Review: Kneel Before Zod #8

Kneel Before Zod #8 came out this week, the abrupt ending to what was supposed to be a 12 issue mini-series. And when I say abrupt, I mean abrupt.

This whole series has been a bit interesting for me as a reader and fan. I came in a bit burned out about Zod, who seemed ubiquitous for several years there. Was I really going to want to read a year of him?

It didn't help that the early issues seemed over stuffed with many scenes of senseless violence in each issue, padding the page count. I also wondered about the turn early in the series of Zod seeming almost catatonic and morose, nudging Ursa to take over.

Somewhere in this series though, I began to really get interested. Zod, who had always seemed to be a one-note character of militaristic fascism, became a more complex being. He had fears. He was seeing visions of Jor-El. He seemed unsure about where his life had taken him. He remained a one-trick pony of violence but that seemed more a frustrated routine than any grand mission. Who is Zod? But maybe more importantly, who does he himself want to be? 

Add to the mix the rough and tumble art of Dan McDaid, bringing an almost WWI grunginess to this interstellar war comic. A couple of issues of McDaid channeling Keith Giffen only increased my appreciation of his work. 

The ending seems to set up this book to actually impact the main DCU, bringing in the UP which has sequestered Earth and stymied the Green Lantern Corps.

All this is to say that I have to top my cap to writer Joe Casey and Dan McDaid. I am truly disappointed that DC pulled the plug on this book. I am going to wonder where this was going and if Casey had some grand ending in mind for this unusually scattered Zod.

On to the book.

Review: Kneel Before Zod #7

Kneel Before Zod #7 came out last week and was another brutal, fight-filled brawl of an issue. But it is also about as close to a Keith Giffen Legion issue I have read in a long time. As a long-time LSH fan, I was pretty tickled by the issue.

Outside of the nostalgia of this issue (and trust me there is a lot of stuff for a Legion fan to love here), I have sort of turned the corner on this book. Yes, the issues are mostly violent action and a lot of it. But the real foundation here is that, for all his bluster, Zod is a broken man. From visions of Jor-El to losing his family to looking into the abyss this issue, Zod is falling apart. This is a very different take from the character that has always been a ramrod straight, narcissistic despot. It finally has added some depth to the character for me.

Dan McDaid continues to be a sort of revelation on the book. His art remains a sort of rough beauty, perfect for a melee like this title. Moreover, this issue he really leans into Giffen, from the 9 panel grid to Munoz-esque faces in shadow to the Kirby-esque Emerald Empress. And more. 

I am pretty sure this series got cut short and will end soon. I doubt writer Joe Casey is going to tell us the full story he wanted to. And there are a lot of loose ends. But for now, I am going to enjoy this dive into Zod.

On to the book.

Review: Kneel Before Zod #6

Kneel Before Zod #6 came out this week, meaning the book is at the halfway point. 

I have pretty interested in the overall plot of the book, giving us a deep dive into the persona of General Zod. We have seen him in a sort of 'mid-life crisis' mode of ennui as he rebuilt New Kandor. He is haunted by visions of Jor-El.  Then there was a moment where he was sort of down and out with Ursa taking over. And then there was rage as he bashed his way through several attacks and ships.

While this peek into Zod's mind has been interesting, the issues seemed a bit light with many pages filled with over the top, brutal action.

This issue is much more story-driven than action driven which made me happy. I don't know what Zod's plans with New Krypton will be. I think it is fascinating that he seems interested in leading an army out for unknown conquest. Writer Joe Casey is peeling back Zod's gruff exterior to show me a more complicated being. 

But the big thing about this issue is that it is  chock full of Legion of Super-Heroes mythos. From character races to 9-panel grids, this felt like an 'evil Legion' book. For a Legion fan like me, this was wonderful. Made me realize how much I miss the IP. 

Artist Dan McDaid continues to bring a sort of rough, grungy style to the book, perfect for this prison ship environment. I love how his Jor-El is clean and unblemished, a stark contrast to everything else in the book. 

I still don't know how I fully feel about this book. Pieces really grab me. But this issue sparkled. On to some specifics.

Review: Kneel Before Zod #5

Kneel Before Zod # 5 came out last week, another issue dominated by Zod mowing through people in a rather gruesome fashion. This seems to be a sort of pattern of the book. There are a few crumbs of plot and characterization among the pages of violence.

I understand this is a General Zod book. So I knew violence was going to happen. Writer Joe Casey is filling in some history of Zod, showing maybe how he became what he is. We continue to see the sort of Jor-El obsession Zod has. And Casey does a great job of including some Kryptonian lore and some DC alien races, giving this a bit of depth. But these feel like crumbs. Last issue was dominated by pages of Zod just killing Khunds. This issue is dominated by pages of Zod killing Kaffarians. I need a bit more.

This also starts the book on a whole new direction which means all the plots we started on New Kandor in the first 4 issues seem to be in the rear view mirror unless we get back there. 

It all means I kind of don't know what to make of this series so far, a mix of an interesting look at Zod in the midst of countless pages of gore.

Dan McDaid continues to bring a nice rough feel to the proceedings. Zod is monstrous in this, still devastated by the explosion last issue. McDaid adds some nice flourishes to panels, having the art add to the mood. I love his scenes on Krypton. And the long violent scenes are beautifully horrifying. 

But I do wish the issues had some more story in them.

On to the issue.

Review: Kneel Before Zod #4

Kneel Before Zod #4 came out last week and was another interesting and somewhat vexing issue within this series. We are a third of the way through the book and the focus and events keep shifting radically, perhaps showing how chaotic life as Zod must be. But I wonder if all the plot threads and ideas that are being showered on me in this book will ever be resolved.

Joe Casey continues to write an enigmatic Zod. At times he has been his usual ultra-violent militant leader. At other times he has been portrayed as a weary old man perhaps suffering from a mid-life crisis. At times he has been strictly obedient to old Kryptonian cultural norms. At other times, he seems ready to break away from the past. In this issue, Casey ultimately shifts the location of the story and gives me two more mysteries to solve as Zod rampages. The plot seeds intrigue me. But the execution seems lacking.

I'll point to this issue as an example. We are rushed a bit on two significant changes to the world Zod has been building, shown with nary an explanation. And that would be okay. I don't mind mysteries. But the whole back half of the book is Zod tearing apart a space ship. Wouldn't some of those pages have been better served fleshing out the plot?

Dan McDaid remains on art. I think no one shows 'insane anger' like McDaid which serves this book well. He also leans into some Donner-esque takes on Kryptonian science which pleased me. I wouldn't mind seeing McDaid on a more grounded book. His style seems perfect for a gun-toting spy or something like that.

So I feel torn about this book. Interesting ideas for sure. On to the book.

Review: Kneel Before Zod #3

Kneel Before Zod #3 came out last week and was a bit of a slowdown of the pace of this book. The first issue laid out about 5 plotlines. The second issue showed us that Zod was going through some sort of emotional turmoil, exhausted with where his life has taken him and perhaps not as bloodthirsty. Suddenly it was Ursa who was the more dominant, more proactive, more violent Kryptonian on the New Kandor. 

This issue is mostly a display of how violent Zod and Ursa are. The Khunds decide to invade and that doesn't go too well. But, no spoilers needed since Bleeding Cool already did a while ago, Ursa dies at the end of the issue. Writer Joe Casey really kind of slow rolls the whole issue. One thing happens this issue - Ursa dying. The rest is just bloodshed.

Dan McDaid does a great job with the gore. Things are played out cinematically, with panels and angles swirling through the carnage. It is a slightly rough style but it meshes well with the story.

Still, it feels like this was 20 pages of gore to just get to the cliffhanger. The story doesn't really move forward outside of that shocking ending. 

On to the story.

Review: Kneel Before Zod #2

 When Kneel Before Zod was announced as a mini-series, I didn't know what to expect. For a while Zod was everywhere. Then he was nowhere. Now he was going to headline a book? And from creators who I didn't really know.

Kneel Before Zod #1 came out last month and was a solid first issue, laying out a number of plot threads. One of the more interesting ones was seeing the beginning of a rift between Ursa and Zod. For the last couple of decades, the two have been a team. Zod was the more calculating leader. Ursa the blood thirsty assassin, the tip of his sadistic spear. 

Last week Kneel Before Zod #2 came out and focused mostly on their interactions. Joe Casey shows us how things are unraveling. After years of seeing Zod portrayed as the ultimate alpha predator, looking to amass power and destroy his enemies, this issue showed us some cracks in his psyche. Last issue we saw him hallucinating Jor-El. This issue we see a weary leader who is a bit lost in machinations. His bloodlust seems dimmed. And Ursa is there, ready to seize control of their situation. Again, interesting. More than I thought the book might be. 

It is, for sure, an about face for everything we have read of Zod recently. While it seemed shocking, and maybe a bit out of character, I had to remind myself that it has been a while since we have seen him. Time has passed so there maybe things we don't know that has led him here. I am a giant fan of John Boorman's Excalibur. In that movie, Uther Pendragon, after years of marauding, wants to settle back and raise a child. He grew weary of battle. This issue reminded me of that.

All this leads to the dramatic cliffhanger of Ursa seizing control. Unfortunately, all thoughts about where this might go were spoiled by Bleeding Cool here. Read at your own risk.

Dan McDaid's art is bold and has a sort of blunt beauty to it. His Ursa is wonderfully mad. 

As an aside, seeing Ursa dominate Zod might rankle some people. But this is completely in her character. It made some sense to me that if she saw weakness, she would take control.

On to the book. 

Review: Kneel Before Zod #1

Every so often I am surprised by a book being green-lit. Who would think that DC would consider publishing a General Zod maxi-series? But here we are.

Kneel Before Zod #1 came out last week, the first issue in this title written by Joe Casey with art by Dan McDaid. About 2 years ago, I was likely to complain that Zod was being over-used. But I think this is going to be the first major current story for Zod since Batman/Superman #8 from 2020! That was pre-Covid. But I did have to revisit that story to remember how we got here. 

Zod is on a planet named New Kandor. He has half the bottled city of Kandor's citizens in his possession. He is present with his wife and son. And based on a recent back up in Action Comics #1060, he is performing some forced evolution on the natives of this planet to create a super-army. The United Planets are working with Zod but keeping a close eye on him.

With that backstory in place, we get this premiere issue. Kelly is showing us a typical Zod, hellbent on achieving his goals and ready to rule. But we also are seeing how addled he is, seeing visions of past enemies. We see how he is adherent to old customs of a dead world. And he is looking more and more alone with threats all around him.

As compelling of seeing a mentally and physically vulnerable Zod is, Casey also gives us an interesting take on Ursa and Lor-Zod. Ursa seems like a loving mother and a composed ruler. That is intriguing and a far cry from the knife wielding sadist I am used to. And Lor seems like a carbon copy of his dad, always incensed and ready to lash out.

Will all that keep my interest on a long series? I'm not sure yet. 

The art by Dan McDaid is economical, bringing a classic feel to the book. I also like the cover by Jason Shawn Alexander, a sort of warped view of the more loving All-Star Superman #10.

On to the book.