Showing posts with label Swamp Thing. Show all posts
Showing posts with label Swamp Thing. Show all posts

Wednesday, May 23, 2018

Books With Pictures - and Some Without

Doug: Hello, and thanks for coming  around this week. It's good to be back in the blogger's chair, even if only for a few days. When last we met, it was over at Back in the Bronze Age when I contributed a post on DC's imaginary stories. That was over a year ago! And other than school work, I've really not written since May 2017. But I've done a heckuva lot of reading, and today I'd like to share some thoughts on the tomes I've consumed over the past 12 or so months.

A year ago I decided to start keeping track of the books I was reading. Since we quit blogging in November 2016, it really freed up time in the evenings for some leisurely reading. And as I got to forming that habit, I found that I'd missed regular reading - and particularly reading comics. Formerly, the comics I read were always blog-oriented. That's not a bad thing - I think our repository of reviews is a real treasure. But we're talking about me consuming 1-2 comics in a week over the 7+ years the BAB was active. However, that commitment had necessitated (at least, that's the story I'm telling) the acquisition of a massive amount of collected editions. At last count I have over 350 books on my shelves. For most of those books, they sat idle since arriving, waiting for a post idea or review to liberate them from their resting place. Once the blog shuttered, I felt able to crack open all of the books I'd amassed. If an evening goes the way I'd like, I'm on the couch or in the recliner with a tpb or hardcover, keeping an eye on some college sports or the Cubs. On a good night, I'll read 2-3 comics. I'd also add that the fact that our sons have been out of the house over the past few years has contributed to my disposable evening time. So you see how it's possible to rip through the amount of material I've read (see below).

Karen long ago said that we live in the golden age of reprints. She's not wrong. Just two weeks ago I finished the Batgirl Bronze Age Omnibus, collecting the character's early appearances in Detective Comics and Batman, up through the Batman Family years. Think about that... A 500-page hardcover devoted to mostly 8-10 page back-up stories, and featuring a C-list character. Karen was right!

You can count the Planet of the Apes B&W magazine strips among material I never expected to read. Thank goodness Boom Studios did what it took to put that mysterious content in my hot little hands. And if you've not seen these archive-like editions, you are missing out. The reproduction is outstanding - heavy stock, the same size as originally published, and wrapped by a sturdy hardcover. I have the first two volumes and intend to buy the next two. And speaking of those "damned, dirty apes", if you're into prose then you might like Tales from the Forbidden Zone. Karen and I both read it, and I can guarantee if we'd still been writing, you'd have seen our thoughts on it. Not every short story was a winner, but more often than not there was a smile and some thoughtful reflection before moving on to the next chapter. One story I'd mention specifically involved Taylor and Nova in a "What if Taylor had survived the nuke at the end of Beneath the Planet of the Apes?" Good stuff.

For our readers who've been with us for a few years, you'll recall that I have done contract work for the United States Holocaust Memorial Museum's education department. After spending 10 days each July in Washington, DC over the past seven summers, I am somewhat melancholy to report that I am not going back this year. However, my interest in the subject remains high, and you can see across my three reading logs that I've continued with my professional development by reading various selections in Holocaust witness and history. Two books I'd highlight to those interested: if you would be inclined to read a rather raw survivor testimony, told within months of liberation, then Five Chimneys is excellent. Certainly, it's a tough read, but very compelling throughout. If you want a concise history of some of the nuances of the event and era, then I heartily recommend Peter Hayes's very accessible Why? Explaining the Holocaust.


I didn't always care for the books I chose. Last summer I decided to give one of Edgar Rice Burroughs' last Tarzan novels a whirl. Tarzan and the Foreign Legion could best be avoided. In addition to Burroughs' formulaic storytelling, the racism that was so prevalent through the World War II era is off putting. I finished it, but can't say I bettered myself for the experience. Richard Wright's Come Together: Lennon & McCartney in the Seventies was OK, but the author's style was a little wonky; often he was repetitive. If he'd said one more time how much the four Beatles loved each other like brothers, I was going to scream. For funnybooks, I really liked the Essential Man-Thing once Gerber quit toying with the Nexus of Reality. I didn't care for that supernatural/occult stuff... which makes me wax hypocritical, as I absolutely loved the DC Comics Classics Library Roots of the Swamp Thing. I also found volume 2 of the Secret Society of Super-Villains disappointing as compared to my childhood memories. But overall, when you look at the almost-70 books on the lists, there were mostly hits among a few misses.

Shoot, why not toss you a good, better, best type of list?

Good: I was pleasantly surprised at how much I enjoyed the Aquaman trade "Death of a Prince". Outside of Super Friends, I had zero experience with DC's King of Atlantis. So I was interested at my growing enthusiasm as I waded through these Bronze Age reprints from Arthur Curry's days as a back-up feature in Adventure Comics. Solid art from Mike Grell and Jim Aparo, and a nicely done payoff at the end. Recommended.

Better: Beatles '66 by Steve Turner was wonderful. Turner begins his book in December of 1965, and then charts the careers and lives of the Fab Four month-by-month through December 1966. It's tough to say that the book "centers" on any one thing, as the last world tour, the decision to stop touring, increased drug use, the recording of Revolver, and the appearance of Yoko Ono all conspired to make the year of my birth a landmark era for the Beatles. Great book, and I'd read it again.

Best: I gave no thought to this whatsoever beyond my initial impression. It wasn't even close, or worthy of further consideration. The best thing I've read in the past 12-15 months was the Uncanny X-Men Omnibus, volume 1. The 800+ page heavyweight collects Giant-Size X-Men #1, and X-Men #s 94-131. Also included is the George Perez-drawn X-Men Annual #3. As most of you know, this title just kept picking up steam. Aside from the 2-3 filler issues (the Dreaded Deadline Doom), every issue was pulse pounding and senses shattering. You know what I'm saying!

As to my coming-up reading list, I've already pulled three hardcovers for immediate consumption: Batman Illustrated by Neal Adams, volume 1, Spider-Man Newspaper Strips, volume 1, and The Inhumans Marvel Masterworks, volume 2. Once school's out in a few days, I'll commence to also wading through a large stack of real books -- I need to finish Rep. John Lewis's (D-GA) memoir Walking with the Wind, and then I have a caboodle of additional Civil Rights books already purchased: The Autobiography of Malcolm X, The Autobiography of Martin Luther King, Jr., and Unforgivable Blackness: The Rise and Fall of Jack Johnson. For lighter fare, my son gave me Tim Kurkjian's (ESPN baseball commentator) book, I'm Fascinated by Sacrifice Flies: Inside the Game We All Love and Keith Richards's autobiography, Life.



So what are your thoughts? What are you reading presently, or recently? What would you recommend to me, or do you see something we share that you'd pass along to a friend? If you are just happening by this space for the first time ever, you must know that in order to join our Loyal Order of Water Buffalo Lodge a comment must be made and left for all to see. True story. All you veterans -- you know the drill.

Monday, December 14, 2015

The Curious Case of Swamp Thing's Second Hello



House of Secrets #92 (July 1971)(cover by Bernie Wrightson)
"Swamp Thing"
Len Wein-Bernie Wrightson

Swamp Thing #1 (October/November 1972)(cover by Bernie Wrightson)
"Dark Genesis"
Len Wein-Bernie Wrightson

Doug: If you're like me, it varies from book to book (I'm talking high brow books here, kids -- no pictures) whether or not you actually start with the preface, introduction, acknowledgements, etc. or just dive right into the text. Today I'll be reading/scanning from the DC Comics Classics Library volume Roots of the Swamp Thing. I am always using the BAB as an excuse to read things I've not read before -- I did it earlier this year with a couple of Adam Strange stories, and it's been well-documented over the past couple of months that I've been reading Marvel's Monster of Frankenstein series. I was standing at my book shelves in the middle of last week trying to choose something different when my eyes settled on today's fare. In my entire life, I think I have read two Swamp Thing stories, so for the most part today's post is written from a fresh perspective. In this case I dove right in, reading the first appearance of ol' Swamp Thing from House of Secrets #92 and then moving right into the next "chapter", Swamp Thing #1. I was about 1/3 of the way through the second book when the deja vu (read: these dudes are ripping themselves off!) set in. Searching for a clue, I then went back to the front of the book and read the preface from author Len Wein. A-ha, said I. 


Doug: Wein related how he'd come up with the original idea, gotten editor Joe Orlando to OK it, and then convinced friend Bernie Wrightson to draw it while commiserating with him at Marv Wolfman's Christmas party back in 1970. Both Wein and Wrightson were on the rocks of love, so crafted a tale of love lost, revenge, etc. Boom -- neatly packaged in an 8-page throwaway tale, cathartic for both creators. And then the mail started to arrive. More and more. Publisher Carmine Infantino wanted more Swamp Thing, but Wein was skeptical. Their story had been a personal one and had served its point. Wein and Wrightson balked. Temporarily. They thought about it, and then decided to sort of re-tell the first story, with new characters and a new direction. End of my confusion. So let's do something a little different in terms of formatting today. Usually Karen and/or I do a plot synopsis with some analysis, and then wrap things up with final thoughts. But since today's stories fit together, I'm going to break it into categories for a sort of side-by-side look at Swamp Thing's two "hellos". Art samples will appear side-by-side, the left from House of Secrets and the right from Swamp Thing.

Story length:
House of Secrets = 8 pages
Swamp Thing = 22 pages

Main characters:
House of Secrets
Alex Olsen (Swamp Thing), scientist
Linda Olsen-Ridge, wife to Alex, and then wife to...
Damien Ridge, scientist; Alex Olsen's partner
Swamp Thing =
Alec Holland (Swamp Thing), scientist
Linda Ridge-Holland, scientist and wife of Alec
Lt. Matt Cable, government agent
Ferret, do-badder
The Plot:
House of Secrets = Wein declared in the piece I read that he had wanted to do a period piece about a swamp creature. By the way Wrightson chose wardrobes for his characters, I'd estimate that Swamp Thing's 1st appearance is set in the Victorian era. There are only three characters in the story, and the plot is quite simple: Alex Olsen is young, good-looking, smart as a whip, and married for one year to the beautiful Linda. Alex's partner in science is Damien Ridge, who is jealous beyond seeing straight. In his mind, Damien thinks that Alex knew Damien loved Linda, but Alex proposed anyway. Filled with anger, Damien rigged an explosive via chemical reaction in the laboratory where they worked on an unrevealed project. Making an excuse to leave the room, Damien was just outside when the detonation occurred. Linda was nearby, but Damien told her not to go inside -- that there was literally nothing left of Alex. The truth was, Alex was not dead but horribly disfigured. Damien dragged his limp body away from the place they worked and buried Alex in a bog. Several months later Damien had gotten his wish -- he'd married Linda. But Linda could only think of Alex and faked her way through her "love" of Damien. Now paranoid, Damien feared that Linda would discover that he'd been the one to kill Alex. But what neither of them knew was that Alex had not died, but had instead been "reborn" by the swamp's waters into a lumbering mass of animated vegetation. And each night, that Swamp Thing had shambled up to the old mansion's windows, hoping to get a glimpse of "his" Linda. But on a fateful night he saw Damien draw a syringe and move it close to Linda's neck. Exposing himself to his "friends" for the first time, the Swamp Thing burst into the room and killed Damien. Unable to speak, though, he could make no explanation to Linda, who screamed and cowered in his presence. A tale of love, murder, and revenge, but overall of loss.


Swamp Thing = Wein's and Wrightson's second go-round with their swamp man is similar, if more intricately plotted. An extra 14 pages will do that for ya! In this update, told only a year after the House of Secrets story, we find that the husband/wife super-scientist team of Alec and Linda Holland are being sequestered by the government so that they can complete some top-secret, and very valuable work. They are moved into a barn that's been outfitted as a state-of-the-art laboratory. A Lt. Cable is their liaison, and tells the pair that under no circumstances are they to open the door unless on his order. There will be cars patrolling the area to keep them safe, and secret. We find out that the Hollands are working on a compound that will allow vegetation to grow anywhere, and abundantly. They know that their work has a price tag beyond valuation, and it's just when they "go live" for the first time that they are interrupted. A thug named Ferret enters the lab with a couple goons and tells Alec Holland that he would like to make an offer that can't be refused. You get it... Of course Holland tells them to take a hike. Cable returns and chews out the Hollands for even talking to anyone else. We get an uneasy feeling about Cable, like he's perhaps up to his own agenda. Later that evening the Hollands hear a rustling outside the barn, and open the door to discover a large dog -- apparently a stray. They take it in, not knowing that the dog wears a radio transmitter so that the bad guys can eavesdrop. Ferret pays the Hollands another visit, and this one doesn't go so well. Alec is knocked unconscious and while down and out, a booby trap is set. A short time later, as he begins to regain consciousness he hears a bomb ticking. It goes off in Holland's face. His body ablaze, Holland flees the lab and runs into the nearby swamp, where we must assume he drowns. After Holland's funeral, Cable encourages Linda to finish the work. But Ferret's guys turn up, rough up Cable, and Linda ends up dead. Much like in the first story, the Swamp Thing now makes his appearance and kicks some tail. He's fired at by multiple assailants, and we infer that he (the former Alec Holland) is now invulnerable. The story ends with Cable alive and the Swamp Thing back to his new digs. But he's spied on by some supernatural dude with goonies in his employ. It looks as if the plot will thicken in the next issue.


Writing: 
House of Secrets = Ugh. Wein writes the narrative boxes in the Claremontian style "You are..."
Swamp Thing = Good stuff.

Pictures:
House of Secrets = Bernie Wrightson is a guy whose stuff I look at and really try to soak it all in. It seems funny to say, but even his grotesque images are just beautiful; so intricate. But in the first Swamp Thing story his art has a real 1950s feel to it, much like what we'd have seen from the EC books of that era past.

Swamp Thing = In both stories Wrightson inks himself. His work seems to have a very natural feel to it, a la Joe Kubert's work (in the regard that it's all him, all the time). Wrightson's Swamp Thing the first time out was a mass, a lump. But here he's fully-formed as we think of the character. I also must state a preference for the second version of Swamp Thing's face as compared to the first version, which seemed to sort of have a mossy mustache (a real soup strainer!) look. Wrightson's story telling and pacing are great!


Doug: So there you have it. If we have any Swamp Thing aficionados amongst our readers, I'd love to hear more about the character, the original Wein/Wrightson run compared to Alan Moore's take on the character, the character as one of DC's supernatural denizens, etc. I'm pretty much a tabula rasa here today.

Saturday, October 31, 2015

Who's the Best... Monster and/or Horror Artist?


Karen: Happy Halloween friends. Today we're talking about who's the best Bronze Age horror or monster artist. A lot of great names...Ploog, Wrightson, Colan instantly come to mind. Who's your choice for the top spot in comic book horror from the 70s/80s? And you can name others.


Bernie Wrightson

Mike Ploog

Gene Colan



Monday, August 17, 2015

Guest Writer - If I Had a Buck... Do the Monster Mash!


Doug: With apologies to our readers for the lack of a comic review today. I remarked to today's guest writer, the ever-helpful Martinex1 that at some point the speed of life was going to decrease. Not sure when that will be, but I'm looking forward to it whenever that does happen. So, until next Monday when Karen and I hope to have a partner review of the first appearance of the New Teen Titans, you're going to have to get your comics fix by discussing not nine but an even dozen books. And I think it's going to be a fun discussion, as ol' Mike S. has a good topic for us.


Mike S.: It is not Halloween, but it is time to consider the great horror titles of the past.   Enter the ever evolving virtual store for another $1.00 challenge of “If I Had A Buck”.   This time around we’ve got vampires, and werewolves, and ghouls, and monsters. 


Back in my youth, the comic rack seemed to be tipping with twisted tales.  Some were macabre anthologies of fear and suspense.  Others focused on creatures from the unknown.    There was quite a catalog of comics with misunderstood and tragic malcontents lurking about.  Many titles starred classic fiends that were repurposed as super heroes.  


What did you think about the horror heyday of the Bronze Age?   Did you lean toward the archetypal villains, the eerie heroes, or the hair raising tales?   Were any of these series dreadfully executed, or were they shockingly frightful?  Vile?  Ghastly?  Or Horrible?  Were there artists and writers you preferred for these types of tales?  Did the genre leave you cold or did you find balance in the heroic interplay?  How did you spend your dollar and what influenced the choice?  
 

You have quite a selection today, and like the strikes of midnight there are twelve choices this time around.  In creating the offerings, there were many titles to choose from, so if your favorite is not listed let us know what that is and why.  So if DC’s “House of Secrets” or “Haunted Tank” or Charlton’s “Ghostly Haunts” or “Ghostly Tales” float your boat, share your thoughts.  Heck, if you decide to segue into a discussion of the “Groovy Ghoulies” so be it.  


As always, have fun and spend wisely.  Here are the considerations; just pay the ferryman:


  • Creatures On The Loose featuring Man Wolf (Marvel) No. 33;  $0.25.  1975.  Cover by Gil Kane and Klaus Janson. “Deathgame” by David Anthony Kraft and George Perez.   John Jameson does his modern take on the werewolf tale with great early art by Perez.  I’m howling at the moon!
  • Adventure Into Fear with The Man Called Morbius The Living Vampire (Marvel) No. 29; $0.25 (Yeesh! I’m afraid that cover has more words on it than the entirety of any current issue’s 32 pages from Marvel!) 1975. Cover by Ron Wilson and Mike Esposito.  “Through a Helleye Darkly” by Bill Mantlo and Don Heck.   Another Spider Man villain gets a shot at a solo career.  Terrifying!
  • The Frankenstein Monster (Marvel) No. 6; $0.20 1973. Cover by Mike Ploog.  “In Search of the Last Frankenstein” by Gary Friedrich and Mike Ploog.   I like the corner circle but hate the sweater vest.  Chilling!
  • Ghost Rider (Marvel) No. 28; $0.35 1977. Cover by Ernie Chan.  “Evil is the Orb” by Roger McKenzie and Don Perlin.   Keep your eyes open, the Orb is back!
  • The House of Mystery (DC) No. 236; $0.25 1975.   Cover by Bernie Wrightson.  “Death Played a Sideshow” by Coram Nobis and Steve Ditko, and “Deep Sleep” by Jack Oleck and Paul Kirchner.  Much scarier than when Death uses Powerpoint!
  • Man Thing (Marvel) No. 5; $0.25 1974. Cover by Mike Ploog.  “Night of the Laughing Dead” by Steve Gerber and Mike Ploog.   I’m not laughing… I’m screaming!
  • Planet of Vampires (Atlas/Seaboard) No. 2; $0.25 1975.  Cover by Neal Adams and Dick Giordano.  “Quest for Blood” but John Albano and Pat Broderick.  The publisher and title were short lived.   So are the characters!   Fiendish!
  • Supernatural Thrillers featuring The Living Mummy (Marvel) No. 9; $0.25 1974.  Cover by Gil Kane and Allen Milgrom.   “Pyramid of Peril” by Tony Isabella and Val Mayerik.  Cover proves my point that most plumbing problems are caused by too much toilet paper! Bloodcurdling!
  • Saga of Swamp Thing (DC) No.35; $0.75 1985. Cover by Steve Bissette and John Totleben.  “The Nuke Face Papers” by Alan Moore and Steve Bissette.  Intimidating! Daunting! Petrifying! And I’m not talking about the writer!
  • Tomb of Dracula (Marvel) No. 68; $0.35 1978.  Cover by Gene Colan and Tom Palmer.   “The Return to… Transylvania” by Marv Wolfman (wolfman heh, heh) and Gene Colan with inks by Palmer.  All I have to say is wear dark pants when you read this one!
  • Werewolf By Night (Marvel) No. 34; $0.25 1975.  Cover by Gil Kane and Tom Palmer.  “Not All of the Shades of Death, Nor Evil’s Majesty” by Doug Moench and Don Perlin.   Just the cover gave me sleepless nights!
  • Where Monsters Dwell (Marvel) No. 4; $0.15 1970. Cover by Marie Severin and Tom Palmer.  Four tales of monsters and the macabre.   All reprints, but some fine work from Steve Ditko and Don Heck. Don’t go in the basement!




Tuesday, October 21, 2014

Wednesday, October 23, 2013

Who's the Best... Horror Comic?


Doug:  Bronze Age, or any other age; comic book or B&W magazine...  Let's hear about all of your favorite scary funny books, and if you didn't dabble in them much (like me), then tell us why you stayed on the sidelines.





Friday, October 7, 2011

Related Posts with Thumbnails