Showing posts with label Albert Smith. Show all posts
Showing posts with label Albert Smith. Show all posts

Thursday, February 3, 2022

Larry Semon in His Latest $100,000 Comedy -- February 3, 2022

Ogden Standard-Examiner, 28-January-1922

Larry Semon was very big 100 years ago this month. Note how much larger his image is than Gloria Swanson's in this ad. Bebe Daniels had been Harold Lloyd's first leading lady, but left to become a big star. "Larry Semon in His Latest $100,000 Comedy." This was a harbinger of troubles to come.

Motion Picture News, 04-February-1921

Here we see the groundbreaking for a new Larry Semon Studio. Albert Smith, founder and president of the Vitagraph, is in the foreground. Surprisingly, Larry and leading lady Lucille Carlisle are in the background.

Motion Picture News, 11-February-1921

"It is considered the most pretentious comedy he has ever made." I like the way the meanings of words change over time. 

Motion Picture News, 11-February-1921

A comedy set in a vaudeville theater with the hero playing multiple parts reminds me of Buster Keaton's "The Playhouse."

Motion Picture News, 18-February-1921

A big ad for "The Show." Note how many people are on the stage in the background. 

Wednesday, September 9, 2020

Vitagraph Sues Semon for Heavy Damages -- September 9, 2020

 

Motion Picture News, 18-September-1920

Larry Semon was a big comedy star for Vitagraph, but the studio felt that he was spending too much time and money on his short comedies. 


Vitagraph Sues Semon for Heavy Damages

ONE of the largest cases in the history of the United States District Court of Southern California has just been filed by President Albert E. Smith, of the Vitagraph Company of America, who has sued Larry Semon, the famous screen comedian, for a total of $407,338,22. It is alleged the defendant deliberately increased the costs of his productions through delays, carelessness and waste to an unreasonable figure, with the aim of forcing the Vitagraph Company to release him from his contract. Semon, it is said, had a Vitagraph contract for $2,500 weekly when a competing company offered him $5,000.

The suit is unique in that Vitagraph does not ask that it be released from its contract, but insists the star make good the damages and continue his employment.

According to the terms of the contract, filed with the suit, Larry Semon was to make twelve two-reel comedies a year for three years, it is stated. Five pictures have been released, another has just been completed, and Vitagraph declares it is practically impossible for Semon to deliver more than a total of seven pictures during the first year. Semon's latest picture, "The Suitor," figures prominently in the suit inasmuch as it is charged that, aside from the usual studio expenses, more than $80,000 was spent, or approximately $42,000 in excess of what would constitute a reasonable outlay, it is reported. The suit was filed by Attorneys William M. Seabury of New York, General Counsel for Vitagraph, and George W. Fenimore of Los Angeles, resident counsel for the California Company. The legal point involved is said by the attorneys to be whether or not motion picture stars and directors can deliberately and willfully increase the cost of their productions to a prohibitive figure in the hope that the producers will cancel their contracts.

President Smith of Vitagraph, whose arrival from New York was simultaneous with his filing the suit, declares that Larry Semon has been placed in the position he holds as a motion picture star through the opportunities, advantages, and exploitation given him at an approximate expense of $500,000 by the company. It is charged that Semon, when refused his demands for a new contract at more than double the salary of his existing contract, notified his employer that he would do his utmost to avoid further performance of his obligations under the current agreement, and would strive to procure its termination and cancellation prior to the agreed date.

Semon's latest comedy, "The Suitor," not yet on the market, is mentioned frequently. It is alleged Larry Semon employed a company of stock and extra players and caused them to remain idle for a long period. It is further stated that for the short flashes of the dancing girls in the pictures, twenty of them were kept on the payroll for 33 days. Many other alleged wasteful instances are cited and the loss given as $12,338.22. The plaintiff holds that the picture, with reasonable diligence and care on the part of Semon, the director, could have been completed in thirty days, and Semon is said to have occupied eighty-three days.

Mr. Smith bases his greatest demand for damages, $365,000, on the alleged loss sustained because he will receive five less pictures the first year than called for by the contract.

Sunday, February 3, 2019

Make Him a Modern Jester in the Court of Good Will -- February 3, 2019

Motion Picture News, 08-February-1919
100 years ago this month, in February, 1919, Larry was featured in a full page ad for a "Big 'V' Special Comedy," Scamps and Scandal.  Vitagraph liked alliterative titles.

Motion Picture News, 01-February-1919
Larry receives a mention in the fine print of this ad.  Montgomery and Rock get larger billing and two photos from "Love and Lather."  More alliteration.

Motion Picture News, 01-February-1919
All twelve titles are alliterative, if I counted correctly.

Motion Picture News, 01-February-1919
Larry made a trip to New York for "routine business."

Facebook -- Vintage Graphic Design and Poster Art

Moving Picture World, 22-February-1919
If Larry took a fast train, like the Southern Pacific's Sunset Limited or Golden State or the Santa Fe's California Limited or Chief, the trip each way would have taken four nights.

Motion Picture News, 22-February-1919
Larry came back from New York with two more years on his contract.

Moving Picture World, 22-February-1919
Larry's former cameraman Troy Brown joined a new series with Max Davidson, who later made some wonderful movies with Hal Roach.