Sunday, February 13, 2011
Billy Joel's "Last Play at Shea" shows he's one of us
There's a funny moment on Billy Joel's live CD recorded on the night 1999 turned to 2000.
“There's some classical shit in there,” Joel said at the conclusion of “The Ballad of Billy the Kid.” “Tried to cop a little Copland.”
I laugh because the line captures why Joel is the embodiment of New York, showing off its beauty and coarseness at the same time.
I remembered that line today as I played by “Last Play at Shea” DVD, a Christmas gift from my wife that arrived this week. I thought it was a concert DVD of the highlights of Joel's two gigs at Shea Stadium in 2008.
I was wrong. It's so much more.
There's plenty of music, for sure. But the documentary is better described as parallel biographies of the performer and the ballpark, and, by extension, the Mets. It's magnificent. I spent most of the afternoon all weepy.
People here in the Midwest don't get Billy Joel. I've seen him perform several times at the Palace of Auburn Hills, and the shows don't compare to the nights I've watched him at the Nassau Coliseum, one of which was captured on video.
The people watching in the shows in the Detroit suburbs enjoy the hit songs, but they don't come with the shared experiences as the man from Levittown. They can't picture the old hotel on the beach he's singing about in “This is the Time,” they think “Scenes from an Italian Restaurant” could take place in a place like Olive Garden because they don't have places like Musicaro's here. They don't picture the fishing boats in “Downeaster 'Alexa'”
They don't get the Mets, either. These one-team cities don't understand how a person could totally embrace one team from your town and be repulsed by the other.
Watching “Last Play at Shea,” I was convinced that Joel was the perfect person to perform the grand stadium's final concerts.
His Mets loyalty has been questioned. He's mentioned the Yankees twice in songs, and there's the VHS of him performing at that place in the Bronx. But notice that they had to draw a picture of him wearing the Yankees cap, and he looks uncomfortable even in that. I suspect the label made him do it.
Because Joel whether he realizes it or not, has more in common with the Mets. Bruce Springsteen – not even a New Yorker, I might add – gets the love from the critics and the Super Bowl performances and the Oscars.
But Joel, as the documentary shows, is like the Mets in that Billy has had his ups and downs, and the ups are very up and the downs really suck. We can relate to that.
He's the boomer who came of age in the 1960s in “We Didn't Start the Fire,” the defensive guy in “My Life,” and the guy out of step with the trends in “It's Still Rock and Roll to Me.” We like orange and blue and giant apples, all right? The Mets are flawed, but we love them just the way they are.
The other team reeks of entitlement and thinks it will win the World Series every year. Billy said in the documentary that he's always surprised when one of his songs becomes a hit.
The movie has all kids of scenes of Shea beauty and magic, from the metal panels to the neon players, from 1969 to 1986.
It's got interviews with Tom and Sir Paul, the very best to perform in the building. And it's even got the best Mets blogger in there to pull it all together.
Sting is in there, too. He confesses he doesn't get the magic of Shea. But he was in “Dune,” too, so his judgment is questionable. Go play in the Bronx.
The film winds down with Paul McCartney trying to land at JFK and get to the concert in time and the Mets scrapping to hang on as the end of the 2008 season. Paul makes it, the Mets don't.
At the end of the concert we see Billy backstage, imploring Paul McCartney to come back for one more song, almost as if he doesn't want the night to end. Kind of how we all felt when we saw Cameron Maybin at the edge of the warning track waiting for Ryan Church's ball to land in his glove.
The documentary ends with time-lapse photography of Shea's demolition that builds a lump in the throat as the sections go down one at a time, each revealing more of Citi Field in the background.
But the cameras keep running right to the lights go on for Opening Night in 2009.
The new ballpark isn't Shea, but it's beautiful.
Friday, September 26, 2008
Ryan Church can ballroom dance
No, it’s true. I was doing "The Twist" at a Lansing Lugnuts game. They gave bottles of Sprite to people dancing the best. I was pretty proud of that.
So when my wife wanted me to take an adult education dance class with her, I figured it would be pretty easy.
After all, I can do "The Chicken Dance" and "YMCA," even did the special Florida Marlins version of "The Macarena" during Game Six of the 1997 World Series.
However, I learned at the first class that there is a big difference between ballpark dancing and ballroom dancing.
It’s pretty tricky stuff. There’s a lot of backward walking, and the girl has to do what the guy wants, and my wife is not familiar with this role. We keep stepping on each other’s feet.
They started to introduce some trickier steps in the second class, which was bad because I had not yet mastered the first step. I wasn’t the only guy having problems. When they turned us loose, the room looked like the plastic players scattering around one of those old electric vibrating football games.
The basic steps where hard enough, but the instructors then introduced sort of a twist-around move. I could see right away that someone was going to get hurt, and we called the instructor over when we just couldn’t get it.
Finally, he said I should try it without my wife. I nailed it on the first try. The move was instantly familiar — then I figured out why. It was just like being a baserunner, trying to run past a fielder and avoid being tagged. It clicked instantly.
So excitedly said this to my wife, expecting her to understand immediately. Instead she shot me a "How the hell am I supposed to know that?" look.
So I tried to explain, and demonstrated several times, even pretending to be the fielder waving the glove and asked her to walk by and avoid the tag.
Let’s just say we’ll need to practice some more.
Then I was following the Mets-Cubs game on Thursday on the Crane Pool Forum, and read the guys going nuts about Ryan Church amazingly avoiding the tag to score the big run. I later saw the video and recognized the move instantly — he was doing the waltz pivot. And very well, too. Ryan Church would pass my dance class.
We all know this is the final weekend at Shea, and there will be much weeping, even more if the Mets don’t make the playoffs. I’m confident they will. But let’s use this week’s Deezo Friday Five to look at some of the cool souvenirs of the Shea’s final season.
1) I snagged a sweet Johan Santana jersey with the Shea patch on eBay, and was even able to wear it to see Johan pitch against the vile Yankees. It didn’t bring him much luck, but I looked great!
2) My friend Greg went to see Billy Joel’s Last Play at Shea. And because he is kind and knows I’m a Billy fan, he snagged me this sweet pin.
3) I saw this cap on the Mets Web site earlier in the season, and figured I’d grab one at the Big Game. But then I saw the awesome "Final Subway Series at Shea" caps and grabbed one of those. A month later, MLB.com had a sale, and I was able to get the original desired cap shipped home for less than what it cost at the game. I’ve been wearing it all week.
4) One of my proudest moments in home design was creating a wooden rack to hold my official baseball collection. I made two of them, actually. One holds balls from each of the All-Star Games, and the other has some of the balls commemorating special events. Naturally, I pounced on this ball that the Mets are using all season. Well, "pounced" meaning I bought it with the above cap in the sale. Items in the Shea gift store seemed to be marked up a bit high.
5) Christmas is not too far away, and we’ll need to honor Shea with this special ornament. The Baseball Room has a special tree after my wife banned all baseball decorations from the main tree in the living room.
Friday, August 15, 2008
Bob's hair, Beltran's card, Billy's announcement and the rest of the Friday Five
Friday, July 11, 2008
Treat her like a lady, please
1) There was no way I was going to leave Long Island without a dozen real poppy seed bagels. They threw in three more knowing I was taking them back home — though at least that many disappeared somewhere along I-80 in Pennsylvania during snack time.
I’ve been rationing my bagels, defrosting one every other day.
This concerned the clerks in my regular bagel stop here in Michigan, who wondered why I was buying a cinnamon crunch bagel for my wife and nothing for myself.
I told her about my frozen stash, and the clerk seemed surprised that a New York bagel would be different than one in her shop, which actually is called Big Apple Bagels.
Another customer at the register jumped in: "They’re much bigger in New York," she said, and I joyfully recognized the accent.
"What part are you from?" I asked.
"Long Island," she replied.
"What part of the Island?" I asked.
"Mineola," she replied.
"Massapequa Park!" I offered. I didn’t realize there were other Islanders out here. "I was back home to see a game at Shea."
I was all ready to bond and discuss our favorite Billy Joel songs.
Then she broke out with this: "Did you go see a game at Yankee Stadium? It’s the final year."
"Hell no, I went to see a game at Shea, which also is in its final year."
"Are the Mets getting a new ball park, too? I don’t follow them. I like the Yankees."
She might have said something after that, but I was instantly mentally disengaged. I politely but quickly ended the conversation.
I don’t converse with Yankee fans.
2) I have mixed emotions about the sidewalk art for the All-Star Game.
You have to understand that I love all things related to the Statue of Liberty. My tolerant wife even allows me to display part of my collection on a tasteful shelf in the family room. And they’re pretty sweet, too, especially the one that dances when you put it near the stereo speakers.
So you’re thinking, "OK, baseball and Lady Liberty. How can anything be wrong with that?"
Something was bothering me and it took a while to figure it out.
Basically, they took the statues and covered them with logos. That works fine if you are dealing with an inanimate object, like the Liberty Bell for example.
But the Statue of Liberty depicts a person. Well, a person representing a concept, but you get the idea.
These painted statues treat her like an object, with logos where they shouldn’t be. It’s almost disrespectful.
How much cooler would it have been to treat her like a person — and paint jerseys on the statues? She could be wearing a special number for each team, saluting their best player.
Lady Liberty would look like she’s heading off to the game with the rest of the huddles masses yearning to breathe free instead of appearing like a giant paperweight.
Detroit had the right idea when the Tigers went to the World Series in 2006, putting a jersey on the Spirit of Detroit statue.
When Detroit does something better than you do, well, that’s not something you want to boast about.
3) Speaking of artwork, the church coed softball team I coach is in the playoffs and we kicked some butt in the first game. I almost kissed the Nitro after my sweet double.
This week we’re facing a challenge, going up against the best team in the league that, well, has yet to know the agony of defeat. Hopefully we can do some educating.
At least I think we’re playing them. Here’s what the league sent over. I’m not sure if this is the playoff bracket, abstract art or a map showing local bus routes.
4) Back to the All-Star Game. I have more issues.
I collect the programs from each game. Yes, I am obsessive. This was a fairly easy task, and I have them going back to the early 1970s.
MLB started getting difficult by producing multiple covers. First it was about five, saluting players including Mike Piazza with old-fashioned portraits. I grumbled, but I rounded them all up, as MLB knew I would.
This happened to varying degrees in recent years, with the number ebbing down through 2006.
But last year MLB went nuts and produced a program with the All-Star Game logo, then one for each team, showing a player headed to the game. Horrendous. There was no chance — none! — that I would even consider attempting getting 31 programs.
I was seriously irked because my streak of having every program since the 1970s was snapped. Now I have to add a disclaimer, saying I have one version of each program since the 1970s.
At least last year’s Met cover boy was Jose Reyes. This year we get Billy Wagner, who was our sole representative until David Wright was added this afternoon.
And there are at least two generic covers as well, one being called a limited stadium edition or some such nonsense.
I know MLB likes to take not just some of your disposable, but all of your disposable income. But sometimes I just wish it wasn’t so blatant about it.
5) I’m a good Long Islander. I like Billy Joel. People out here don’t get it, and that’s OK because they don’t get proper bagels, either.
Billy’s got some Yankee taint, but I chalk that up to pandering to raise some cash during his lawsuit period.
He’s making up for it by performing the last concerts at Shea Stadium next week. Here’s a clip of my favorite song from the Piano Man.
Yes, I know this is from Yankee Stadium. David Wright is going to be playing there, too, on Tuesday and we're not holding that against him.
Get well Bob Klapisch
I sure do like to vent about Bob Klapisch, but this is nasty.
His paper reports that Klapisch might have suffered permanent damage to his right eye after being struck by a one-hopper while pitching for a semi-professional baseball team in Morris County. He was pitching in relief for the Morris Mariners when a ground ball took an errant hop and caught him in the eye. The accident broke four orbital bones around that eye and may require doctors to reattach its retina.
I need Yankee lovers like Klapisch so I have something to get all worked up about. Otherwise I might have to start worrying about things that actually matter.
So let's wish Mr. Klapisch a speedy recovery. Maybe he'll run into Moises Alou at the hospital.
Sunday, February 10, 2008
Good week, bad week
Let’s review.
Player acquisitions:
Mets: With great fanfare the Mets showed off Johan Santana, winner of two Cy Young awards and the well-earned reputation as the best left-hander on the planet.
It was all smiles after the Mets showed dramatic video highlights of Santana’s past glories. He then donned the classic pinstriped jersey and solid blue cap.
Santana then posed around the stadium, with beautiful Citi Field rising in the background – a spot where Johan expects to win more Cy Young Awards, along with an MVP and possibly a Nobel Prize and a Grammy.
There is no proof that John McCain then called and asked him to be his running mate.
Yankees: With no fanfare, the Yankees announced their two main acquisitions: Morgan Ensberg and Chris Woodward.
Ensberg split last season between the Houston Astros and San Diego Padres. The Yankees would be looking at him as a first baseman, where he played just one game with San Diego last August. Note to existing first baseman Jason Giambi. If they’re handing the job to a guy who played one game at that spot, that would be a vote of no confidence in your ability to field a ground ball.
Then you have Woodward, who had two somewhat productive seasons with the Mets before starting down a path of playing for the team’s arch enemies. He hit a robust .216 with the vile Braves last year. He must not have read the post about what happens when Mets go bad and join the Yankees.
There was no press conference, no jersey donning and no posing.
Former employees linked to steroids:
Mets: Former clubhouse attendant Kirk Radomski was sentenced to five years probation after cooperating with baseball's investigation. Radomski admitted selling steroids, human growth hormone and speed to dozens of current and former major leaguers.
Not good. But it is rarely noted that he did all this after – not while – he was on the Mets payroll. I’m sure he had other jobs, too, but all we hear about is the one with the Mets. It’s not like he has been accused of giving roids to Mets players while he was there.
Yankees: Former Yankee Bat-Chucker trainer Brian McNamee was making the rounds on Capitol Hill on Thursday in preparation for next week's House hearing.
McNamee allegedly handed over vials with traces of steroids and human growth hormone, as well as blood-stained syringes and gauze pads that might contain Bat-Chucker's DNA.
Then things got crazy. There were reports that McNamee not only injected Bat-Chucker, but Lady Bat-Chucker, too! Allegedly she wanted to look buff before posing with her husband in the Sports Illustrated swimsuit issue.
His wife?
Stadium issues:
Mets: Announced that Long Islander Billy Joel would perform the final concert at Shea Stadium.
I have to say that I love Billy, despite some nasty Yankee taint. One of his buds is wearing a Yankee shirt of shame, err, jersey on the back of “The Stranger.” He filmed a video performing in the Bronx. And he mentions the Yankees, by name, in at least three songs.
But Billy’s been saying all the right things.”Shea Stadium is one of the most hallowed venues in rock 'n' roll history and it's an honor to help throw Shea the ultimate concert farewell party," he said in a prepared statement. "As a sports fan and a music lover, I will always have a place for Shea Stadium in my heart. I thank the Mets for giving me and my fans a chance to rock Shea Stadium one last time for the ages."
Joel expressed his thanks at the press conference, where he was given a Mets jersey with "JOEL O8" on the back.
Joel apparently said used to be a Dodgers fan – which makes him a legacy Mets fan – and was distressed that the Dodgers left Brooklyn. He even noted watching Mets pitcher Wilmer "Vinegar Bend" Mizell in the 1960s.
"I've been to more Mets games than Yankees games," he said Joel.
Joel also indicated he would have written more songs about the Mets had he known more words that rhyme with "Mets." I know plenty, but it’s not like we require our rock singers to be great scholars.
Friends, I think what we have here is a convert. I can accept that Billy was sucked into the Yankee vortex in those hazy days when he was driving around the Hamptons like Toonces.
It’s also very possible that Christie Brinkley was a Yankee fan, and she led him to the dark side. But the Uptown Girl is gone and Bill has dried up. Let’s face it, we’ve all seen people who look back at their time in the bottle and realized they did some things they regret. In Billy’s case, it was rooting for the Yankees.
Mets fans are forgiving. Our tent is big. We can welcome Billy back – and ask that he let Twisted Sister open the show for him!
Yankees: The Yankees are closing out their dingy playpen this year – and apparently can’t get anyone for a farewell concert.
But this week the team discussed its new stadium. According to one report I read the new “stadium will have party suites, a members-only restaurant, a martini bar and a price tag to match all the luxury -- $1.3 billion, up from a $1 billion estimate last year.
"We tried to reflect a five-star hotel and put a ballfield in the middle," Yankees Chief Operating Officer Lonn Trost said.
Yikes. I don’t know about you guys, but if I wanted to go to a five-star hotel, I’d go to a five-star hotel – not a baseball stadium.
Kind of makes you wonder who the Yankees think their target audience is. I’m a pretty typical baseball fan. I stay at places I can afford, like the Hampton Inn and its breakfast bar with the cool waffle-makers.
And when I go to a ballgame, I like to watch a ballgame, not wander around pricy martini bars.
It’s almost like the Yankees are trying to distract you from watching the game.
Then again, if I was a Yankees exec and I’m looking at the field and seeing Morgan Ensberg at first, Jason Giambi trying to figure out how to wear his glove and whether the people seated in the family box are a little too buff, I’d try distracting the fans, too.
Luckily, we get to see Johan Santana and Billy Joel instead.
Friday, November 24, 2006
Don't waste Time on the magazine's top album list -- here's mine instead
Time magazine last week rattled off it’s list of the top 100 albums of all time. Whenever magazines launch into something like this, it’s just going to spark debate and show glaring weaknesses into their tastes.
This list looks like it was created by committee, including the obvious — Sgt. Pepper, Zep's untitled masterpiece — and the unworthy — Hole — and some token references to bands sneered at by critics — AC/DC and Black Sabbath — included probably to head off an onslaught of metalheads.
But if I was reading the list correctly, Time put a Hank Williams greatest hits package in the No. 1 slot, and that’s just wrong for so many reasons. For one thing, adding greatest hits issues is just cheating. It’s like naming an all-time team when someone asks which Mets team is your favorite.
So I had to take things into my own hands. Rather than go to all 100, here’s my Top 15 CDs of all time. I have them numbered, but that’s not necessarily a ranking. These are all special to me for one reason or another.
I included one CD per artist to spread the love around a little.
1) Moving Pictures, Rush (1981)
This was essentially the soundtrack for my high school years. I even used lyrics from "Tom Sawyer" in my campaign posters for a run at student government treasurer. I came in second, but ended up serving for half the year -- a long story -- and worked with Alec Baldwin’s sister, who was very nice. This album is darn near perfect right down to the cover, and even has song about the homeland to push it right over the top. Rush’s next bad album would be its first, and several others should probably appear on this list. Best cut you know: "Tom Sawyer." Best cut you don’t know: "Witch Hunt."
2) Underdog, Audio Adrenaline (1999)
All Audio A albums are good, this one is phenomenal. It’s essentially a greatest hits album, with four songs that are a live staples — "Mighty Good Leader," "Underdog," "Get Down" and "Hands and Feet," which I told you last week is a song that has inspired me trough years of church work. Best cut you know: "Hands and Feet." Best cut you don’t know: "Jesus Movement."
3) Our Time in Eden, 10,000 Maniacs (1992)
I accepted a rotating assignment in our Lansing Bureau in the fall of 1992, and chose to commute an hour each way to be with my family rather than live in the company’s apartment above the office. It was a long, bland drive and our car had a radio but not a tape player. So I propped my boom box in the front seat and had plenty of time to study and enjoy "Our Time in Eden." The Maniacs were my favorite band at the time and this is their best effort track for track. Best cut you know: "These Are Days." Best cut you don’t know: "Eden"
4) Thrive, Newsboys (2002)
This CD has been out for nearly four years, and two cuts are in the top 15 on my iPod’s play count. The band works from worship and praise to pop to straight rockers, all of which are excellent. The title cut is moving — "When you lift me up tender care, when you wash me clean with the palms of your hands, Lord hold me close so I can thrive, when you touch me, that’s when I know I’m alive." — but there’s not a lackluster song on the entire disc. Best cut you know: "It Is You." Best cut you don’t know: "Giving it Over."
5) Glass Houses, Billy Joel (1980)
The fact that the Time list doesn’t include a single Billy Joel record makes it immediately suspect. Joel’s a good Long Islander. He’s less of a piano man and more of a rocker on Glass Houses, but it’s a classic. I waited with my friends Jeff and Craig all day at the Nassau Coliseum to get tickets for this tour. Later, were recounting our adventure at a church youth group meeting, and the leader asked if we would spend the same eight hours waiting to get into a church service. We said "Yes," which was the answer they were hoping for. No one believed us, but lightening did not strike. It should have. Best cut you know: "Sometimes a Fantasy." Best cut you don’t know: "Sleeping With the Television On."
6) Alive! Kiss, (1975)
Greatest live rock album. Ever. I was 11 when this bad boy was released and it was one of the first albums I owned, which means I played it endlessly. And since I tended to crank the volume, I’m sure the rest of my family also can recite Paul Stanley’s between song banter from memory. "Awww hey! So let’s rock and roll all NIGHT and party EV-ERY DAY!" These are the definitive versions of the early Kiss classics, louder, harder and faster than the studio tracks. Best cut you know: "Rock and Roll All Nite." Best cut you don’t know: "Cold Gin"
7) Mmhmm, Relient K (2004)
This Christian punk-pop band gets better with each release. Sometimes the message is subtle and sometimes it’s not there at all, but it’s never objectionable. Seven of the songs on Mmhmm are absolute classics and could be heard in places Christian music typically doesn’t get a spin. A follow-up EP intended to compliment Mmhmm wasn’t as balanced, but acoustic versions of "By My Escape" and "Over Thinking" are alone worth the price of admission. Best cut you know: "Be My Escape." Best cut you don’t know: "The One I’m Waiting For."
8) Before These Crowded Streets, Dave Matthews Band (1998)
This CD is like a gift that keeps giving. I was so hooked by three tracks — "Don’t Drink the Water," "Crush" and "Stay" — that I didn’t play a lot of attention to the others. But as DMB started rolling out the live CDs, and there are many, I started liking different songs and traced them back to the studio. Low and behold, they keep coming from Crowded Streets. Matthews is in some ways the anti-Ramone, in that he never says in 3 minutes what he can say in 8. But when the band gets jamming, it’s typically all good. Best song you know: "Crush." Best song you don’t know: "Pig."
9) Loco Live, The Ramones (1991)
I was familiar with some Ramones songs and even saw them in a mismatched bill with the B-52s at Hofstra University, but didn’t pledge allegiance until my buddy Rich brought me to see them at Toads, a club in New Haven, Conn. It was small, crowded and sweaty — the proper environment to see the pride of Forest Hills, Queens. We went back to see them every time they appeared for the next several years. I like the band’s credo: Say it loudly, say it simply and get the heck out of there. The band’s studio albums are excellent, but I like Loco Live because it’s reminds me of those nights at Toads. And only the Ramones can fit 32 cuts on one disc. Best song you know: "Teenage Lobotomy." Best song you don’t know: "My Brain is Hanging Upside Down."
10 ) Under the Blade, Twisted Sister (1982)
The drinking age in New York was 18 when I was growing up, and I couldn’t wait for that milestone birthday. Not because I was a drinker — I was the designated driver even then — but because it meant we could finally get in to Hammerheads to see Twisted Sister. The boys were playing the Long Island bars for years before they finally got signed to a British label. Under the Blade is mostly songs we had been hearing on WBAB and WLIR concert simulcasts for years. I wrote a review of the disc for my college paper, and asked the guys to sign it when they appeared at a local record store. Dee Snider read it and said I was "astute," which sent me on walking on air for a long time. The late-1990s reissue is the one to own because it adds "I’ll Never Grow Up, Now," a single the band released on its own. Best song you know: Unless you’re a former Long Island metal head, you might not know any of these pre-Stay Hungry songs. Best song you don’t know: "What You Don’t Know (Sure Can Hurt You)"
11) Scarecrow, John Mellencamp (1985)
I didn’t fully appreciate Mellencamp until I moved to the Midwest in 1990. My wife grew up in a small Illinois town, and after spending time there I could finally recognize the people and places Mellencamp was signing about. I like that he has a story to tell, and Scarecrow is best at introducing characters that you want to hear more about, be they the family losing the farm in the title track or the wise old passenger on the bus in "Minutes to Memories." Mellencamp’s 2001 Cutting Heads is more autobiographical and is just as strong and woefully underrated. Best song you know: "Lonely Ol’ Night." Best song you don’t know: "Minutes to Memories."
12) Welcome to Diverse City, tobyMac (2004)
Christian rocker-rapper Toby McKeehan makes a dcTalk reunion less likely with each stellar disc. You won’t go wrong with either Momentum or Diverse City. The former is heavier and has more borrowing from older songs, and the later disc is more of a melting pot of styles. "The Slam" was in several promo trailers and television ads for action movies this year, and I wonder if the Hollywood types ever listened to the lyrics. Toby’s guest list is a who’s who Christian musicians from T-Bone to Grits to Superchic(k). We’re bringing the youth group to see the band next weekend, and Toby’s right on target musically and inspirationally. Best song you know: "Gone." Best song you don’t know: "Hey Now."
13) I’ve Got the Rocks n Rolls Again, Joe Perry Project (1981)
The Aerosmith guitarist’s solo career was brief but memorable. My friends and I loved his solo stuff, and we went to see him several times at a little dinner theater in Glen Cove that was trying to convert into a concert venue. Since the newspaper office at Nassau Community College was right next to the Concerts Committee office, the high school friends thought I had something to do with Joe appearing there. I didn’t, but jumped at the chance to interview Joe before the gig. Joe was physically in the room, but seemed to be somewhat self-medicated. OK, a lot self-medicated. But I was so star-struck that my questions probably didn’t make much sense anyway. The fact that Joe was playing Nassau Community College instead of Nassau Coliseum was probably adding to his discontent. That doesn’t take away from this disc, his second as a solo artist. It’s raw and sounds like it was recorded live. Best cut you (might) know: "East Coast, West Coast." Best cut you don’t know: "No Substitute for Arrogance."
14) Coming Up to Breathe, MercyMe (2006)
I’ve been a MercyMe fan since we caught them at Festival con Dios in 2001. If the band has a pattern, it’s that it starts each disc rocking then slows into piano-driven praise songs that I don’t enjoy as much as the rockers. But the band kept the mellow to a minimum and turned up the volume for their latest release, and it’s simply brilliant. "No More, No Less" jumped into the top two on my iPod play count after just a couple months after it was released. And seeing them in concert this year taught me a valuable lesson about singing at the foot of the stage. Best song you know: "So Long, Self." Best song you don’t know: "No More, No Less."
15) The Rising, Bruce Springsteen (2002)
I’m not a huge Springsteen guy by any stretch, but this release struck home with its stories about the suffering, the anger and the hope for resurrection following the Sept. 11 terrorist attacks. I get choked up listening to it. Other artists, from the Cranberries to dcTalk, have offered outstanding songs about the day or the aftermath. While not all of the songs on The Rising relate directly to the tragedies, most invoke a story or a feeling of people lost on that day. Springsteen nails it. Not bad for a Jersey guy. Best song you know: "The Rising." Best song you don’t know: "Into the Fire."
Honorable mentions: Kutless, Kutless; Strangers in the Night, UFO; Good Monsters, Jars of Clay; Jesus Freak, dcTalk.
There you go! I’d sure like to hear about some of your favorites.