Review: Action Comics #1081 Supergirl Story

Action Comics #1081 came out last week ending the weekly run this book has had over the last three months. That means the Mariko Tamaki Supergirl back-up also comes to an end.

I wish I had positive things to say about this story. But I don't. I am not even sure if I could tell you what it was about. I can definitively say it did not have a satisfactory ending. Never have I read a story where so little happened over so long a time. Worst of all, Supergirl isn't even a star in her own story. She fails time and again.

Was there a theme to this tale? Some subtext I am missing? Some epiphany that should have struck me? If there was, I didn't recognize it.

12 issues. 10 pages an issue. 120 pages. That's a 6 issue mini-series! Think of any effective mini-series you have read and compare it to this mess.

As always, Skye Patridge's art is beautiful. I can only hope we see more of her work later.

I try to be positive about all comics. But this was a mess. And as a Supergirl fan that makes me a little discouraged. Because who would read this story and want to read more Kara adventures.

On to details.

Review: Action Comics #1080 Supergirl Story

Action Comics #1080 came out last week and for the 11th straight week I get to review an underwhelming Supergirl chapter by Mariko Tamaki. Our winter of discontent ends next issue. 

This has been a maddening sort of Supergirl story for many reasons. Her lack of effectiveness, agency, or intelligence in this solo story stand in stark contrast to how she has been shown in the main story in the title, the Superman title, and even the recent Superwoman Special. She is an afterthought in her own showcase.

Moreover, the underpinning of this whole thing, the secretive nature enforced by Superman, the mandatory need for this to be a solo mission (underdone by Tamaki's insertion of Power Girl these last few weeks), why Supergirl was the only person who could do this mission ... all the reasons why it had to be Supergirl have not paid off. And I doubt they will in the last chapter.

And once again, this week, Supergirl basically doesn't do much here other than be tossed about mentally and physically. Also, what about the mission she was put on to bring this being to justice/jail. Will she do it?

Once again, I will ask you all to think about this as a Supergirl story and  think about what has happened. Outside of a Power Girl mind meld (which defeats the 'solo' need), if you pulled Supergirl out of this story and replaced her with any space-faring superhero the story would read the same. This could just as easily be a Jade story. Or Hawkgirl. This isn't a Supergirl story.

If there is one bright part to this whole thing it is Skye Patridge's art. I did not know Patridge's work before this. It has a sort of 'Bilquis Evely meets Guy Davis' sensibility which works for me. 

On to this chapter.

Review: Action Comics #1079 Supergirl Story

Action Comics #1079 came out last week, the tenth entry in Mark Waid's Phantom Zone story. That means we are finally nearing the end of the Mariko Tamaki Supergirl story.

Incredibly, something actually happens in this chapter. There is a little action. There is a couple of nice moments for Kara. But as usual, Supergirl still isn't the hero in her own story. Still, this is probably the best chapter we have had so far.

But there are problems. We are in chapter ten. There are two chapters left. Let's assume that the last chapter is a wrap-up, Kara back home on Earth. That means this whole space story has to wrap up next week, in ten pages. No way we get a satisfactory ending.

Next we have to think of all the other things. What is Kara's mission because right now she seems more like a friend than a warden to this being. Why did Superman send her alone? Who are these beings? 

This story meandered so much I fear it will take a miracle to tie off everything that has happened (or not happened) here. And given the previous chapters, it probably isn't going to happen.

Skylar Patridge is back on art and there are some well constructed pages in this part. Supergirl looks very good here as well. Hope to see more of Patridge somewhere. But we are again saddled with a meaningless opening splash with a circular object, this time the planetoid. Ten percent of this story has been opening splashes that have not added to the proceedings.

On to the story. 

Review: Action Comics #1078 Supergirl Story

Action Comics #1078 came out this week, the ninth issue of this weekly turn for the title. 

That means we are 9 parts ... 90 pages ... into Mariko Tamaki's Supergirl story. I thought this was only a 10 part Supergirl story but I was wrong. This is a 12-parter. Perhaps I was deluding myself?

This chapter is just as confusing and tedious as the prior eight. We are three quarters of the way through and we haven't been a lot to go one here. I feel lost some times, bored most times. Worse than that, Tamaki brings Power Girl into this story with a bizarre take on the Kara/'Paige' relationship that hasn't ever been seen in the near 50 years of the two characters being around. 

I will again ask how this slog made it past the pitch stage let alone be pushed to print without editorial taking the reins to tighten it up.

Skylar Patridge is back on art and brings her airy style to things. I like Patridge's work here. But she also has been plagued a bit with the script. This chapter has 3 splash pages but only one of the depictions (the spooky last page) deserves the big art. In fact, Tamaki has really padded this whole story with opening splash pages of eyes, scepters, circuitry, and other banal pieces of the story.

Buckle up. This is a bumpy ride.

Review: Action Comics #1077 - Supergirl Story

Action Comics #1077 came out last week, the eighth weekly issue during this Mark Waid run.

That also means it is the eighth entry in Mariko Tamaki's Supergirl story which has plodded along in the most dull way. I feel like my reviews have been repetitive. Nothing happens; Supergirl seems ineffective. But wait ... something happens this time.

In fact, something potentially interesting happens this time. I am not saying this is a good chapter. But at least there is some progression. And after 7 chapters of nothing happening, I am nearly giddy that at least we got something.

The prisoner gives us some background on who she is. 

Also, Tamaki brings in Tom King's Supergirl Woman of Tomorrow. Is she praising it? Retconning it? I think I know what it happening but I am hoping you all will tell me what you think as well.

Now Supergirl still does nothing in this chapter. This is the prisoner's story, not Kara's. 

Meghan Hetrick is back on art and brings an open style to things. 

On to the details.

Review: Action Comics #1076 Supergirl Story

Action Comics #1076 came out this week. This included the seventh part in the Mariko Tamaki Supergirl story.

And once again I have to say I am frustrated. Because once again, the story goes nowhere in this chapter. It once again makes little sense. It once again has Supergirl doing pretty much nothing. And it is horribly padded with 5 of the 10 pages being splashes or near splashes that don't warrant that much story space.

We are 70% done with this story. Think about that. And even Supergirl doesn't know what her mission is or how this prisoner is. 

I can't rail against Tamaki any more. I have to accept that this is her writing style: slow, plodding, confusing, and worst of all boring. Now maybe this will wrap up in some amazing way. But knowing what I know of prior Tamaki works I doubt it.

The person I really blame is editor Brittany Holzherr. Someone should have recognized the mess this story is. It is a shame. Because it doesn't shine a light on how great a character Supergirl is.

Of note, Skye Patridge is not on art for this chapter, replaced by Meghan Hetrick. The two artists are close enough in style to have the feel of the story remain consistent. 

On to the story, what there is of it.

Review: Action Comics #1075 Supergirl Story

Action Comics #1075 came out last week, a 'special milestone 1075th issue'! I don't know why that number deserves the extra attention but here we are with special trade dress.

It also is the 6th chapter in the Mariko Tamaki and Skylar Patridge Supergirl story meaning we are officially at the halfway point of this plodding story. 

Once more we have a brief, sparse, boring chapter with nearly no progress to the story. Tamaki seems to be treading water in this tale, stretching out a story idea until it is so decompressed it is difficult to read. Worst than that, Supergirl again has almost nothing to do in this story. Every conflict that has arisen in this story is solved by someone else. Supergirl seems ineffective, inept, lost. And even more worse is that as of this chapter - six chapters in mind you, you could pull Kara out of this story and replace her with any other character and it would read the same. Yes, Superman keeps saying that this is a mission that only Supergirl could pull off but we have yet to read why. And even Kara doesn't seem to know anything about it either.

As a Supergirl fan this is frustrating. She doesn't get many solo stories. She needs to shine when she is given the chance. And this story isn't that. 

The art remains top notch. I like Skylar Patridge's breathy style with an ethereal sort of style. Her Kara is fantastic. The cover by Clayton Henry highlights some memorable scenes from Action Comics history including a shot of Kara leaving her rocket (Great Guns!). 

So on to this story, another "Supergirl" story. 

Review: Action Comics #1074 - Supergirl Story

Action Comics #1074 came out last week, including the fifth part of the Supergirl back-up story by writer Mariko Tamaki and artist Skylar Patridge. 

Frankly, I am frustrated with this Supergirl story. 

We are five parts into this 'mystery mission' of Supergirl escorting a prisoner with universal threatening power. But who is it? And why does she need to do it alone? Tamaki has given us nothing to go on in five issues. Instead we get confusing story-telling, empty dialogue, and worst of all, a boring take.

This is supposed to be a showcase solo story for Supergirl. She is completely ineffectual in this story. As of now there is nothing that makes this a Kara story. Take her out and put in Natasha Irons, Starfire, or Hawkgirl and it would read completely the same. She has not even been a hero in this story. She is confused and helpless. In the Supergirl Special Tamaki wrote, the most action we saw was Supergirl eating a cupcake. In this story, we have Supergirl lose every encounter she is in, whether it is a physical altercation or an intelligent conversation. 

If this is supposed to drum up interest in the Supergirl character, it is going to fail. Because she is an afterthought in her own boring story. It is frustrating.

It's a shame because I am a fan of Skylar Patridge's art. And this Mark Spears variant cover is a killer too.

On to the indecipherable story points.

Review: Action Comics #1073 Supergirl Story

Action Comics #1073 came out last week, another of the weekly releases for the title during this Mark Waid main run. 

I was excited when I first heard that Supergirl was going to be the backup for this weekly run. But when the writer was announced as Mariko Tamaki, I had some trepidation. Other runs of hers, and in particular her inscrutable and boring Supergirl Special, made me worry this wasn't going to be a strong arc for Kara.

We are now four chapters into this Supergirl story and, I suppose not surprisingly, it is inscrutable and boring. Supergirl has been sent into space on a secret mission. But the details have been left unknown to the reader as well. I suppose Tamaki thinks a big reveal at the end will be a jolt for the reader. Unfortunately all the coy dancing around the actual plot has made this feel like a slog.

This chapter we get to finally see the prisoner Kara has been sent to fetch. There is a lot of vague dialogue from the villain that is more maddening than mysterious. It seems to imply there is some connection between Kara and the prisoner but there isn't a whiff of specifics.

Supergirl as a character doesn't get a lot of room to shine on her own in the DCU these days. Features like this are a sort of showcase for her, perhaps to drum up support for a new solo run. But a story like this (and like that Special) do the opposite. Kara doesn't shine her. She doesn't do much at all. She seems almost like a side plot device in her own story. And as readers we aren't invested because we don't know what the heck is happening. It's a shame.

As always, I like the art by Skylar Patridge. While there isn't much action in this chapter, there is some fun contrivances that allow Patridge to stretch a bit. The art is definitely the high point of the story.

On to the details, the few there are.

Review: Action Comics #1072 Supergirl Back-Up

Action Comics #1072 came out this week, the third weekly issue and therefore the third part in the Supergirl back-up feature by writer Mariko Tamaki and artist Skylar Patridge. 

I have exactly liked this story so far. As a reader, I still have little idea of what Supergirl's mission is, why she needed to be alone to do it, and what (if anything) Superman knew before he sent her off. She has hypnotized friends. She has asked questions that don't lead to information. And she has been mostly ineffective in accomplishing much of anything.

Alas, this chapter is more of the same. We get, maybe, a small crumb of information about the 'prisoner', at least a concept about them. But not much more. A question I had from last issue is answered here, explaining something I thought was a plot contrivance. But another plot point is added that makes this story feel even more dodgy. For the most part, Kara is basically ineffective. She asks a lot of questions and is otherwise failing on every aspect of her reason for being there. 

Honestly, I really feel we are treading water. And there is nothing I have seen so far that makes me understand why this had to be solo mission. That is the crux of this story and three parts in, I have no clue.

Maybe by the time we get to the end, Tamaki will have made this ride understandable.

As for the art, I remain a fan of Patridge's work. I feel like her work is a wonderful stew of other artists I love. This issue I felt there was a sort of Joelle Jones feel to things. We get more action sequences here and I liked how those flowed.

But still, this is mostly a slow boil. And I was hoping for more.

Review: Action Comics #1071 Supergirl Back-Up

I have been away on vacation and so will try to catch up on reviews over the next couple of weeks.

Let's start right off with the Supergirl back-up story from last week's Action Comics #1071.

I struggled a little with the first part to this tale. From the lack of details to Supergirl's hypnotic mind-wipes of her friends, it was a bit of a riddle. Mariko Tamaki's story telling remains a bit dodgy. I hoped that things would pick up. 

But this second piece of the story just made me ask more questions. We still don't know much of the details about Supergirl's mission. In fact, she doesn't seem to know much about her mission either. That makes me question just what Superman knew about it before he sent her. If he knew nothing, it is a rough mission that he sending her out alone to do. If he does know more, then he is withholding information. That doesn't feel right either. 

But there are other questions about this story that stuck out to me. Things that happen, or don't happen, which make very little internal sense to me. The dreaded 'this happened to move the story along' thought creeped into my mind more than once. And in a short back-up story, that is never good. 

Skylar Patridge continues to be the star of this show. With a sort of rough pencil style that seems part Guy Davis and part Bilquis Evelyn, the art is quite captivating. The brief action in this chapter feels fast and violent. 

So far, however, this story hasn't grabbed me. On to the details.

Review: Action Comics #1070 - Supergirl Back-Up

The All In era at DC Comics started this week with the release of Absolute Batman #1. Part of that initiative is Mark Waid coming on to Action Comics and that title going to weekly! Within Action Comics, we have a Supergirl back-up feature by Mariko Tamaki and Sklyar Patridge. 

Given the focus of this site, I will be reviewing these Action issues in two parts, making sure to give the Supergirl story the space it deserves. For us old timers, seeing Supergirl in the back of Action Comics, a space she anchored in the Silver Age, is perfect.

Action Comics #1070 was released this week. So we jump right into the story. But before we get there, a couple of opening salvos.

First off, Supergirl is treated very very well by Mark Waid in the main story. I cannot wait to show how Waid continues that 'field marshal', second-in-command feel for Supergirl within the super-family.

Second, Mariko Tamaki wrote the rather bland Supergirl Special #1 almost a year ago. That story was extremely rough. Supergirl not remembering Krypton (after PKJ had her be the Kryponian archivist for years). Supergirl jealous of Power Girl (after we just had a PG story where she was jealous of Supergirl). And, of course, a concentration on eating snacks. How DC could read that story and say 'this is the writer we want to guide Supergirl in her next solo story' is confusing.

Third, this story seems to concentrate on Supergirl's 'new power' coming out of Absolute Power, a hypno-vision where she can literally control people. That has troubling implications all over the place about consent. In the story, it shows the super-family having a lack of trust in their friends. And we simply don't need Kara to have this power any more than we need Black Canary to have heat vision or Power Girl to 'astral punch'.

At the very least, Skylar Patridge is reunited with Tamaki and brings a wonderful art style to the proceedings. Patridge has a sort of breezy, fine-lined style that feels like a top-notch indy book. That is not faint praise. The art is beautiful. 

But this opening chapter is a little confusing and a little troubling. So I hope things get tighter. On to the book.

All-In DC Comics And A Supergirl Back-Up News

Absolute Power is the current summer event churning through the DCU but news has been out for a while that it was just the precursor to a new initiative at DC Comics called DC All In. Solicits are out and will be reviewed in depth. But for now, let's talk about the set-up.

Spear-headed by DC alum Scott Snyder, the early news was that it would be a sort of Marvel Ultimates universe allowing new stories to be told with new characters on a more established new Earth. 

Perhaps to get ahead of the craziness of San Diego Comic Con or in fear of being outshone at SDCC, DC has released a ton of information about this. Head here for what is known:https://aiptcomics.com/2024/07/17/dc-comics-absolute-dc-all-in-line-comics/

Since hearing about this, I wondered how this was going to differ from the Earth One books or even a plain old Elseworld. This looks much more cohesive and more tied into the main DCU. The idea that the current DCU is built on the idea of Superman (something good that came out of Doomsday Clock) is fantastic. Darkseid wanting to build a universe in his image is not a bad idea.

“If the main universe is set up by Superman energy, this universe is founded on Darkseid energy,” Snyder added. That makes the heroes underdogs. “They have to be tougher. Have to be more resourceful,” and that makes them more badass.

Of course, Snyder says it means the heroes will be more 'bad ass' usually means it is something I'm probably not going to like but I'm willing to give it a shot.

But there's more.

Review: Supergirl Special #1

Why has this blog survived for 15 years? Because I feel I need to trumpet how great Supergirl is as a character. I need to share her history and talk up why I love her.

Why will this blog keep surviving? Because DC doesn't often seem to share what I love about the character. They either make her dark or a loner or drunk or overwhelmingly sad or unsure of herself. And I have to keep sharing the best aspects of Supergirl to make sure people know that this is recent problem.

Which brings me to the Supergirl Special #1. 

This is another book that just seems to get Kara wrong. Even worse, it seems to absolutely 100% ignore the most recent Kara stories so it seems out of continuity and out of character. In Action Comics and Steelworks and Superman books recently, Kara is showcased as intelligent, second in command, respected, and sure of herself. She is still learning. But she is established. She has been a big sister, a Kryptonian scholar, and hero. She also has seemed happy.

Writer Mariko Tamaki goes far away from any of that characterization, writing a story that I do not like. This is a Supergirl who has some sort of competitive and unsettling relationship with Power Girl. This is a Supergirl who isn't sure of herself. She is glum in the Kent home. She somehow worries she is going to die when a building collapses on her. This is a Supergirl who struggles with remembering Krypton. She thinks she can never win.   

There is almost too much wrong with that paragraph. Just six months ago, Kara and Power Girl were hugging, accepting each other (in PG's Special ). She is the Kryptonian scholar in Action Comics talking about religion, politics, folklore, and history. She is the heroic field commander of the Super Family in that book and in Superman too. 

How do you reconcile this story with those years of stories? I have no idea how this story made it through editorial. It is in complete conflict with Supergirl's character. 

But let's look beyond that. A special like this is supposed to celebrate a character. It is supposed to raise interest in the character. It should be a pilot to see if there is interest enough for a solo title. 

After reading this issue, who would want to read a Supergirl book like this one? Who wants to read a story about a sulking hero who is trawling her social media and isn't sure of herself. Who seems sad. Who is wandering through life.

There is nothing to celebrate here.

It is a shame because the art by Skylar Patridge is really wonderful. 

As hard as it is to say as a Supergirl fan, I hope a new series isn't born out of this take. 

DC ... please ... get someone who understands and loves the character to write her book.

On to the specifics.

DC Comics October 2023 Solicits Part One: Supergirl Special

The DC Comics solicits for October 2023 came out last week. There is a lot happening. A Wesley Dodds Sandman book, a Jay Garrick book, an Alan Scott book and even more. Here is a link to all the solicits:

https://aiptcomics.com/2023/07/24/full-october-2023-dc-comics-solicitations/

Now  I usually go over the super-solicits in one post but as you can see by the title a Supergirl Special has been announced. I felt like that deserved its own post. Because I should be thrilled. I should be.

Here is the solicit.

SUPERGIRL SPECIAL #1
Written by MARIKO TAMAKI
Art by SKYLAR PATRIDGE
Cover by JAMAL CAMPBELL
Variant covers by FRANK CHO and WILL JACK
1:25 variant cover by RAMON PEREZ
1:50 variant cover by AMANCAY NAHUELPAN
Foil variant cover by WILL JACK ($8.99 US)
$5.99 US | 48 pages | Variant $6.99 US (card stock)

GIRL INTERRUPTED!

After joining the Superman Family and their heroic efforts in Metropolis, Kara thought she had found her place in the world. But there’s only room in town for one Supergirl, and Power Girl’s sudden reappearance has made her redundant. Her identity and role are both in question as she looks for answers. Will they lead her out of the city or out of this world?

Find out as critically acclaimed writer Mariko Tamaki (Supergirl: Being Super) returns to the Maid of Might with the help of Skylar Patridge (Wonder Woman)!

Alas. 

I am not thrilled.

Review: New Super-Man #19

New Super-Man #19 came out last week, a rest issue as the title reconfigures into the New Super-Man and the Justice League of China title. Last issue tied up all the loose plot threads of All-Yang and I Ching and the Ministry of Self-Reliance. So why not take a moment and give us a rest issue focused on a supporting cast member.

Writer Gene Luen Yang steps aside for Mariko Tamaki to pen the book. Tamaki wrote the Supergirl Being Super mini-series and is known for her YA writing. So why not let her build up the back story of the Lois Lane analogue in the book Laney Lan. I haven't thought too much about Lan before this, thinking she was as much an entertainer as a reporter, giving us fluff pieces. Here we see she has much more behind that slick exterior. If I have a quibble it is that this story takes place long ago in continuity. She has a secret she is keeping from Kenan. But it is a secret he has already learned. As a result, there sort of wasn't a 'ka-pow' moment.

The art is by Brent Peeples, the new regular artist on the book. As usual, his work is fine, solid story-telling. I wish there was more zest or zing to this book which is supposed to be overflowing with youthful energy.

Next issue is a bold, new direction. Let's hope it picks up right where the old book left off.

Review: Supergirl Being Super #4

Supergirl Being Super #4 came out this week, the finale to the out of continuity Prestige Format mini-series by Mariko Tamaki, Joelle Jones, and Kelly Fitzpatrick. And I have to say I was very impressed with this ending and somewhat stunned because of the shocking, rather open-ended conclusion. If this sells well or is received well, things are certainly teed up for there to be a sequel.

Let's not think about the future yet. Let's comment on the story at hand.

This has always been a 'coming of age' story about Kara, learning about her past, revealing her powers, and trying to understand who she is. In this issue, she takes a major step on her journey. She recognizes her past; she understands where she came from. But she is ready to be her own person, molded by the lessons she has learned on Earth. She becomes a hero in this issue and I loved it. Yet despite learning to love who she is, in many ways she ends this story more alone than ever. But there is hope for a fuller future on the last page which is genius.

Joelle Jones provides the art on the book with Kelly Fitzpatrick on colors. It is gorgeous. There are silhouettes, great angles, some stretching of perspective, and characters that feel real. Kara looks like a teenage girl. I have always loved Jones' art. I really loved it here.

On to the book!

Review: Supergirl Being Super #3

Supergirl Being Super #3 came out this week and was a very good issue of this coming-of-age story by Mariko Tamaki and Joelle Jones. The Kara of this book is working through some common issues that crop up in adolescence - that feeling of otherness and perhaps your first dealings with grief. This issue continues to cultivate those themes but adds the new theme, the lure of belonging.

Now I'll admit I am just about 3 decades north of adolescence. But the book is written so well, the images so compelling, that I felt back in that space. And my 'otherness' of Math Club, D&D, and comics is probably nothing compared to some feelings of isolation that others are dealing with. Still, to see Kara sort of walk through her life, reeling from the death of her friend, feeling a bit numb, and getting support from her family and other friends felt very real.

In fact, if there is one thing that really stood out about this issue it is the support structure in Kara's life. She knows she is an alien. She has never felt like she truly belonged. She has struggled sometimes with wondering what she should do with her powers, use them or hide them. And despite all that, it is made abundantly clear that she is accepted and loved by her closest relationships. It is unconditional. And that was wonderful. Because it would have been easy to portray the Danvers as 'stuck in the mud', stereotypical, close-minded folk. Instead, Tamaki gives us the absolute reverse.

The subplot of the 'evil coach' and the possibility of another Kryptonian survivor comes to a boil here as well. Tamaki gives us a very nice curve ball here, zigging where I thought the plot would zag. And that always makes me happy.

Finally, Joelle Jones art, as always, is just wonderful. There is a nuance to the art here, subtle expressive work and body language that adds tremendous volume to the proceedings. This book is as much Jones' as it is Tamaki's.

On to the book!

June 2017 Solicits

The solicits for June came out a while back so it is time to review what is happening in the super-books. There's some great stuff coming out that made me smile. And luckily, it doesn't look like I'll break the bank!

If you want to see all the solicits, head over to Newsarama:

http://www.newsarama.com/33652-dc-comics-june-2017-solicitations.html

And now on to the individual issues.

SUPERGIRL #10
Written by STEVE ORLANDO • Art by BRIAN CHING • Cover by ROBSON ROCHA and DANIEL HENRIQUES • Variant cover by BENGAL
“ESCAPE FROM THE PHANTOM ZONE” part two! The Phantom King holds all the cards, and he’s forcing Supergirl and Batgirl to turn to the alien antagonist in order to save themselves and the humans trapped inside the Phantom Zone.

I am definitely pumped for this storyline for many reasons. Batgirl and Supergirl together again for the first time!

I totally love this cover by Rocha and Henriques. Love that determined Supergirl.

Interesting that this story seems to start next week in the Batgirl Annual.

SUPERGIRL: BEING SUPER #4
Written by MARIKO TAMAKI
Art and cover by JOELLE JONES
Having her life torn to shreds and burned to ash has forced Supergirl to choose between the world she was born on and the world that adopted her. Can Kara Danvers find a way to be super—or will she crash and burn?

I have enjoyed this Elseworlds take on Supergirl more than I expected I would. It is a nice coming of age story with gorgeous art. Of course, one of the running themes with Supergirl is her accepting Earth as her home. So seeing this was, I suppose, not surprising. 

One minor quibble is the cover. This is the ending issue. Shouldn't we get something more heroic. Maybe it is the blurred effect that is striking me as odd. Usually we get something more dramatically iconic for a conclusion. 

DC COMICS BOMBSHELLS #28
Written by MARGUERITE BENNETT • Art by LAURA BRAGA and ANEKE • Cover by ANT LUCIA
How can Supergirl convince Power Girl that she is not fighting an enemy—but a sister? Plus, Lois Lane and the Reaper make their way to Hugo Strange’s lab to stop his “superweapon,” unaware that it’s Power Girl herself!

DC COMICS BOMBSHELLS #29
Written by MARGUERITE BENNETT • Art by MIRKA ANDOLFO, RICHARD ORTIZ and CARMEN CARNERO • Cover by MARGUERITE SAUVAGE
Lois Lane and the Reaper join Harley Quinn and Poison Ivy’s travelling circus of mythical Russian creatures, where Poison Ivy uses her powers to alleviate the situation in Leningrad. Plus, Supergirl is forced to fight Power Girl!

Great to see Supergirl prominently on the cover. I was wondering how they were going to place Power Girl into the book. What is their connection? I hope it isn't them being sisters. Perhaps a clone? Given we get a hint about Hugo Strange and the history of the JLU famous Galatea episodes, that would make sense.

And, of course, they need to fight. Because comics.

Lots of Supergirl monthly stuff for this month!

ACTION COMICS #981
Written by DAN JURGENS • Art by JACK HERBERT • Cover by PATCH ZIRCHER
Variant cover by GARY FRANK
“REVENGE” part three! Superman races to save the Suicide Squad from General Zod, Cyborg Superman and Eradicator. Can the Man of Steel escape the Black Vault and stop the carnage before Harley, Deadshot and the rest of Task Force X are forced to make a final stand?
ACTION COMICS #982
Written by DAN JURGENS • Art by VIKTOR BOGDANOVIC • Cover by PATCH ZIRCHER
Variant cover by GARY FRANK
“REVENGE” part four! General Zod takes command as he leads Cyborg Superman, Eradicator, Mongul, Blanque and Metallo against Superman—but his real motives are yet to be revealed and may have far graver consequences for Superman than anyone imagines.

A new Revenge Squad with all these heavy hitters? Fascinating. I don't know I like the look of the new Metallo (if that is who that is) but otherwise bring it.

I am really hoping that Zod comes off well. He was so prevalent a few years ago I felt he was overplayed.

SUPERMAN #24

Written by PETER J. TOMASI and PATRICK GLEASON • Art by DOUG MAHNKE and JAIME MENDOZA • Cover by RYAN SOOK • Variant cover by JORGE JIMENEZ
“BLACK DAWN” part five! The Man of Steel faces the one foe he refuses to fight—his son. An emerging new ability for Superboy proves deadly to Superman as the promise of power appears to lead Jon Kent to betray his father.
SUPERMAN #25
Written by PETER J. TOMASI and PATRICK GLEASON • Art by PATRICK GLEASON, DOUG MAHNKE and others • Cover by RYAN SOOK • Variant cover by JORGE JIMENEZ
“BLACK DAWN” part six! The extra-sized finale to “Black Dawn” reveals the villain tearing the Super-Family apart and destroying everything the Man of Steel holds dear!

Remember when we had a new superpower for Superman? The solar flare? I wonder if we will get that in the Rebirth universe. I wonder if Supergirl can still do it? Maybe her illness and repowering removed that?

Interesting that this cover makes it seem like Jon has a flare power but with Green K power? Now that is a mystery.

SUPER SONS #5
Written by PETER J. TOMASI • Art and cover by JORGE JIMENEZ • Variant cover by DUSTIN NGUYEN
“Battle in the Batcave”! The battle with Kid Amazo leaves Jon and Damian’s friendship in ruins as the boys decide their partnership isn’t working out! It’s a rumble between Superboy and Robin like you’ve never seen as the boys rage through the house Batman built!

I have to assume the story arc is 6 issues. So having the two split in the penultimate issue makes story sense. It will make their coming together next issue more powerful. The idea of the kids trashing the Batcave makes me very very happy.

NEW SUPER-MAN #12
Written by GENE LUEN YANG • Art by BILLY TAN • Cover by PHILIP TAN • Variant cover by BERNARD CHANG
“THE ZERO ULTIMATUM” part two! New Super-Man and the Justice League of China must take back Shanghai from the current emperor—the original super-powered creation of Dr. Omen! While the battle may be winnable, a devastating secret comes to light and shakes the young Super-Man to his core.

I'm glad to see Billy Tan back on art. I liked his prior work.
Is the villain on the cover the original Omen experiment? It has a Superman vibe.
And I wonder what secret comes to life? My guess? Omen is Kenan's actual mom.

SUPERWOMAN #11
Written by K. PERKINS • Art by STEPHEN SEGOVIA and ART THIBERT • Cover by KEN LASHLEY • Variant cover by RENATO GUEDES
“Rediscovery” part three! Former friends duke it out as Superwoman squares off against…Natasha Irons?! In the battle to contain the freed Stryker’s inmates, Lana and Natasha are split over what to do about Natasha’s criminal father, Crash.

Jimenez certainly pumped up Natasha during his run. Maybe too much? It seemed so over the top it felt forced.

And while the solicit is about Lana fighting Natasha, the cover is Lana fighting Steel.

Of course, how does Lana have powers in this post Superman Reborn world? I guess we'll find out.

THE DARING NEW ADVENTURES OF SUPERGIRL VOL. 2 TP
Written by PAUL KUPPERBERG
Art by CARMINE INFANTINO, BOB OKSNER and EDUARDO BARRETO
Cover by ED HANNIGAN and DICK GIORDANO
In these 1980s tales from The Daring NEW Adventures of Supergirl #13 and Supergirl #14-23, the Maid of Might faces neo-Nazis, meets the new threat of Blackstarr, explores the depths of Lake Michigan to find a mysterious monster and is baffled by the Ambush Bug! This collection features appearances by the Justice League of America and the Teen Titans!

I am thrilled that the remainder of the 80s Supergirl title is being collected. Unbelievable. There is a lot to like in this back end of the book including the Ambush Bug as well as the debut of the new costume. We also get a nice anniversary celebration for Supergirl.

Kudos to DC for doing this! 

SUPERGIRL: THE SILVER AGE VOL. 1 TP
Written by OTTO BINDER and JERRY SIEGEL
Art by AL PLASTINO and JIM MOONEY
Cover by MICHAEL CHO
In these stories from ACTION COMICS #252-284, Supergirl adjusts to life on Earth with her adoptive parents. The stories alternate between small-town slice-of-life tales, tales of Supergirl’s efforts to master her new powers, and time-traveling jaunts into the far future and past. Plus, don't miss an early appearance of the Legion of Super-Heroes!

I am also thrilled that this omnibus will now be in softcover for folks who couldn't drop the $75 for the hardcover. And I love the Michael Cho cover. Very classic! A lot of goodness in here!

Good month to get us into the summer months! 

Review: Supergirl Being Super #2

Supergirl Being Super #2 came out last week and was a very moving chapter in this Elseworlds take on Kara Zor-El. Mariko Tamaki is known for her coming of age stories and this seems to fall into that mold. There are super-powers and Kryptonite and S-shields on blankets. But really this is a story about life changes for this Kara.

Last issue seemed to concentrate on the awkward feeling of 'otherness' that most teens feel. People are defined in few words. The jock. The feminist lesbian. But Kara doesn't seem to know who she is. Add the layer of otherworldliness to her and you definitely have someone trying to figure out their place in the world and where they are going. But even the characters who seem to have it figured out, like 'Jen the Jock' still have all these insecurities and questions. What if they aren't who they think they are? I don't know any teenager who didn't have these questions. Heck, I still ask myself some of them.

This issue seems to be all about grief. We start with a tragedy. And then we see the emotional fallout. How do people respond? Do they reach out? Or retract from the world? Do they openly weep? Or become withdrawn and seemingly numb to the world? It is Kara who we see struggling with her feelings and we see her interact with everyone else.

Toss in the superheroics and it is a heavy and well conceived book.

The art on the book is brilliant stuff by illustrator Joelle Jones with vibrant colors by Kely Fitzpatrick. Jones continues to shine, bringing in kinetic panels of action with some slightly warped anatomy and perspective to accentuate matters. But the quiet sad scenes also really explode of the page as well. Wonderful stuff.

On to the book.