Showing posts with label Bad postcard. Show all posts
Showing posts with label Bad postcard. Show all posts

Sunday, July 12, 2015

Bad postcard of the week: Greenville, the healthiest town in America


Today we have a classic example of not one, but two bad postcard genres.

We’re headed out to Greenville, Mich., for United Memorial Hospital and Extended Care Unit, which the back tells us is an accredited community facility of 110 beds. The hospital still exists today as Spectrum Health United Memorial.

Greenville’s a nice place, and there are many people who live there. Not a single one of them is in our postcard, though. That means we have the classic ghost town genre, usually associated with government buildings.

Then, we have a hard time getting a look at United Memorial in our United Memorial postcard. It is there, somewhere beyond the vast and empty parking lot and trees. It’s a bad sign when the most prominent in our hospital postcard is a street light and not a hospital.

On the bright side, we know that Greenville is a very healthy place. And we know this because there are no cars in the lot. No patients, no workers, no ambulances – nothing!


We can only assume that everyone except the photographer is at the Danish Festival, which is celebrating its 50th anniversary this year. 

Bad postcards of the past:


April 13, 2014: Newsflash -- water is wet!

Sunday, May 24, 2015

Bad postcard of the week: Perilous playgrounds of the past


Playgrounds today are for the soft!

Kids back in my day had to be tough. Going to the playground involved danger and risk.
I’m reminded of my perilous youth by this week’s bad postcard.

The back reads: “Arrowhead Campsites, HWY 90 East, Marianna, Florida, Children’s play area, 250 wooded campsites, camper’s store, lounge, laundry, pool and gamerooms on a spring-fed, seven mile lake.”

I’m assuming that this is the children’s play area, notable for the lack of children playing in our photo. I see three of those arch monkey bars, which were always the most worthless of all things on the playground. I even see a rare pentagon-shaped bar, which seem even more worthless than the arches.

Seriously, what were you supposed to do on those things? Climb on top and then what? And why would any playground need four of them?

The real action seems to be at the back of the card, by the swings. We had those at Brady Park in Massapequa Park. The swing support is shaped like a person, and ours had an Indian head, which probably would happen today.

Marjorie Post Park, where I later worked for three summers as a seasonal, had perhaps the most dangerous with three-level structures shaped like rockets with a metal slide on the second level that was hot enough on a sunny day to fry eggs. 

The really bold kids would climb all the way into the nose cone, with less-strong kids falling to the metal floor, still two levels above where any adult could climb and console.

The park also had those spinning things that kids would spin so hard any that any occupant would either lose grip and go flying on to the sand – or asphalt – or hurl their PPJ and Cheetos, which project in a circle.


All of these, of course, were like our campsite arches, all hard metal bars. Our schools had the same stuff. It’s amazing that we didn’t return from recess covered in burns, bruises and broken limbs.


Sunday, May 17, 2015

Bad postcard of the week: Mysteries of the Marco Lodge and Kentucky's magical Top Brown

The Marco Lodge still exists, but I suspect it has changed.
It’s important to have culinary adventures when on the road.

This is only a recent declaration for me. Previously, boldly dining abroad meant finding a Panera Bread eatery and having a different kind of cookie for desert. I can find Panera Bread in just about any town, even in St. Louis, where they are disguised by calling them St. Louis Bread Co.

And I was tempted when I was in Louisville this week, because I found one a few blocks from the hotel.

But first, you’ve no doubt guessed that this week’s bad postcard is about a restaurant.
We’re heading to Florida for the Marco Lodge! The back reads: MARCO LODGE Dining Room. Goodland, on Marco Island, Florida. Home cooked foods – pies – cakes – overlooking The Island Waterways.”

It still exists today, but it’s known as The Old MarcoLodge.

I’m sure it’s fancier today. But back in the days of our postcard, well, it’s not a good sign with the drop ceiling gets such prominent display.

But it’s the stuff on the floor that caught my eye. Note the plant growing from the coconut? Very Florida, and very cool. There are at least two on the floor, which means they get touched by every kid and knocked over all the time.

But what’s over there by the register? Is that a giant bottle of booze? Why is it on the floor? Did someone set it there while paying the bill, then walked away? Actually, where are customers or staff?

There’s just a lot we don’t know.

Just like I didn’t know something on my plate in Louisville. We were in town for a conference and were treated to a buffet by our hosts. It was pretty yummy, with plenty of the things you expect at a buffet: pasta, meatballs, cheese and veggies.
But there was something I didn’t recognize. It was a small white meatball, covered in a white cheese sauce with a slice of a small tomato on top. The whole thing was on a small piece of toast.

I tried to cut it with my fork, and half of the sphere jumped from my plate to my shirt then my lap.  This is why we pack multiple outfits for a short trip.

The bite that actually made it to my mouth was good -- really good! But I couldn’t quite identify the flavor. I asked the others at the table, all from out of state as well, and no one could figure out what this delicacy was.

So I boldly approached the staff, inquiring about the delicious but difficult to cut food item.
We learned some history. The Top Brown is a Louisville treat created back in in 1926 by Fred Schmidt at The Brown Hotel.

The hotel still exists, and its website tells the story:  “In the 1920's, the Brown Hotel drew over 1,200 guests each evening for its dinner dance. By the wee hours of the morning, guests would grow weary of dancing and make their way to the restaurant for a bite to eat. Sensing their desire for something more glamorous than traditional ham and eggs, Chef Fred Schmidt set out to create something new to tempt his guests' palates. His unique dish? An open-faced turkey sandwich with bacon and a delicate Mornay sauce. The Hot Brown was born!

Our version mixed the turkey with sausage. Happily educated and ready to embrace a local tradition, most of the table went back to sample some more, careful to use a knife to cut it instead of just the fork.

Bad postcards of the past:

April 13, 2014: Newsflash -- water is wet!


Sunday, April 26, 2015

Bad postcard of the week: Clinton, Ind. and its immigration tribute is an instant classic!


We see a lot of wonderfully bad postcards, but occasionally we stumble across an instant classic that defines the genre.

Yesterday I was sifting through an antique store bin looking for good postcards – “large letter” designs for an office project – when this beauty jumped out at me.

This is amazing. I thought the beloved “Truman Family Shopping Center” was the best-ever bad postcard. The torch has been passed.

Let’s get the basic stuff out of the way first.

The back reads:

“Immigrant Square Area, Clinton, Indiana. Bronze Statue to honor the many immigrants who worked in the coal mines. The flags are of the thirty nations from which they came.  The drinking fountain, a replica of one in Torino, Italy, was presented by Mr.  & Mrs. Joe Aoroia. For information on Little Italy Festival: Lift Inc., Clinton, Ind. 47842."

So much to work with here.

First, why is the photographer standing so far away? Is he the subject of a personal protection order? Does he now have a zoom lens? We just don’t know.

First, the entire card of off center. Ideally, our immigrant statue would be in the focal point of the postcard. Then again, if would be nice to see the statue, rather than have it blend into the trees. Luckily there’s a fence from keeping people from getting too close.

The green thing that looks sort of like “Mary on a half shell” is the water fountain, and I know that only because I Googled the area and found another photo.

Let’s get to the stars of our bad postcard. I’m going to make an assumption that the man and woman standing there are Joe and his better half.

I’ve learned from a Clinton attractions page that her name is Josephine. I’m sure they’ve heard all the jokes about the names, so let’s move on. The couple presented the city with the fountain after a 1970 trip to Italy. 

And, it’s a regular fountain, not a drinking fountain, unless you plan to lie on the ground.

But, who are the two women off to the other side? Are they photobombing the postcard? Does the one lady have her arms on the other to restrain her from hopping over the fence? She looks kind of rowdy. Hey, Mabel! Let Joe and Jo have their moment! Get out of there!

Don't climb the fence!
But I digress. I see a nice light post in front – it’s the only thing in sharp focus – but what’s the light blue tower rising behind it? Today, that would be a cell phone tower. Back then, I’m not so sure.

But it appears to be gone now. I located Immigrant Square using Google maps – it’s at the corner of N. 9th and Pike next time you’re in the area – and there’s no sign of a pole like that.

I did learn that the city’s Coal Statue is in the same square, and it looks like a taller version of the immigrant statue, but without the immigrant.

Here’s what else I learned. Clinton salutes its immigrants, but it’s pretty much focused on the Italians. I discovered this from the often-accurate Wikipedia:

“Clinton hosts the annual Little Italy Festival, a four-day Labor Day Weekend celebration of the area’s Italian and coal mining heritage. Founded in 1966, the event draws over 75,000 visitors annually, featuring Italian and carnival-style food, grapevine-roofed wine garden,grape stomping, tours and more. The festival also provides free stage entertainment, flea market and the largest Italian-theme parade in the Midwest. The festival is also host to the Indiana Bocce Ball championship, boasts one of the few coal mining museums in the nation, and owns one of fewer than 400 genuine gondolas in the United States. The 2013 Queen of Grapes for the Little Italy Festival is Madie Holland. The Re and Regina for 2013 are Lou and Carol Bonomo”
That's the immigrant statue on the left, coal statue on the right.
So, Clinton, Indiana seems like a nice place, and we’ve learned so much about it through a classically bad postcard.

Bad postcards of the past:

April 13, 2014: Newsflash -- water is wet!

Sunday, April 19, 2015

Bad postcard of the week: Fort Riley, tragedy and baseball 20 years ago today


This week’s bad postcard has a bit more of a story about it.

The postcard shows us Fort Riley in Kansas – from a great distance. We’re so far away that we can’t make out anything other than it appears an interstate runs alongside of it.

That’s a shame, because the fort has an interesting history – including that Jackie Robinson was once station there. But so were Timothy McVeigh and Terry Nichols, which is why I once stayed nearby.

That brings us to a tale from the archives. You see, 20 years ago today I was sitting in a microbrewery at Coors Field in Denver, eating a burger and watching the first televised reports of the Oklahoma City bombing.

In town for an education writers conference, I had no idea that I was about to embark on adventures that had a little bit of danger and, of course, baseball.

The first thing I did after checking in at the Westin was to walk to Coors, which that weekend was to host its first ever game with real players, an exhibition game between the Rockies and the vile Yankees.

This was the year following the baseball strike, and the start of the season was delayed nearly a month because a deal was reached near the end of spring training. Before the deal, the owners had threatened to start the season with replacement players, and Coors had already hosted an exhibition game between the replacement Rockies and replacement Yanks.

After lunch, I walked around taking photos of the outside of the stadium and raiding the gift shop of inaugural year merchandise.

Passing the box office, I thought, "What the heck," and asked if there were any tickets available for the game, which was scheduled for the following night, the same time as the keynote address of the education writers conference.

My experience is that when you’re asking for just one ticket, you can sometimes get in to a game that’s listed as being sold out, especially on the day before the game. Teams hold back tickets for players and VIPs, and if they're not going to be used they send them to the box office. But I surely didn’t expect there to be anything for a first game at a new stadium.

But the patient woman behind the glass said that she could indeed get me in, and with a pretty good seat, too.

This was a pretty heavy decision. And a lot of things weighed on my mind. I’d have to miss the keynote address of my conference. But this was the first game at Coors Field with real players with a seat behind home plate.

Indeed, these things weighed on my mind for a matter of three or four nanoseconds before I slipped the required cash under the window.

Coors is an absolutely wonderful stadium, beautiful with its exposed brick and green ironwork. There’s a row of purple seats in the upper deck to note when you are a mile above sea level, and you can see the spectacular Rocky Mountains if you face away from field.

Before the game I bought an official souvenir ball with both team’s logos on it, and future Hall of Famer Wade Boggs signed it for me.

The vile Yankees won 7-2. Scott Kamieniecki -- my neighbor for a short time -- started the game, and Dante Bichette hit the first of what was to be many Coors homers for him.

After the game I was excited to find out that the Yankees were staying at our hotel, I saw Don Mattingly at the front desk.

The first two days of the conference were pretty informative. Then on the afternoon of the third day I was sitting in a conference room attending a session when the phone on the wall started ringing. This was before we all had cell phones. It was one of the Flint Journal editors. "There’s a Flint connection to the Oklahoma City bombing. Rent a car and get yourself to Kansas." I explained that Colorado and Kansas share a border, but they’re huge and it’s not like driving between Michigan and Ohio. "OK, check out and catch a flight."

I spent my first night in Kansas in the same motel where Timothy McVeigh stayed a couple days before, and passed the place where he rented the Ryder truck that he filled with explosives to blow up the Alfred P. Murrah Building in Oklahoma City.

I wasn’t trying to be dramatic -- there just aren’t too many places to stay in that part of Kansas.

My assignment was to cover the court proceedings involving Terry Nichols, and to try to find out as much as I could about the man, who used to be a farmer on the fringes of the Flint Journal’s circulation area.

The next morning I drove down to Herrington, the small town where Nichols lived. I was a day behind the media horde that descended on the town, and it worked out better than I could have hoped.

Police blocked off the streets around Nichols small home the day before as they searched the house for bombs and clues. But this day life had more closely returned to normal and people where back in their homes. I spotted some of Nichols’ neighbors talking in their backyard and they invited me to talk.

Later that night a local church hosted a memorial service for the bombing victims in the biggest room in the town. I sensed a mixture of shock, shame and hurt. I think people had a hard time dealing with the idea that one of their own was somehow involved with such a horrible crime.

Herrington is one of those small Midwestern towns that John Mellencamp sings about. Everyone knows everyone. And I think people were shocked that they didn’t know what this man was capable of doing.
The service was an outlet for these people, as if to say this man was from this place, but he was not one of us. There were a lot of tears. Reporters are supposed to be observers. I felt like an intruder.

I spent much of the next week in Wichita, the closest city and site of the court house where Nichols preliminary hearing would be held. Since we didn’t know which day that would be, I was essentially staking out the courthouse all day.

There were a couple of other reporters doing the same thing, and that leaves time for friendly banter.
I got to know the court people a little bit since I was hanging around the building all week. And late in the week they let me know that Nichols would be coming in the next afternoon and showed me the big courtroom where the proceedings would take place.

Early next day the media horde arrived. The court activity wasn’t going to take place until 1 p.m. but people started setting up to get a glimpse of Nichols being hustled into the building.

A deputy told us that we could start lining up to get into the courtroom at 10 a.m. I planned to hang outside with the others, and I knew the courtroom was plenty big. But something inside told me to get on line. After burning through the Journal’s money all week, if I did not get into that court I’d have a lot of explaining to do once I got back to Flint.

The court officers lined us up on a bench in a lobby down the hall from the courtroom. I was No. 11 on line, with an artists hired by television stations to make the courtroom sketches, an Associated Press reporter, a writer from the Wichita Eagle-Beacon and a woman from a Detroit television station.

We had nice time sitting there gabbing, taking turns going on food runs and letting the artist warm up by sketching us. The line got longer and longer as time passed – I counted well more than 100 people.

A bailiff announced it was time to go in. He looked at the front of the line and counted off. “One, two, three, four, five, six, seven, eight, nine, 10, 11 and 12, follow me.” I thought they were taking us down in small groups.

Walking down the long hall, the guy from the Eagle-Beacon joked that we were going to be “In the front row,” saying it in the famous Bob Uecker voice.

We entered the court and I could feel the door close behind me. The big courtroom was already filled with every lawyer, court employee and person with connections who wanted in. We were not in the front row. We were in the last row – and no one else was getting in.

The Eagle-Beacon reporter shot me a wide-eyed look that was part amazement and part sheer joy. We waited on line three hours and got in. People who came minutes after us were down the hall with the people who walked in right at 1 p.m. – and we could faintly hear the angry screams of people who would have to explain to their editors why they did not get in that courtroom.

The proceedings started, and the key testimony was someone who said Nichols told him that “something big was going to happen.”

There at the defense table sat Terry Nichols. I was struck that he looked so … ordinary.

Even after talking to his neighbors, I think I expected a monster. McVeigh, after all, with his buzz cut, focused stare and unrepentant expression, looked the part of someone who could blow up a day-care center.

But there sat a slight man with metal-framed glasses. He didn’t look like a killer. He looked scared.

The proceedings lasted a while. As a person left the room, a harried and grateful reporter who was nest in line was allowed in. And when it was over, people trapped outside swarmed around the Associated Press reporter and pinned him against a wall as he read from his notebook.

I hurried to find a payphone—again, no cellphones at the time. My adventure had taken me away from home for nearly two weeks and it was time to dictate my story and head home.