Showing posts with label publishing paths. Show all posts
Showing posts with label publishing paths. Show all posts

Friday, August 26

with guest author Dusty Crabtree
Phoenix art by Laura

I know a number of author friends who were delighted to publish with a small publisher that felt like family. But in today's publishing climate, it's tougher than ever for small publishers to survive. So what do you do when your cozy family in the publishing world decides to close its doors? If rights revert to you, you might decide to go the route of today's guest. I asked her to share her experiences with that starting over process with an existing book. Take it away, Dusty...



Thank you for hosting me again, Laurel! Last time I was here it was for the one-year anniversary tour for Shadow Eyes. Now, here we are three years later releasing it again.

(Be sure to enter the rafflecopter at the bottom of the post for a chance to win a print copy of Shadow Eyes and a $50 gift card to Amazon!)

Shadow Eyes, my YA urban fantasy, was first released in 2012 by Musa Publishing. Being a young, small publishing company, Musa closed in 2015 as so many small publishing companies are forced to do. After a lot of thought and advice-seeking, I decided to self-publish it this time. A lot of reasons went into this.

1. I didn’t want to wait anymore. Publishing through a traditional publishing company takes time! There’s waiting to get accepted by a publisher, waiting to sign a contract, waiting to get assigned an editor, waiting to get all the edits done on your part, waiting for the company to finish their edits, waiting on the cover art, and then finally waiting for the release date (they often have a long line ahead of you). Self-publishing is much faster, and having gone through it all before, I really just wanted to get Shadow Eyes back out there as fast as I could. I have a sequel waiting in the wings for goodness’ sake! Let’s get this show on the road!

2. I was tired of searching and getting rejected. That may sound shallow or childish, but come on, who likes getting rejected. And, believe me, I know rejection by publishing companies is normal and not to take it personally. I went through a lot of them the first time around before Musa picked it up. Many of the rejections were most likely by companies who didn’t even look at the book because they didn’t have time or space for new authors. Most others have certain tastes and a certain market they are trying to sell to, and my book just didn’t fit.

I didn’t take it personally. But it still got old. When doors kept slamming in my face, I didn’t doubt myself or wallow in self-pity. I got frustrated and discouraged. I kept seeing the light at the end of the tunnel grow dimmer and dimmer as the end kept getting farther and farther away. I started to feel like I’d exhausted all possible options, and what would I do then?

That’s when I realized there was another door. A door that wouldn’t slam in my face. Sure, the world beyond that door was new and scary, and I was sure to be met with opposition and possibly judgement. But it was an open door nonetheless. And it gave me a breath of fresh air.

3. My genre and content has a unique and specific market. Most traditional publishers don’t want a book with a limited market, so if yours doesn’t seem like it would appeal to a wide audience, they won’t want to take a chance on you. This is probably what influenced my decision the most. After talking to a trusted author/editor about it, I realized that what she said about my genre and content was true. It is unique. And that’s okay!

In fact, I'm proud to not fit their traditional, mainstream, please everyone and cater to everyone mold! My books will find an audience that will love them for what they are -- bold, unapologetic, unique, spiritual and morally grounded, yet too edgy to fit a Christian mold either. I will find my audience without a publishing company’s help. Thank you.

4. Self-publishing gets you more profit for the same amount of time promoting. True, you may not have quite as much reach as you would with a publishing company, but you will make much more profit. Also, I found that with a small publishing company, I was doing most of my promoting anyway. They helped out with what they could – gathering a few reviews from me, helping their authors cross-promote, giving us ideas, hosting tours, etc. But much of the promoting fell on me. So that much isn’t very different now.

5. I learned to view self-publishing in a different light and swallowed my pride. It’s no lie. Many people in the book community have a prejudice against self-published books. They view these books as “not good enough” to get picked up by a traditional publisher. Like a lot of prejudices, there is some foundation for this. The truth of the matter is anyone can self-publish. Sure it takes some research and asking a lot of questions, but anyone can do it. The book doesn’t have to be professionally edited, and the author doesn’t have to be any good. The thought is that if a book is traditionally published, at least it’s been screened by someone out there who deemed it as worthy enough to be in the book market.

But here’s another truth. Just because a book hasn’t been screened, doesn’t mean it’s not any good. Now, I do still think books need to be professionally edited because even the best writers are blind to their own limitations. We all need an outsider who knows what they’re doing to help us with what we can’t see. But if it has been edited, who’s to say it’s not just as good as a traditionally published book?

I just had to get out of that prejudiced mindset, swallow my pride, and simply be secure and confident in my work, knowing it’s just as professional and worthy as any other book out there, with or without the “self-published.”

Closing thoughts – I will say that going through the traditional publishing process the first time was extremely valuable! I learned so much that I believe will help me be successful this time around. The connections I made, the lessons I learned, and the ideas I gleaned have all been very helpful. Plus, having been traditionally published at least once does help give you some credibility amidst the sea of self-publishers out there.

So, if you’re looking to publish your first book, I recommend at least attempting to go the traditional route first. After that, it’s totally up to you and what you feel is best. Just don’t let fear or your own prejudice get in the way of your decision.

About the Author


Dusty Crabtree loves a good story, but she also loves young people. These two loves are evident in all parts of her life. She has been a high school English teacher since 2006 and a creative writing teacher since 2014. She's also been a youth sponsor at her local church for as long as she’s been teaching. She feels very blessed with the amazing opportunities she has to develop meaningful relationships with teens on a daily basis. With her love of reading in the mix, becoming an author of young adult books was just a natural development of those two passions in her life. She lives with her husband, Clayton, in Yukon, Oklahoma, where they often serve their community as foster parents.

Blog / Twitter / Facebook


About Shadow Eyes


Iris thought she could ignore the shadows…until they came after everyone she loved.

Seventeen-year- old Iris Kohl has been able to see both dark and light figures ever since a tragic incident three years ago. The problem is, no one else seems to see them, and even worse…the dark figures terrorize humans, but Iris is powerless to stop them.

Although she’s learned to deal with watching shadows harass everyone around her, Iris is soon forced to question everything she thinks she knows about her world and herself. Her sanity, strength, and will power are tested to the limits by not only the shadows, but also a handsome new teacher whose presence scares away shadows, a new friend with an awe-inspiriting aura, and a mysterious, alluring new student whom Iris has a hard time resisting despite already having a boyfriend. As the shadows invade and terrorize her own life and family, Iris must ultimately accept the guidance of an angel to revisit the most horrific event of her life and become the hero she was meant to be.

Goodreads / Trailer 
Available for pre-order Amazon / Barnes and Noble / Apple iBooks / Smashwords


a Rafflecopter giveaway

To see other posts on this tour and to increase your chances of winning, visit Dusty’s blog for the schedule with links as they are posted. 
Friday, August 26, 2016 Laurel Garver
with guest author Dusty Crabtree
Phoenix art by Laura

I know a number of author friends who were delighted to publish with a small publisher that felt like family. But in today's publishing climate, it's tougher than ever for small publishers to survive. So what do you do when your cozy family in the publishing world decides to close its doors? If rights revert to you, you might decide to go the route of today's guest. I asked her to share her experiences with that starting over process with an existing book. Take it away, Dusty...



Thank you for hosting me again, Laurel! Last time I was here it was for the one-year anniversary tour for Shadow Eyes. Now, here we are three years later releasing it again.

(Be sure to enter the rafflecopter at the bottom of the post for a chance to win a print copy of Shadow Eyes and a $50 gift card to Amazon!)

Shadow Eyes, my YA urban fantasy, was first released in 2012 by Musa Publishing. Being a young, small publishing company, Musa closed in 2015 as so many small publishing companies are forced to do. After a lot of thought and advice-seeking, I decided to self-publish it this time. A lot of reasons went into this.

1. I didn’t want to wait anymore. Publishing through a traditional publishing company takes time! There’s waiting to get accepted by a publisher, waiting to sign a contract, waiting to get assigned an editor, waiting to get all the edits done on your part, waiting for the company to finish their edits, waiting on the cover art, and then finally waiting for the release date (they often have a long line ahead of you). Self-publishing is much faster, and having gone through it all before, I really just wanted to get Shadow Eyes back out there as fast as I could. I have a sequel waiting in the wings for goodness’ sake! Let’s get this show on the road!

2. I was tired of searching and getting rejected. That may sound shallow or childish, but come on, who likes getting rejected. And, believe me, I know rejection by publishing companies is normal and not to take it personally. I went through a lot of them the first time around before Musa picked it up. Many of the rejections were most likely by companies who didn’t even look at the book because they didn’t have time or space for new authors. Most others have certain tastes and a certain market they are trying to sell to, and my book just didn’t fit.

I didn’t take it personally. But it still got old. When doors kept slamming in my face, I didn’t doubt myself or wallow in self-pity. I got frustrated and discouraged. I kept seeing the light at the end of the tunnel grow dimmer and dimmer as the end kept getting farther and farther away. I started to feel like I’d exhausted all possible options, and what would I do then?

That’s when I realized there was another door. A door that wouldn’t slam in my face. Sure, the world beyond that door was new and scary, and I was sure to be met with opposition and possibly judgement. But it was an open door nonetheless. And it gave me a breath of fresh air.

3. My genre and content has a unique and specific market. Most traditional publishers don’t want a book with a limited market, so if yours doesn’t seem like it would appeal to a wide audience, they won’t want to take a chance on you. This is probably what influenced my decision the most. After talking to a trusted author/editor about it, I realized that what she said about my genre and content was true. It is unique. And that’s okay!

In fact, I'm proud to not fit their traditional, mainstream, please everyone and cater to everyone mold! My books will find an audience that will love them for what they are -- bold, unapologetic, unique, spiritual and morally grounded, yet too edgy to fit a Christian mold either. I will find my audience without a publishing company’s help. Thank you.

4. Self-publishing gets you more profit for the same amount of time promoting. True, you may not have quite as much reach as you would with a publishing company, but you will make much more profit. Also, I found that with a small publishing company, I was doing most of my promoting anyway. They helped out with what they could – gathering a few reviews from me, helping their authors cross-promote, giving us ideas, hosting tours, etc. But much of the promoting fell on me. So that much isn’t very different now.

5. I learned to view self-publishing in a different light and swallowed my pride. It’s no lie. Many people in the book community have a prejudice against self-published books. They view these books as “not good enough” to get picked up by a traditional publisher. Like a lot of prejudices, there is some foundation for this. The truth of the matter is anyone can self-publish. Sure it takes some research and asking a lot of questions, but anyone can do it. The book doesn’t have to be professionally edited, and the author doesn’t have to be any good. The thought is that if a book is traditionally published, at least it’s been screened by someone out there who deemed it as worthy enough to be in the book market.

But here’s another truth. Just because a book hasn’t been screened, doesn’t mean it’s not any good. Now, I do still think books need to be professionally edited because even the best writers are blind to their own limitations. We all need an outsider who knows what they’re doing to help us with what we can’t see. But if it has been edited, who’s to say it’s not just as good as a traditionally published book?

I just had to get out of that prejudiced mindset, swallow my pride, and simply be secure and confident in my work, knowing it’s just as professional and worthy as any other book out there, with or without the “self-published.”

Closing thoughts – I will say that going through the traditional publishing process the first time was extremely valuable! I learned so much that I believe will help me be successful this time around. The connections I made, the lessons I learned, and the ideas I gleaned have all been very helpful. Plus, having been traditionally published at least once does help give you some credibility amidst the sea of self-publishers out there.

So, if you’re looking to publish your first book, I recommend at least attempting to go the traditional route first. After that, it’s totally up to you and what you feel is best. Just don’t let fear or your own prejudice get in the way of your decision.

About the Author


Dusty Crabtree loves a good story, but she also loves young people. These two loves are evident in all parts of her life. She has been a high school English teacher since 2006 and a creative writing teacher since 2014. She's also been a youth sponsor at her local church for as long as she’s been teaching. She feels very blessed with the amazing opportunities she has to develop meaningful relationships with teens on a daily basis. With her love of reading in the mix, becoming an author of young adult books was just a natural development of those two passions in her life. She lives with her husband, Clayton, in Yukon, Oklahoma, where they often serve their community as foster parents.

Blog / Twitter / Facebook


About Shadow Eyes


Iris thought she could ignore the shadows…until they came after everyone she loved.

Seventeen-year- old Iris Kohl has been able to see both dark and light figures ever since a tragic incident three years ago. The problem is, no one else seems to see them, and even worse…the dark figures terrorize humans, but Iris is powerless to stop them.

Although she’s learned to deal with watching shadows harass everyone around her, Iris is soon forced to question everything she thinks she knows about her world and herself. Her sanity, strength, and will power are tested to the limits by not only the shadows, but also a handsome new teacher whose presence scares away shadows, a new friend with an awe-inspiriting aura, and a mysterious, alluring new student whom Iris has a hard time resisting despite already having a boyfriend. As the shadows invade and terrorize her own life and family, Iris must ultimately accept the guidance of an angel to revisit the most horrific event of her life and become the hero she was meant to be.

Goodreads / Trailer 
Available for pre-order Amazon / Barnes and Noble / Apple iBooks / Smashwords


a Rafflecopter giveaway

To see other posts on this tour and to increase your chances of winning, visit Dusty’s blog for the schedule with links as they are posted. 

Thursday, April 4

Photo by palomino, morguefile.com 
Independent publishing has truly revolutionized how books get into the hands of readers. Authors themselves can get books to market themselves quickly and cheaply. The prevailing thoughts about it tend to fall into these two camps:

This is great news: authors are earning more sooner, unheard voices are emerging, genre-benders are seeing the light of day.

This is terrible news: quality is a thing of the past, we’re drowning in a deluge of bestseller knockoffs, it’s impossible for non-genre authors to get any traction.

In my experience, the Indie Revolution is neither all roses nor all doom. When you want to bring something completely different to readers, it can be the best option, because legacy publishers tend to be risk averse, and new approaches are by nature risky. But book marketing is tricky no matter how you publish, and when you’re going it alone, something of a daunting task. Building an audience takes time, but the independent author has the advantage of “the long tail”--your work is available as long as you like, rather than having to earn out in a matter of months or face a premature death.

A number of factors led me onto the Indie path.

First is my broad experience in publishing. Over the past 21 years, I’ve done copywriting, editing, graphic design, print production, project management, scheduling, and copyrights and permissions. It felt like a natural extension of my existing skill sets to produce polished, professional books after years of producing magazines and newsletters.

Second is the nature of my fiction and poetry, which takes faith seriously but doesn't sanitize real life problems. I soon discovered that what I think of as the sweet spot (the dramatic place where life and beliefs collide) falls into a publishing no-man’s-land, too faith-saturated for the secular market, but too edgy for the Christian market. You’d be surprised by how little it takes to be “edgy” in the Christian market, where even “gosh” might be considered profanity. I explain more in an interview I did with Author Karen Akins (http://novelsduringnaptime.blogspot.com/2012/10/edgy-clean-writing-across-genre-divides.html).   Rather than choose a side, I opted to forge a new path.

Finally, I considered the following three questions:

1. What does success look like TO ME?

Quitting the day job to write full time might be your goal. Or having a loyal following of readers who appreciate your work. It might mean having a certain level of control. Producing work that you feel proud of. Reaching a particular target audience with something helpful and life-giving. Having creative freedom to write in several different genres or across categories.

2. What are my no-go areas?

What sacrifices am I not willing to make in my career? This might involve decisions about genres and approaches, financial risk, public exposure, associations. Where are you unwilling to compromise?

3. What kind of writing lifestyle can I maintain?

This question is perhaps the toughest to answer. It has to do with your stamina, your level of self-motivation, your ability to deal with outside pressure and to some degree the strength of your ego.


After much research and soul-searching, I concluded that publishing independently fit best with my work and my goals. It enables me to tell the kinds of stories I feel called to share without downplaying either the grit or the spiritual aspects. I can produce at my own pace, market at my own pace, and work in multiple genres.

(This had originally been a guest post I'd written for Michelle Davidson Argyle/The Innocent Flower.)

Have you wrestled with publishing path decision-making? What questions or concerns do/did you have?
Thursday, April 04, 2013 Laurel Garver
Photo by palomino, morguefile.com 
Independent publishing has truly revolutionized how books get into the hands of readers. Authors themselves can get books to market themselves quickly and cheaply. The prevailing thoughts about it tend to fall into these two camps:

This is great news: authors are earning more sooner, unheard voices are emerging, genre-benders are seeing the light of day.

This is terrible news: quality is a thing of the past, we’re drowning in a deluge of bestseller knockoffs, it’s impossible for non-genre authors to get any traction.

In my experience, the Indie Revolution is neither all roses nor all doom. When you want to bring something completely different to readers, it can be the best option, because legacy publishers tend to be risk averse, and new approaches are by nature risky. But book marketing is tricky no matter how you publish, and when you’re going it alone, something of a daunting task. Building an audience takes time, but the independent author has the advantage of “the long tail”--your work is available as long as you like, rather than having to earn out in a matter of months or face a premature death.

A number of factors led me onto the Indie path.

First is my broad experience in publishing. Over the past 21 years, I’ve done copywriting, editing, graphic design, print production, project management, scheduling, and copyrights and permissions. It felt like a natural extension of my existing skill sets to produce polished, professional books after years of producing magazines and newsletters.

Second is the nature of my fiction and poetry, which takes faith seriously but doesn't sanitize real life problems. I soon discovered that what I think of as the sweet spot (the dramatic place where life and beliefs collide) falls into a publishing no-man’s-land, too faith-saturated for the secular market, but too edgy for the Christian market. You’d be surprised by how little it takes to be “edgy” in the Christian market, where even “gosh” might be considered profanity. I explain more in an interview I did with Author Karen Akins (http://novelsduringnaptime.blogspot.com/2012/10/edgy-clean-writing-across-genre-divides.html).   Rather than choose a side, I opted to forge a new path.

Finally, I considered the following three questions:

1. What does success look like TO ME?

Quitting the day job to write full time might be your goal. Or having a loyal following of readers who appreciate your work. It might mean having a certain level of control. Producing work that you feel proud of. Reaching a particular target audience with something helpful and life-giving. Having creative freedom to write in several different genres or across categories.

2. What are my no-go areas?

What sacrifices am I not willing to make in my career? This might involve decisions about genres and approaches, financial risk, public exposure, associations. Where are you unwilling to compromise?

3. What kind of writing lifestyle can I maintain?

This question is perhaps the toughest to answer. It has to do with your stamina, your level of self-motivation, your ability to deal with outside pressure and to some degree the strength of your ego.


After much research and soul-searching, I concluded that publishing independently fit best with my work and my goals. It enables me to tell the kinds of stories I feel called to share without downplaying either the grit or the spiritual aspects. I can produce at my own pace, market at my own pace, and work in multiple genres.

(This had originally been a guest post I'd written for Michelle Davidson Argyle/The Innocent Flower.)

Have you wrestled with publishing path decision-making? What questions or concerns do/did you have?

Monday, February 11

By Charity Bradford, author of The Magic Wakes

Working with my editor was perhaps the most exciting part of this publishing process. Amie provided a wonderful mix of honesty and ego stroking. My guess is every great editor possesses this talent.

Before I started working with an editor I had plenty of time to get anxious about it. I kept hearing about these gut wrenching, full of red marks, your writing sucks and you’ll have to start all over kind of letters from editors. Well, no one actually said that last part, but I’d read about a lot of tears over those first letters from editors. Therefore, I waited with a lot of trepidation for that first letter.

I envisioned getting a printed out copy of my book full of slashes, hand written notes, etc. I was prepared to cry a bit before getting to work. Thank goodness that isn’t what I got. Instead I got a nice three page letter of thoughts. This included what my editor really liked, possible problem areas and definite plot holes. The best part was she even made a few suggestions as to how we could fix those problems.

After that first letter I realized a very important thing about working with an editor. This was a conversation. She wasn’t out to crush me, but help me make my story the best that it could be. I didn’t like a certain suggestion Amie made, but that suggestion sparked an idea that fit my character and still fixed the problem. When I shared it with her she was excited about it and supported me 100%.

Together we worked through three rounds of revisions and edits. The first round was what they call a macro edit and covered the big-picture notes Amie sent me on plot, characterization, scene impact, POVs, and some other elements. I took that 3 page editor’s letter and got to work.

A lot of times we just call this revisions. I cut a few scenes that were not doing anything, wrote some new ones to fill in the gaps, dug a bit deeper into a character or two, and basically “finished” the story.

The next round was line edits. This is where my editor used “track changes” to cut words, suggest words, make comments, and made sure my manuscript fit the publisher’s formatting guidelines. This was perhaps my favorite part. Why? Because I love getting a peek inside my reader’s head. If Amie had a question I saw it. If she really loved something, I saw it. This is how I critique other’s work too.

I worked, tweaked, polished. Amie checked my changes and came back with a few other spots that needed a bit more work until we reached the point that we both felt we were “finished”.

The last stage is copy edits. My publisher is hands on and took over here. This stage deals with the individual details—spelling, punctuation, typos, and word use. Karen noticed a lot of repetition and cleaned the manuscript a little more. This was all taken care of and then the book was designed and formatted before being sent back to me for a final check. I’m grateful to be with a group of professionals who know what they’re doing. When Karen sent the formatted pdf for me to review for I was so excited! It looked great!

All in all, the whole process was a great experience. I felt I learned a lot about writing clean. Things that I hope to incorporate into the next novel to make it even better. There is no reason to be afraid of working with an editor. Yes, they are going to point out the weak areas in your writing. It might even hurt. However, if you go into it with a positive attitude and a willingness to learn and improve, you are going to become a better writer and put out a better quality novel.

 Who doesn’t want that?

Author photoCharity Bradford has been a voracious reader ever since her 5th grade teacher introduced her to the world of books with Where the Red Fern Grows and Summer of the Monkeys. She’s the mother of four kids that keep her on her toes, constantly reminding her that imagination still makes the world go round. She lives in Arkansas with her hubby and children, and firmly believes that a smile can solve most problems. The Magic Wakes is her first novel.


The Magic Wakes

CoverTalia has a secret, one that will save her world and yet rip it apart. Only she can decide if the price is worth it.

Scientist Talia Zaryn has always had visions of an alien invasion and of her own death. She’s kept it a secret, hoping they are nothing more than childish nightmares. But when her face in the mirror matches that of her dreams, she fears the dreams are prophetic. Talia must prove that life exists beyond their planet, Sendek; perhaps then people will prepare to fight. Talia’s work at the Space Exploration Foundation leaves no time for personal relationships, but Major Landry Sutton isn’t looking for a friend. He’s looking for a traitor. His ability to sense emotions convinces him Talia is that traitor until a touch sizzles between them. In an instant their minds are connected and they can communicate telepathically. Just as the two begin to trust each other, the invading force arrives.

Talia and Landry must uncover the secrets of Sendek’s past if they hope to defeat these terrifying creatures. And Talia is the key—if only she can learn to trust the magic coursing through her veins.

 Book links: Trailer / 1st Chapter / Goodreads / Amazon

Where to find Charity: Facebook / Twitter / Blog / Website

What’s your biggest fear about working with an editor?
Monday, February 11, 2013 Laurel Garver
By Charity Bradford, author of The Magic Wakes

Working with my editor was perhaps the most exciting part of this publishing process. Amie provided a wonderful mix of honesty and ego stroking. My guess is every great editor possesses this talent.

Before I started working with an editor I had plenty of time to get anxious about it. I kept hearing about these gut wrenching, full of red marks, your writing sucks and you’ll have to start all over kind of letters from editors. Well, no one actually said that last part, but I’d read about a lot of tears over those first letters from editors. Therefore, I waited with a lot of trepidation for that first letter.

I envisioned getting a printed out copy of my book full of slashes, hand written notes, etc. I was prepared to cry a bit before getting to work. Thank goodness that isn’t what I got. Instead I got a nice three page letter of thoughts. This included what my editor really liked, possible problem areas and definite plot holes. The best part was she even made a few suggestions as to how we could fix those problems.

After that first letter I realized a very important thing about working with an editor. This was a conversation. She wasn’t out to crush me, but help me make my story the best that it could be. I didn’t like a certain suggestion Amie made, but that suggestion sparked an idea that fit my character and still fixed the problem. When I shared it with her she was excited about it and supported me 100%.

Together we worked through three rounds of revisions and edits. The first round was what they call a macro edit and covered the big-picture notes Amie sent me on plot, characterization, scene impact, POVs, and some other elements. I took that 3 page editor’s letter and got to work.

A lot of times we just call this revisions. I cut a few scenes that were not doing anything, wrote some new ones to fill in the gaps, dug a bit deeper into a character or two, and basically “finished” the story.

The next round was line edits. This is where my editor used “track changes” to cut words, suggest words, make comments, and made sure my manuscript fit the publisher’s formatting guidelines. This was perhaps my favorite part. Why? Because I love getting a peek inside my reader’s head. If Amie had a question I saw it. If she really loved something, I saw it. This is how I critique other’s work too.

I worked, tweaked, polished. Amie checked my changes and came back with a few other spots that needed a bit more work until we reached the point that we both felt we were “finished”.

The last stage is copy edits. My publisher is hands on and took over here. This stage deals with the individual details—spelling, punctuation, typos, and word use. Karen noticed a lot of repetition and cleaned the manuscript a little more. This was all taken care of and then the book was designed and formatted before being sent back to me for a final check. I’m grateful to be with a group of professionals who know what they’re doing. When Karen sent the formatted pdf for me to review for I was so excited! It looked great!

All in all, the whole process was a great experience. I felt I learned a lot about writing clean. Things that I hope to incorporate into the next novel to make it even better. There is no reason to be afraid of working with an editor. Yes, they are going to point out the weak areas in your writing. It might even hurt. However, if you go into it with a positive attitude and a willingness to learn and improve, you are going to become a better writer and put out a better quality novel.

 Who doesn’t want that?

Author photoCharity Bradford has been a voracious reader ever since her 5th grade teacher introduced her to the world of books with Where the Red Fern Grows and Summer of the Monkeys. She’s the mother of four kids that keep her on her toes, constantly reminding her that imagination still makes the world go round. She lives in Arkansas with her hubby and children, and firmly believes that a smile can solve most problems. The Magic Wakes is her first novel.


The Magic Wakes

CoverTalia has a secret, one that will save her world and yet rip it apart. Only she can decide if the price is worth it.

Scientist Talia Zaryn has always had visions of an alien invasion and of her own death. She’s kept it a secret, hoping they are nothing more than childish nightmares. But when her face in the mirror matches that of her dreams, she fears the dreams are prophetic. Talia must prove that life exists beyond their planet, Sendek; perhaps then people will prepare to fight. Talia’s work at the Space Exploration Foundation leaves no time for personal relationships, but Major Landry Sutton isn’t looking for a friend. He’s looking for a traitor. His ability to sense emotions convinces him Talia is that traitor until a touch sizzles between them. In an instant their minds are connected and they can communicate telepathically. Just as the two begin to trust each other, the invading force arrives.

Talia and Landry must uncover the secrets of Sendek’s past if they hope to defeat these terrifying creatures. And Talia is the key—if only she can learn to trust the magic coursing through her veins.

 Book links: Trailer / 1st Chapter / Goodreads / Amazon

Where to find Charity: Facebook / Twitter / Blog / Website

What’s your biggest fear about working with an editor?

Monday, October 22

Today I'm over at Karen Akin's blog discussing a tough topic--writing across the secular/sacred genre divide in a post entitled "Edgy? Clean? Writing across genre divides." As Karen notes in her introduction, it will interest anyone who has ever struggled with the question of where faith can fit in fiction. 

This was honestly the toughest post to write for my blog ramble. I know good people who have made hard decisions and altered their work to make it more salable to one market or the other. I mean no disrespect to those who've done this. It's perfectly fair and reasonable to want a publisher's backing to get a book on the market. 

And yet, my decision to self-publish has everything to do with this particular problem--the polarization of the markets.  I know plenty of readers who are frustrated with the lack of reading material that takes faith seriously but doesn't sanitize real life problems. 

The issue is a tough one for many considering what publishing path to take.

What do you think? 




Monday, October 22, 2012 Laurel Garver
Today I'm over at Karen Akin's blog discussing a tough topic--writing across the secular/sacred genre divide in a post entitled "Edgy? Clean? Writing across genre divides." As Karen notes in her introduction, it will interest anyone who has ever struggled with the question of where faith can fit in fiction. 

This was honestly the toughest post to write for my blog ramble. I know good people who have made hard decisions and altered their work to make it more salable to one market or the other. I mean no disrespect to those who've done this. It's perfectly fair and reasonable to want a publisher's backing to get a book on the market. 

And yet, my decision to self-publish has everything to do with this particular problem--the polarization of the markets.  I know plenty of readers who are frustrated with the lack of reading material that takes faith seriously but doesn't sanitize real life problems. 

The issue is a tough one for many considering what publishing path to take.

What do you think? 




Thursday, August 2

I write contemporary YA and have been reading heavily in the genre for years--the humorous, the romance-driven, the heavy-hitting "issue" books, the lyrical coming of age. There's a lot of diversity. There's also (may I say it?) a lot of sameness. As Blake Snyder notes about "salable work" in Save the Cat, "give us more of the same, only different."

A few of things I noticed aren't being published in contemporary mainstream YA--cross-generational relationships, grieving someone other than a peer, characters struggling to mature in a faith tradition and make it their own (rather than rebel against it).

I looked at Christian-market YA and didn't see anyone coming from mainline or reformed Protestantism. Apparently all fictional Christians are low church evangelicals or Amish, despite the fact that among the billions of Christians worldwide, they're a minority (in the case of the Amish, a tiny one; see the numbers here). The characters are almost never urban, except for the African-Americans. They don't interact with Christians from other countries except in missions contexts.

I realized my novel didn't fit many of the cliches/tropes publishers seem to want. I have an Anglican teen from NYC who has lost a parent. Her relationships with extended family are are as important to her healing as her relationships with her peers. She's not another secular/non-denom suburbanite who loses a best friend/sibling and heals by hooking up with dream boy. (Sorry if that sounds snarky--I've seen this formula quite a bit.)

I realized I could abandon the story, spin it in ways more palatable for one market or the other. Or I could go it alone.

When you write outside the box, there's risk. But there's also opportunity. Because outside-the-box stories have the potential to build a readership among those tired of or bored with current cliches/tropes. The trend-setting books are often ones no one saw coming.

And when traditional publishing isn't willing to take the risk, you now have other options.

Have you assessed the market fit of your work? Do you like to read outside-the-box stories that push against reigning tropes in a genre?
Thursday, August 02, 2012 Laurel Garver
I write contemporary YA and have been reading heavily in the genre for years--the humorous, the romance-driven, the heavy-hitting "issue" books, the lyrical coming of age. There's a lot of diversity. There's also (may I say it?) a lot of sameness. As Blake Snyder notes about "salable work" in Save the Cat, "give us more of the same, only different."

A few of things I noticed aren't being published in contemporary mainstream YA--cross-generational relationships, grieving someone other than a peer, characters struggling to mature in a faith tradition and make it their own (rather than rebel against it).

I looked at Christian-market YA and didn't see anyone coming from mainline or reformed Protestantism. Apparently all fictional Christians are low church evangelicals or Amish, despite the fact that among the billions of Christians worldwide, they're a minority (in the case of the Amish, a tiny one; see the numbers here). The characters are almost never urban, except for the African-Americans. They don't interact with Christians from other countries except in missions contexts.

I realized my novel didn't fit many of the cliches/tropes publishers seem to want. I have an Anglican teen from NYC who has lost a parent. Her relationships with extended family are are as important to her healing as her relationships with her peers. She's not another secular/non-denom suburbanite who loses a best friend/sibling and heals by hooking up with dream boy. (Sorry if that sounds snarky--I've seen this formula quite a bit.)

I realized I could abandon the story, spin it in ways more palatable for one market or the other. Or I could go it alone.

When you write outside the box, there's risk. But there's also opportunity. Because outside-the-box stories have the potential to build a readership among those tired of or bored with current cliches/tropes. The trend-setting books are often ones no one saw coming.

And when traditional publishing isn't willing to take the risk, you now have other options.

Have you assessed the market fit of your work? Do you like to read outside-the-box stories that push against reigning tropes in a genre?

Tuesday, July 31

In my previous post, many of you were intrigued with the question of self-publishers possessing an "entrepreneurial temperament." What might that label imply?

I found a number of broad-strokes articles on the topic, which I'll link here should you be interested in reading more:

~25 Common Characteristics of Successful Entrepreneurs
~10 Qualities of a Successful Entrepreneur
~Entrepreneurs: Key Characteristics and Skills

Here are some key ideas I gleaned from these lists and how I think they apply to a self-publishing enterprise. Entrepreneurial authors need to be

Passionate
If you don't love your work, don't love TO work, it will be impossible to interest readers and to keep producing quality work. Passion extends not only into your writing itself, but also into how you interact with the world. There is something irrepressible in the spirit of a passionate person that is life-affirming and life-giving. Good books flow out of deep passion; readers respond to it.

I know there are some who struggle with bouts of depression--seasonal or other types--who believe this makes them unfit for entrepreneurial authorship. I don't think that's entirely the case. Monitoring mood and  developing self-care will need to become an area of investment, just like the math-phobe would invest in hiring a good accountant. Which brings me to a second point....

Resource-minded
You need a vision for what skills and resources you need to succeed and where you might find help for those areas where you personally have gaps or lack. Instead of throwing up your hands in defeat and saying "I could never do that!", an entrepreneur says, "I need help with this. Where can I get it?"

Many, many skills you need to succeed as a self-publisher can be outsourced. Many should be. Don't despair if you need to bring a team on board to help with graphic design, editing and proofreading, ebook formatting, marketing, accounting and taxes.

Eager to learn
There's an underlying humility needed when you're an entrepreneur. To succeed, you need to be willing to face your knowledge and skill gaps and take steps to address them. Because you're resource-minded, you're willing to hunt high and low for answers to every question. And you LOVE to learn new things. You find it exciting and empowering.

With the learning mindset comes an acceptance of "the learning curve." You expect your acquisition of knowledge and skills to take time and include setbacks. But your passion drives you to keep seeking, keep trying. You can be patient with the process especially if you have the next quality....

Goal-directed 
Anyone who is able to write an entire book is goal directed by nature. You have an end-point in mind and take steady steps toward reaching it. If you've managed to keep your tush in a chair and write draft after draft until the story resonates and the prose sings, you are able to face the publishing end.

It's really a matter of taking your drafting and revising mojo and applying it to a new goal--getting a quality published product into the hands of eager readers.

Creative
This one trips up some writers, strangely enough. They are able to create entire worlds out of the snips and snails of their life experiences and dreams, but won't open those energies toward "practical things."

Say you don't have much ready cash to hire a cover designer. Some think this means they MUST do it themselves, then feel overwhelmed or defeated. Have you considered bartering? And I don't mean necessarily a skill-for-skill exchange, though a designer might really need help with writing copy for her professional website, for instance. Maybe you have non-writing skills that would thrill a designer: cook meals, crochet an afghan, tutor his/her kids, clean an attic, do some yard work, babysit.You get the idea.

Use the creative flexibility you exercise when you write to approach any skills gaps or snags in your publishing plan. Creativity is especially important when you market. Watch what others do well, then do it with a twist. Have an open mind about who your audience really is--think more broadly.

What do you think? Do you have what it takes?
Tuesday, July 31, 2012 Laurel Garver
In my previous post, many of you were intrigued with the question of self-publishers possessing an "entrepreneurial temperament." What might that label imply?

I found a number of broad-strokes articles on the topic, which I'll link here should you be interested in reading more:

~25 Common Characteristics of Successful Entrepreneurs
~10 Qualities of a Successful Entrepreneur
~Entrepreneurs: Key Characteristics and Skills

Here are some key ideas I gleaned from these lists and how I think they apply to a self-publishing enterprise. Entrepreneurial authors need to be

Passionate
If you don't love your work, don't love TO work, it will be impossible to interest readers and to keep producing quality work. Passion extends not only into your writing itself, but also into how you interact with the world. There is something irrepressible in the spirit of a passionate person that is life-affirming and life-giving. Good books flow out of deep passion; readers respond to it.

I know there are some who struggle with bouts of depression--seasonal or other types--who believe this makes them unfit for entrepreneurial authorship. I don't think that's entirely the case. Monitoring mood and  developing self-care will need to become an area of investment, just like the math-phobe would invest in hiring a good accountant. Which brings me to a second point....

Resource-minded
You need a vision for what skills and resources you need to succeed and where you might find help for those areas where you personally have gaps or lack. Instead of throwing up your hands in defeat and saying "I could never do that!", an entrepreneur says, "I need help with this. Where can I get it?"

Many, many skills you need to succeed as a self-publisher can be outsourced. Many should be. Don't despair if you need to bring a team on board to help with graphic design, editing and proofreading, ebook formatting, marketing, accounting and taxes.

Eager to learn
There's an underlying humility needed when you're an entrepreneur. To succeed, you need to be willing to face your knowledge and skill gaps and take steps to address them. Because you're resource-minded, you're willing to hunt high and low for answers to every question. And you LOVE to learn new things. You find it exciting and empowering.

With the learning mindset comes an acceptance of "the learning curve." You expect your acquisition of knowledge and skills to take time and include setbacks. But your passion drives you to keep seeking, keep trying. You can be patient with the process especially if you have the next quality....

Goal-directed 
Anyone who is able to write an entire book is goal directed by nature. You have an end-point in mind and take steady steps toward reaching it. If you've managed to keep your tush in a chair and write draft after draft until the story resonates and the prose sings, you are able to face the publishing end.

It's really a matter of taking your drafting and revising mojo and applying it to a new goal--getting a quality published product into the hands of eager readers.

Creative
This one trips up some writers, strangely enough. They are able to create entire worlds out of the snips and snails of their life experiences and dreams, but won't open those energies toward "practical things."

Say you don't have much ready cash to hire a cover designer. Some think this means they MUST do it themselves, then feel overwhelmed or defeated. Have you considered bartering? And I don't mean necessarily a skill-for-skill exchange, though a designer might really need help with writing copy for her professional website, for instance. Maybe you have non-writing skills that would thrill a designer: cook meals, crochet an afghan, tutor his/her kids, clean an attic, do some yard work, babysit.You get the idea.

Use the creative flexibility you exercise when you write to approach any skills gaps or snags in your publishing plan. Creativity is especially important when you market. Watch what others do well, then do it with a twist. Have an open mind about who your audience really is--think more broadly.

What do you think? Do you have what it takes?

Tuesday, September 20

As little as I've been able to be online these days, I keep coming across stories that have clouded my sense of what publishing path would fit me best.

Like this one: He Beats Me, But He's My Publisher

And this: Author Polly Courtney Quits Big 6

And then there's the whole productivity issue, as explained here: How Fast Do You Have to Write to Build a Successful Career?

Suddenly I'm feeling my inner brakes squealing, my inner turn-signal clicking and my hand about to pull hard to the left.

After all, the Indie side has its proponents: Revenge of the Rejected

And proponents with many caveats: When NOT to Go Indie
And Why Self-Publishing is Better Than You Think
And somewhere in the middle: When you don't care - more Indie thoughts

Of course, there's always "the middle way"--small press publishing

Michelle's small publisher series at The Innocent Flower covers lots of the pros and cons.


When it comes down to it, there are a number of questions to ask yourself when trying to navigate through all this information.

1. What does success look like TO ME?
Quitting the day job to write full time might be your goal. Or having a loyal following. It might mean having a certain level of control. Producing work that you feel proud of. Reaching a particular target audience with something helpful and life-giving.

2. What are my no-go areas?
What sacrifices am I not willing to make in my career? This might involve decisions about genres and approaches, financial risk, public exposure, associations. Where are you unwilling to compromise?

3. What kind of writing lifestyle can I maintain?
This question is perhaps the toughest to answer. It has to do with your stamina, your level of self-motivation, your ability to deal with outside pressure and to some degree the strength of your ego.

What do you think? Have you chosen a particular path? Why? What went into that decision?
Image credit: morguefile.com
Tuesday, September 20, 2011 Laurel Garver
As little as I've been able to be online these days, I keep coming across stories that have clouded my sense of what publishing path would fit me best.

Like this one: He Beats Me, But He's My Publisher

And this: Author Polly Courtney Quits Big 6

And then there's the whole productivity issue, as explained here: How Fast Do You Have to Write to Build a Successful Career?

Suddenly I'm feeling my inner brakes squealing, my inner turn-signal clicking and my hand about to pull hard to the left.

After all, the Indie side has its proponents: Revenge of the Rejected

And proponents with many caveats: When NOT to Go Indie
And Why Self-Publishing is Better Than You Think
And somewhere in the middle: When you don't care - more Indie thoughts

Of course, there's always "the middle way"--small press publishing

Michelle's small publisher series at The Innocent Flower covers lots of the pros and cons.


When it comes down to it, there are a number of questions to ask yourself when trying to navigate through all this information.

1. What does success look like TO ME?
Quitting the day job to write full time might be your goal. Or having a loyal following. It might mean having a certain level of control. Producing work that you feel proud of. Reaching a particular target audience with something helpful and life-giving.

2. What are my no-go areas?
What sacrifices am I not willing to make in my career? This might involve decisions about genres and approaches, financial risk, public exposure, associations. Where are you unwilling to compromise?

3. What kind of writing lifestyle can I maintain?
This question is perhaps the toughest to answer. It has to do with your stamina, your level of self-motivation, your ability to deal with outside pressure and to some degree the strength of your ego.

What do you think? Have you chosen a particular path? Why? What went into that decision?
Image credit: morguefile.com