Showing posts with label Iron Man. Show all posts
Showing posts with label Iron Man. Show all posts

Monday, September 26, 2016

An Obscure Midnight Story - Iron Man Annual 4


Iron Man Annual #4 (1977) - Midnight story
"Death Lair"
Roger Stern-Jeff Aclin/Don Newton

Doug: You might think that it would be strange if I sought out the Midnight story when the main yarn in that summer extravaganza boasted pure Bronze Age heaven. Well, it would be strange, and I did not. But in reading this annual I did see the Midnight story tucked near the end, thought that in itself we had an oddity, and so bring it to you today. Think the story's obscure? Heck, Midnight's obscure!

Many among my Bronze Age brethren (and sisthren) were kung fu fighting during the 1970's. I was a pacifist in my pudgy pre-teen days, so was not. OK, that's not entirely true, because I did beat up my neighbor Donald one day because he'd irritated me one time too many. My issue with the kung fu books was strictly monetary. With only so many quarters in my pocket and out on my horizon, I wasn't going to stray too far from the superheroes I knew and loved. It was more of a nominal genre allocation problem than anything else. So without any sense that I didn't like those sorts of books in my youth, I will truthfully plead ignorance and trudge forth today. After all, this is only a 5-pager; if I don't like it, then we really won't have wasted much of our time, right?

I did know of Midnight back in the day, as they say. Everyone knows the Avengers was my mag, and everyone knows that the "Celestial Madonna" arc is one of my all-time fave stories. And who should appear in Avengers #131-G-S Avengers #3? Yup - Midnight. But that's all I knew of him. I had a copy of Iron Man Annual #4, but honestly did not remember this story until I laid eyes on it again several weeks ago. I'd wager that when I bought this as an 11-year old I didn't even read the back-up. As I said at the top... Iron Man and the Champions? Take two quarters!


I'm going to present this story in its entirety, so you can make your criticisms along with me, just below. I'll start by criticizing myself and my inability to provide a good scan when using PowerPoint to bring a .pdf file over from the DVD-ROMs. Just looks drawn... sort of like watching analog television in widescreen.




No 100-Word Review today -- that was so short, it probably didn't take you much longer to read the whole story! So, on with --

The Good: This was a compact story with no beginning and no end -- just a whole lot of middle. But I didn't mind that. Roger Stern's words and the art team of Jeff Aclin (I got nuthin'... anyone familiar with his work in other places?) and Don Newton moved things right along. Characterization on the toughs was pretty standard comic book fare, which was OK -- nothing campy or contrived. Without much background beyond his appearance in the Avengers, I am uncertain of whether or not I should root for Midnight. This Half-face guy was also a mystery to me. I think that's part of the appeal of this tale for me -- it has me curious. I am planning to somehow acquire the upcoming Deadly Hands of Kung fu Omnibus that reprints the '70s black-and-white magazines of the same name. I don't know if Midnight appears anywhere within, but I kind of hope he does.  

Tell me -- is it always a thing in martial arts comics to use the various weapons? Because that really ups my stress level, people start throwing stars and such. Man... those guys are super bad.

I'm also digging the ads adjoining that last page sample.

The Bad: My scans. Hate 'em. Other than that, really nothing to report. For a back-up story, and I'm left wondering what sort of stock filler this must have been, it was just that: filler for a large comic.

I like Midnight's look when wearing his coat and cape, but he really gives me a Death-Stalker vibe. When he's in the all-black body suit, I felt like he should have been lighted a bit more than he was. Otherwise he just shows as a void on the page. But maybe that's the point.

The Ugly: Nada.

That's it. Pretty short collection of thoughts for a really short story. But hopefully some of you who stopped by today will leave a thought of your own. I'd certainly appreciate some of our readers taking the time to educate me on Midnight, but also on kung fu comics in general. Thanks in advance.


Thursday, September 15, 2016

Who's The Best... Class of Powers?


Martinex1:   The heroes and villains from Marvel and DC can be classified fairly easily according to their primary power sets.   I am sure there are more categories than I have listed below, but I find that most characters can be catalogued in nine groups.  Even if a character has multiple powers they will continue to rely on their core capability.  So which group is the best?   Do you gravitate to a type of hero with certain abilities?  Does one set have better intrinsic value or interest? How about costumes and visual depiction - is one group generally better than others?   Or is there a classification that I have not mentioned that you consider superior?

Outlined below are my broad categories and some pictorial examples to get the conversation going:

  • The Blasters:   These are characters who use energy as a weapon.  Whether utilizing fire, heat, ions, sonic waves, or light rays - they have some method of hurling or sending energy forces at their opponent. More often than not technology and science play a role in their powers.
  • The Flyers:   These characters rely on their wings, whether feathery or mechanical, to take to the air.  Many characters can fly, but for these flight is their primary power
  • The Runners:   This group relies on speed, speed, and more speed.    They can run, hit, and even vibrate faster than the human eye.  
  • The Athletes: Not always super-powered, this group consists of the fighters, martial artists, acrobats, gymnasts, and sportsmen.   Typically they are honed to the peak of human perfection.  They work hard to stay in shape but often take a beating.  These are the gold medalists of the spandex set.
  • The Brains: This set sometimes has supernatural abilities like telekinesis and telepathy.   They may be manipulators of the mind.   Or they may simply be extraordinarily smart - they are the genius class and the thinkers.   It is the grey matter that matters here.
  • The Muscle:  The characters in this group are super-enhanced.   Their strength goes beyond the norm.   They can bench-press a mack-truck if needed.   Typically their brute strength is their primary attribute.
  • The Magicians:  Here are the sorcerers, wizards, warlocks, and witches.   They have abilities that don't adhere to the laws of science and physics.   These are the other-worldly, pan-dimensional masters of the weird.
  • The Robots: Call them androids, synthezoids, droids, or robots - these artificial creations with human emotions are a science fiction trope.
  • The Size-Changers:   Whether enlarging to 30 feet or shrinking to the molecular level, this group of giants and insects have a "growing" population in our comic kingdoms.



The Energy Blasters!


The Brain-trust!
The Winged Warriors!
The Speedsters!
The Mighty and the Muscled!
The Magicians!
The Athletes and Acrobats!
The Size Shifters!
The Artificials!

So is it mind over matter?  Or brawn over brains?   Is it the fleet-footed or those that take flight?  Is it the energy fiends or those that need energy drinks?   Size over substance?  The witches or the whip smart?  From you comic book lovers out there - who's the best in this power struggle?  


Share your own classifications, considerations, examples, thoughts, and opinions,

Monday, August 8, 2016

Just a Guy in Need of Some Bat-Snake Repellent - Iron Man 50


Iron Man #50 (September 1972)
"Deathplay"
Mike Friedrich-George Tuska/Vince Colletta

Doug: Today I'll close out a series of comic reviews that I had no idea would become a series of comic reviews. In April I posed a question about favorite (or non-favorite) mismatches in comics. In that post, as samples to get you thinking, I displayed the covers to Daredevil #163, Thor #269, and today's mag: Iron Man #50. Well, as I went ahead and reviewed two of those books, and being the completist that I am, it only seems proper to review the third. Here it is. If you read the first two reviews, we generally gushed over the DD book, but felt that the Thor story left quite a bit to be desired. My preconceived notion on today's story was that it was going to stink as well. Iron Man, against a big snake? C'mon... Read on, O' Curious One.

Were you a regular Iron Man reader in the Bronze Age? I was not. I don't know why. I bought Thor pretty regularly and generally picked up Captain America. I always enjoyed the Big Three when they were in the Avengers together, but for some reason never warmed to Iron Man's solo book. In fact, I am having a difficult time recalling if I ever bought an issue! I know I bought Iron Man Annual #4, but that was due to the Champions crossover. Go figure - I bought every issue of the Champions, but passed on the Golden Avenger. Forty years later, that kinda boggles the mind. Anyway, you're waiting on a 100-Word Review...


Tony Stark’s in bad shape. His armor drained after a battle against the Super-Adaptoid, Stark struggles to get to an electric outlet. In the nick of time he’s successful; until Jarvis barges in on him. With IM’s armor scattered about Stark is forced to lie to his faithful butler. Later, Princess Python attacks Jarvis in anticipation of attacking Stark. A young ESPer named Marianne plays heavily in the plot. The Princess eventually captures Stark, but he frees himself to change to Iron Man. IM tussles with a mutated python, but of course wins. Naturally, the next menace lies around the corner… 

You know, when I began reading this (from the Iron Man DVD-ROM), I was prepared to come to you in review with a "this was sillier than Thor vs. Stilt-Man" conclusion. However, I cannot report in that manner. I actually really liked it, and here's why:

The Good: As I usually do, I'll start with the art. When you think of "classic" Iron Man pencilers, I'm sure Don Heck and Gene Colan come to mind. But if George Tuska isn't in the same thought, I don't know what's wrong with you. I've always enjoyed Tuska's rendition of ol' Shellhead. "Stock poses"? You bet; and they're great. Tuska has a very dynamic style akin to Jack Kirby or John Buscema. While his draftsmanship isn't near Buscema's realism (in fact, Tuska seemed to pride himself on making supporting characters somewhat cartoony) and of course Kirby has no peer, Tuska nevertheless gives us a kinetic Iron Man. You can feel the whirl of a character, the power of a punch, the wind in flight. Later, truthfully only a few years from the publication of this issue, I'd probably take issue with the stiffness of a Tuska-drawn book. But here, in the early Bronze Age, he was solid.

Mike Friedrich's script is wordy! So why is that a good thing? I guess I enjoyed the existentialism with which he wrote Tony Stark. It's a far cry from the Stark current fans know -- the Robert Downey, Jr. Tony Stark of the Marvel Cinematic Universe. This Stark seems to be a pretty deep fellow, very sober and introspective. He's not covering for his inadequacies and doubts with witty banter. Conversely, this version of Stark seems cut straight from the early cloth stitched by Stan Lee and Kirby -- feet fully made of clay and struggling to deal with that fact. I've read other scripts by Friedrich, and wordiness is a "thing" of his. In that regard, I can say that I got what I expected when coming to this tale.

I got a real kick out of the manner in which Tony Stark had to remove his armor. It certainly wasn't the drone-service we've seen lately in films.

The Bad: Let's face it -- no way Princess Python gets on Iron Man's dance card. I'd like to have been in whatever meeting took place where editor Roy Thomas signed off on this as a good idea. Thor vs. Stilt-Man, indeed! In a way it works, but only because of the silly "mutation" that takes place with the Python -- the chemical cocktail that slithery monster was bathed in must have been second only to what befell poor Barry Allen. That doesn't happen, we got no story. Period.

I was also unsure of the Princess's speech patterns. I would not pretend to be a connoisseur of the adventures of the Circus of Crime, but no where in my memory does it stand out that the Princess speaks "tough broad"-ese. I was further confounded by what appeared to be a different style of speaking as depicted later in this same story. Perhaps I missed something.

Above I said that Friedrich wrote a much more introspective, self-critical Tony Stark. While I'll stand by my liking of that in my comments above, I will say that upon cracking the book it was a bit of a shock to the system. Downey's portrayal of Stark/Iron Man has become the norm, hasn't it? Again, with no rich history of reading Iron Man throughout the character's history this philosophical Stark caught me a bit off guard. Not bad overall, just maybe for me during the reading.

The Ugly: I dunno... I find myself getting to this section with rarely a thing to mention. But today I do have one, and it was in fact a trope we saw in the aforementioned Thor story. Well, actually in the issue after the one I reviewed. Thor is separated from Mjolnir by the big ugliness that is Blastaar. The Thunder God doesn't recover it in time and hence turns back into Dr. Donald Blake. Of course he ends up recovering his walking stick and later knocking Blastaar all the way back to the Negative Zone. Here we see Tony Stark afflicted by an old Silver Age malady, and that's the draining of power from his armor -- notably, the life-sustaining chestplate. In this story Stark even remarks to himself that he has only around 60 seconds to find electricity. And then he counts it down. Like I ever thought he wouldn't find it? Pfah... If the trope doesn't provide drama or advance the story in a fresh way, then lose it. So there -- my "ugly" for this story.


Overall, though, this was time well spent. I really did enjoy this book quite a bit more than I expected. This story really had that early Bronze Age feel to it. The 20c price tag seems to ooze such a sense, am I right?

NOTE: Just an observation here. I own most of the Marvel DVD-ROMs (and again, they are wonderful things! -nearly as swell as sliced bread!), but I have never seen a scanned issue that looked like it was owned by an actual consumer. I always figured that the comics used to create those literary keepsakes came from some Marvel vault. Go figure -- apparently Iron Man #50 was secured from some kid! See below, at the Mighty Marvel Checklist:



Tuesday, July 26, 2016

Buried Treasures: Dynamite's Superhero Confidential (the conclusion)

Doug: We've had a blast over the past five or six weeks reminding ourselves how awesome those monthly book orders from Scholastic, Inc. could be when we were elementary school-aged. Today I'm going to show off the last three features that I saved from Dynamite magazine. The Captain Marvel (Shazam to Bronze Age Babies) feature was my introduction to the Captain's four-color adventures, as I am positive at that point in my life I knew him only from the Saturday morning live action show. As you have, drop us a comment on the artwork, the selection choices editorial made, and the Q&A/FAQ sections that followed the comic excerpts.

I think the Daredevil feature is from Daredevil #117, which I reviewed some years ago. However, as my art samples don't match and since that comic has left my possession I cannot be certain. Any help would be welcome.

I've enjoyed finding and sharing these gems from the middle of the Bronze Age. Who knows what else lurks down deep in the recesses of the comic room's closet?







Friday, June 10, 2016

#MyFirstAvengersLineUp

https://graphicpolicy.files.wordpress.com/2011/03/image0012.jpg
Doug: Here's a fun drill for Marvelites of all ages. About a week and a half ago one of our Twitter friends was asking folks to mark time by events within the pages of Earth's Mightiest Heroes -- specifically, the Avengers line-up when you started reading the book. So many thanks to Greg A. (@garaujo1) for today's post idea.

Doug: For this guy, my entry to the Avengers on an ongoing basis was around #119-120: the adventure against the Collector in Rutland, Vermont and then on into the Zodiac arc. You can see from the cover below (Jazzy Johnny Romita had a hand in that one, ya think?) that our Avengers at the time were Thor, Iron Man, Captain America, the Black Panther, the Vision, the Scarlet Witch, and Mantis and the Swordsman. That's a great line-up, certainly one of the best in the history of the team.

Karen: That's a powerhouse line-up, and very similar to my first team of Assemblers, from way back in issue #92. Anyone who's been around here for more than a few months knows that I came aboard the Marvel train with the Kree-Skrull War and never shut up about how great it is. But my first exposure to the Avengers had a team divided: there was the active team composed of the later generations of Avengers, namely the Scarlet Witch, her brother Quicksilver, their comrade Clint Barton, once Hawkeye, now playing the role of Goliath, and the Vision. The Big Three -Captain America, Iron Man, and Thor -show up at the end of the issue to disband the team -although they were really Skrulls posing as those heroes. But by the next issue the real McCoys would be back, along with a brief visit from Ant-Man. So I always think of the Big Three, plus the Vision, and Wanda, as mainstays.

Martinex1: As I've mentioned before, at a young age my cousin gave me a box of various comics and my favorites amongst those were a smattering of Avengers books ranging intermittently from Avengers #45 to Avengers #91. So I received in that gift a pretty broad view of the team's assembled heroes. My favorite though was the team gathered in the battle with Grandmaster and Kang in issues #69 to #71. The final page of that arc had a marvelous Sal Buscema pin-up that defined the team for me; it included the big three plus Vision, Clint-Goliath, Yellowjacket, Wasp, Black Knight, and the Black Panther. When I purchased my first Avengers comic with my own money, it was at the start of the Nefaria Saga at issue #164. Amazingly the team had not changed much despite the big gap in issues. The main difference was that the Scarlet Witch and the Beast were in, but Clint and the Black Knight were absent. So those were essentially my Avengers! I do have to say though that I thoroughly enjoyed the second kooky quartet that Karen mentioned of Goliath, Vision, Scarlet Witch and Quicksilver; their battle with Brainchild in issue #86 remains one of my guilty pleasures in following the team.

Redartz:
My introductory Avengers lineup is quite similar to Doug's, as we joined the Assemblers during the same era. Specifically, I began with issue # 127, the crossover with the Inhumans and the Fantastic Four. Actually, I bought the issue because of the Fantastic Four appearance, and was immediately hooked (and why not -- what a cast of characters, and Ultron to boot!). So that would be Thor, Iron Man, Wanda and the Vision, Mantis and the Swordsman. Honorable mention goes to the Beast, who joined shortly thereafter, and became my favorite Avenger.



Saturday, May 14, 2016

Discuss: Captain America: Civil War - FULLY SPOILED!!


CIVIL WAR: FULLY SPOILED EDITION!!
WARNING: SPOILERS AHEAD!!!



Karen: That's right kids, it's time to discuss this blockbuster, no-holds-barred, say what you will! First up, me and my co-host Doug are going to get things rolling with our thoughts on the film, and then it's up to you to keep it going.


Karen: My overall impression of the the film is that I enjoyed it, but it does seem a bit over-stuffed. Somehow, despite all of the characters and places and plot threads, it still feels like Captain America's story is the core of the film, but there is an awful lot of other stuff going on around that.

Doug: I enjoyed it too, but I am having guilt feelings because I didn't walk out of the theater giddy as I was when I saw The Avengers, or Captain America: the First Avenger or Captain America: Winter Soldier. I think Civil War ultimately makes my top 5 MCU films, but I can't put my finger on exactly why I haven't had puppy love butterflies. It is a dense film with tons of characters, as you say, but I didn't ever feel that the film was hampered by that. If anything, it seemed to effectively serve the purpose of the plot.

Karen: I hear you. I wasn't as pumped up at the end of this one either, but I think that's natural - we've just seen our heroes torn apart. It's not a happy ending. Maybe it's a bit like that feeling from when we first saw The Empire Strikes Back - everything has fallen apart and how are our heroes going to recover? Well, we know they will somehow get back together to face Thanos for The Infinity War.

Doug: Agreed. I've also seen the Russos refer to this pic as their "Empire...", and there is that sense of uncertainty at the end of this. I'm thinking the first Infinity War movie (or whatever they are going to call it) is going to be a major butt-kicking. My guess is that it will be the darkest film of the MCU.


Karen: The conflict -whether or not to sign the Accords, to accept the authority of the world's governments, or to keep their autonomy - is clouded by the issue of Bucky and his guilt or innocence in the Vienna bombing (and later, his assassination of the Starks). I sort of wish they'd kept Bucky out of the whole thing and kept the discord about the whether or not to sign the accords, and maybe the idea that they were holding some superhumans against their will (like Wanda). But I suppose they needed to resolve the Winter Soldier storyline, and grafting that onto Civil War worked out.

Doug: It did work out, and I viewed the Vienna incident as the last straw that pushed everything over the edge. One element from the Accords and Bucky storylines being mashed together was the character trait of loyalty in Captain America - loyalty to freedom (or his interpretation of it) and to Bucky. However, and we've said this before, there is no sense of history between Cap and Bucky in the MCU as there is in the comics. This would have played out much better in the comics because of what we knew for decades. To try to make us care from one film to the next is a bit of a hefty request.

Karen: I think they've done a decent enough job of establishing Bucky as Cap's best buddy -but it kind of bothers me, as I think that's the role the Falcon should have!

Doug: There is sometimes a sense of "Captain America and the Falcon", isn't there? Oh, and loved Redwing -- when Sam first used the device I was thinking to myself, "Hmm, just like Redwing would do." And I was right!

Doug: I'd also argue that Wanda's role in the fall-out of the Crossbones battle (by the way - very cool, and loved Crossbones) might have played better in an X-Men picture. The doubt of the nature of her powers and her ability/lack of ability to control them seems to fit in better with anti-mutant hysteria. Of course, she's a Hydra construct now, right? In regard to the Accords, they sort of just drop, don't they? Sure, there's been some history through the past few MCU movies, but there's really no tension in this film as "Thunderbolt" Ross shows up and boom! Sokovia Accords.

Karen: It's interesting that they chose to bring Thunderbolt Ross back as the agent for the Accords. Yes, there wasn't much warning that they were coming, but considering what happened in Sokovia, and perhaps more likely, how badly  the politicians would want to control the kind of power the Avengers have, it's no surprise. 

Doug: Ross was perhaps a stand-in for Henry Peter Gyrich. Maybe his inclusion was part of an effort to legitimize that second Hulk film.



Karen: Regarding the two camps, the leaders in both cases aren't seeing things straight. Cap is blinded by his friendship for, and guilt over, Bucky. He's willing to do anything for him.  He also has a huge distrust of authority since coming out of the ice, after the incidents in Avengers and Winter Soldier. So it's not surprising that he doesn't think it's a great idea to allow the most powerful fighting force on Earth to be directed by a group of politicians. As he says in the film, "What if they want to send us somewhere we shouldn't go? Or they won't let us go somewhere we should?" However, he never tries to work with anyone. When Bucky is in trouble, he just goes off and does his thing.

Doug: The whole "Cap's survivor guilt" is overplayed. While the guilt over surviving the larger War is one thing, guilt and loss over Bucky seems a bit of a stretch. Again, we don't have the longer backstory of not only the War years but of Cap's early years after his revival from suspended animation as we do in the comics. This is one I have a tough time separating and enjoying as an aspect of the MCU. You mention Cap as a loner. I did enjoy the first scene of the film. It's obvious that Cap has trained these Avengers, not unlike he did in the Kooky Quartet era. Fun stuff! 

Karen: I always think of part of Cap's guilt over  Bucky in the MCU as being his feeling of guilt over what Bucky was turned into -a mindless assassin. If he had been able to save him, none of this -the years of working for Hydra, and all of the crimes and murders he committed -would have occurred. So Cap feels responsible for Bucky's actions, in his own way.


Karen: As for Stark, he is at one of his lowest points. He has split from Pepper, seemingly due to his need to be Iron Man. He's wracked with guilt over the death and damage he's caused by his arrogance. He's ready to hand the reins over to someone else. Downey plays Tony Stark as a man on the edge -he appears about to crack many times in the film, and when he discovers the Winter Soldier killed his parents, he really does, quite effectively.

Doug: For the first time in six films, I felt empathy toward Tony Stark. Prior to that, he was just sort of a rich jerk who I couldn't relate to. You know, I saw some criticism online of the computer generated Stark family scene. I loved it. I thought that really added to the characterization of Tony Stark, and to the greater MCU. While not directly mentioned, it did bring Hank Pym's comment in Ant-Man about Howard Stark into the light. I also found myself not caring for Bucky Barnes by the end of the film. Brainwashing or not, he's going to need some rehabilitation in order to bring me back.




Karen: Both Howard and Tony have huge egos and just always think they are right. The scene in the Raft prison, where Tony walks in and Hawkeye says derisively, "The Futurist! He knows what's best for you!" really nails it. In Tony's mind, everything he does, whether it's building Ultron or signing the Accords, is the best possible path. But Tony has miscalculated a lot over the years. 

Karen: Now Tony finally admits that maybe he isn't always right -but once he decides the Avengers should sign the Accords, he can't see the other side of it. Although he desperately wants Cap to side with him. And of course, by the end, he's taking matters into his own hands again, breaking the Accords to help Steve, at least briefly.

Karen: I thought most of the other characters got at least one good moment, if not several. I am more and more impressed with Black Widow -she truly deserves her own film. Her moves in the opening action sequence manage to be both graceful and brutal! It's amazing. And I appreciate the fine line she walks between Tony and Steve.


Doug: I'm really unsure what to make of the use of Giant-Man. On the one hand, "Heck yeah!!" But then it seemed as if he moved in slow motion the entire scene, which really made the character less than formidable. But there were some cool visuals, like grabbing and holding Rhodey by the legs, and breaking off and swinging the airplane wing. And speaking of cool visuals, how about the Vision phasing into Wanda's room near the beginning of the movie? That brought a big smile to my face. I liked the way the Vision was portrayed and thought he got some great screen time. Hawkeye seemed a bit short-changed -- and even when he had the chance to call himself "Hawkeye", he said "My name is Clint." Why run from it?

Karen: I figured you would love the Giant-Man sequence! Yes, he moved a bit slowly, but I think it heightens the sense of his size. I loved Paul Rudd laughing maniacally when he grew! And everyone freaking out about it! It was just perfect. There was the right mix of serious and light-hearted in this fight. 


Doug: Maybe my reservations about the movie lay in a line of dialogue during the big airport battle. When the Widow and Hawkeye engaged hand-to-hand, they fell to the ground and Natasha remarked, "We're still friends, right?" Well that seemed from then on like it was really stupid and unnecessary. And I had to wonder -- actually I hoped -- if everyone was pulling their punches.

Karen: I sort of assumed there would be a lot holding back -these people are friends or at least co-workers. I didn't believe they would be trying to kill one another. Well, except for Black Panther. He definitely was. What did you think of how he looked, and how Chadwick Boseman played him? I thought it was spot on. 



Karen: Of course, you know I love me some Vision, and I was immensely pleased with the direction they took with our android Avenger in this film. He's logical, he's measured -and he's also undeniably falling for Wanda. I just wonder though if it will be reciprocated?

Doug: Vision cooking was priceless. And speaking of Vizh, am I wrong that the only time we see his density increase is when Wanda manipulates his mass and makes him sink? We saw flight and phasing, but I don't recall the ol' "hard as a diamond" schtick.

Karen: I don't know about another example of his super-heavy form, but his hard as a diamond form was used when Giant-Man kicked a bus at Panther and Vision just stood there in front of it and it shredded around him. That was quick but awesome. Really, he's so powerful, he could handle most of Cap's team himself.

Doug: I guess that went right past me. That airport scene, once it lands on YouTube, will be one replayed for the ages. Sort of like the Thor/Hulk battle in The Avengers and the elevator scene in Winter Soldier.

Doug: So back to the Panther. He was just another in a long line of "gettin' it right" from these MCU creators. I mean, go back to Tuesday's characterization question... Can you think of an egregious "miss" in the MCU? Sure, they're for the most part playing these characters as their Ultimate universe selves. but we continue to come to them the first time "knowing" them. I really liked the Panther costume, and didn't mind that it was made of vibranium -- for all I know, that's true in today's comics. No clue. But the bullet-proof capability, coupled with his speed and agility (by the way, the motorcycle chase scene was a bit far-fetched, even for comics -- the Flash wasn't the one running, you know) make him a very special hero.



Karen: With Panther, I think we got the regal character we expected, whose rage was held simmering below the surface. I just hope we get to see some of his genius intellect next time around. I hope they don't drop that aspect of the character. Spidey was another delight.For once, he felt like a teenager. Was Spidey essential to the story? No, not at all. But I loved how he was portrayed, I liked how he and Stark played off each other, and I'm looking forward to the Spider-Man film with Marvel at the wheel.

Doug: I totally concur on all things Spider-Man, from the lack of necessity to the plot to Stark's rapport with Peter (and with May). I  made a comment on our spoiler-free post last week that this Aunt May is the age she really always should have been. Really, if Stan Lee and Steve Ditko had wanted a frail old woman in Peter's life as an ongoing (and ongoing...) plot device, then he should have been raised by his grandma or great-grandma. Like I said, two of my aunts are only around 12 years older than I, and two others are only slightly younger than my parents. If you reflect on May's depiction in even the earliest issues of Amazing Spider-Man, she has to be in her late 70s. For a 15-year old kid, that's not his aunt. Loved the new costume, the CGI eyes, and the banter. Absolutely smiled out loud (you know what I mean) when Spidey was criticized (by Falcon?) for talking too much during a fight. The display of Peter's strength and agility against much older adversaries was a superb showcase of what is to come. I really can't wait for the reboot to land; everyone knows I'm on record for not liking Andrew Garfield -- looking forward to this breath of fresh air.




Doug: Baron Zemo. Many have complained that he was a wasted villain, or not necessary to the plot. I think an underlying theme in the film was manipulation. And truth, too. The Avengers have been manipulated by Loki, Ultron, Crossbones, and Zemo. They keep being forced into situations where choices need to be made, and generally with consequences that fall outside what our heroes would normally morally choose. So Zemo was, in my opinion, an able catalyst. Granted, he took some chances and got lucky (movie lucky, comic book lucky) that Cap and Bucky followed him to Siberia. Iron Man following them -- calculated or lucky? It's an old trope -- having one's enemies destroy themselves. Zemo nearly pulled it off.

Karen: I just don't know why they bother calling him Zemo -he has nothing to do with the original villain. That does annoy me a little. But not enough to matter when it comes to my overall enjoyment of the film. I guess I was just hoping that 'Zemo' would have some greater connection to the Marvel universe. But you make a good point -why is it that these heroes are so readily manipulated? And what does that imply when we consider that Thanos is on the way? In comics, heroes are mostly reactive, while villains are the ones initiating action. It's much the same in the films, but the heroes seem to be easily worked into bad situations.


Doug: No hood, no Adhesive X, no Zemo as far as I'm concerned. But again, I thought as a plot point the character's presence was fine.

Karen: I also felt there were deeper machinations at work: what was it that Howard Stark had in his car that the Winter Solider took from him? It looked like five bags of some sort of blue-colored plasma. This was  apparently then given to the Russian soldiers to create more winter soldiers. Was this another version of the super soldier formula that SHIELD was working on? Will we ever learn more about that?

Doug: My assumption was that it was a replication of the Super-Soldier serum. Say, did you count the dead Soviets (man, that sounds like a name for a punk band) in the last scene? Did Zemo indeed slay them all? I was thinking that we might have had the opportunity for the Soviet Super-Soldiers in a future Winter Soldier standalone flick.

 Karen: I did count, and it looked to me like we started with five, and ended with five -dead. So I think all of them are dead -at least the ones we saw. But hey, who knows -maybe one will be revived as Deathlok? Oh wait -they already made a super-lame version on the Agents of SHIELD TV show.

Karen: And here's a silly thought: Was having Wanda in a green outfit at the beginning of the movie a tip of the hat to her first appearance in X-Men #4, where the Scarlet Witch was in a green costume on the cover? OK, probably not, but these are the things that rattle through my brain.

Doug: You scientists are so detail oriented. How'd you pick up on that? I got nuthin'. But then, that will give me something to look for if I see the film again. After this discussion, I think I'm even a little more amped for it than when we began. And I'm really anticipating everyone else's views in our comments section.

Karen: Me too, so let's get throw it over to everyone else! And hey, Humanbelly -Bob C. says he's going to revoke your Marvel Nerd card if you haven't seen Civil War by now, so for your sake, I sure hope you can report in!





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