Showing posts with label Smagen af stål. Show all posts
Showing posts with label Smagen af stål. Show all posts

Saturday, 21 December 2019

The Taste of Steel and The Smell of Snow



My translation of Pia Tafdrup's collections SMAGEN AF STÅL (2014) and LUGTEN AF SNE (2016) is scheduled for publication as a single volume by Bloodaxe Books in November 2020:

https://www.bloodaxebooks.com/ecs/product/the-taste-of-steel-the-smell-of-snow-1242

Wednesday, 10 May 2017

Pia Tafdrup translation project


I've been endeavouring to start a Patreon page for my Pia Tafdrup poetry translation project. The page is now online, and I'm hoping to attract a few supporters for the task I've set myself of completing an English version of Lugten af sne (The Smell of Snow, Gyldendal, 2016). So far I have only three patrons, all of whom are very welcome, but perhaps in the course of time some more may arrive. The Patreon concept is new to me, and I'm still not entirely sure how well suited it is to a project of this kind, which depends not on images, graphics, videos and multimedia but simply on words and (often) virtual paper. At any rate, this is an experiment, and it will be interesting to see how it works out over the course of the next few months. Donations need not be large - in fact, I set a minimum of $1 - and all contributions are gratefully received. I am still deciding what to offer my patrons by way of Patreon rewards, and will post my decisions here (and there) in due course.

By the end of the project, I should have complete translations of Smagen af stål (The Taste of Steel, Gyldendal, 2014) and Lugten af sne. You can follow some of the progress of the work on the Patreon page, and I may from time to time post some draft versions here on Nordic Voices.

Thursday, 4 December 2014

Cyclical

Kineserne betragter metallet som et element. Jeg holdt mig til den vestlige tankegang i kvartetten, men metallet blev ved at spøge og dukker op i denne bog, hvor den knytter sig til smagssansen. I digtet vises forbindelsen mellem flere elementer, dels når de forholder sig produktivt til hinanden, dels destruktivt. En cyklus, der kan gå begge veje. Det produktive kan afføde mere positiv produktion, men kan også slå om i sin negation, så det destruktive tager over. Det er to sæt af kræfter, vi må forholde os til, to forskellige kræfter, der griber ind i vores liv.
The Chinese view metal as an element. I stuck to the Western way of thinking in the quartet, but metal continued to haunt it and it shows up in this book, where it is linked to the sense of taste. In the poem the connection of several elements appears, partly when they relate productively to each other and partly when they do so destructively. A cycle that can go either way. The productive can generate more positive production, but can also turn into its negation, so that the destructive takes over. There are two sets of forces we must relate to, two different forces that intervene in our lives.

- Pia Tafdrup, in a note on her new collection Smagen af stål (The Taste of Steel), Gyldendal 2014

Tuesday, 7 October 2014

Pia Tafdrup: Snow Flowers

SNOW FLOWERS

The snow has settled on the branches, filled
the empty bird nests in trees and bushes along
roads that all lead to the church.
The March sun dazzles, the snow on the ground dazzles,
shadows fall where we walk,
flocks of crows circle high up above us.

The cold in the church, the cold round our feet, silence
swirls giddily in the vaulted space,
where no sounds from outside
penetrate.
Having to lose is what we can’t make ourselves ready for.

The dead woman
we have come to bury is not here. No tracks
lead anywhere.
An invisible frontier is crossed, a part
of our life is gone,
a chapter of Europe’s history over.

We must bury the body she left behind,
she herself carried on,
though we see her in the open coffin, give thanks for
what we received.

We see the dead woman,
see her dressed in travel clothes, see the dead woman
with  mouth closed and lips pressed together,
though in life she was always laughing and talking,
muscles robbed of movement, skin like stone.

There was a time when it was to us
she laughed and talked.
The loss we must all bear, it
does not make it any less hard.

We see and don’t understand. We are present here
and don’t understand.

We lay flowers, stand
in the smell of incense with lighted candles.
Except that her head is not tilted,
the dead woman resembles

the image of the Virgin Mary in the icon
that is placed in the open coffin.

The funeral is
for the living, the dead woman's soul
has already gone.
Several days ago it vanished for us.

Dear soul,
We bury your body, but you are free.

The language we speak is not the same as before,
the snow falls into me,
snow flowers drift cold in the blood.
We look and look at the dead woman.
The sight of her face is imprinted
forever, the wax candles are burning down.

Now it is us. Now loneliness shines.
Star-visited night,
many-multiplied arrival,
frost-lit fields, ice-bound soil,
loss burns itself into the mind,
a strange and unfamiliar freedom.


SNEBLOMSTER

Sneen har lagt sig på grenene, fyldt
de tomme fuglereder i træer og buske langs
veje, der alle fører til kirken.
Martssolen blænder, sneen på jorden blænder,
skygger falder, hvor vi går,

flokke af krager cirkler højt oppe over os.
Kulden i kirken, kulden om fødderne, stilhed
hvirvler svimmelt i det hvælvede rum,
hvor ingen lyde udefra
trænger ind.
At skulle miste kan vi ikke gøre os klar til.

Den døde,
vi er kommet for at begrave, er her ikke. Ingen spor
fører nogen steder hen.
En ikke synlig grænse er passeret, en del
af vores liv er væk,
et kapitel af Europas historie slut.

Vi skal begrave legemet, hun efterlod,
selv fortsatte hun,
skønt vi ser hende i den åbne kiste, takker for
hvad vi fik.

Vi ser den døde,
ser hende iført rejseklæder, ser den døde
med lukket mund og læberne presset sammen,
skønt hun i live altid lo og talte,
muskler berøvet bevægelse, hud som sten.

Der var en tid, hvor det var til os,
hun lo og talte.
Tabet skal vi alle bære, det
gør det ikke mindre svært.

Vi ser og fatter ikke. Vi er til stede her
og fatter ikke.

Vi lægger blomster, står
i duften af røgelse med tændte lys.
Bortset fra at hovedet ikke hælder,
ligner den døde

billedet af Jomfru Maria på ikonet,
der sættes i den åbne kiste.

Begravelsen er til
for de levende, den dødes sjæl
er allerede rejst.
For flere dage siden forsvandt den for os.

Kære sjæl,
Vi begraver din krop, men du er fri.

Sproget, vi taler, er ikke det samme som før,
sneen falder i mig,
sneblomster fyger koldt i blodet.
Vi ser og ser på den døde.
Synet af hendes ansigt prentes ind
for altid, vokskærterne brænder ned.

Nu er det os. Nu lyser ensomheden.
Stjernebesøgt nat,
mangedoblet ankomst,
frostbelyste marker, isbundet jord,
tab brænder sig ind i sindet,
en sær og fremmed frihed.

(from Smagen af stål [The Taste of Steel], Gyldendal 2014)

translated from Danish by David McDuff