Guest Review - "The Judas Contract", part two

Doug: We hope you enjoyed Mike Wilson's introduction to his reviews of the books that made up "The Judas Contract" storyline. He's back today with the body of that tale, one of the best of the latter Bronze Age.








"The Judas Contract" by M.S. Wilson

Tales of the Teen Titans #42 (May 1984)
"The Eyes of Tara Markov"
Marv Wolfman-George Perez/Dick Giordano

This is part 1 of the Judas Contract, where things really start getting wild. I love the title of this issue, which I'm assuming was inspired by "The Eyes of Laura Mars", though I haven't seen that movie. This one starts with Tara still taking photos with her contact lens camera. Only this time, she's taking photos of the Titans in their civilian identities, starting at Donna Troy's photo studio, where Donna is taking some bikini shots of Starfire. They all go to Donna's apartment where we see Terry Long, Donna's fiance and the world's most hated supporting character. They're planning the wedding, and feeling a bit overwhelmed, so Gar says they can hold the wedding at his (well, Steve Dayton's) mansion. Donna asks Dick to give her away, and asks Starfire and Tara to be bridesmaids (apparently Raven has already declined). Tara seems touched by Donna including her; will this change her mind about spying on the Titans? Don't count on it.

They drop by Dick's apartment next, and Tara is still taking pictures. As they leave, Tara speaks for readers everywhere and asks Gar why he acts like such an idiot all the time. Gar says he feels inadequate around the other Titans, since all of them would be successful without their powers, but he's got nothing else going for him. Tara tries to give him some advice, but he doesn't want to listen. They drop by a park and watch Vic (Cyborg) Stone attempting to ice skate ... and failing miserably. Of course, Gar makes fun of him, with a nod to Bambi. They go by Vic's place, which is in a run-down neighbourhood. Vic finds a letter saying his grandparents are coming home and freaks out, though he won't explain why. Later, Gar and Tara get all smocchy-smoochy down at the docks, even as we're reminded that Tara's still spying. At Titan Tower, Tara tries to get Raven to open up, but Raven's empathic abilities mean she can detect some bad vibes coming from Tara. She's not sure if it's Tara herself, or just some residue of Trigon's evil, but she's pretty snotty to Tara. That makes Tara mad and she vows that she'll take care of Raven herself when the time comes.

The next day, the Titans are testing themselves at their HQ. Cyborg lifts a magnetized five ton weight (Pfffft, Spider-Man can lift twice that!) to prove that he can still push himself beyond his limits, like he did when he was fully human. Wonder Girl and Starfire do their best Robin Hood vs. Little John impersonation, fighting each other with quarterstaves. But instead of fighting on a log over a river, they seem to be on an air matress in the swimming pool; either way, the loser gets wet. Starfire wins, extending her unbeaten streak, but they hug it out afterwards. Next up are Changeling and Terra, who mix it up outside. Of course, Changeling is an obnoxious ass and Terra lets her psycho side show when she freaks out and tries to kill him. She apologizes profusely and says it's a delayed reaction from when she was held by the terrorists. Strangely, they all seem to believe her (with the possible exception of Raven, but she isn't really the type to share her feelings anyway). Anyway, this one doesn't end with a hug.

Back at Casa Terminator, Slade Wilson tells Tara she almost blew it by letting her true emotions show. She isn't worried, but Slade says the Titans shouldn't be underestimated. They prepare to attack the Titans, using the knowledge of their civilian identities gleaned by Tara. It seems Slade is completing the contract his son Grant (aka Ravager from issue #2) had with HIVE to kill the Titans. Since Grant died, Slade figured it was his obligation to finish what his son started. They leave to carry out the assignment and we see that Slade is a spyee as well as a spyer; a woman (plus someone with blond hair and a really funky perm) is watching Slade and Terra ... and she seems to know Slade from way back. Who is she? We'll have to wait until next issue to see.

Tales of the Teen Titans #43 (June 1984)
"Betrayal"
Marv Wolfman-George Perez/Dick Giordano/Mike DeCarlo

This one gets crazy right away. We see Dick Grayson working at his desk (on a typewriter... man, I feel old) and Terminator comes busting in the window. I'm assuming this is Dick's apartment, where Gar and Tara saw him last issue, but why does his desk have a name plate on it? Do people use name plates in their own homes? Maybe he's at some kind of office? I have no idea. Anyway, Dick and Terminator fight, and it's obvious Terminator knows his secret identity. He mentions the HIVE contract and says he doesn't want to kill him, since the terms are "dead or alive". Dick starts analyzing the situation (that's what a decade hanging out with Batman will get you) and he gets Terminator to knock him out the window so he can go look for the others. Termy goes after him, but Dick gets away. We see the woman from the end of last issue and the blond dude, whose name is Joseph; he not only has that wild perm, but some pretty crazy mutton-chops too. They're still following Terminator, who's kinda shook up about losing Dick Grayson, and is worried about Terra double-crossing him. He actually sounds pretty paranoid.

When his emergency signal goes unanswered, Dick starts checking on the other Titans. He finds Kory and Donna's place blown up and we get a flashback of Kory opening a "present" supposedly sent by Dick himself. It explodes and knocks her out. Dick checks Donna's studio and realizes she was taken too. We get another flashback of her mixing photo chemicals and the mixture giving off a gas that knocks her out. Dick deduces that Terminator must've switched chemicals so Donna would accidentally create ether. It's obvious Terminator had knowledge of their civilian identities, so Dick takes Donna's car and goes to look for the others. He doesn't seem to notice the woman and Joseph (who we learn is her son) following. He checks Cyborg's place and sees he was taken too, this time with the old "electrically-charged metal bands in the kitchen chair" trick. I'm not sure how Terminator got the bands, the mechanism, and the power source inside that chair... it looks pretty spindly to me. Anyway, Dick heads for Titan Tower next, hoping to find Terra or Raven.

But neither of them are there, though there are signs of a fight, including some of Terra's "earthworks". Dick is worried that Terminator has taken Terra and Raven, but the woman who was following him made it to the Tower ahead of him and tells him Terra was working with Terminator all along and she's the one who pounded Raven. Dick doesn't want to believe Terra betrayed them, so he calls Gar Logan's place. The maid (who's dressed like someone from a 1920s burlesque show) goes to find him. Gar hasn't been jumped... yet. In fact, he's autographing photos of himself and sticking them in envelopes; it seems someone sent him a bunch of photos (and return envelopes) out of the blue begging him to sign and return them... nothing suspicious about that, nosirree. Naturally, the envelope glue is poisoned (maybe that's where Seinfeld got the idea?) and Gar keels over, as Terminator calls him a "vainglorious dolt"; hey, when he's right, he's right.

When Gar can't be found, Dick realizes everyone but him has been taken and it must've been an inside job. He starts to believe the woman (whose name is Adeline), but wonders how she knows so much about Terminator. She then reveals the shocking truth: "He was... my boyfriend!" No wait, that was "Young Frankenstein"; what Adeline actually says is that Slade Wilson used to be her husband. We then see Terminator delivering the Titans to a HIVE base in the Rocky Mountains. And on that dramatic note, the issue ends. I like how Dick was acting kinda like Batman in this issue, putting clues together and going about everything methodically instead of rushing off half-cocked. I guess there's a reason he's the leader.

Tales of the Teen Titans #44 (July 1984)
"There Shall Come a Titan"
Marv Wolfman-George Perez/Dick Giordano/Mike DeCarlo

We begin this issue where we left off, with Dick trying to come to grips with the fact his entire team has been captured, and trying to figure out whether to trust Adeline or not. He gets belligerent with Joseph, who hasn't said a word, then learns he's mute. The caption says Dick feels "awe" when he looks at Joseph; I'm not sure why. I get the feeling Jericho (as Joseph will soon be called) is one of Wolfman's favourite characters... or maybe Perez's favourite, since the intro to the trade paperback says Perez came up with the idea to make him mute. Personally, I never saw Jericho's appeal... I always found him annoying rather than awe-inspiring, but he'll be around for a looooong time, so better get used to him.

Adeline starts telling Dick (and us) Terminator's life story. Slade Wilson lied about his age and fought in the Korean War (I think Marv was trying to do things in somewhat "real time" at this point) and he and Adeline met in the early 60s. She was some kind of highly-trained combat expert, and Slade volunteered for an elite military force. This was just before the Vietnam War really got going. I'm not sure if these are meant to be early Green Berets, or something even more "elite". Adeline trained them and Slade impressed her with his skill. Apparently, she impressed him by showing him up on the combat range. Instead of getting pissy about it, he asked her to teach him everything she could. So, they fought together, fell in love, got married, and he was sent to Vietnam. She was pregnant (with Grant, aka Ravager), so she stayed behind.

Dick doesn't believe her story, because Terminator is almost superhuman. Adeline explains that he volunteered for some experiment (to resist truth serum) and it heightened all his abilities, but it screwed him up a bit too, making him manic at times, then almost comatose at other times. He was discharged from the Army and became depressed, although not too depressed to knock up his wife again. She gave birth to Joseph and they moved to Africa where Slade became a Great White Hunter. Later he became something of a bon vivant, hosting lavish parties and rubbing elbows with the fancy people. He taught his kids to fight; Grant took to weapons readily, but Joseph was more sensitive, learning to play piano and sing beautifully. (See where this is going?)

But their cozy world was shattered one night when some guys showed up to kidnap Joseph. Adeline wasted a couple, but they gassed her and took the kid. That's when she found out her husband was actually Deathstroke the Terminator. They go to get Joseph back from a terrorist called the Jackal; I'm not sure if he's supposed to represent a real person or not. He doesn't look much like the real-world Carlos the Jackal and he looks nothing like Edward Fox, so maybe he's not meant to parallel anyone from real life. Jackal wants the name of whoever hired Terminator to kill a friend of his, but Terminator refuses to tell him, saying he gave his word and his word is his bond. Terminator takes out Jackal and all his men, but one of them started to cut Joseph's throat. He survives, but his vocal cords were severed, rendering him mute. Apparently, Slade never came to the hospital to see Joseph, which pissed Adeline off so much she tried to kill him. His superhuman reflexes saved him, but he lost his right eye. Adeline then filed for divorce. (If you can't kill 'em, divorce 'em)

She tells Dick she's been tracking Terminator, but couldn't get too close while Terra was around, otherwise she might've gotten buried under a ton of rock. She says she knows where the Titans are being held, and Dick gives her hell for wasting time with the A&E Biography of Slade Wilson. But she reminds him he's only one man, and he isn't even Robin anymore, so what can he do? Dick goes upstairs and puts on a new costume while reflecting on his life. He comes back down and says his new name is Nightwing. Adeline announces that her son is a mutant (man, they're everywhere!), has powers (and got a costume from somewhere, apparently), and is now called Jericho. She says Joseph's powers were kept secret from Slade. Dick is hesitant to work with him, but Adeline tells Joseph to demonstrate his powers. He does some kind of "eye contact" thing and disappears into Nightwing, taking over his body, although Dick is still aware of what's going on and can still talk. Jericho then demonstrates the control he has over Dick by doing the classic "stop hitting yourself" move. He pops back out of Nightwing and Adeline points out that Jericho could've just taken Dick over and forced him to do what they wanted. 

So Dick decides to trust them and he and Jericho jet off to find the Titans. I'm not sure why Adeline stays behind, if she's such a hotshot combat expert. As they're flying away, Nightwing says the team already has aliens, witches, shape-changers, and cyborgs, so why not a mutant? He adds, " 'sides, I hear you guys aren't half bad." which I'm sure is meant as an X-Men reference, since NTT was being endlessly compared to the X-Men. Some people thought they were a rip-off of the Marvel mutants, but to me, the styles are quite different. I'd say X-Men has much more in common with the Legion than with the NTT. Anyway, next issue is a biggie (figuratively and literally).

Tales of the Teen Titans Annual #3 (1984)
"Finale"
Marv Wolfman-George Perez/Dick Giordano/Mike DeCarlo

This one opens in the HIVE complex where we see the Titans held powerless in the enervator, a gigantic Kirbyesque machine that drains (or dampens) their powers. Terminator gloats (and kinda makes a skeevy pass at Starfire) while the HIVE minions gather. Terminator tells them about finishing Ravager's contract and introduces his helper, Terra. They can't believe she betrayed them, especially Changeling, who assumes she's been brainwashed and urges her to fight it. Outside, Nightwing and Jericho find the base and start sneaking in.

Terminator tells the HIVE leader that he's fulfilled his son's contract, but the HIVE dude reminds him they don't have Kid Flash or Robin. Termy says Kid Flash quit and says his associate, Wintergreen, is tracking down Robin as they speak. But when he contacts Wintergreen, he says he hasn't found Robin yet, but he's getting close. We see Adeline holding a gun on Wintergreen--I guess that's why she stayed behind. We then get some more backstory, about how Wintergreen saved Slade Wilson's life in Korea and Slade returned the favour in Vietnam. Wintergren says he's been worried all along about Slade taking the HIVE contract, and worried about Terra's instability.

At the HIVE base, Nightwing and Jericho conk out a couple of guards and disguise themselves; well, Nightwing disguises himself, but Jericho takes over the guard's unconscious body. We learn that if the person he takes over is unconscious, Jericho can animate their body and even speak, although only in the other person's voice. They infiltrate the main chamber where the Titans are being held, but the guy Jericho took over starts regaining consciousness, which means he'll be able to use his own voice and warn the other HIVE members. So Nightwing and Jericho come out punching. Jericho hops from person to person, adding to the confusion. Nightwing tosses some gas grenades and they beat the hell out of some more HIVE goons. But they run into Terra and she buries them ... literally.

In his quarters, Terminator seems to be having some sort of mid-life crisis. He's called to the main chamber and learns Terra captured Nightwing (or Robin as they all keep calling him). Terra says he can thank her later "if you got the stamina"; yeah, they were definitely getting it on. Jericho is brought in and strapped to the enervator with the Titans. Terminator recognizes him right away and demands he be released, but HIVE says that since he was helping the Titans, he'll die with them. Terra recognizes Jericho from the photos Terminator was looking at and announces that Jericho is his son. HIVE realizes how valuable Jericho is and tries to make a deal with Terminator. As he goes to look at his son, they make eye contact and Jericho takes him over.

Terminator is aware of what's happening, but can't stop himself from decking Terra and freeing the Titans, who quickly take advantage and attack HIVE. Not knowing that Terminator is being controlled, Terra thinks he turned on her and really loses it. She goes nuts and tries to kill him. Even after everything, some of the Titans (notably Starfire and Changeling) still can't accept Terra as an enemy. The Titans cut a swath through the HIVE goons and start destroying the complex. Terra is still trying to kill Terminator and drops him into a chasm. Nightwing realizes how crazy she is and bops her with a stun disc. Before he can reach her, Terminator sucker punches him and tries to reason with Terra. But she's too far gone and is ready to kill him.

Changeling takes that as a sign that she's still on their side, but she quickly gives him the facts: she never cared about the Titans, has always been filled with hate, and all her friendliness (including the smooching with Gar) was fake. She admits the Statue of Liberty terrorists were working for Terminator and the whole attack was just a way of getting them to trust her. She covers Changeling and Nightwing in mud, almost smothering them. Raven tries to use her empathic abilities to reason with her, while Cyborg pins Terminator and tries to get him to call Terra off, but Termy says she's too crazy ... then he cuts Vic's hands off. He threatens to cut Vic's head off next, but Jericho zaps him before he can. Terra freaks out and decks Raven, then goes nuts and pulls lava from underground to destroy the complex. Changeling flies into her eye and she goes completely off the deep end, bringing half the complex down on top of herself, though none of the Titans are hurt.

Gar and Wonder Girl search through the rubble, and Gar is still convinced (or trying to convince himself) that Terminator somehow turned Terra evil. Jericho and Terminator (who's tied up) are both upset at the circumstances of their "reunion" and both end up crying. Speaking of which, Gar finds Terra's body and is devastated. Later we see Terra's funeral, with all the Titans and the Outsiders, including Batman. Terra's brother, Geo-Force, gives a speech about nobility and sacrifice and all that. Watching from nearby, Adeline and Joseph realize the Titans didn't tell Terra's brother (or anyone else) that she was a raving, hate-filled lunatic. Adeline says the Titans are very noble and Joseph will fit in well with them, but his mind is elsewhere.

And that's the Judas Contract. In the intro to the trade paperback, Wolfman and Perez admit that they created Terra with this story in mind; they always knew she was a spy working for Terminator, and they always knew she was going to die. Talk about playing the long game. So I guess all the little moments where it looked like Terra might be having second thoughts were just red herrings. In fact, during the final fight, just before her death, Wolfman's captions say that Terra was too full of hate, too far off the deep end to ever be rehabilitated. Maybe that was his way of silencing all the fans who were going to say "Did she have to die? Wasn't there some way she could've been saved?", questions the Titans will be asking themselves too. Apparently she couldn't be saved. But I think that makes the story better, because it makes the wound deeper, and it affects the way the Titans look at the world. It could make them less open, more suspicious, but overall i don't think it does.

The art is spectacular, of course, and Wolfman's writing is great too. He shows subtlety, humour, and a real grasp of the characters. I know a lot of people find Changeling annoying (and he is!), but I can't help feeling bad for him here. Terra's betrayal hurt him more than anyone, and he keeps blaming Terminator for it. I think this arc is where Gar grows up a bit, and even though he doesn't lose his sense of humour (such as it is), Wofman writes him as more mature from here on out. If I remember right, when the Titans break up, it's Gar and Victor that rally to get them back together. And there's the follow-up to this story, where Gar gets the chance to exact revenge on Terminator for Terra's death, but chooses not to. It's also great to see Dick finally getting out of Batman's long shadow and becoming his own man. At this point, Jason Todd is already acting as Robin, so there's no need for two of them. But we also see Batman's continuing influence when Dick uses his deductive ability to figure out what's going on. That becomes something of a trademark (like when he investigates Donna's past).

So, I'd say the Judas Contract deserves its "classic storyline" appellation. NTT was definitely on a roll back then!

Enter Bizarro - Dueling Pencils (and Plotlines)

Superboy #68 (October 1958)
"The Boy of Steel Versus the Thing of Steel"
Otto Binder-George Papp

The Man of Steel #5 (December 1986)

"The Mirror, Crack'd"

John Byrne-Byrne/Dick Giordano

Doug: Yup -- half a century old, am I. I know I'm joining a club populated by many of our Bronze Age Babies, and I trust you'll treat me kindly in this land of AARP. Now if I could only remember what issue I'm supposed to review today...

Funny that I'm joking about being forgetful; well, maybe it's not even forgetful. I think it was William many a'moon ago (when we solicited ideas for posts) who queried what we had collected on our shelves but had never read. I can attest to owning The Greatest Superman Stories Ever Told, but have not read all of the tales contained therein -- and quite honestly have not cracked the book in perhaps 20 years. Figuring it had been awhile since I reviewed a Superman yarn (I've been really heavy on the Bat-side of DC lately, but that's the lion's share of what I have from those folks), I thought I'd check the table of contents of the "Greatest" trade. Now I've remarked several times that I've always been a Superboy guy, never Superman (well, not never). So when I saw Superboy #68 sitting there, and it was the 1st appearance of Bizarro to boot, I knew I was going to review it. But after I read it, I was like "Hey, wait a minute..." So I dug up our BAB review of Man of Steel #5, and darned if Anonymous (one of the most common baby names of the mid-60s) didn't comment:

Anonymous said...

Two things:
(1) at the time of the miniseries, Byrne stated that the purpose of the Bizarro story was to show Superman's first encounter with a super powered foe;
(2) the blindness thing is a call back to the first Bizarro story - where something similar happened. Bizarro died - and when he blew up, he cured a blind person (though I don't think it was Lucy Lane).

So there you have it -- cart planted squarely in front of horse. But you know that's not fair, so howzabout we take a look at these two stories, told almost 30 years apart, and see how similar they are? For those keeping score at home, I am going to blend in thoughts about Man of Steel #5 from mine and Karen's original review of that  publication.

The Creations: In Superboy #68, our young Kryptonian has visited a Professor Dalton, who is about to conduct a very important experiment. Dalton thinks he has invented a "Duplicator Ray" that will be able to exactly reproduce any material. His first attempt is on radium -- because after all, the 1950s was all about radioactivity. The radium that's created is a dud -- no radiation whatsoever. Dalton then turns his ray on a jewel, but it proceeds to melt like ice. Frustrated, he declares himself a failure. Ever empathetic, all Superboy can utter is, "Too bad, Professor! Well, I'll be on my way!" (at this point, please do yourself a favor and head on over to superdickery.com for more bad manners (and etc.) from Superboy, Superman, and a host of other comics bores). You know, it would serve Superboy right if that ray got turned on him and made an indestructible duplicate of him. Yeah -- that would fix smart-mouthed Superboy! And so it happened. But the duplicate, who we are repeatedly assured is some form of non-life (nevermind that it feels, thinks, has emotions, et al.), is soon out of the lab and on the loose and heading straight for mischief.

Skip ahead approximately 30 years and...

Lex enters a large laboratory where a Dr. Teng, dissident Chinese scientist, labors over a large sarcophagus. We learn that Luthor had his offices layered with cameras and untold diagnostic equipment that captured every iota of information about Superman while he was on the premises. The doctor then used that data to program his technology to create an exact duplicate of the Man of Steel. One problem, however: The equipment was infallible for any sort of terran lifeform. It's at this moment that Lex deduces that Superman could very likely be an alien. The professor unveils his creation, cautioning Luthor that it has been a failure. The sarcophagus is opened and out steps an entranced doppelganger of Superman... who then immediately collapses on the floor, and begins to crystallize. Luthor, enraged, grabs his hired hand and offers that he truly hopes he has not wasted his $100 million investment.  But just as quickly, he orders the creature removed -- Luthor is going home to Metropolis.

Close Encounters of the Bizarro Kind: Bizarro, being duplicated from Superboy, is somewhat aware of Superboy's life and surroundings. As such, he shows up at the Kents', the Kents' neighbors' home, and in various places around Smallville. Overall, he scares people. He is one goofy-looking dude. But there's a real innocence about him, child-like. He wants to fit in, and most of all to be loved. But everyone seems afraid of him and often runs the other way. As Bizarro sits alone on the curb crying, he's approached by a pretty teenaged girl who asks him what's wrong. She tells him that he seems kindly enough, a gentle soul. Bizarro is about to bust, and he flies away to tell a farm family who had humored him earlier. And then we learn that the girl is blind.

In the John Byrne version...

In Metropolis, we get to see Lois Lane's apartment and meet her sister Lucy. We learn immediately that some sort of tragic accident has recently befallen Lucy and her sight has been lost. Lois tries to encourage her, but Lucy is obviously depressed. Byrne depicts the sullen Lucy seated alone, head in hand. Cut away to the streets, where an ambulance careens out of control. A blown tire brings the vehicle to an abrupt stop, but since it is carrying a patient the situation is even more dire. Suddenly a familiar pair of red boots lands and hoists the vehicle.  It is very soon spirited to the closest hospital. As the crew emerges to thank Superman, a look of surprised horror crosses their faces. We see the Man of Steel's foggy reflection in the ambulance window, but cannot make out what must have spooked the EMTs.

Back at Lois' highrise, Lucy has moved onto the balcony and is poised to leap. She asks to herself that Lois forgive her, and pushes away. She doesn't fall far before blue-clothed arms reach out and scoop her away from her desired death. Taken back to the balcony, she's gently set down. She asks if her benefactor is Superman, but he says nothing. She feels him fly away, and is puzzled as to why he wouldn't speak. Cut away then to the Daily Planet, where Lois has arrived to work. After some banter, Jimmy (still sportin' that bowtie) asks if anyone has heard about the break-in at a men's store next door. Seems the perp busted thousands of dollars of plate glass to swipe a $100 suit, and left alone a jewelry store right next door! Clark uses his telescopic vision to peer down into the lobby and notices an odd duck wearing a sport coat over what looks to be a red cape. In a really nifty panel, Byrne gives us the first Superman quick-change and the Man of Steel emerges in the lobby to question this weirdo. Trouble is, when the guy turns around, he's an ashen duplicate of -- Superman! 

Attempted Destruction: Wow - the 1950s must have been pretty reckless. Superboy tries to subdue Bizarro by flying into space in a leaden suit of armor to retrieve a Kryptonite asteroid which he uses in an attempt to murder Bizarro (unless you believe that the creature was inanimate, as is continually suggested). When that fails, actually afflicting Superboy due to a counter-attack by Bizarro, the Teen of Steel asks his army buddies to bring out the conventional weapons. Seriously -- tanks, mortar shells, flamethrowers, you name it. With no positive results, Superboy suggests he be allowed to drop an A-bomb on Bizarro. You read that right. Remember in Kingdom Come when Kansas was obliterated? Superboy drops an atomic bomb on his doppelganger, who catches it and hurls it to the moon.  I'm not making this up. With nowhere else to turn, Superboy engages Bizarro directly.

But in Metropolis...

(Continued from above) The new guy on the block doesn't talk much, but he does pack a wallop! Superman is sent reeling out of the building, landing in the middle of a city bus. He urges the passengers to stay put and heads back out to confront his assailant. We get a good look at the guy, who is fully garbed in a navy blue (not royal blue) Superman suit and what looks to be Clark Kent's wardrobe! Superman soon finds that this imposter possesses all of his powers, including his vast strength. When Lois comes on the scene, Superman decides it would be beneficial to rid his enemy of the civvies. As Superman takes a shot, Lois comes closer -- close enough that she draws the creature's attention. He grasps her wrist and flies her away.

Lois decides that she'll try to talk to the "guy". But when she does, he turns his full attention to her, and kisses her! In a nice piece of writing, Byrne has Lois think, "I don't believe it! Five years I've been dreaming of being kissed by Superman..." Anyway, the creature lands on the same balcony to which he'd deposited Lucy earlier in the story. She is still outside, and can see Lois and "Superman" approaching! Lucy approaches the doppelganger, but as she moves to touch his face, the real Superman arrives. He tries to move the ladies to safety, but is pummeled by his duplicate. They engage, and Superman is hurled straight down into the street. He notices that some sort of powder has rubbed off on his fist and sleeve. Looking at it with his telescopic vision, he notes that it is inorganic -- the creature isn't alive. "Our ugly friend is some kind of android -- an artificial being -- just one step ahead of a robot!"

 
Endgame: Spent for suggestions, Superboy heads back to Smallville to see if there isn't something he can think of that he can use to get rid of Bizarro. The creature follows him back to town, but as Bizarro arrives he falls from the sky -- as if under the influence of Kryptonite. But having exhausted that as an option, Superboy races to find the substance that has affected Bizarro. Flying by Professor Dalton's lab, he sees a custodian emptying the remnants of Dalton's Duplicator Ray machine and notices that the parts emit a glow... hazardous waste? Pfah! Grabbing a huge piece, Superboy threatens to end Bizarro's existence; although Bizarro retorts and uses the word "kill". Bizarro, in typical Bizarro fashion, flies directly at the Teen of Steel.

In the Post-Crisis Superman revamp...
 
Superman rockets upward as the creature turns toward him. Suddenly it launches downward and the two meteors strike head on. Superman emerges apparently no worse for the wear, but the creature is nowhere to be found.

Eyesight to the Blind: As Bizarro impacted Superboy's metal plate, he exploded into dust particles. A distance away, Melissa felt the impact and was awash in waves of the dust particles. Suddenly her eyesight returned!

 And finally, in 1986...

Bizarro exploded into a huge cloud of dust and crystal particles. And it's those particles that apparently cured Lucy's blindness. Superman is complimented for taking the action that cured Lucy; however, the Man of Steel muses that he really didn't know it would work out that way... but the creature must have.

I feel the need to offer some additional thoughts on Superboy #68, as this comparative post will serve as the review of the story. It was certainly one of those Silver Age books that, with the right mindset, could be enjoyable. I'm sad to say, however, that my mind might not have been exactly positioned in that manner. The basics of the story were fine -- plot, art, etc. But oh the dialogue... I was reminded early and often why as a kid I loathed Superman comics. Generally speaking, Superboy comics tended to avoid the following, but all are in full use here: telescopic vision, super-strength, super-breath, heat vision, super-wits, super-hearing, super-force, super-ventriloquism, super-blows, super-judo... as well as super-vibration, super-impact, and super-inspiration. Whew! Otto Binder actually used every one of those terms in a 24-page story. And it wore me out.

I enjoyed the art, but again through the lens of the Silver Age. I don't know how much George Papp art I've ever seen, but this was pleasing to the eye and appropriate to the subject matter. Papp's art fit in with the "aw, shucks!" sense I get from stories of this vintage.

If you made the jump above to our Man of Steel review, you saw Karen and I comment on John Byrne's attitude toward Bizarro and how it seemed to preface what he'd do to the Vision a few years hence in the pages of West Coast Avengers. I felt in Byrne's treatment, and especially in Binder's script, that Bizarro was too easily discarded as some form of non-life. You ask me, the dude was alive. Also, and in closing because I've taken enough time out of your day, I'd add that Binder's scientific explanations throughout the Superboy tale are at once charming and "say what?!", but most of all pretty dumb.

But I'd read that story again -- it was addictive in a "why am I eating this" sort of way.