Season 1
Episode 25: This Side of Paradise
Filmed: January 1967
Filmed: January 1967
First Air Date: March 2, 1967
Karen: Mr. Spock in love. What else need be said?
Karen: Mr. Spock in love. What else need be said?
Karen: Well, OK, it's more than just that. Similar to "The Naked Time," everyone loses their inhibitions and basically goes awol. But this time, they all go to their happy place, even our favorite Vulcan. Was it a take on 60s drug culture? It seems so. When people are inoculated with the 'spores' they are blissful and contented - but not very productive. The colonists have done almost nothing for three years on Omicron Ceti 3, and the crew of the Enterprise, once under the spell, all decide to chuck it and beam down to the planet. This crew, said to be the finest in the fleet, suddenly abdicates all responsibility, and happily heads to the transporter to beam down and spend their time on the planet, staring at clouds. I suppose to many adults in the 60s, they probably thought that was a fair description of what was happening with the youth, with their own kids, back then!
Karen: Jerry Sohl came up with the premise and the story outline. Surprisingly, it had Sulu falling in love, not Spock. When the story was turned over to D.C. Fontana to turn into a full-fledged script, she immediately felt that it had to be Spock falling in love to really make an impact. Producers Gene Roddenberry and Robert Justman loved it, and so the change was made. It's a wonderful showcase for the character, and for actor Leonard Nimoy, who was initially hesitant about the idea, but did a terrific job, particularly when the effect of the spores is violently stripped from Spock, and he realizes exactly what he's lost.
Karen: Although this is typically thought of as a Spock episode, it is also a great vehicle for Captain Kirk, providing insight into his character as well. Above all, Kirk is driven by his dedication to his ship, and his mission. Of the entire ship's complement, it is Kirk alone who resists the spores' influence. Being the commander of the Enterprise is his paradise. He quickly shakes off the effects. But he must get his crew back. The Enterprise is nothing without the people running it. He knows he needs Spock to do this. The scene where Kirk provokes Spock into a fight in order to negate the effect of the spores is one of the most memorable of the season, with Kirk getting verbally abusive towards his First Officer, questioning his parentage and his manhood. It might be considered tame today but knowing these characters as we do, it's still hard to take.
Karen: Although this is typically thought of as a Spock episode, it is also a great vehicle for Captain Kirk, providing insight into his character as well. Above all, Kirk is driven by his dedication to his ship, and his mission. Of the entire ship's complement, it is Kirk alone who resists the spores' influence. Being the commander of the Enterprise is his paradise. He quickly shakes off the effects. But he must get his crew back. The Enterprise is nothing without the people running it. He knows he needs Spock to do this. The scene where Kirk provokes Spock into a fight in order to negate the effect of the spores is one of the most memorable of the season, with Kirk getting verbally abusive towards his First Officer, questioning his parentage and his manhood. It might be considered tame today but knowing these characters as we do, it's still hard to take.
Karen: "All right you mutinous, disloyal, computerized half-breed, we'll see about you deserting my ship." Whew! The only really flaw with this scene was the (once again) obvious use of stunt men for the two leads. It might not have been as noticeable years ago with smaller TV screens and standard definition, but with today's high definition format and giant screens, it is just painful.
Karen: Freed from the spores, Spock's sense of duty, and loyalty to Kirk, kick in. He helps the Captain rig a signal that will cause irritation in the crew on the planet and bring them out of their stupor too. But Leila Kalomi (Jill Ireland), the woman with whom he's become involved, is released by her discovery that Spock is no longer "one" with them (sounds a bit like 'Return of the Archons', doesn't it?). The Vulcan treats her kindly, but it's clear that the laughing, smiling Spock of the spores is gone. And both the dialog, and Nimoy's acting, let us know that he feels some dismay at this, even while he accepts it. The music that plays in this scene is the "Ruth" theme recycled from "Shore Leave", and it's quite effective here.
Karen: Freed from the spores, Spock's sense of duty, and loyalty to Kirk, kick in. He helps the Captain rig a signal that will cause irritation in the crew on the planet and bring them out of their stupor too. But Leila Kalomi (Jill Ireland), the woman with whom he's become involved, is released by her discovery that Spock is no longer "one" with them (sounds a bit like 'Return of the Archons', doesn't it?). The Vulcan treats her kindly, but it's clear that the laughing, smiling Spock of the spores is gone. And both the dialog, and Nimoy's acting, let us know that he feels some dismay at this, even while he accepts it. The music that plays in this scene is the "Ruth" theme recycled from "Shore Leave", and it's quite effective here.
Karen: It must have been quite a shock to fans watching the show when it first aired to see the stoic Mr. Spock grinning and hanging from a tree branch, and smooching with a pretty girl. This could have been a disaster for Trek, if handled poorly, but instead, it was a breakout episode that gave not only Nimoy but Shatner chances to shine and expand their characters.
