do you include them in your descriptions? What are your favorite tooth mentions in books? Unusual teeth on characters in movies or TV?

Friday, July 29, 2016

Where are the Tall Girls?


In books, I mean.

Other people may not be nearly so sensitive on this subject but I am very tall, as women go—about 5'11”. And it seems like especially in YA all the heroines are these little tiny things (the Mistborn series is the latest of many) or else no height is mentioned... believe me... if the heroine was tall, it would be mentioned.

Nancy and Barb--note how Barb stands out
I suppose the culmination of this thought, though, was watching Stranger Things last week. I thought Nancy was an emaciated pixie. But somehow, next to her, Barb just looked large. And I so identified.

Now I never made Barb's hair error—gads--being large enough to be somebody's mother makes you want to be DAMN sure not to have their mother's haircut. The glasses were bad, too, but that is just an 80s side effect—everyone with glasses had those. But yeahnana on the hair...

Anyway... that big friend that the boys never looked twice at? That was me in Jr. High and High School. And the closest I get in books is Lady Brienne, but Lady Brienne WANTS to be a warrior—her size suits her. What about the tall girls aching to be normal? The ones who didn't want to be basketball players, where tall becomes a super-asset. And I'm not talking side kick, or worse, nemesis (why are tall girls the villains?)

Anybody have any book recommendations for me with heroines that are TALL?

How I feel in every picture ever...

Monday, December 7, 2015

Character Lessons from Jessica Jones


First an apology for not managing to blog last week... Not even Insecure first Wednesday... I planned to. And then I lost my mind. So sorry about that...


So I confess I am mid RE-watch on this Netflix original series... and when I say original, I mean Netflix produced the story inspired by the Marvel comic books, which I have not read, but I have been assured from several YouTubers that Jessica Jones a la comics is a bit two-dimensional and definitely a side thought. The series though, is SPECTACULAR.

Now I am NOT GOING TO SPOIL PLOT but I do plan on giving some detail about character, which includes some relationship stuff and a bit of backstory, so I will say minor spoilers if you haven't watched. My focus though, is on a few character lessons.


Your MC Can Be Unpleasant If the Reader/Watcher Understands Why

(this harkens to Katniss Everdeen, too, but Jessica Jones has it in spades). And Jessica has an advantage her to Katniss. Her unpleasant snark is sometimes REALLY FUNNY. But she is isolating herself, cutting off the very few... okay one... person she cares about, pushing people around (sometimes literally) to get them to listen. But as the show reveals why, the watcher really comes to love her. She considers her major weakness to be that sometimes she gives a damn. And we understand that, too.



Relationships are COMPLICATED.

I think it is easy when we plot to think “this relationship is this way and that relationship is that way” but in reality relationships can be fluid changing things. Learning something about somebody can change how you feel. People can have a rift over some real life trauma so it looks like one thing, but the love there runs deeper than is apparent and if that comes out? WOW. Jessica's only real relationship is with her foster sister Trish and it looks at first like this naggy (on Trish's part) call when I need something (on Jessica's part) relationship. But digging down to the gritty details this is the most powerful friendship I think I've seen display in the media.

But in addition, Jessica has a couple of symbiotic relationships—people she doesn't like but needs, people she just feels irritatedly responsible for...

And she is drawn to people she shouldn't be for her own sanity...



A Villain with Charm is Scary as Heck

OHMYGAWD David Tennant. This villain's power is mind control. He says “you want to come with me” and you do. He says “cut out your heart” and you do. And he has NO conscience. He isn't even getting off on being mean—he doesn't care. He is annoyed so those are the commands he gives. But from a viewer perspective, he is vulnerable, charming, funny... and then he does something that drops the jaw. I think this nuanced villain is so much scarier than one that is just all evil. And and interview with David Tennant gave away what I think the key is here: See, he doesn't think he's the villain...


The Villain not in Isolation

In fact there is NOT just one villain. There are good guys who pose obstacles, they can be selfish people trying to take advantage, they can be idiots who think they can outclever someone... This show has all of them. Sometimes they foil the MC. Sometimes they help the villain (inadvertently or intentionally) and sometimes both. This show has all of the above and it's amazing what it does for pace and tension.

So have you guys watched? Any other character lessons you noticed? Any lessons you learned elsewhere you'd like to share?


Wednesday, July 1, 2015

When We Mirror Our Characters: An Insecure Post


Welcome friends to first Wednesday and the Insecure Writer's Support Group!

So I failed my WriMo in June. There's that... but on a more positive note, I started a serious edit of Also Appearing... where Leah Clarence feels like an extra in her own life. She has friends and family but always feels like she is in the background—like life is happening around her.

And then she falls in love... not real love necessarily, but that first teenage wallflower infatuation approximation of love... And he likes her back. And she feels special. And real. And like she is finally in a starring role in her life. And then suddenly it's over, but for just that brief moment she felt ALIVE. Living her life, not it living her... and she becomes desperate to get that feeling back without having any clue where it came from in the first place.

That is me.

I had a hole and my life went on around me. And then I got to writing and fell in love and dived in and was intoxicated with the magic of it. And at the moment I feel like I've been doing drugs and sleeping with strangers to try to get back something I must never have understood in the first place... Well not literally... But the Everly Brothers keep singing You've Lost that Loving Feeling...

So I am hoping this editing process, where Leah finally learns to live life on her terms, will help me with the process of getting my writing life back on my terms.

That's my story and I'm sticking with it.


If you are feeling kind, you should go check out the OTHER writers in the Insecure Writer Support Group.

And I totally forgot I was sharing VR Barkowski's arc winner today!  Lee Jackson from Tossing it Out--VR will be in touch!

Monday, May 11, 2015

Frenemies



You know what I don't see much of in books? People who don't like each other but are stuck pursuing a common goal. It is comedy gold and a really beautiful opportunity for character growth, but it had not occurred to me until just a few days ago that I should be taking advantage of this beautiful dynamic. I am definitely going to include it in my next book, but I thought in the meantime I'd talk about a few frenemy pairings that I really love.

Buffy and Cordelia

Cordelia is the self-appointed society queen at Sunnydale High and in comes Buffy who doesn't care about all that because she is busy fighting the vampires, but somehow Cordelia always ends up in the middle of it, snobbing her way along and learning and growing. Several times Buffy and Cordelia have to actually work together or DIE... it is great humor at first, but that growth stuff eventually makes it emotional and we are rooting for reformed Cordy.

Joss Whedon uses this a lot. Even just within Buffy there is also Buffy and Faith and Buffy and Spike. Or on Firefly there is Jayne with just about anyone...


Legolas/Gimly (at least initially)

The Fellowship of the Ring needed representatives from the different peoples, but dwarves and elves are notoriously anti-the-other. It really because noticeable when nine was narrowed to three. Loved their banter.


Percy Jackson and Clarisse

Not many people in the Half Blood Camp like Percy, but Clarice is a special kind of bully. Daughter of Aries, she is made for war, not love, and she is not thrilled to have a son of the “big three” (Zeus, Poseiden and Hades are sort of a tier above the other gods) show up. Needless to say there is a TON of posturing, but eventually Percy needs her and manages to convince her to help.


Dorian and Vicky (from One Life to Live)

You may not be soap fans and the show has been off the air for two years now, but these two divas from rival rich families, having affairs with each other's family members and friends... (you know soaps) but the show gave them some brilliant moments of danger where they had to work together and they were comedic gold and tear jerkers all in one.

Soap operas broadly have made good use of this: competing divas. Whether the day soaps or the prime time ones.


Game of Thrones/Song of Ice and Fire has a couple pairs

Brienne/Jaime: originally captor and captive and a rather mean back and forth but Brienne earns the respect of the snob and they grow to respect each other (is it love? The jury is still out but I think it miight be).

Arya/The Hound: Again, captive/captor but he becomes a sort of twisted mentor to her, teaching her survival skills she very much needs.


In all these cases there is a giant benefit from the comedy potential and the character growth possible from having to learn to work with someone a character doesn't like. Who are your favorite frenemies?


So I am not doing a second blog this week as I have travels for work but I will be back Monday for the blood, boobs and violence blogfest!

Friday, September 12, 2014

MEET MY CHARACTER BLOG TOUR


So I was tagged by Thomas Scott, a fellow Amazon friend who I met in the contest this year with a FABULOUS entry for an intriguing mystery. His entry for his blog hop is about his series detective and his post also introduces HIM—fascinating guy. I encourage you to head over and check him out.

Anyway, the purpose HERE is to introduce a character from our latest WiP. Specifically:


MEET MY CHARACTER BLOG TOUR

(the rules) This tour highlights a main character from one of your WIP/recently published or soon to be published work. The person who invites you will have a set day to post. You will post ONE WEEK after that. The authors you tag will post one week after you, and so on.

Mmmmm
I have decided to introduce you to Kenny, since I have been immersed in revisions for What Ales Me all month and so she is most of what I've been obsessing about.


1) What is the name of your character? Is he/she fictional or a historic person?

McKenzie MacIntyre (Kenny) is a divorced Microbrewery owner in Portland, Oregon, entirely of my own creation, though as my 10th book written, she probably has more in common with ME than any of my other MCs, before or since—I just have a history conducive to this story. Leanne (my superbeta) groaned at her name (Mac Mac? Really?) but she married into MacIntyre and GOES BY Kenny.



Isn't she gorgeous--I love this city
2) When and where is the story set?

Current day, Portland, Oregon—a city I lived in for a dozen years that is HOME for the microbrewery craze that is now nearly everywhere. It is the perfect city for a microbrewery based story, and it has the quirk to feed a not-quite cozy story as well.


3) What should we know about him/her?

She met her former husband while getting an MBA when she thought she wanted to work in marketing, then became disillusioned when the dot-coms went bust. She took a job (any job) at a McMenamin's and fell in love with good beer, small business potential, community based living... her husband wasn't so keen on her transformation (thus the EX). She is the non-custodial parent to a sixteen-year-old son and has built a successful new life for herself in Portland's Old Town.


4)What is the main conflict? What messes up his/her life?

Oooooooh. Ahhhhhhhh.
The arrival of her son for his first full summer with her since the divorce coincides with a series of local robberies and Rose Festival (meaning the busiest few weeks all year). Her son immediately fighting with a young man who works in the building behind the brewery increases tension... and then the dead body shows up—a message—but to whom and meaning what?

5) What is the personal goal of the character?

Getting to know her son again—forming a relationship with what is effectively a stranger, learning to wear a mom-hat and walk the line of parenting a teen, and then sorting what she wants in a romantic relationship (there is a bit of a triangle here but I don't want to spoil it). Oh... and keeping said son out of jail for murder...


6) Is there a working title for this novel, and can we read more about it?

What Ales Me has been my title from the start. I played with all sorts of beer-related titles, but there really have been no other contenders.


7) When can we expect the book to be published?

My agent, Ellen Pepus has seen the first chapters of an earlier draft and had some really great suggestions—the delay has been on me. I had a serial I just finished that has kept jumping in front of this in the revision line. I HOPE once Ellen is happy, that Berkley Prime Crime will want it—they are my Cozy series publisher and would be relatively quick to sell to if it is their thing, as there is already a relationship. If they were NOT to want it (or if Ellen thinks there is a better fit) it might take longer. My GOAL is to get it back to her mid-October. That said, the last time I sold a series, it was over a year from contract to publication...


So my TAGGEE will publish on September 19, which is Talk Like a Pirate Day, so I tried to think of writer friends with PIRATE characters, and I only came up with one... I am tagging Mel Chesley  as I KNOW she's got some pirates.

Mel and I have been blog friends for a few years now. I've always admired fantasy writers, but pirates, in particular just give me a happy, so I hope next week you will head over to meet Mel's character.



Tuesday, October 16, 2012

Damsels In Distress


You know... we are indocrinated with this... Disney's early stuff ALL was this. Snow White. Sleeping Beauty. Cinderella. I mean, sure, they had little animals giving them a hand until the man came around to do the job, but really, all of them had lousy lives sans MAN.

I'm glad Disney changed courses... Belle saves the Beast more than the Beast saves Belle... Mulan is tough. But still. Those FAIRY TALES...

Well... except Hansel and Gretel—Gretel thinks to make her brother look too skinny to eat and then shoves the witch in the oven, yes?

But mostly I think this indoctrination has led a lot of BOOKS to have damsels in distress too.

And you know what? I just can't tolerate that crap.


The first book that made me think... “HEY! I'd like to write books!” Was a Sidney Sheldon book I read in Jr. High where the heroine is counting on this marriage to this rich guy and then basically gets dumped, imprisoned and something else bad happens... I don't remember why... but while she is imprisoned she realizes SHE has it in herself to be her own hero. It was a bit Count of Monty Cristo, now that I think of it, though I read it before reading Count of Monty Cristo so I didn't know... but I loved the twist. [and it also explains the seeming non-sequiter pic of Emily Thorne]

And I have not been able to tolerate those dumb damsels since.

I mean SURE—everyone needs a rescue now and then...
And bad stuff happens to everyone—it makes for good reading.

But the damsel that needs the big strong man? No thanks. (I mean other than to dance like I like—we all need THAT kind of rescue now and again)


With the Garden Society Series I made a commitment early on—after reading one too many cozies that ended with the sleuth rescued by her hunka hot man crush, that MY HEROINE would be doing the rescuing, thanks. Not by herself. (She's not a ninja). And in the three books I've written she DOES get herself into a pickle now and then. But she is far more often on the other side of the equation.

In fact... Of the 14 books I've written, there is a female rescuing somebody in 12 of them... sometimes the rescuee is male, sometimes female (sometimes child)--the things they are rescued from range from abduction to bodily harm. I suppose they've needed rescues in probably six, but it doesn't seem as offensive to me when a person is on both sides of the equation in the same book.


Any of you have deep-rooted character peeves that you've carried through to most of your writing?


Monday, July 23, 2012

Visiting Denise Verrico

Art from Vice Magazine

Denise visited ME last week and today I am visiting HER with my thoughts on the different ways my different characters view and assess VICE (fun, eh)--so it's a little of a characterization exercise. I hope you'll come see me over there!

Immortyl Revolution

And she has graciously offered her short story collection to everyone who commented the day she was here--I will be contacting you individually, too, but just so you know!

Friday, June 22, 2012

Visiting Talli and Girls Just Want to Have Fun Blogfest


So I am ALSO over visiting Talli Roland today, talking about wine and coffee and my characters... (These two characters, actually)

part of a blogfest today called Girls Just Want to Have Fun, whereby one of my girl characters is supposed to interview another of my girl characters (same book, different book, doesn't matter) about what they like in that special guy.





I've done a little twist on this, as the characters I want to use are a little old to be quite this giddy, so I've taken them back about 15 years to a journalism class in high school where they were required to interview each other.


ANNIE: Can you believe this? Like anyone in this class has ever done anything interesting.

CAM: You have. You're a senator's daughter.

ANNIE: Believe me, every person in this ROOM was born. It is not exciting. And who I was born to is my curse, not my exciting experience.

CAM: So what do you suggest?

The actress closest to my Annie image: Sarah McLeod
ANNIE: Tell me about your dream hunka hunka man.

CAM: *snort * Who are you and what have you done with my best friend?

ANNIE: No, seriously. Inquiring minds want to know what would drag Cam out of her extreme focus on her future?

CAM: Fine. I suppose he'd be a little ambitious, but in an ethical way.

ANNIE: You are so delusional.

CAM: What?

ANNIE: The two things are mutually exclusive.

CAM: They are not! I'm ambitious and ethical.

ANNIE: Yes, but you have two X-chromosomes, so there is the ability for one to balance the other. It's like a calico cat. A boy can only be black and white OR orange. A girl can be both.

CAM: Do you want me to answer the question?

ANNIE: Yes, yes. Tell me about this dream boy.

CAM: Athletic—not like a super jock, but fit.

ANNIE: Well sure. What's not to like about fit?

CAM: *rolls eyes *

ANNIE: I'm just sayin'.

CAM: And he'd like to think and have deep conversations.

ANNIE: So what you really want is a girlfriend.

CAM: Shut up. I do not.

A debate that will repeat for these two many times...
ANNIE: Fine. Boxers or briefs?

CAM: Well briefs are so much tidier.

ANNIE: Big mistake there. If things are too tight down there, then things get too tight in his head. There's not an open-minded man alive who ever wore briefs.

CAM: Oh, there is, too.

ANNIE: Prove it.

CAM: I don't know.

ANNIE: See, you can't.

CAM: I just haven't seen very many boys in their underwear.

ANNIE: Trust me. I'm right on this one.

CAM: Who's interviewing who, here?

ANNIE: Right. Okay, what is your biggest date horror story?

CAM: You already know this one.

ANNIE: Yeah, but I want it on official record.

CAM: Please don't make me tell this story.

ANNIE: Chicken.

CAM: Fine. Ninth grade. Tommy DeLuca. He invited me to that party and I thought it was... you know... a party. But it was totally just a pair off and make-out party and I didn't like him like that. I spent three hours hiding from him in his own house to avoid kissing him without hurting his feelings.

ANNIE: See, you had two other options that never even crossed your mind. Kiss him anyway, just for fun. Or tell him how you felt.

CAM: Which would you have done?

ANNIE: Both.


Monday, May 28, 2012

The Beauty of a BFF

Azalea Assault's Main Character is PERFECTLY suited to solving mysteries. She has been professionally trained at damage control is just a little bit nosy (okay, maybe a lot). But for the most part, Cam is a rules gal. She is professional and a little conservative in her ways. She is balanced though, by what some of you may recognize as... well.  Me.  I mean it's more complicated than that, but Annie has a guest blog today over at Killer Characters. I'd love you to take a look.

And if you are curious what Annie LOOKS LIKE in my head, Rosie's mix if happiness and mischief is about what she looks like. Only significantly more contemporary... well okay... sort of hippie contemporary... And she has a pierced nose. But short and curvy and always trying to pull everybody into trouble.

Back to real posting tomorrow!

Thursday, April 19, 2012

Quirky Quagmire

I think most people have strong opinions about quirky... quirky characters, quirky settings, quirky plots... even quirky language. Now you don't have to have the same opinion for all these things... many people can take their quirky in doses, but not swim in it.

The height of quirk
But there are some people with fastidious intolerance where the quirk comes in... some of these happen to be literary agents.

It isn't always the first thing you screen for when you query... are we a match on the quirk? But I've seen some full-on intolerance.

This confuses me.

What the heck is wrong with quirky? It gives flavor, humor... what's not to like?

But I think the PROBLEM is people have used the TERM quirky as a synonym for say... irritating... or weird (and yes, this may indeed BE a synonym in some uptight, fussy person's head). But I think people ALSO use the term if a character is inconsistent (which is a no no, and NOT quirky, but unrealistic--so this is a penalty for other people misusing the term, if you will...). Quirky sometimes means over the top, which can work—I will give a couple examples momentarily, but over the top HAS to be done humorously—serious can't carry over-the-top. (and honestly, not everybody has a sense of humor, sad as this may be. If you doubt this, read Twilight—not a humorous thing in the whole book. No laugh, no joke, no incongruence where the author intends a giggle. I suspect poor Meyer has no humor. And I pity her. It's true. People who take life so seriously have no fun. If she spent some time naked now and again, she'd write better. *cough*)

So you've been warned. When you make your agent short list, look up their views on quirky. Find matches or you are banging your head against a wall.


Favorite Quirks

Characters: Luna and Tonks (Harry Potter), Foxface and Beetee (Hunger Games trilogy), Bilbo Baggins. The Cyclops half brother of Percy Jackson.

Quirky settings: Life of Pi (a small boat with a tiger:  perhaps missing the humor to quite pull this off, but it might have been my frame of mind reading), Through the Looking Glass.

Quirky plots: Even Cowgirls Get the Blues, The Graveyard Book. Tom Robbins and Neil Gaiman are MASTERS at quirk.

Quirky tellings: The Book Thief (strangely humorous for a Holocaust book), A Series of Unfortunate Events

Quirky language use: The Color Purple (here, not humorous, but poignant), The Golden Compass


The BOOK, not the movie (never seen the movie)
Now books like Harry Potter had several quirks... all the details of the courses, spells, games... the historical figures... but it was set up in a fantasy setting, so it took more... but STILL some of the quirks were particularly quirky.

I think probably the quirk winning writer favorite of mine, though, is Tom Robbins. He twists and turns and bends and it is a wild good time... and not everybody gets him. I had a phase where I judged my compatibility with people by whether they got Tom Robbins or not.

I should probably mention that I won't probably be working with anybody intolerant of quirky, even if most of my stuff doesn't push too many boundaries... My BFF of my MC in my cozy series, though, definitely qualifies.

AND of note!  RaShelle Workman has given a fabulous boost for Elizabeth and I and our book release today, so THANK YOU, RaShelle!  (And anyone interested in the Crazy Cozy Blogfest June 5th, please click the icon in my top right 'I'm Doing What?' box!)

Tuesday, February 15, 2011

Stepford Books



So I'm reading this book... it started with this excellent action sequence, detailed and riveting. It has world intrigue, huge stakes, a hero trying to get out of the spy business but pulled back in for one last gig... Everything, right? So why am I grumbling?

It is too perfect... only... not quite... The author did everything right. EVERYTHING. But the seams of what the author is doing are... visible? I can see the evidence... (s)he is trying too hard...

It's funny, because I am ALSO listening to the Harry Potter books on tape, and noticing a preponderance of adverbs... Yet those are my favorite books EVER... Big no-nos everywhere, but it flows seamlessly and I'm tickled...


So what's my problem?



Pretty People

Y'all might have heard me grumble about pretty people, yes? How ANNOYING they are... *cough* I may be the only person who is quite so irritated with beauty, but I can tell you something. A person (real or fictional) who is gorgeous, smart, virile, coordinated and rich? 999,999 times out of a million is also an A$$HOLE. People just do not GET every blessing.

Let me share a little of an old debate I used to have with my Potterheads on this topic:


Sirius Black...

Hot.
Rich.
Brave.
From a family virtually devoid of decency and love.

In Order of the Phoenix Harry watches a memory of a girl looking longingly at Sirius. He doesn't even notice her.

Some of my (naïve) friends thought he just had more important things on his mind. A fifteen year old boy? Seriously?

I THINK he takes girls for granted. He can have anyone he wants any day of the week... he is a flavor of the day guy. You got it. Sirius was a PLAYA... I can't conceive of it any other way... thereby giving him the crucial flaw he needs to seem REAL, because if he was really all that fabulous AND was just concerned about his friends *gag*

Character like James Bond? ALSO a PLAYA...


Now I actually have a beauty queen in my Cozy Mystery who HAPPENS to be beautiful, smart, rich and nice... but she has some deep secrets... a couple that come out in the first, a few more later... and before readers see too much of her, it's possible she's mentioned as a murder suspect.


I just feel very strongly that characters who are too perfect are NOT credible, and worse... not INTERESTING.

You CAN though, SALVAGE the situation... Take Princess Natalya from War and Peace... beautiful, rich, well matched for marriage... makes a BAD mistake and LEARNS from it... So if you MUST have pretty characters, it would be wise to be really rotten to them.

And you know... I'm not the only one who thinks so... Ted Cross did a blog just yesterday on unbelievable characters.



Perfect Prose

The next piece... I guess as a reader, I don't want to be able to see the decision making process. “I need to have some of this, and then this kind of sequence, and then this...” I get that there is an underlying formula for thrillers, but it needs to flow fresh and new. Surprise me! Make me LAUGH. Make a mistake! Make sure your MC is not prepared for every darned thing!

There is definitely worse criticism to get, but I think this novel might have benefited from a few rounds of smoothing.



Speaking of smoothing...

You know I've been editing Legacy since I sumbitted Kahlotus for ABNA, yes? Well I am officially done with the 'big-edit' round. I am smoothing it, then sending it to the FABULOUS Jenny Milchman who reads family suspense and hopefully can give me a genre reader's opinion on whether I am on the right track.

So there.

Wednesday, January 19, 2011

Point of View

I have a strong preference for third person close... so strong, that I'd never tried another until November when I wrote a YA mystery in first person for NaNoWriMo, but the book I am currently editing had initial INTENTIONS to use first person for the ghost. I had written a prologue that was then set aside and I couldn't find it when BuNoWriMo (The Burrow held a WriMo last June) started, so I just wrote... it came out in 3rd person. I found that prologue, though, when I started editing and realized first person really was a lot stronger for this particular story.

Very soon after I started the change I found this great blog post from VR Barkowski about a conversion SHE had been doing. This post from Sarah Ahiers also talked about point of view... and I thought maybe it was time I dived in with some of the things I think I'm learning.

(really Kahlotus-->)

For starters, I'm not sure I would have even NOTICED most of this had I not done this CONVERSION. When I wrote my YA Mystery in November it was just sort of natural... modern teenage girl... just a year older than my own daughter... I didn't feel like I had to think that hard (I say from a pre-looking again PoV)

Converting a PoV though, that was originally written in 3rd person... and a far more UNUSUAL 3rd person... has taught me several things...



First, Who IS SHE?

Helen, my ghost, died in 1952. She committed suicide at age 15 to escape the horrors of the mental institution where she has been placed because her widowed father wasn't sure how to deal with her epilepsy... So she has come out of a scene like One Flew Over the Cuckoos Nest...

And finds herself among modern delinquent teens...


More than 'She to I'

(<--Also just outside Kahlotus)

As a 3rd person narrator, I have some adult words that I used to describe the action. Helen would not talk that way. There is also a formality to 1952 that no longer exists... and a respect for elders modern teens seem to have forgotten.


“She pondered the idea” becomes “I wondered if maybe”
“She'd despaired on” becomes “I dreaded”
“Helen smiled” becomes “I loved this, one of my few joys”
“perhaps” becomes “maybe”

Because see... Helen is YOUNGER than me, and also lacks my confidence. So her language is simpler and holds more hesitancy.


Observations

As narrator I can make attributions about other characters that Helen CAN'T—there is no way she would KNOW...

For instance, I had an observation of 'Lily, the least pregnant of the pregnant girls'--but Helen doesn't know that. None of the pregnant girls can see her, so she hasn't talked to them. Lily becomes, “The pregnant girl whose belly is smallest”

I also have to give some uncertainty to what she thinks the actions of others mean.




Character's world and Affect on Word Choice

One of Sarah's points had to do with her (male) character and a critique she'd gotten about (questionably) female words, but that triggered my TIMING issue...

As narrator, I could say “Helen had never seen a computer before”. As HELEN I have to talk about the strange briefcase with the TV in it. There are a lot of modern things that Helen has no framework for and I had to carefully watch for those and make sure I put them in terms SHE might have to think of them in.


This has actually been a really fun exercise in character development. It is harder to maintain the voice for me with “I” than in 3rd person, because in 3rd person I am me telling a story. In first person, I have to be my character. But this means I've had to think about more aspects of her.


Side Note:

My daughter is participating in a sleep study for the next three nights. I still plan to BLOG, but it's possible it won't get done before I leave for the lab, so they may be posted later on Thursday and Friday...


Content generated by Hart Johnson
First Image official Kahlotus City Data, second, 'Geocache for Devil's Cataract'
All posted first at Confessions of a Watery Tart

Happy HING day!

Wednesday, December 8, 2010

Evil and Rotten!

So Tuesday is Mr. Tart's class night (that, and Sunday daytime)... I got home last night to make dinner for the childings... come inside... it's dark and quiet. I holler. No answer. I go to the top of the stairs and holler again. No answer. I turn on the tree and lights in the living room and go to the porch for a soda. Dog is whining. I let him in and ask him who left him out, but mostly he just wiggled his butt and gave me the greeting whine. I came downstairs to turn on the computer... dark. I went back upstairs and picked up the phone, calling my daughter.

No answer. I try again... I hear, “Mom! Why are you calling me?” Both kids had been hiding in the basement... *rolls eyes*

But that isn't actually evil... just a little naughty.

What I am REALLY here to talk about today was inspired by one of Colene Murphy's questions yesterday. She was asking about evil... evil PEOPLE. She watches a show which I've never seen about really horrible people, but her question was... how might they be different if somebody had helped? I have some educational knowledge here for the real life case, so I thought I'd start there, but then take that a step further and look at how we can use that for our villains in our fiction.



The Psychopath and the Sociopath

Now if you don't know the difference between these, you're not alone. There is actually some professional disagreement on the matter and both fall under the heading Antisocial Personality Disorder. I actually had to look them up, as they are often used interchangeably, especially by lay people. What I got out of the description I went to though, is a Psychopath can fake it better. Both lack empathy, are manipulative, can be cruel. But a psychopath takes the effort to observe and learn how one ought to behave and so SOCIALLY can seem quite charming. The sociopath can't hide his pathology in a social setting... totally makes sense... one's pathology is limited to psychology (Psychopath), the other also extends to the social domain (sociopath). It isn't clear whether this is because the sociopath lacks comprehension to learn those skills, or lacks desire (doesn't care what anybody thinks), but it means that the Psychopath is infinitely scarier because we don't always know who they are.

The rate in prisons of psychopath/sociopath-ism (according to the Google *shifty*) is 20-25%, though the manifestation is more often scamming and scheming than violence. The motivation of a 'normal' criminal tends to be hardship, learned benefit (living somewhere criminals have more than non-criminals, or at least fewer negatives), difficult upbringing... in a psychopath they enjoy pulling one over... tricking—proving their superiority over others.

The key here though, to part of Colene's question, is the brain issue... YES these people do tend to have a genetic propensity, that is—their biology is different. HOWEVER, in order for the disorder to manifest itself (aka: show up) there also needs to be 'nurturing risk'--abuse, horrible experience, learned behavior—it won't show up all on its own (though it won't show up at all in others).


MOST Evil People...

Well that depends on what you mean by EVIL... in reality, most people who can be seen as evil believe they are doing the right thing—they just have really messed up thinking on the matter (typically taught, sometimes tricked). They have justified to themselves, either that the ends justify the means, or that the means themselves also are okay.

OR...

They have been put in desperate circumstances and think they have no choice (perhaps they are cowardly)...

In the above examples, to use Harry Potter examples, Voldemort is a psychopath—born with the Slytherin bad blood, but raised in neglect without love. Umbridge is a good example of thinking she is working for the greater good and the ends justify the means, and Wormtail is a coward who sees this as the only way out.


It would have taken an awful lot to have made Tom Riddle NOT AWFUL, but I think it could have happened. And for the Umbridges and Malfoys, they would have had to be raised differently, but they really are products of what they are taught. I happen to hold the Marauders responsible for Wormtail. I think he was the picked upon of the group and if they'd shown him more kindness he might have found it in him not to turn on them.


NOW what about in YOUR BOOKS?! What do you need to keep in mind?

For starters... I would say even though Psychopaths are the scariest bunch in real life, I don't think they are nearly as interesting to read. I mean... I know there are exceptions... somebody like Hannibal Lecter has a certain CHARM that makes him fascinating in spite of himself, though I would argue he is at least as fascinating because of the exception he makes of Clarisse as he is for anything awful he does.

I think it is far MORE interesting to read about a villain that we can understand... someone who is bad because of hardship or because they've been badly misguided by trusted figures... manipulated, used, abused. A villain is much more fascinating if we can say, “holy crap, I could see that,” and wipe sweat from our brow in relief that we didn't have that happen—don't you think?



The Interesting Case of Severus Snape.

Is there a better character in literature? Not many. People STILL (series over) argue whether he is good or bad. We see bits of his childhood—abuse in his household, bullying by his peers... ACCEPTANCE on some level from the deatheaters (most speculation suggests he is recruited for talent, though the canon on the matter is much more vague). So he works for the bad guys. He does horrible things. He is a NASTY PERSON (bullying Neville, for instance, or Hermione), yet.... he is trusted by DD... and the book 7 reveal... well I won't go into it in case you haven't read or seen, but he's a GREAT example of how compelling a character can be who initially seems one thing, then another, then we understand a little better so it is yet a THIRD thing... There are at least 5 iterations of Severus Snape in those books.



So what are the things you can do to make a compelling hero?

* Create a backstory with WHY they are like they are. (this doesn' t mean you have to put it all in the book, but you need to KNOW it and HINT at it)... bad experiences or indoctrinization in some wonky thinking.

* Give a compelling motive that actually RELATES to the story.

* Make them SMART. (except possibly in cozy mysteries) But a dumb villain is not worthy of the effort to solve the crime.

What else? Can you think of things that make for really compelling bad guys?

Tuesday, October 12, 2010

Jugular

If I have a writing weakness (okay, so AMONG my list of writing weaknesses), it is that I am TOO NICE. Oh, I know... one doesn't usually think of your happy neighborhood dominatrix as a warm, cuddly thing, but really... I get attached to my characters... I want good things for them. I mean sure... a little mundane emotional torture, but really putting them in deep danger? Doing horrible, rotten things to them? I have a hard time doing it. So I thought maybe we should explore some ways to make ourselves meaner... you know... on paper.

1)  Read some really bad literature and ponder how THAT book got published and yours didn't.
2)  Record a reading of your rejection letters and play them back to yourself while you sleep.
3)  Give up caffeine.
4)  Start an strict exercise routine so your muscles all hurt.
5)  Call upon memories of a cheating ex.
6)  Think of a time YOU got in trouble for something someone else did.
7)  Play some computer or video games and find out how much fun it is to blow stuff up.
8)  Write a SIDE STORY where you torture a character you really hate from one of those bad books in step one and realize if you are truly ROTTEN, it is actually fun to READ.
9) Think about your cantankerous partner getting rid of something you love because it was 'in his way'.
10)  Make yourself wear pants. Pants make EVERYONE mean.


Justice

While I am too nice, I am NOT a happily ever after gal. Endings that are too tidy or where 'love' is the solution to everybody's problem are a little too saccharine for me, but there is one thing I really am a stickler for in my endings. I want to experience some sense of JUSTICE. I want the downtrodden to get a little triumph. I want the arrogant jerks to get their comeuppance. I want the sweet, innocent people to have gotten a little dose of reality *shifty* (maybe that last one is just me). I can live with good stuff for the bad guy if he or she has gotten a really hard lesson.


Jaded

You know what I really can't tolerate. Beautiful people. I mean I can if they are a side character, and their behavior is either stereotypically bitchy or disarmingly NICE. But beautiful people as MCs who seem oblivious and have no CLUE they are beautiful? Not buying it. Characters everybody wants to date? Then they darned well better either be a jerk because of it, or embarrassed by it. They certainly are AWARE or they are NOT realistic. For some people, beauty is a tool, and they use it. For OTHERS it is a burden and they hate that they can never tell whether others are genuine or not.

I also hate the 'romance formula'. I can get along with OTHER BOOKS that include romance... romantic suspense or chick lit with some side romance to go with a nice dose of personal growth. But a man being the answer to a woman's problems is never going to ring true.


Jcounter *shifty*

One year ago today I added my stat counter, and I am thrilled that in that time, I've had 55,000+ blog hits, and according to the counter, that is by almost 19,000 individuals (though I am skeptical of that). I also had my 116th country yesterday and LOOK how darned cool that flag is! (Martinique)

Monday, September 27, 2010

Characterizing Characterization

So Friday's blogfest was a BLAST. I'd really like to thank Alex Cavanaugh, Elana Johnson, and Jennifer Daiker for a FABULOUS topic and some very interesting takes on creating characters... SO interesting in fact, that I am not willing to drop it just yet.

What struck me is how different we all saw it. Every person looked at it differently, but there are some CATEGORIES of approaches that I thought might be useful.


Which comes FIRST the Character, or the Plot?

I noticed that some people thought of their characters first (sometimes fully formed) and THEN thought of something for them to do... (or something that would happen to them). Other people couldn't do character until they knew the STORY.

People who really needed to have the characters down did clever things like interviewing them, writing full profiles, depending on psychological 'types'. (I was the only person who assigned them punctuation, but I also tend to do that after the fact, and honestly.. I've never DONE that *shifty*).

Other people needed characters to develop more organically—within the context of the story.


As with most things, I am a bendy sort... I need to know the characters before I write the book, or they won't behave consistently, but I can't 'know them' without writing them IN ACTION. I start with a couple scenes... sometimes those scenes survive, sometimes they don't.


Trait Inventory

Some people had qualities they insisted on: Smart, brave, flawed, unattractive (LOVE this one, though it's an exaggeration to how it was presented... but I am also in the 'can't be too beautiful' camp—pretty people annoy me). It's also nice if characters are capable or learning and growing.


The Telling

And then there was the school (of which I subscribe) that any character (with the probable exception of Bella Swann) COULD be written to be compelling. It is in the HOW. The reader needs to be made to CARE. That doesn't require LIKING the character, it just requires making the reader HAVE TO KNOW what happens.

There are a number of ways to make readers care about the character. I saw blogs about giving them a history, relationship... think, for instance, of Katniss Everdeen in the Hunger Games. She isn't necessarily LIKEABLE, but she takes care of her family when her father dies, she then volunteers herself for the 'games' so her sister doesn't have to go. Those two things buy a lot of leeway from the reader for this prickly character.

Even a pedophile like Humbert Humbert is compelling in Nabakov's capable words. THAT one, we are let inside his head and participate in his delusions—the 'minx-like' behavior he can't resist.



But I think my real question of interest, is whether this character creation thing is a little like the plotters versus pantsers thing... I think it MIGHT be. Do plotters need their characters sheet with all their traits, likes, quirks, where the pantsers allow the characters to develop with the story? Does this ring true to you?

I am in the middle on both fronts. I don't OUTLINE, but I do TIMELINE (and follow with about 60% success). And characters sort of COME to me, but before I DO THAT full timeline, I have written the scenes and have a pretty good idea.




So that's my question: What do you do on EACH?

Plot/Pants
Profile/Organic




[Editing Note: I am making good progress in whipping the WiP into shape, but MAN is this a slow process. I've got all my planned edits marked in some form or other, but going through and getting them in is big... I'd say I'm maybe a quarter done with that part...]

Friday, September 24, 2010

Compelling Characters PUNCTUATE!

*cough*

Okay, so I got a couple things going today, but y'all know I'm nuts, so I thought maybe you'd just roll with it with me.

First up... Alex Cavanaugh and co-conspirators are holding another BLOGFEST! (Two in one week? Are you nuts? Well I think you know the answer to THAT one.) The theme? Writing compelling characters! As writers, it is so important to do, and it is so obvious when you have and don't have them... but how do we GET THEM? (hold your breath—I'll get there)

Second! (and I warned you about this) It is NATIONAL PUNCTUATION DAY! Wahoo! (I talked briefly about THIS on Wednesday.

And because I am thoroughly insane, I thought what I WOULD DO is combine themes! *shifty*

(okay, now breathe)

I considered using MY characters, but you don't KNOW that, and since I have swim meets to attend and needy children this week, I thought characters most of you know might be more illustrative...


Period Characters: These characters behave predictably (and make the rest of us do the same). Most stories have a couple and stories that DON'T can be somewhat exhausting. They are the nice balance against which all your other characters contrast. They are stable. And they give you a chance to breath. They might offer up a surprise or two (what book can tolerate characters with no interesting details or activities?) but like Minerva McGonagall, they are always reliably present. (in fact their absence is a bigger disturbance than anything else could be). Hermione falls here, too, as does Hagrid, ironically.

(My MC and her beau fall here, partly I think, because I find rational characters in irrational circumstances can be fairly amusing.)



Question Mark Characters: These characters seem like one thing, but may very well be another. There is some answer to find, some resolution to seek. In the genres I write, these characters are essential—they would be the suspects, unknown bad guys, conspirators... Or they might just be people we don't know very well and we really want to know what makes them tick. Mad-Eye Moody of his first incarnation... Sirius Black... Maybe even Ron, with his mood swings and insecurities. But the biggie, is HARRY—Why DID he live and what is his connection to Voldemort?

(ALL the suspects, except one... you'll see her in a minute)


Exclamation Characters: These are colorful, loud, and used well, can be exciting, but you don't want very many of them... Fred and George! Tonks! Dumbledore! (you can't deny, Minister, the man has style)

(My MC's dad, who seems quite popular with the ladies...)


Interrobang Characters ?!: WAHOOOOO! Can you say WILD RIDE! These characters are over the top, unpredictable, and somehow can pull off what the exclamation characters can't because there is some QUESTION about them in addition to the excitement. LUNA!

(My MC's best friend and primary sidekick “I'm naked!” (she might have some of me in her))



The Helper Characters

Comma Characters: every story needs a couple place holders to set the pace—to keep things working in the flow you want... commas are one variety (the most boring, but least distracting form—only annoying when you get too many in a row. Parvati, Hannah Abbott, Justin Finch-Fletchy...

Ellipse and Em-dash Characters: These have a similar function but are a lot bossier about it, so you want to keep them to a minimum. I would classify Arthur Weasley as an Ellipse—he is whimsical and fun and adds... his wife, Molly however, is an em-dash—fierce, but for your own good.


Semi-colon Characters: I hear female writers have lots of these *shifty * They reinforce that two characters go together by being the pause between them... Cho Chang romantically but I think Neville is the best example (I say Neville because he often accentuates why things are so hard... he brings out the best and worst in others and allows us to see clearly (look at what he brings out in Draco versus Harry)

Colon characters: These try to increase order by annoying everybody. *cough*  Seriously though... these characters instill structure that inadvertently work against our characters... (the police officer who is set in his ways and won't listen to my MC, for instance.) Most of the Ministry, Dolores Umbridge in particular, but Cornelius Fudge, too. (and their chocolate frog babies )


The main important point though (yes, there is one) is that a great story needs a combination... the periods to keep it flowing in an orderly fashion, the question marks to keep us curious and engaged, the exclamation points to shock us now and again, and the commas and such to break it up a little and make it flow in a little less choppy a fashion. And if you are REALLY LUCKY, you can create an interrobang character that people will pull out as an example of beloved, inside or outside the story, for ages to come.

So there... Now you're insane to.