Showing posts with label YA. Show all posts
Showing posts with label YA. Show all posts

Monday, June 29, 2015

Half Year Reading Assessment


So last week I didn't even manage a blog. I suck. I want to be interesting and I got nothin... but as tomorrow marks the end of the first half of the year and I had a couple reading goals/projects, I thought I'd share a bit about what I've read and what I recommend YOU read.


The Read Your Friends Project  (aka Blog Buddy Book Review)

Nasty by Bret Wright (Mystery/Thriller)

Nate Jessup is a PI in the Pacific Northwest and as the story begins, Nate is in the wrong place at the wrong time. He is held up by a desperate man who really just wants help getting away from the beach where they encounter each other, or more specifically, the MEN on the beach who are trying to kill him. Nate ends up with his car exploded and some people after him who think he has something that he doesn't.

The tone of this has a lot in common with the hard boiled detective stories of old, but I felt like it had a lot more heart. Nate isn't a caricature—he has some demons, sure, but he is also balanced—a good person who has just been through some stuff. I also loved the Pacific Northwest setting, though that may be because I have roots there myself.

Overall I loved the tension, story and the nice sprinkling of humor to keep this balanced. And excellent debut.


Dragon of the Stars by Alex Cavanaugh (Sci Fi—Space Opera)

I enjoyed this space jaunt. The characters were well thought out with complete arcs and Pendar had some very tough choices to make. I particularly loved Tamlin—his weapons leftenent (though I may have that title wrong)--she is his hard working and talented wingman with a gift for sincerity that makes her both a bit awkward and very endearing. I liked the moral dilemma at the core of this story and the character growth shown by Pendar, who is initially so focused on his career that he fails to quite comprehend that there are people around him with worries and lives. It isn't normally my genre, but there was plenty of character stuff to keep me happy.


A Twist of Hate by VR Barkowski (Mystery/Thriller)

This was a fantastic debut. I counted five separate mysteries, beautifully twined together. This story is set in current day, among the elite art community in the San Francisco area, but ties in an escape from Nazi occupied France and the newly contested ownership and theft of an important painting. The characters were compelling, slightly flawed or damaged, their interactions sometimes tense, and the plotting was masterful. I definitely recommend this.


The City of Refuge by Diana Wilder (Historical Fiction/Mystery)

As historical fiction I thought this was fantastic. As a mystery, I had just a few quibbles. I think the characters, backdrop, setting and details were very well done. The perfect level of description to really put me there. I feel though, the author might have made a slightly stronger story had there been something up front that suggested WHY they group was going to the dead city--I mean an official reason was given, but a "why then" would have hinted at the suspected looting--a motive for the second prophet. I mean I get that it is tied to the mystery, so important not to give too much away, and he isn't the PoV, but it would have increased the readers drive forward. As it was, I was about a quarter of the way in before I really grasped what the story was about. It all came through in the end and things fell together well, but it was a little hard to get into because of that.


The Prospect of My Arrival by Dwight Okita (Speculative Fiction)

I loved the premise of this story. An experiment to see if people who have a chance to PREVIEW life before they actually commit are then happier because it was their choice. And Prospect was a wonderful character—his combination of innocence and pre-coded facts made him engaging and much of this tale was very thought provoking and entertaining. I had a few later frustrations that would be too spoilery to share, but that is probably because I was too invested and had a certain way I would have liked it to go. And it's probably good I don't have the power to write my own endings, or I'd never be surprised. I was surprised here.


Strings (In progress--not yet ready for review) by Allison Dickson (Horror)

Pending. But already scary.


So I am starting the 6th rather than finishing, but that isn't so far off. Plenty of time to do my 12.



The Other Books I've read, According to Goodreads and by Genre

Young Adult (because I want to master writing these)

Scorpio Races by Maggie Stiefvater (5 Stars)

I really enjoyed this twist on a myth tale. The world felt very real in most ways, pulling me farther into it so the fantastical bit (these "sea horses" if you will) feel real, too. The author really made me care about the characters and it had a perfect mix of darkness, tension, and triumph and hope.


Maggot Moon by Sally Gardner (4 Stars)

Very interesting book. Stylistically it had bits that reminded me of Fahrenheit 451 and bits like The Book Thief, though I liked it much better than the former and it didn't quite catch the magic of the latter. It was an interesting dystopian sort of world and an interesting set of characters. Overall worth the read.


Marbury Lens by Andrew Smith (5 Stars)

I sometimes feel guilty about how stingy I am with five-star reviews. I give them, but a story really needs to be fairly flawless AND suck me in—so both well executed AND my thing… But once in a while a book like this will come along that makes me feel like I need to go back and downgrade 90% of my fives because it is just head and shoulders above sublime.

This book is not for the faint hearted. There is swearing, a bit of sexual violence and a lot of teen deviance. But harder than that, this is very dark emotionally so it is probably not the thing for some people. But for others, it is EXACTLY the thing.

The story set-up reminded me a lot of The Talisman, one of my favorites from two of my favorite scary authors—Stephen King and Peter Straub. In both books there are parallel worlds in which people can exist in both and the MC is pushed into a position of going back and forth, but I felt while The Talisman is a brilliant show to watch externally, The Marbury Lens actually pulls us inside so we feel it. And the REAL world in Marbury Lens is more real and the OTHER world is darker… I just really feel like Smith upped the ante on the type of tale.


Passenger by Andrew Smith (4 Stars)

(Sequel to Marbury Lens) I LIKED this, but I didn't love it quite to the same degree. The premise is good—same parallel world setup as Marbury Lens, but this is a world where the changes you make have ripple effects and everyone else changes, too. My trouble with it was it felt less coherent, like the author was pantsing it more. I suppose the chaos is part of the point—the MC doesn't really know what is going on either, but I sometimes felt like neither did the author. (I have several friends who liked this one even BETTER, so I think this is a totally subjective assessment)


Raven Boys by Maggie Stiefvater (5 Stars)

Blue lives in a house with her mother, a couple relatives and several of her mother's friends. ALL of them are psychic... except Blue. Blue however, has a sort of amplification effect, so she makes all these women more powerful. It begins with attending St. Mark's with her aunt where the people who will die in the following year march in a parade along the lay line... this allows her family to “give notice” to the doomed who might have affairs to set in order (they seem to have a no harm approach—no need to tell anyone if there is no significant benefit). But in watching there is a boy Blue can see, Gansy. Her aunt says she can see him because either she is his true love, or she is going to kill him. (maybe both). Blue becomes acquainted with Gansey and a few friends, these Raven Boys. And they are on a quest—to wake a long dead king and get their wish... and so it begins. I love this series and this first book is an excellent introduction. This cast of boys is each unique, with his own strengths and flaws. And Blue's setup, in that house with that cast of quirky people, is brilliant, both for plot and for a heavy dose of humor in an otherwise sort of grim tale. This series is one I am strongly recommending to people and this is where to start.


The Dream Thieves by Maggie Stiefvater (5+  I'd rank it higher if I could)

I loved The Raven Boys, but I've been trained that the second in a series is typically a bit weaker. Not so with this one. This one is Ronan's story. Ronan is arguably the darkest Raven Boy, and we finally get to understand why and follow his demons and he wrestles with them, often quite literally. The over all story of the lay line and the quest for Glendower continues, but it becomes clearer why Ronan is such an integral part of this story. I really loved this.


Blue Lily, Lily Blue by Maggie Stiefvater (4 Stars)

The third in the Raven Cycle series and maybe weaker than the other two, but still excellent. I feel like any plot would be spoiler for the other two. What I will say is I am VERY eagerly awaiting the fourth.


The Walls Around Us by Nova Ren Suma (4 Stars)

This was such a unique story and telling. It tells a story from two ends--two narrators, two points in time. Amber is in a young women's detention facility. Violet is a ballerina headed to Julliard three years later. And both are telling the story of the character who connects them. To say much more risks giving it away, but it is one of the more unique books I've read stylistically and it mostly works. If I have a complaint it is that the ending strained my suspension of disbelief a bit. Overall though, it was very enjoyable.


Legend by Marie Lu

I loved this one. I just finished Friday, so need some thought, but basically, it is a dystopian future of a split US where part of it decides full futures based on a test we take at 10. The top get good training, the middle get manual jobs, and the bottom get experimented on... The MCs are a girl who scored perfectly and is a prodigy headed to government work and a boy who failed and somehow managed to escape and become a bit of a (legendary) criminal fighting for the little guy. Good stuff.


Mystery/Thriller

Spilled Blood by Brian Freeman (5 Stars)

A tale of two cities. This story is about twin towns, one benefiting from a huge agricultural research firm, the other experiencing a cancer cluster among kids that they blame on that same firm. Tempers are high and violence is escalating, and then the daughter of the CEO winds up dead. The MC is called to town because he is a lawyer and his daughter has been blamed for the death. I found the tensions true to life and the interactions realistic, and I loved the way an outsider with such a huge vested interest inside could dig down to figure out what was going on. I really thought this was an excellent mystery.


Historical Fiction

The White Princess by Phillippa Gregory (3 Stars)

I read this because I watched The White Queen on Starz and loved it and I wanted to see what came next. First person present was a problem for me (it always is except in the very most engaging stories) but for historical fiction it also felt particularly off. And then unlike The White Queen, where stuff HAPPENS, this felt like a lot of “well maybe this is happening” but nothing really ever did. I get that you don't want to change history, but I feel a little like this slice of it might have been more interesting from somebody else's point of view.


So that is 16 books read in 26 weeks... I'd love to be a super fast reader, but I just really am not. A book every two weeks though, is not a pace I am too embarrassed about. And making a point of highly rated YA for a lot of it I think has been a good investment. I am now going to turn to revisions on a couple of my YA drafts, so having a good feel for what works and what doesn't will be critical.

As for BuNoWriMo... I'm not going to win. It is the first time other than one I knew I'd be traveling so I made an alternative goal... I just petered out on plot. But I will get back to it. I need to do some revision and get a feel for how I do this thing first.

And on WEDNESDAY, when we are all here being insecure, I will announce the winner of VR Barkowski's ARC. You still have time to go enter if you want...

Tuesday, May 26, 2015

Building the Infrastructure of a Story


So sorry for no 2nd blog last week, and this one is a day late, mostly because I figured nobody was reading blogs yesterday...

So y'all know I've been trying to get writing again, yes? I've been very half-assed about it, but I really AM going to full on write in June, so I've spend the weekend developing character and backstory for my June effort. I don't fully outline, but I do need to do enough work to understand who is on the canvas and what drives them. I also like a bit of a timelie.

This is good. I am planning more than I usually do because I am feeling less confident, but I plan to give myself some leeway to stray, should better ideas appear.

BuNoWriMo begins next MONDAY, so anyone who wants to join is welcome! (we do it on Facebook)


June's Novel: Summer of Bones

This is the second in my Chatcolet series—this is a Young Adult series, each of which addresses a real teen issue, hopefully in a rounded way. The characters don't overlap (at least in my overall plan) and are just joined by broad location and tone. The first (Also Appearing) is about identity. This one is broadly about bullying and pranks (and how it can spin out of control).

So now I have a broad timeline that still needs some work.

I have my MC and her family (and a backstory for her family).

I have a cast of mean girls.

I have a group of boys (that is the reason the MC is targeted by the mean girls).

I have a frenemy.

I have a sympathetic quiet, reluctant person who will lend some guidance.

It just all needs to be a bit more concrete.


I even wrote a scene last night—not one that I'd USE but one to get to understand the relationship between my MC, Gabbi and her frenemy...


What about you? Who is joining me in writing a first draft in June? How much planning do you do? Are you ready?

Thursday, October 24, 2013

Dissected by Megan Bostic: A Review


So I don't volunteer to review books very often, largely because my TBR stack is HUGE and timing is hard to come by, but my friend Megan Bostic writes edgy YA that fills some of the same space of where I try to hit with MY YA. She also did something very interesting with her writing and allowed people to SPONSER her expenses for self publishing through Indiegogo, so she could hire her editing and do all her promotional stuff to set this book off in the right direction.

Here is the Trailer for it (which Megan produced herself and she can produce trailers for YOU, too, if you want, but that's another story).

Story teaser: Sydney [note I also am writing a Sidney story, but never mind] is a high school junior, crushing hard on a guy in one of her classes. She has good friends, parties on the weekends, hates her sister, and in nearly every way is a normal teen. Sure, she has some baggage. Her mom left when she was a kid and her dad is gone a lot, but her step mom is pretty good (if annoying the way teens find all adults who want to be in their lives).

Things go well with that cute boy... REALLY well... and for a time she is super happy... until an ill-timed work shift on her part and some bad decision making causes the bottom to fall out from her world.

She doesn't want to be herself anymore and dives into anything that will help her forget: alcohol, drugs, sex... and cutting. Is there any way out?


Review: Megan does a fantastic job of the very real emotion of first love, high school isolation, coping (and sometimes failing to cope) with what life deals us. Sydney is dealing with some big stuff. Stuff many adults couldn't handle, and she has the skills and perceptions of a teen. She also has some destructive forces around her... betrayal, negative peer pressure, abandonment issues...

There is also a nice balance of the darkness and the hope. In the happy times, there are warnings things might not be as clean and happy as Sydney thinks. And in the dark times, there are people reaching out, even if she isn't ready.

I think this tale is a realistic one, showing that things can always get worse... but maybe they can also get better. I would throw up a warning that any 'shelter the teens' folks, or people who don't believe in teens using alcohol, drugs or having sex... this isn't your book. But if you like edgy YA and a realistic tale for a teen having a really hard time, this is a good one. I recommend it.

Tuesday, November 20, 2012

Alison DeLuca Rocks!


Okay, my apologies for my half-assed title… but I’ve been meaning to have my friend Alison over to visit for ages… for one, then another book release.

See, Alison is one of my Amazon Breakthrough Novel Award friends, but we all know… in all places we make friends that we enjoy and say hi to, and then we make friends we sort of gel with… friends we cross pollinate with in other domains… blogging, facebook… and Alison is one such friend.

And Alison does something special with her books… something I would like to see more of, because as much as literature grows our minds to new worlds, I think it doesn’t always grow our minds to the diversity of the world we are actually IN… And to the extent we can get young people thinking about diversity and embracing it, I think we make for a more promising future. But I will let Alison talk to you about that…


 
WRITING MULTICULTURAL STEAMPUNK FOR A YA AUDIENCE
If you watch a group of children play together, they are what they are. They don’t care what other kids look like, as long as they are all engaged in the game. When writing for a YA audience, keeping them engaged is the key.
Steampunk is a great genre for YA readers. By its very nature it is filled with adventure, fantastic inventions, and strange mysteries. The YA audience loves this sort of story: witness the popularity of the Foglios’ Girl Genius series (link - http://airshipstore.com/ggnovel01.aspx)
If those stories, however, were all limited to a Eurocentric view and characters, or to cowboys (and girls) and explorers who all speak English and look the same, then the genre would, perhaps, eventually lose steam.
Including a multicultural theme is, I feel, the cure. Air pirates are fascinating, but how many books can be written about them? Look at how repetitive the vampire meme is becoming. I feel, though, that both archetypes, the aeronauts (and perhaps even the vampires) could be rescued from flabby similarity by a multicultural slant. An example of that rediscovery in paranormal romance can be seen with Natasha Larry’s book, Darwin’s Children (link http://www.amazon.com/Darwins-Children-ebook/dp/B0050CL8R2/ref=sr_1_2?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1306300962&sr=1-2)
Steampunk authors are doing the same thing, and I feel it can easily carry over into the YA market. For example, if a group of teen-aged aeronauts were building an airship in Tibet, what an interesting premise that would make. The sky pilots could be struggling against overwhelming odds and have to escape a clockwork threat by using local materials and ingenuity. Along the way they could encounter strange, fascinating forms of prayer wheels and Tibetan temples.
In order to do that successfully, the author would have to begin with a great deal of research. What are the local materials in Tibet? What would that group of young sky pilots do during the day? What would they wear, where would they sleep, and what would they have for breakfast? The steam author can riff off the research and history, of course, but she must have a firm ground from which to launch the airship.
When I wrote my steampunk trilogy, it began in England and moved to an island. I based that mythical country, Lampala, on the real island of Madeira, which for centuries was a Portuguese colony. I used many of Madeiran realities in creating my steam country: Madeira had thick forests, which were used for export, and the population ate tapioca in lieu of wheat, which had not yet been cultivated there.
The colonial part didn’t fit my story, though. I rewrote Madeiran history and gave the local population ownership of their own industry, thus creating a wealthy, ethnic class. It just seemed the time to showcase PoC as an economically thriving group, whose members had large houses, beautiful clothes (made from local materials, of course) as well as living in an island filled with mysteries. I mention this as an example of how an author can start from reality and more to a steamier place from that background research. Now that I have finished the first three books of the series, I feel that there are many other, more fascinating worlds to be created.
One example of that is Jaymee Goh’s story, Between Islands (link to http://expandedhorizons.net/magazine/?page_id=1464) The story discusses an Asian response to The East India Trading Company, centering in the island of Pinang. It’s a fascinating subject, and one that is extremely well handled by Goh.
And this is the important element without which the multicultural steampunk story must have in order to survive.
Tart note: This is my favorite
A writer cannot simply jam a bunch of research into a story and toss in some ethnic characters, just as the addition of airships to a lackluster plot will not create a steampunk work. The writing itself must be well done. The characters must breathe and live, and interact with society. And yes, this is even true in YA fiction. The YA audience is quick to pick out dull characters and discard them. On the other hand, they will overwhelmingly appreciate a creation who lives and breathes and has real problems.
This can be very interesting in a multicultural work. In Joyce Chng’s Moon Maiden’s Mirror (link www.semaphoremagazine.com/Semaphore%20Magazine%20-%20September%202009.pdf) the main character, Foo H-si, is living in Paris and renamed Henri. The story is a fascinating look at a clash of cultures within a steampunk framework. Chng shows the boy’s reaction to European dress and customs, and does so beautifully.
In my trilogy, a lot of my main characters are PoC. They, like Foo H-si, also had to confront existing societal mindsets and prejudices. While writing, I hesitated over that a great deal. It took a delicate touch to delineate that confrontation while being neither insulting nor colonial.
A way to avoid that pitfall is to make the character a real person. The character of color must have real adventures, real problems, and real triumphs. It is difficult to sustain throughout a longer work, but the reward is falling in love with that character (or group of characters) and caring deeply about what happens to her.
There are many resources for the author who is considering writing a multicultural steampunk work. I would send her to http://beyondvictoriana.com/ and http://silver-goggles.blogspot.com/.  There is an excellent discussion on the possible pitfalls of the genre at http://holzman-tweed.dreamwidth.org/129133.html as well as a very comprehensive, in-depth discussion by Ay-leen the peacemaker, creator of the Beyond Victoriana blogspot, here: http://www.doctorfantastiques.com/steampunksaroundtheworld.htm/
When you begin your research, don’t miss reading back issues of http://thesteamerstrunk.blogspot.com/ Of course, you will need to do traditional research too, and Wikipedia and an old-fashioned library are great places to start. That journey towards creating a story that will be lively and multi-layered, filled with promise for the discriminating YA market, is difficult and mysterious. No map exists for that journey, but gorgeous treasure does lie at the end.

Bio:  Alison DeLuca is the author of several steampunk and urban fantasy books.  She was born in Arizona and has also lived in Pennsylvania, Illinois, Mexico, Ireland, and Spain.

Currently she wrestles words and laundry in New Jersey.  Alison's Blog is here: Fresh Pot of Tea