Showing posts with label Christian fiction. Show all posts
Showing posts with label Christian fiction. Show all posts

Monday, September 10

by guest author Lauren H. Salisbury

Tolkien deployed invented languages to enrich his fantasy.
There’s nothing better than opening a new book and being swept away into an imaginary world. I love discovering fantastical realms peopled by strange races and bizarre creatures. I also enjoy the sense of immersion that comes from comprehensive world-building, one of the hallmarks of my favourite speculative fiction.

Using an original language is often part of this. Just as little details add a sense of realism to a setting, even a couple of words or phrases can make a huge difference to the overall impression of an unfamiliar culture or species. In fact, where there’s no unique terminology, I often feel like something’s missing, which can disconnect me from the narrative.

I wanted my own worlds to be as authentic as possible, so I invented languages for each species. My process was reasonably simple and involved the following three stages:

Sounds

I started with the overall sound I wanted my languages to have, whether to make them guttural, lyrical, harsh or soft. Did I want clicks or glottal stops? Based on this, would they use or omit any specific letters?

This was influenced by the general image I wanted to create for each species. For instance, Esarelians are ambitious and politically astute, making alliances and continually plotting. Baketags are a warrior race with a strict honour code, and Oeals are empaths known for manipulation. I chose soft sounding consonants and glottal stops for the Esarelians while Baketags have hard, clipped sounds, and Oeals use mostly vowels in their speech. This gave me a pool of letters from which to draw when naming characters and inventing specific words.

Grammar

Once I knew what sounds I wanted, I thought briefly about how complex the grammar should be for each language. Things like word length, whether they’d use prefixes and suffixes, whether adjectives and adverbs went before or after nouns. I didn’t want to go too deep into this area, as I only wanted a taste of each language, but it helped me build the words I did need.

For example, Baketag words have only one syllable with adjectives forming suffixes. Their words also join together to form longer single words and don't include articles, determiners, auxiliary verbs, etc. The name Baketag—people (bak), warriors (et), leader (ag)—translates to “people who are warriors under the ultimate leader.” Their planet, Vobaket is “planet of the people who are warriors.”

Specifics – Names and Phrases

With the sounds and basic grammar in place, I was able to create specific words and phrases that would imply cultural references and make each species more authentic. For instance, Esarelian names have two syllables, and the second often denotes class. I was able to play with this principle in the first book, having a character’s suspicions regarding another’s rank confirmed by her name, which made the scene much more interesting and nuanced.

As for the number of alien words I incorporated, that was more intuitive. I started with the names of the main characters, a handful of animals and plants, some foods, and a phrase or two that would fit the story or act as a species’ motto. After that, I added more as I needed them. For Conviction, this included an Esarelian game of strategy and a term for suspected assassination.

I only use alien words and phrases where they’d appear naturally, and I’ve tried several means of explaining their meaning. These methods range from a simple definition following the term, i.e., “As the Ra’hon, the ultimate leader, of the largest known Empire, Ashal needed to…,” to an integrated explanation. Here’s an example from Conviction.



I also found that having a clear idea of their language influenced the way I wrote the narrative in scenes from their viewpoint. I avoided contractions and stuck more rigidly to grammar rules than I did in scenes with a human viewpoint. This reflected their formal speech and helped distinguish them as an alien species.

Several readers have specifically mentioned the way I balance the alien and familiar in my novels, and including parts of their language was one of the main ways I accomplished that.

I hope sharing my process has shown that constructing languages doesn’t have to be difficult or complicated to be effective. However, I’m by no means an expert, and I highly recommend reading around the area, especially if you want to invent more than just a few phrases and names. There are a lot of great resources out there, but a good place to start would be the Language Creation Society at conlang.org.

Thank you for taking the time to find out a little bit about me and my writing, and have fun!


About the Author

Lauren H. Salisbury was an English teacher for sixteen years with an MA in Education. She is now a writer who dabbles with tutoring and lives with her husband and a room full of books in Yorkshire, England. She likes to spend winters abroad, following the sunshine and becoming the seasonal envy of her friends. When she’s not writing, she can be found spending time with family, reading, walking, crafting, or cooking. The Legacy Chronicles is her debut series.


Email list sign-up form: http://eepurl.com/djCo0z

About the Book

Conviction
The Legacy Chronicles 2
Christian speculative fiction

Can two people with opposing principles overcome their differences to be together?

Than has spent his life ostensibly having fun while secretly fighting for his people’s freedom. A member of the underground resistance, he is only ever serious around his comrades and his family. When an injury forces him to step down from active duty and his reluctant nurse sparks his interest, Than finds himself in uncharted territory. The fascinating woman will have nothing to do with him.

Menali’s past has taught her to keep her head down and trust that God has a reason for allowing the human race to suffer on U’du. When Than explodes into her life, he refuses to take no for an answer and challenges all of her preconceptions. He soon has her re-evaluating her priorities and wondering what life with someone like him would be like.


The Legacy Chronicles available here:

Conviction: http://a.co/doeQtkg

Giveaway

Use the Rafflecopter below to enter Lauren's giveaway, a Conviction swag bag, which contains character pictures, a themed greeting card, a cross stitched bookmark, a stone necklace and a signed print of the passage it's taken from.


a Rafflecopter giveaway


Q4U: How have linguistic details enhanced your favorite spec fic books? 
Any questions for Lauren?

Monday, September 10, 2018 Laurel Garver
by guest author Lauren H. Salisbury

Tolkien deployed invented languages to enrich his fantasy.
There’s nothing better than opening a new book and being swept away into an imaginary world. I love discovering fantastical realms peopled by strange races and bizarre creatures. I also enjoy the sense of immersion that comes from comprehensive world-building, one of the hallmarks of my favourite speculative fiction.

Using an original language is often part of this. Just as little details add a sense of realism to a setting, even a couple of words or phrases can make a huge difference to the overall impression of an unfamiliar culture or species. In fact, where there’s no unique terminology, I often feel like something’s missing, which can disconnect me from the narrative.

I wanted my own worlds to be as authentic as possible, so I invented languages for each species. My process was reasonably simple and involved the following three stages:

Sounds

I started with the overall sound I wanted my languages to have, whether to make them guttural, lyrical, harsh or soft. Did I want clicks or glottal stops? Based on this, would they use or omit any specific letters?

This was influenced by the general image I wanted to create for each species. For instance, Esarelians are ambitious and politically astute, making alliances and continually plotting. Baketags are a warrior race with a strict honour code, and Oeals are empaths known for manipulation. I chose soft sounding consonants and glottal stops for the Esarelians while Baketags have hard, clipped sounds, and Oeals use mostly vowels in their speech. This gave me a pool of letters from which to draw when naming characters and inventing specific words.

Grammar

Once I knew what sounds I wanted, I thought briefly about how complex the grammar should be for each language. Things like word length, whether they’d use prefixes and suffixes, whether adjectives and adverbs went before or after nouns. I didn’t want to go too deep into this area, as I only wanted a taste of each language, but it helped me build the words I did need.

For example, Baketag words have only one syllable with adjectives forming suffixes. Their words also join together to form longer single words and don't include articles, determiners, auxiliary verbs, etc. The name Baketag—people (bak), warriors (et), leader (ag)—translates to “people who are warriors under the ultimate leader.” Their planet, Vobaket is “planet of the people who are warriors.”

Specifics – Names and Phrases

With the sounds and basic grammar in place, I was able to create specific words and phrases that would imply cultural references and make each species more authentic. For instance, Esarelian names have two syllables, and the second often denotes class. I was able to play with this principle in the first book, having a character’s suspicions regarding another’s rank confirmed by her name, which made the scene much more interesting and nuanced.

As for the number of alien words I incorporated, that was more intuitive. I started with the names of the main characters, a handful of animals and plants, some foods, and a phrase or two that would fit the story or act as a species’ motto. After that, I added more as I needed them. For Conviction, this included an Esarelian game of strategy and a term for suspected assassination.

I only use alien words and phrases where they’d appear naturally, and I’ve tried several means of explaining their meaning. These methods range from a simple definition following the term, i.e., “As the Ra’hon, the ultimate leader, of the largest known Empire, Ashal needed to…,” to an integrated explanation. Here’s an example from Conviction.



I also found that having a clear idea of their language influenced the way I wrote the narrative in scenes from their viewpoint. I avoided contractions and stuck more rigidly to grammar rules than I did in scenes with a human viewpoint. This reflected their formal speech and helped distinguish them as an alien species.

Several readers have specifically mentioned the way I balance the alien and familiar in my novels, and including parts of their language was one of the main ways I accomplished that.

I hope sharing my process has shown that constructing languages doesn’t have to be difficult or complicated to be effective. However, I’m by no means an expert, and I highly recommend reading around the area, especially if you want to invent more than just a few phrases and names. There are a lot of great resources out there, but a good place to start would be the Language Creation Society at conlang.org.

Thank you for taking the time to find out a little bit about me and my writing, and have fun!


About the Author

Lauren H. Salisbury was an English teacher for sixteen years with an MA in Education. She is now a writer who dabbles with tutoring and lives with her husband and a room full of books in Yorkshire, England. She likes to spend winters abroad, following the sunshine and becoming the seasonal envy of her friends. When she’s not writing, she can be found spending time with family, reading, walking, crafting, or cooking. The Legacy Chronicles is her debut series.


Email list sign-up form: http://eepurl.com/djCo0z

About the Book

Conviction
The Legacy Chronicles 2
Christian speculative fiction

Can two people with opposing principles overcome their differences to be together?

Than has spent his life ostensibly having fun while secretly fighting for his people’s freedom. A member of the underground resistance, he is only ever serious around his comrades and his family. When an injury forces him to step down from active duty and his reluctant nurse sparks his interest, Than finds himself in uncharted territory. The fascinating woman will have nothing to do with him.

Menali’s past has taught her to keep her head down and trust that God has a reason for allowing the human race to suffer on U’du. When Than explodes into her life, he refuses to take no for an answer and challenges all of her preconceptions. He soon has her re-evaluating her priorities and wondering what life with someone like him would be like.


The Legacy Chronicles available here:

Conviction: http://a.co/doeQtkg

Giveaway

Use the Rafflecopter below to enter Lauren's giveaway, a Conviction swag bag, which contains character pictures, a themed greeting card, a cross stitched bookmark, a stone necklace and a signed print of the passage it's taken from.


a Rafflecopter giveaway


Q4U: How have linguistic details enhanced your favorite spec fic books? 
Any questions for Lauren?

Thursday, May 24

1. Tell us a little about how this story first came to be. Did it start with an image, a voice, a concept, a dilemma or something else?

“A Marvelous Redeemer” is the last book in “A Light for Christ” trilogy. It just seemed fitting that it should be Amira’s book. Amira was first introduced in the first book, “A Higher Ransom,” as Caleb’s little friend. He was often seen sharing his faith with her and trying to turn her away from her Muslim beliefs. “A Marvelous Redeemer” follows the life of Caleb and Amira as they both journey through their own unique struggles. But the outcome is the same for both of them. They discover that through everything, they still serve a Marvelous Redeemer.

2. Who are your main characters? Tell as a little about what makes them tick.
Amira is a feisty young lady, with a heart for the Lord. She loves Him so much, that she gives up everything she knows. Most of her journey throughout the story is spent trying her best to trust Him, even if that means living in a cave and eating watered down soup.

Caleb is a slight mystery. He has a heart for others and a strong desire to be the hero. He feels as if no one understands him and that no one cares. It ultimately leaves him making a decision that he soon regrets. Caleb’s journey is one of redemption. He comes to understand that no matter what, we still serve a Marvelous Redeemer. A Redeemer that always takes us back, no matter how many times we stray.

3. What special knowledge or research was required to write this book?
Well, this story was enhanced by a certain special character named Hemlock. Hemlock is a dear fellow who never stops talking about sea creatures. Because of this, I had to do a bunch of research on sea creatures. The results were absolutely amazing! The amazingness of God’s creation just goes to show you that we serve a Marvelous Redeemer!

5. What research methods have been most fruitful for you?
I use so many methods! Books, the internet, Wikipedia, the Bible. Google is my best friend though. 😉

6. What's the strangest thing you had to do to create this story?
Hmmm, what a great question! Probably the day I spent the night in a cave. All alone, in the middle of the woods. The coyotes howled all night. I wanted to know exactly how my main character would feel…

Okay, I actually didn’t do that. I probably would have died. At the very least I wouldn’t have slept at all.

The “strangest thing” was probably pulling several days on four to five hours of sleep, trying to work through the formatting process. But, that’s not exactly “strange.” Sleeping in a cave sounds so much better than that, haha!

7. What do you hope readers will take away from this story?
That no matter what, no matter how many times you stumble, no matter how many people try to tell you that God will never forgive you, always remember this; we serve a Marvelous Redeemer. A Redeemer that gave His very LIFE so that you could be saved! He loves you, He cares for you, you are His. So, remember that and don’t ever let it go.

8. How does your faith or ethical outlook inform your writing?
My goal with all of my books is to share the light of Christ. If I ever stray away from penetrating my books with the Gospel, then I hope someone out there will lock me in a dungeon and throw away the key. Because, without Christ, we are nothing. And my books, without Christ in them, would be just useless words on a page that might be entertaining to a soul, but not enriching, encouraging, or giving them a glimpse of light in this dark world.

9. What aspects of your creative process do you enjoy most? Which are most challenging?
All of it! I couldn’t choose a favorite! By the time I finish writing my story, I’m ready to move on to something else. That “something else” usually includes the editing process. And by the time that I’m finished with the editing process, I’m ready to not look at words for just a few days. Which then is always a good time to do some formatting. And, by the time by book is hot off the press, I’m ready to write again. It’s a great revolving door of creativity! Each part has its own challenges, but I’ve always been one to enjoy a challenge!

About the author

ALEIGHA C. ISRAEL writer of inspirational fiction and poetry, is an author of multiple books and enjoys sharing God's love through the powerful art of storytelling.

Her trilogy "A Light for Christ" is distributed by Grace and Truth Books and has been enjoyed by ages nine to ninety-three!

Aleigha is a Student Mentor over at the Young Writers Workshop and she'll be quick to tell you how amazing that community is.

She resides in Georgia with the world’s best parents, and five of the greatest siblings. When she’s not writing (or reading!) she can usually be seen working around the house, playing games with her siblings, or traveling with her family’s band, “Fret Not.”

She doesn’t have to search very hard for inspiration. Living in the Israel household, it’s guaranteed there’s an adventure waiting around every corner!

About the book


She knew the decision would change her life. But she didn't know she'd have to fight to survive.

When Amira put her faith in Christ, she knew life wouldn't be easy. But hiding her conversion from her Muslim family soon becomes the least of her worries.

Forced to leave the only home she's ever known, she travels to the island of Gabeburough, trying her best to make a fresh start.

Two escaped convicts and a treasure map. A leafy paradise that becomes her home. Amira begins to wonder, where is her Redeemer when she needs Him the most?

Caleb Haddington is prince of Carpathia. Life should be perfect, but he can't get a certain dark-haired girl out of his mind. Amira was his best friend when he lived in France, but her letters to him have suddenly stopped. Her last letter is filled with terror that her faith will soon be discovered.

Only a single hope keeps him alive; when the time is right, he's going after her. He'll bring her back and prove to the kingdom that he's a man.

But the journey proves to be more perilous than he'd ever imagined.

Ridicule, comfortless days, and the threat of a hurricane are just the start of his problems.
Lying becomes easy for Caleb until his own life crumbles before him. Brought to his knees under the pressure of his actions, he comes to realize the sweetness of his Savior.

Forgiveness, grace, and mercy are granted fully to those who ask.

Caleb and Amira soon discover that they don't just serve a gracious Savior, but a wonderful, magnificent, Marvelous Redeemer.

Giveaway



Aleigha is generously offering a basket of gifts including old-fashioned candies, 4 bookmarks, a pen, a paperback copy of the book, and a little bottle on a key chain. You can enter at this link: https://kingsumo.com/g/ko9bwa/a-marvelous-redeemer-giveaway.

Blog tour schedule

May 21
Bookish Orchestrations – Intro post
Spoonful of Surprises – Book Review

May 22
Jannette Fuller – Book Spotlight

May 23
Rebekah Lyn Books – Book Spotlight
Frances Hoelsema – Book Spotlight
Writings From A God Girl – Author Interview

May 24
Laurel's Leaves – Author Interview

May 25
Rachel Rossano's Words – Book Spotlight

May 26
Bookish Orchestrations – Giveaway winner
Thursday, May 24, 2018 Laurel Garver
1. Tell us a little about how this story first came to be. Did it start with an image, a voice, a concept, a dilemma or something else?

“A Marvelous Redeemer” is the last book in “A Light for Christ” trilogy. It just seemed fitting that it should be Amira’s book. Amira was first introduced in the first book, “A Higher Ransom,” as Caleb’s little friend. He was often seen sharing his faith with her and trying to turn her away from her Muslim beliefs. “A Marvelous Redeemer” follows the life of Caleb and Amira as they both journey through their own unique struggles. But the outcome is the same for both of them. They discover that through everything, they still serve a Marvelous Redeemer.

2. Who are your main characters? Tell as a little about what makes them tick.
Amira is a feisty young lady, with a heart for the Lord. She loves Him so much, that she gives up everything she knows. Most of her journey throughout the story is spent trying her best to trust Him, even if that means living in a cave and eating watered down soup.

Caleb is a slight mystery. He has a heart for others and a strong desire to be the hero. He feels as if no one understands him and that no one cares. It ultimately leaves him making a decision that he soon regrets. Caleb’s journey is one of redemption. He comes to understand that no matter what, we still serve a Marvelous Redeemer. A Redeemer that always takes us back, no matter how many times we stray.

3. What special knowledge or research was required to write this book?
Well, this story was enhanced by a certain special character named Hemlock. Hemlock is a dear fellow who never stops talking about sea creatures. Because of this, I had to do a bunch of research on sea creatures. The results were absolutely amazing! The amazingness of God’s creation just goes to show you that we serve a Marvelous Redeemer!

5. What research methods have been most fruitful for you?
I use so many methods! Books, the internet, Wikipedia, the Bible. Google is my best friend though. 😉

6. What's the strangest thing you had to do to create this story?
Hmmm, what a great question! Probably the day I spent the night in a cave. All alone, in the middle of the woods. The coyotes howled all night. I wanted to know exactly how my main character would feel…

Okay, I actually didn’t do that. I probably would have died. At the very least I wouldn’t have slept at all.

The “strangest thing” was probably pulling several days on four to five hours of sleep, trying to work through the formatting process. But, that’s not exactly “strange.” Sleeping in a cave sounds so much better than that, haha!

7. What do you hope readers will take away from this story?
That no matter what, no matter how many times you stumble, no matter how many people try to tell you that God will never forgive you, always remember this; we serve a Marvelous Redeemer. A Redeemer that gave His very LIFE so that you could be saved! He loves you, He cares for you, you are His. So, remember that and don’t ever let it go.

8. How does your faith or ethical outlook inform your writing?
My goal with all of my books is to share the light of Christ. If I ever stray away from penetrating my books with the Gospel, then I hope someone out there will lock me in a dungeon and throw away the key. Because, without Christ, we are nothing. And my books, without Christ in them, would be just useless words on a page that might be entertaining to a soul, but not enriching, encouraging, or giving them a glimpse of light in this dark world.

9. What aspects of your creative process do you enjoy most? Which are most challenging?
All of it! I couldn’t choose a favorite! By the time I finish writing my story, I’m ready to move on to something else. That “something else” usually includes the editing process. And by the time that I’m finished with the editing process, I’m ready to not look at words for just a few days. Which then is always a good time to do some formatting. And, by the time by book is hot off the press, I’m ready to write again. It’s a great revolving door of creativity! Each part has its own challenges, but I’ve always been one to enjoy a challenge!

About the author

ALEIGHA C. ISRAEL writer of inspirational fiction and poetry, is an author of multiple books and enjoys sharing God's love through the powerful art of storytelling.

Her trilogy "A Light for Christ" is distributed by Grace and Truth Books and has been enjoyed by ages nine to ninety-three!

Aleigha is a Student Mentor over at the Young Writers Workshop and she'll be quick to tell you how amazing that community is.

She resides in Georgia with the world’s best parents, and five of the greatest siblings. When she’s not writing (or reading!) she can usually be seen working around the house, playing games with her siblings, or traveling with her family’s band, “Fret Not.”

She doesn’t have to search very hard for inspiration. Living in the Israel household, it’s guaranteed there’s an adventure waiting around every corner!

About the book


She knew the decision would change her life. But she didn't know she'd have to fight to survive.

When Amira put her faith in Christ, she knew life wouldn't be easy. But hiding her conversion from her Muslim family soon becomes the least of her worries.

Forced to leave the only home she's ever known, she travels to the island of Gabeburough, trying her best to make a fresh start.

Two escaped convicts and a treasure map. A leafy paradise that becomes her home. Amira begins to wonder, where is her Redeemer when she needs Him the most?

Caleb Haddington is prince of Carpathia. Life should be perfect, but he can't get a certain dark-haired girl out of his mind. Amira was his best friend when he lived in France, but her letters to him have suddenly stopped. Her last letter is filled with terror that her faith will soon be discovered.

Only a single hope keeps him alive; when the time is right, he's going after her. He'll bring her back and prove to the kingdom that he's a man.

But the journey proves to be more perilous than he'd ever imagined.

Ridicule, comfortless days, and the threat of a hurricane are just the start of his problems.
Lying becomes easy for Caleb until his own life crumbles before him. Brought to his knees under the pressure of his actions, he comes to realize the sweetness of his Savior.

Forgiveness, grace, and mercy are granted fully to those who ask.

Caleb and Amira soon discover that they don't just serve a gracious Savior, but a wonderful, magnificent, Marvelous Redeemer.

Giveaway



Aleigha is generously offering a basket of gifts including old-fashioned candies, 4 bookmarks, a pen, a paperback copy of the book, and a little bottle on a key chain. You can enter at this link: https://kingsumo.com/g/ko9bwa/a-marvelous-redeemer-giveaway.

Blog tour schedule

May 21
Bookish Orchestrations – Intro post
Spoonful of Surprises – Book Review

May 22
Jannette Fuller – Book Spotlight

May 23
Rebekah Lyn Books – Book Spotlight
Frances Hoelsema – Book Spotlight
Writings From A God Girl – Author Interview

May 24
Laurel's Leaves – Author Interview

May 25
Rachel Rossano's Words – Book Spotlight

May 26
Bookish Orchestrations – Giveaway winner

Tuesday, February 6

Photo by Heather Cannon. Used with permission.
How to Use Your Life in Your Fiction

By guest author Lila Diller

Can I write about what happened to me? What should I keep in mind when including a personal story in fiction? If you’ve ever wondered this, there are three actions you can take.

Last year I published my first Christian romance novel. Though it is definitely fiction, much came from my own personal experiences. I had a friend ask how I got around some obstacles she was facing. She had written a memoir about her marriage, but the few friends she showed it to told her it would ruin her and her husband’s reputations. When I told her how I used my life as a springboard for a fictional story, the light bulb went off.

You can use your personal life as raw material for your fiction stories, too. Here are the most important things you want to keep in mind.

You’ll be kissing that writer’s block goodbye much more often when you use your memories as raw material for certain scenes.

1. Get the Legal Stuff out of the Way First

Include a paragraph on your copyright page. You’ll want to cover your tracks to protect you from being sued for libel, defamation, or a cut of royalties. Consider copying and pasting this notice or something like it to your copyright page:

Publisher’s Note: This is a work of fiction. Names, characters, places, and incidents are a product of the author’s imagination. Locales and public names are sometimes used for atmospheric purposes. Any resemblance to actual people, living or dead, or to businesses, companies, events, institutions, or locales is completely coincidental.

2. Change a Few Details in Each Scenario

Protect the Identity of Your Loved Ones. It’s not just for legal reasons that nonfiction writers will say, “Names and details have been altered to protect identities.” You can capture the essence of a good story, an interesting dialogue, or a characterization without revealing so much that when your mother reads the story, she says, “Oh, that must have been so-and-so.”

If possible, change either the gender of the character, the time frame, surrounding circumstances, and/or the setting it happened in. Always change the name of a person, a place, or a landmark, unless it’s absolutely integral to the plot to leave the original.

3. Try Free-Writing about a Memory that Inspires You

Start with the nonfiction version of the truth; then you can change later. If you’re having trouble getting words on the page, sift through your memories until you find one that matches the flavor or inspires some aspect of your current story. Just free-write every detail of that memory down that you can think of. Don’t edit yourself; don’t worry about possible incriminating clues that might shed light on what really happened.

Once you have the memory down on paper (or computer screen), then go back and highlight the important parts. What details are absolutely necessary to make a good story? Then you can start changing non-essentials.

Let me give you a few examples from my first novel, Love is Not Arrogant or Rude. My readers have asked if this was taken from my life. My answer is “yes, but no.”

  • Though the three main characters are based on my husband, my former guy friend, and myself, I never worked with or under my husband. I didn’t meet him while on staff at our alma mater but before as students. And I have never been chased by two men at the same time. 😉
  • The dogs mentioned are based on real dogs, but Sasha was a purebred Collie of my husband’s when he was growing up. I only saw pictures and heard stories about her; I never met her as she had died before then. Esme is a real dappled dachshund that my in-laws currently own (15 years after we were first married).
  • My sister really did try to commit suicide; but I changed her name, changed the reasons why, and shortened the time it took for Morgan to realize how complicated depression is. It took me much longer to come to some conclusions.

Conclusion

You can definitely use your personal life as inspiration for a story. Sometimes the most realistic details come from experiencing those feelings, taking those actions, or saying those words yourself. Don’t be afraid to use them. Just keep in mind that you want to protect yourself and your loved ones.


About the author

Lila Diller is outnumbered by a houseful of males: husband of 15 years, two energetic boys, and a hyper dog. When not homeschooling her boys, you can find her studying the Bible, reading, singing, scrapbooking, or binge-watching Netflix. You will only find her cooking or cleaning when she can’t put it off any longer. She loves to help readers not only to escape from stress in an entertaining and believable story but also to fill their minds with the truth and hope of Jesus.

You can visit Lila's website at liladiller.com. You can also find her on Facebook at www.facebook.com/loveisseries and on Instagram at www.instagram.com/liladiller.




If you love Christian romance, check out Lila's “Love is…” series on Amazon! You can also get a free digital copy if you sign up for her FB group Beta Reading for Lila Diller Author.  

Have you ever included autobiographical scenes in your fiction? Any questions for Lila?

Tuesday, February 06, 2018 Laurel Garver
Photo by Heather Cannon. Used with permission.
How to Use Your Life in Your Fiction

By guest author Lila Diller

Can I write about what happened to me? What should I keep in mind when including a personal story in fiction? If you’ve ever wondered this, there are three actions you can take.

Last year I published my first Christian romance novel. Though it is definitely fiction, much came from my own personal experiences. I had a friend ask how I got around some obstacles she was facing. She had written a memoir about her marriage, but the few friends she showed it to told her it would ruin her and her husband’s reputations. When I told her how I used my life as a springboard for a fictional story, the light bulb went off.

You can use your personal life as raw material for your fiction stories, too. Here are the most important things you want to keep in mind.

You’ll be kissing that writer’s block goodbye much more often when you use your memories as raw material for certain scenes.

1. Get the Legal Stuff out of the Way First

Include a paragraph on your copyright page. You’ll want to cover your tracks to protect you from being sued for libel, defamation, or a cut of royalties. Consider copying and pasting this notice or something like it to your copyright page:

Publisher’s Note: This is a work of fiction. Names, characters, places, and incidents are a product of the author’s imagination. Locales and public names are sometimes used for atmospheric purposes. Any resemblance to actual people, living or dead, or to businesses, companies, events, institutions, or locales is completely coincidental.

2. Change a Few Details in Each Scenario

Protect the Identity of Your Loved Ones. It’s not just for legal reasons that nonfiction writers will say, “Names and details have been altered to protect identities.” You can capture the essence of a good story, an interesting dialogue, or a characterization without revealing so much that when your mother reads the story, she says, “Oh, that must have been so-and-so.”

If possible, change either the gender of the character, the time frame, surrounding circumstances, and/or the setting it happened in. Always change the name of a person, a place, or a landmark, unless it’s absolutely integral to the plot to leave the original.

3. Try Free-Writing about a Memory that Inspires You

Start with the nonfiction version of the truth; then you can change later. If you’re having trouble getting words on the page, sift through your memories until you find one that matches the flavor or inspires some aspect of your current story. Just free-write every detail of that memory down that you can think of. Don’t edit yourself; don’t worry about possible incriminating clues that might shed light on what really happened.

Once you have the memory down on paper (or computer screen), then go back and highlight the important parts. What details are absolutely necessary to make a good story? Then you can start changing non-essentials.

Let me give you a few examples from my first novel, Love is Not Arrogant or Rude. My readers have asked if this was taken from my life. My answer is “yes, but no.”

  • Though the three main characters are based on my husband, my former guy friend, and myself, I never worked with or under my husband. I didn’t meet him while on staff at our alma mater but before as students. And I have never been chased by two men at the same time. 😉
  • The dogs mentioned are based on real dogs, but Sasha was a purebred Collie of my husband’s when he was growing up. I only saw pictures and heard stories about her; I never met her as she had died before then. Esme is a real dappled dachshund that my in-laws currently own (15 years after we were first married).
  • My sister really did try to commit suicide; but I changed her name, changed the reasons why, and shortened the time it took for Morgan to realize how complicated depression is. It took me much longer to come to some conclusions.

Conclusion

You can definitely use your personal life as inspiration for a story. Sometimes the most realistic details come from experiencing those feelings, taking those actions, or saying those words yourself. Don’t be afraid to use them. Just keep in mind that you want to protect yourself and your loved ones.


About the author

Lila Diller is outnumbered by a houseful of males: husband of 15 years, two energetic boys, and a hyper dog. When not homeschooling her boys, you can find her studying the Bible, reading, singing, scrapbooking, or binge-watching Netflix. You will only find her cooking or cleaning when she can’t put it off any longer. She loves to help readers not only to escape from stress in an entertaining and believable story but also to fill their minds with the truth and hope of Jesus.

You can visit Lila's website at liladiller.com. You can also find her on Facebook at www.facebook.com/loveisseries and on Instagram at www.instagram.com/liladiller.




If you love Christian romance, check out Lila's “Love is…” series on Amazon! You can also get a free digital copy if you sign up for her FB group Beta Reading for Lila Diller Author.  

Have you ever included autobiographical scenes in your fiction? Any questions for Lila?

Thursday, August 3

How do you go about writing about faith in a way that isn’t off-putting to contemporary teens, but feels like it’s part of normal life?

My approach begins from understanding that a life of faith isn’t lived across a line in the sand, that this spot over here is where I have a spiritual life, and on the other side is where the rest of the world goes about its business. Real faith doesn’t need a sanitized bubble in order to exist. It walks with courage into dark places through the power of the Holy Spirit, and tries to act as Jesus did. He reached out to those who were at the margins, who were hurting. I write what I hope is an invitation to teens of faith to see their purpose in this way.

In my Christian YA series, faith is a piece of the heroine Dani’s framework for understanding the world, just like her artistic ability is. The imagery and stories of her faith weave through her thought world as much as the language of painting and drawing. Like any teen raised in a Christian home, she goes through a coming-of-age process in which she has to decide if she truly believes for herself, rather than believing in a parent’s belief.

Infusing lots of humor into the story where possible is also important. People of faith are often stereotyped as dour, fault-finding folk who take themselves way too seriously. So my heroine has a bit of a sarcastic streak and finds the funny in things, quite often the funny in her own foibles—a self-deprecating kind of humor that makes her approachable.

Most centrally, I wrote my novels as dramatic stories, not handbooks or manuals on “how to grieve well/how to handle a family crisis well.” Readers walk with Dani through sadness, longing, first love, turmoil, broken relationships, confusion, and doubt. The adults in her world sometimes help, sometimes fail her badly. She has to come to grips with what is really real, with who God is, and with how she must grow and change in order to become her best self.

Preachiness in literature comes when characters aren’t given this space to “come to their senses” on their own. Jesus’ example of how to show a transformation well is the prodigal son story. Did someone come and preach at the younger brother, and tell him he had been a selfish jerk and he should just go home and apologize to his family? No, the story events led him to that conclusion. So it is with my characters. They make their mistakes and gradually learn from them. When epiphanies come, they act on them, and test their new understanding. They move from blindness to insight to realized truth.

I don’t think you have to be a Christian to read stories like mine and get something positive out of them. I’m not Jewish, but I really love Chaim Potok’s stories, which give me a glimpse into Hasidic and Orthodox Jewish communities. One of the most lovely things about literature is how it opens a window into other worlds, gives us a chance to understand other perspectives by living inside them for just a little while.

About the books


Never Gone

Sunday school never prepared her for this kind of life after death.

Teen artist Dani Deane feels like the universe has imploded when her photographer father is killed. Days after his death, she sees him leafing through sketches in her room, roaming the halls at church, wandering his own wake. Is grief making her crazy? Or is her dad truly adrift between this world and the next, trying to contact her?

Dani longs for his help as she tries and fails to connect with her workaholic mother. Her pain only deepens when astonishing secrets about her family history come to light. But Dani finds a surprising ally in Theo, the quiet guy lingering in the backstage of her life. He persistently reaches out as Dani’s faith falters, her family relationships unravel, and she withdraws into a dangerous obsession with her father’s ghostly appearances. Will she let her broken, prodigal heart find reason to hope again?

Read an excerpt.
Add it on Goodreads
Purchase the e-book at Amazon.com / Amazon UK / Amazon (Aus) / Amazon (Can)
Barnes and Noble / Apple iTunes
With sneak peek chapters from the sequel, Almost There 

Purchase the paperback at CreateSpace / Amazon (US) / Amazon (Can) / Amazon (UK) /
Barnes and NobleThe Book Depository (free shipping)


Almost There

How do you find hope when a family crisis threatens everything you love?

Paris, the City of Lights. To seventeen-year-old Dani Deane, it’s the Promised Land. There, her widowed mother’s depression will vanish and she will no longer fear losing her only parent, her arty New York life, or her devoted boyfriend.

But shortly before their Paris getaway, Dani’s tyrannical grandfather falls ill, pulling them to rural Pennsylvania to deal with his hoarder horror of a house. Among the piles, Dani finds disturbing truths that could make Mum completely unravel. Desperate to protect her from pain and escape to Paris, Dani hatches a plan with the flirtatious neighbor boy that only threatens the relationships she most wants to save.

Why would God block all paths to Paris? Could real hope for healing be as close as a box tucked in the rafters?

Add it on Goodreads
Read sneak peek scenes for FREE on Wattpad
Purchase the ebook on Amazon (US) / Amazon (UK) / Amazon (Aus) / Amazon (Can)
Barnes and Noble / Smashwords / KoboApple iTunes

Purchase the paperback from Createspace / Amazon (US) / Amazon (Can) / Amazon (UK) /
Barnes and Noble / Book Depository (free shipping)


Do you find characters of faith compelling or off-putting? Why?


Thanks to Cecelia Earl for inviting me to write about this topic for her launch party. I repost it for broader sharing here with her blessing.
Thursday, August 03, 2017 Laurel Garver
How do you go about writing about faith in a way that isn’t off-putting to contemporary teens, but feels like it’s part of normal life?

My approach begins from understanding that a life of faith isn’t lived across a line in the sand, that this spot over here is where I have a spiritual life, and on the other side is where the rest of the world goes about its business. Real faith doesn’t need a sanitized bubble in order to exist. It walks with courage into dark places through the power of the Holy Spirit, and tries to act as Jesus did. He reached out to those who were at the margins, who were hurting. I write what I hope is an invitation to teens of faith to see their purpose in this way.

In my Christian YA series, faith is a piece of the heroine Dani’s framework for understanding the world, just like her artistic ability is. The imagery and stories of her faith weave through her thought world as much as the language of painting and drawing. Like any teen raised in a Christian home, she goes through a coming-of-age process in which she has to decide if she truly believes for herself, rather than believing in a parent’s belief.

Infusing lots of humor into the story where possible is also important. People of faith are often stereotyped as dour, fault-finding folk who take themselves way too seriously. So my heroine has a bit of a sarcastic streak and finds the funny in things, quite often the funny in her own foibles—a self-deprecating kind of humor that makes her approachable.

Most centrally, I wrote my novels as dramatic stories, not handbooks or manuals on “how to grieve well/how to handle a family crisis well.” Readers walk with Dani through sadness, longing, first love, turmoil, broken relationships, confusion, and doubt. The adults in her world sometimes help, sometimes fail her badly. She has to come to grips with what is really real, with who God is, and with how she must grow and change in order to become her best self.

Preachiness in literature comes when characters aren’t given this space to “come to their senses” on their own. Jesus’ example of how to show a transformation well is the prodigal son story. Did someone come and preach at the younger brother, and tell him he had been a selfish jerk and he should just go home and apologize to his family? No, the story events led him to that conclusion. So it is with my characters. They make their mistakes and gradually learn from them. When epiphanies come, they act on them, and test their new understanding. They move from blindness to insight to realized truth.

I don’t think you have to be a Christian to read stories like mine and get something positive out of them. I’m not Jewish, but I really love Chaim Potok’s stories, which give me a glimpse into Hasidic and Orthodox Jewish communities. One of the most lovely things about literature is how it opens a window into other worlds, gives us a chance to understand other perspectives by living inside them for just a little while.

About the books


Never Gone

Sunday school never prepared her for this kind of life after death.

Teen artist Dani Deane feels like the universe has imploded when her photographer father is killed. Days after his death, she sees him leafing through sketches in her room, roaming the halls at church, wandering his own wake. Is grief making her crazy? Or is her dad truly adrift between this world and the next, trying to contact her?

Dani longs for his help as she tries and fails to connect with her workaholic mother. Her pain only deepens when astonishing secrets about her family history come to light. But Dani finds a surprising ally in Theo, the quiet guy lingering in the backstage of her life. He persistently reaches out as Dani’s faith falters, her family relationships unravel, and she withdraws into a dangerous obsession with her father’s ghostly appearances. Will she let her broken, prodigal heart find reason to hope again?

Read an excerpt.
Add it on Goodreads
Purchase the e-book at Amazon.com / Amazon UK / Amazon (Aus) / Amazon (Can)
Barnes and Noble / Apple iTunes
With sneak peek chapters from the sequel, Almost There 

Purchase the paperback at CreateSpace / Amazon (US) / Amazon (Can) / Amazon (UK) /
Barnes and NobleThe Book Depository (free shipping)


Almost There

How do you find hope when a family crisis threatens everything you love?

Paris, the City of Lights. To seventeen-year-old Dani Deane, it’s the Promised Land. There, her widowed mother’s depression will vanish and she will no longer fear losing her only parent, her arty New York life, or her devoted boyfriend.

But shortly before their Paris getaway, Dani’s tyrannical grandfather falls ill, pulling them to rural Pennsylvania to deal with his hoarder horror of a house. Among the piles, Dani finds disturbing truths that could make Mum completely unravel. Desperate to protect her from pain and escape to Paris, Dani hatches a plan with the flirtatious neighbor boy that only threatens the relationships she most wants to save.

Why would God block all paths to Paris? Could real hope for healing be as close as a box tucked in the rafters?

Add it on Goodreads
Read sneak peek scenes for FREE on Wattpad
Purchase the ebook on Amazon (US) / Amazon (UK) / Amazon (Aus) / Amazon (Can)
Barnes and Noble / Smashwords / KoboApple iTunes

Purchase the paperback from Createspace / Amazon (US) / Amazon (Can) / Amazon (UK) /
Barnes and Noble / Book Depository (free shipping)


Do you find characters of faith compelling or off-putting? Why?


Thanks to Cecelia Earl for inviting me to write about this topic for her launch party. I repost it for broader sharing here with her blessing.

Thursday, January 5

Today's guest Rachel Rossano has taken her love of history to a whole new level--creating an alt-history world that resembles Renaissance Europe, with some unique twists in how she brings faith elements to bear. She especially has wonderful tips on world building and peopling a fantasy world.

Let's give her a hearty Laurel's Leaves welcome!

Tell us a little about the culture/world in which your story is set. What sort of research was required to create it?

Image credit: https://morguefile.com/creative/Shenzi
The world of the Theodoric Saga is very loosely based on 1400s to 1500s Europe. Most of the nations are ruled by monarchs and ordered on various renditions of feudal societies. There are clear differences between the nations, as you can experience by reading some of my other books based in the same world, but they all are historically inspired.

The nation of Anavrea is mostly inspired by early-to-mid-1500s England. The rough edges of the upper crust of the court have been smoothed a bit. Knowledge and learning are beginning to be appreciated, but there are still those nobles far from court who are barbaric in their behavior and sensibilities.

I did little research specifically for this book. Only a few forays into exploring general midwifery practices of the period were necessary. My heroine takes a very practical, unsuperstitious approach, which was not common but is very in keeping with her personality and background. For the rest, I drew on my life-long research of history and the people who came before us.

How do you approach faith-oriented content in your work? 

The world of the series is very similar to ours. They have a Bible, though they don’t call it that. They believe in God and His Son, Jesus, but they refer to them by different names. Salvation comes by grace through faith in the sacrifice of Jesus on the cross. The most common word used to refer to Jesus is Kurios, which is a transliteration of the Greek word for Lord. I think of it as somewhere between the writing of the Bible and the founding of the church something changed the course of history enough to take this pretend part of the world on a very different path.

What special challenges did you face writing this book? What surprised you as you wrote?

I have a confession to make. I wrote the first draft of this novel a very long time ago, perhaps twelve years or so ago. My memories of my challenges are a bit faded with time, but I do recall being very frustrated with Jayne for most of the writing of the rough draft. She is a stubborn character which made convincing her to trust Liam so much harder.

What advice would you give other writers interested in creating a historical/fantasy setting for their stories?

Draw on history. Read history, research history, and delve into the mundane and profound of past events and people. Focus on the people, why they did what they did and how they interacted with each other and how they reacted to outside forces. Ask yourself questions. Even when creating a sci-fi setting, history gives us insight into how societies of people react and interact.

Although little of it might reach the actual pages of the novel or short story, make sure you, the author, know the governments involved, the economics, the weather, the seasons, the climate, the kind of food they eat, the monetary system, and the country’s history. Make sure they all make sense together.  They will come into play in subtle ways and it is better to have thought it all through before beginning than to accidentally make a bad choice that will come back to bite you later.

Put yourself in the world and consider how you would function in everyday life there. How would your character find food? How would they earn money? The more realistic the setting is to you, the more realistic it will be for your character and your reader.

In general, everyone has friends, acquaintances, and people they meet only to forget. Your character doesn’t exist in a vacuum. Part of establishing a setting is populating it with secondary, tertiary, and throw away characters.  Each of these characters have lives, motivations, and a story of their own. That doesn’t mean you need to tell them in the current book, but you need to give the reader the impression that they are glimpsing into other people’s lives beyond the main character.

About the Author

Rachel Rossano is a happily married mother of three children. She spends her days teaching, mothering, and keeping the chaos at bay. After the little ones are in bed, she immerses herself in the fantasy worlds of her books. Tales of romance, adventure, and virtue set in a medieval fantasy world are her preference, but she also writes speculative fantasy and a
bit of science fiction.


About the Book


She couldn’t hide forever.

A hard life taught Jayne to avoid men, powerful men most of
all. When a new nobleman arrives to take over the vargar, she takes her family and hides. But the new baron seeks her out and makes her an offer she can’t refuse: protection. However, once they were sheltered behind the dark stone walls of the vargar, who would protect her from the new master?

His reward isn’t what it seems.

King Ireic of Anavrea charges Liam, a former bodyguard, with the task of retaking and taming a corner of the northern wilds. Upon arrival at Ashwyn Vargar, Liam finds challenges beyond his military experience. The keys to the vargar are missing and so are the field hands who should be harvesting the fields. Once he finds the keeper of the keys, she raises more questions than answers.

Available from Amazon


Giveaway



Rachel is giving away one of her favorite CDs to listen to while she writes. If you’ve ever wondered what kind of music she likes to listen to, you can check out the CD on Amazon and then come back here and enter the giveaway. https://www.amazon.com/Piano-Guys/dp/B009EAO38C/
 


a Rafflecopter giveaway





Tour Schedule


January 2
Bookish Orchestrations-Tour Intro and Book Review
Bokerah-Guest Post

January 3
Queen of Random-Book Spotlight
Rachel Rossano's Words-Book Spotlight

January 4
Stephany Tullis-Book Spotlight
Ember's Reviews-Author Interview and Review

January 5
Frances Hoelsema-Book Spotlight
Laurel's Leaves-Author Interview

January 6
Shout outs-Guest Post
Rebekah Lyn Book-Character Spotlight

January 7
Bookish Orchestrations-Giveaway Winner

 If you were to write about a historic era and tweak it a bit, which would you choose? Any questions for Rachel?
Thursday, January 05, 2017 Laurel Garver
Today's guest Rachel Rossano has taken her love of history to a whole new level--creating an alt-history world that resembles Renaissance Europe, with some unique twists in how she brings faith elements to bear. She especially has wonderful tips on world building and peopling a fantasy world.

Let's give her a hearty Laurel's Leaves welcome!

Tell us a little about the culture/world in which your story is set. What sort of research was required to create it?

Image credit: https://morguefile.com/creative/Shenzi
The world of the Theodoric Saga is very loosely based on 1400s to 1500s Europe. Most of the nations are ruled by monarchs and ordered on various renditions of feudal societies. There are clear differences between the nations, as you can experience by reading some of my other books based in the same world, but they all are historically inspired.

The nation of Anavrea is mostly inspired by early-to-mid-1500s England. The rough edges of the upper crust of the court have been smoothed a bit. Knowledge and learning are beginning to be appreciated, but there are still those nobles far from court who are barbaric in their behavior and sensibilities.

I did little research specifically for this book. Only a few forays into exploring general midwifery practices of the period were necessary. My heroine takes a very practical, unsuperstitious approach, which was not common but is very in keeping with her personality and background. For the rest, I drew on my life-long research of history and the people who came before us.

How do you approach faith-oriented content in your work? 

The world of the series is very similar to ours. They have a Bible, though they don’t call it that. They believe in God and His Son, Jesus, but they refer to them by different names. Salvation comes by grace through faith in the sacrifice of Jesus on the cross. The most common word used to refer to Jesus is Kurios, which is a transliteration of the Greek word for Lord. I think of it as somewhere between the writing of the Bible and the founding of the church something changed the course of history enough to take this pretend part of the world on a very different path.

What special challenges did you face writing this book? What surprised you as you wrote?

I have a confession to make. I wrote the first draft of this novel a very long time ago, perhaps twelve years or so ago. My memories of my challenges are a bit faded with time, but I do recall being very frustrated with Jayne for most of the writing of the rough draft. She is a stubborn character which made convincing her to trust Liam so much harder.

What advice would you give other writers interested in creating a historical/fantasy setting for their stories?

Draw on history. Read history, research history, and delve into the mundane and profound of past events and people. Focus on the people, why they did what they did and how they interacted with each other and how they reacted to outside forces. Ask yourself questions. Even when creating a sci-fi setting, history gives us insight into how societies of people react and interact.

Although little of it might reach the actual pages of the novel or short story, make sure you, the author, know the governments involved, the economics, the weather, the seasons, the climate, the kind of food they eat, the monetary system, and the country’s history. Make sure they all make sense together.  They will come into play in subtle ways and it is better to have thought it all through before beginning than to accidentally make a bad choice that will come back to bite you later.

Put yourself in the world and consider how you would function in everyday life there. How would your character find food? How would they earn money? The more realistic the setting is to you, the more realistic it will be for your character and your reader.

In general, everyone has friends, acquaintances, and people they meet only to forget. Your character doesn’t exist in a vacuum. Part of establishing a setting is populating it with secondary, tertiary, and throw away characters.  Each of these characters have lives, motivations, and a story of their own. That doesn’t mean you need to tell them in the current book, but you need to give the reader the impression that they are glimpsing into other people’s lives beyond the main character.

About the Author

Rachel Rossano is a happily married mother of three children. She spends her days teaching, mothering, and keeping the chaos at bay. After the little ones are in bed, she immerses herself in the fantasy worlds of her books. Tales of romance, adventure, and virtue set in a medieval fantasy world are her preference, but she also writes speculative fantasy and a
bit of science fiction.


About the Book


She couldn’t hide forever.

A hard life taught Jayne to avoid men, powerful men most of
all. When a new nobleman arrives to take over the vargar, she takes her family and hides. But the new baron seeks her out and makes her an offer she can’t refuse: protection. However, once they were sheltered behind the dark stone walls of the vargar, who would protect her from the new master?

His reward isn’t what it seems.

King Ireic of Anavrea charges Liam, a former bodyguard, with the task of retaking and taming a corner of the northern wilds. Upon arrival at Ashwyn Vargar, Liam finds challenges beyond his military experience. The keys to the vargar are missing and so are the field hands who should be harvesting the fields. Once he finds the keeper of the keys, she raises more questions than answers.

Available from Amazon


Giveaway



Rachel is giving away one of her favorite CDs to listen to while she writes. If you’ve ever wondered what kind of music she likes to listen to, you can check out the CD on Amazon and then come back here and enter the giveaway. https://www.amazon.com/Piano-Guys/dp/B009EAO38C/
 


a Rafflecopter giveaway





Tour Schedule


January 2
Bookish Orchestrations-Tour Intro and Book Review
Bokerah-Guest Post

January 3
Queen of Random-Book Spotlight
Rachel Rossano's Words-Book Spotlight

January 4
Stephany Tullis-Book Spotlight
Ember's Reviews-Author Interview and Review

January 5
Frances Hoelsema-Book Spotlight
Laurel's Leaves-Author Interview

January 6
Shout outs-Guest Post
Rebekah Lyn Book-Character Spotlight

January 7
Bookish Orchestrations-Giveaway Winner

 If you were to write about a historic era and tweak it a bit, which would you choose? Any questions for Rachel?

Monday, April 25

Chapter 1
In Paris, art seeps into your feet and drips from your fingertips. Dark-eyed buskers in berets squeeze out sweet accordion songs, and the birds trill along. The air tastes like crème brûlée; the light is melted butter. Or so I’ve heard. In two weeks, I’ll find out for myself.

I can see it all now: In the golden mornings, Mum and I will set up matching easels on the banks of the Seine and paint side-by-side. She’ll be too excited to sleep till noon, too inspired to stare blankly at the wall. Her sadness will fall away like a too-heavy coat, and she’ll once again fill canvas after canvas with works of aching beauty. 

We’ll while away the hot afternoons in the Louvre, communing with the masters. Finally meet some of her long-lost French relatives. Wear goofy hats and stuff ourselves with pastries and laugh like we haven’t in ages. Every day will be a chick-flick montage of joie de vivre.

Or is it joyeux de vivre? Theo would know.

“Theo? Thebes?” I shake my boyfriend, who snoozes beside me on the couch with his school tie loosely askew and notebook open in his lap. When he doesn’t react, I stroke his left forearm. He swats at me with an oar-calloused hand, mutters, “Stalin… Churchill…Roosevelt.”

He must be in bad shape if he’s dreaming history notes. “Never mind. Just rest.”

I’m not exactly the most diligent study buddy either. It’s hard to focus when I’m two finals from freedom. Two finals till I can shop for my France wardrobe, till I can dedicate maximum brain space to merci, s’il vous plaît, and three thousand other phrases that will keep me from looking like a lazy américaine

I pull out my highlighter and mark my top three café picks near Notre Dame Cathedral in Paris, Summer 2009, just published in March. I wonder if these places serve iced decaf lattes. Or is iced coffee a gauche American concoction? Yet another thing to ask Theo.

His sleeping face pinches. I reach to touch his cheek, then stop. Facing finals right after two weekend crew regattas in a row has already made him totally stressed and exhausted. I’m probably stressing him more by talking nonstop about my trip. For him, it means five long weeks apart. We’ll Skype every day and muddle through somehow. The painful separation will be totally worth it when Paris works its magic and Mum’s back to normal.

The kitchen phone jangles and I guiltily stuff my Paris guidebook under a couch cushion. Theo stirs, but doesn’t shift enough to free my hair from under his sleep-heavy head.

Why isn’t Mum answering? Is she napping again?

With a swift tug, I free my hair. The hefty textbook I’m supposed to be studying slides off my lap and thuds to the floor. I sprint to the kitchen, reaching the phone on the tenth ring.

“Mrs. Deane? Mrs. Grace Tilman Deane?” A woman asks.

“Just a sec. I’ll get her.”

I carry the handset through the apartment to the spare bedroom we use as a studio and gingerly knock on the door. No answer. Is Mum hiding or deep in another epic zone-out? Since she left her stressful Madison Avenue advertising job for art school, thanks to a foundation started in my late father’s memory, Mum should be having the time of her life. Art was the passion she couldn’t pursue when she was young for a lot of stupid reasons. But now that she’s actually living her lost dream, paint seems to dry on her palettes more than her canvases.

I press my ear to the door and hear only the low hum of the air conditioning. When I peek inside, our husky-mix Rhys raises his head, perks his ears, gives a fangy yawn. On the easel above him sits a white canvas with a single red stripe down the center. Beside the easel is an empty stool. What the heck? Did she go back to bed?

I stare at the phone a moment. Chances are it’s just some stupid survey or courtesy call. Nothing worth waking Mum for.

I clear my throat and mimic Mum’s smoky alto. “Hello?”

“Mrs. Deane? This is Nurse Lowman from North Penn Health System. In Wilkes-Barre, Pennsylvania? It’s about your father. Daniel Tilman?”

Good Lord, now what? Poppa hasn’t gone berserk on another doctor, has he? You’d think the time he got hauled off by security would have shamed him into changing his ways. Mum should let them press charges this time. Poppa might finally get a clue about how big a jerk he is.

I deliver the standard Mum line: “My apologies. How can I assist?”

“There’s been an accident, Mrs. Deane. Your father…his condition is needing surgery and we have to get your approval to proceed.”

My guts drop seven stories. I wouldn’t be surprised to find them out on Columbus, pancake-flattened and dimpled with taxi tire marks. “Poppa’s had an accident?” I squeak.

“This isn’t Mrs. Deane, is it?” Her tone is so cold, my wet tongue would stick to it.

“Sorry, it’s…Danielle, the daughter, I mean Mr. Tilman’s granddaughter. I’m sorry about pretending to be my mother. I thought you were a telemarketer and Mum’s not feeling well. Since I’m family, too, it wouldn’t be against HIPAA regulations for you to tell me what happened, and I can let her know, right?”

“I’m afraid not, Danielle. I have to speak to your actual mother.”

Crap. It must be bad. Really bad.

“Um, okay. I’ll, ah, go find her.” I cover the mouthpiece and head to the master bedroom.

In the phone, I can distantly hear the nurse crack up and tell her medical cronies, “Get a load of this: I’ve got some kid from New York on the phone who knows about HIPAA regulations! City kids! Gawd. She’s probably been playing the stock market since kindergarten.”

I’d love to give this bumpkin nurse chick a piece of my mind. Tell her that the adult world finds some of us young and makes us grow up fast, whether we’re ready or not.

But I don’t say this, because my persistent knocks are getting no response from Mum at all. As I step into her dark bedroom, I’m surprised by a strange, sour smell. I pat her bed, expecting to feel the warm hump of a leg. Instead, I touch something thick and sticky. Blood? I bring my hand to my nose. Ugh. Spoiled milk.

I switch on the bedside lamp and find a toppled Stonyfield ice cream tub that’s left a gooey puddle on her silk bedspread. Okay, it’s organic, but still. The woman’s a gym addict. Grabbing a tissue to clean the goo off my fingers, I see a worse sign: Mum’s cell phone is on the dresser. But Mum is gone.

I take a deep breath, then uncover the mouthpiece of the phone. “Um…” I tell the nurse, “I think we might need to call you back.”
*  *  *
Seeing the empty key hook by the front door sucks the air right out of me. Dear God, no. I crush the paper scrap with the hospital’s number in a trembling fist. For all I know, Poppa will be dead in minutes if they don’t operate. But without Mum’s approval, they legally can’t.

I cannot believe Mum left Theo and me alone in the apartment. She usually checks on us every ten minutes like clockwork, bugging us with questions or roping Theo into chores like opening jars or pulling things off high shelves. It’s like she has this bizarre fear that we’re going to rip each other’s clothes off at any moment and make me the next teen pregnancy statistic.

Well, she can’t have gone far — probably just to the little market on Columbus to pick up dinner ingredients. Surely she’ll be back any minute. I should call the front desk and ask the doorman if he saw her go out. Theo could hold down the fort while I look for her.

Gosh, I can just picture her standing in line at Rico’s, looking for all the world like a bohemian free spirit in her snug t-shirt, paint-spattered jeans, strappy sandals, gobs of gypsy jewelry, hair in long, loose layers. She’ll glance up from her basket of Thai basil and coconut milk, see my face and just know. Know that I’m about to hurl a bomb at her. Know that trouble’s found her yet again, like it always does.

How can I tell her? How? It’s only been a year and a half since Dad’s car crash and the month of ICU agony before he was snatched from us. How can she possibly cope with Poppa right now? He’s as fatherly to her as a lion is to a gazelle.

I just wish I could make this all go away.

I look at the hospital number in my hand again, and my mouth goes as dry as a day-old croissant. What if Poppa and his car—? There’s no ice on the roads, but a couch could tumble off a truck, or a rogue deer leap out of the woods and straight through his windshield. Poppa could have massive bleeding on the brain right now — pressure building like floodwaters behind a levee, flattening everything. Cells, synapses, ganglion crushed, dying, dead. I’ve seen it before.

My grand Paris dream starts to pull away, a face in a taxi window. Off toward Midtown. Off to find a more worthy recipient.

Who can help me stop this taxi from driving away with my dream?

A homeless drug addict steps in front of the taxi in my mind and it stops. The coked-up guy stands there, fists on hips, chin jutted out, dark eyes flashing, as if daring the driver to flatten him in his frayed cords and Nietzsche T-shirt. Uncle David?

He winks at me, then in a blink transforms from his old stoner self into the bald, flannel-shirted craftsman I now know and love. Of course. If there’s anyone who can help me sort out what to do about Poppa, it’s Mum’s younger brother, the prodigal son. 

I carry the phone to my bedroom, hit four on speed dial.
Chapter 2
“Ah-yup,” Uncle David says, another weird Maine expression that’s crept into his speech. A table saw whines in the background. The tone changes as the blade tastes wood, gearing up to a horrific shriek like someone being tortured. A woman with serious lung capacity. A shot-putter. One of those beefy opera singers.

I close my bedroom door, shout, “Hey! It’s Dani. Could you go to your office maybe?”

“Hey niece o’mine, what’d ya say? Keegan’s ripping boards and I can’t hear squat. I better go to my office.” He shouts something to his assistant and gradually the heinous squealing fades. “A’right. Office. Shoot.”

“I need your help right away. Some hospital called saying Poppa’s been in an accident and they want to operate immediately and they need approval from Mum, but she’s not here and I don’t know where she went or exactly how long she’ll be gone or anything, and the nurse lady who called wouldn’t give me any details at all but it must be pretty bad if they have to operate. I’m seriously freaking out. Could you please, please, please call the hospital and see if you can find out what the heck is going on and give them the okay to operate?”

“Whoa. Accident? What kind of accident? Car accident?”

Images of crumpled fenders, broken glass, thick smoke, and charred car remains click through my mind in rapid succession. Not again, Lord. Please, not again. I wobble, sink onto my bed. “I—. I don’t know,” I choke.

“Sorry, I’m just in shock. I mean, after your dad…” he gives a low whistle. “Gracie’s been through this kind of hell one too many times. Give me that number. I’ll see what I can do.”

“Thanks,” I wipe my eyes and give him the nurse’s name and number. “What should I do now? Mum could be back any time. She’s gonna just curl up and die when she finds out.”

“Well…” he drawls, “I reckon there might be, you know, divine providence in her missing that call. It’s about time I had a go at being the responsible kid. Don’t you worry, and don’t say nothing. Got it?”

“You want me to lie to Mum?”

“I’d like to spare Sis some grief for a change, so let’s keep this between us for now. No guarantees it’ll work, but it’s worth a shot. Go back to what you were doing and just be normal.”

I snort. “This should be good. I’ve got two finals tomorrow.”

“I’m real sorry, Dani. Go study and try not to worry too much. God’s watching over you and Gracie. He won’t let you be tested beyond what you can bear, as the Good Book says.”
*  *  *
Just be normal, Uncle David said. Right. I’ve got exams, a dying grandparent, a missing mother. My dream summer hanging in the balance. Well, not so much a dream as a nightmare-chaser. An antidote to the poison that’s been building inside of Mum.

I plod back to the living room. My throat aches even more when I see Theo’s face tipped onto a couch cushion, muscles slack in peaceful sleep. If Mum and I don’t get to Paris, then what? Mum becomes even more sad, more sick? Breaks down? Goes to the hospital and I go where? To freaking Maine with Uncle David? I’d rather sleep on park benches.

I kneel at Theo’s feet and shovel papers back into my history binder. My face’s reflection in his polished school shoes is stretched like a limp, useless noodle.

How could Uncle David say we’re not being tested beyond what we can bear? Jeez. Mum and I are still trying to recover from losing Dad. Do we never get to settle into normal? Real normal, not pretend normal. Not resigned normal.

Church words flood my mind and push back the rising tide of self-pity. What Uncle David said is only half-true. Part of the story. There’s more to that passage — a promise: “When you are tested, he will provide a way out, so that you can bear up under it.”

Right. There is a way out. My uncle will handle this. He’ll get Poppa the care he needs and everything will be fine. Mum can stay at a safe distance and just…send him a get well card. We’ll head to Paris as planned and leave our worries behind.

I pile my binder and textbook on the far end of the couch, untuck my shirt again, twist my pleated skirt askew, and sink into the cushions beside my boyfriend. Theo registers my return by dropping his head back on my shoulder and draping his warm arm across me.

I pull History: Modern to Contemporary onto my lap and pretend to be engrossed in the Soviet takeover of Eastern Europe, the Iron Curtain falling, the Cold War blowing in. But I can’t stop my hands from trembling as I turn the pages. I practice French phrases in my head, but quelle heure est-il? sounds vaguely like “kill or steal” and I picture Parisian police descending on me for asking the time. I open my mental sketch book and let strokes flow over the whiteness, but the virtual charcoal stick crumbles in my inner grasp.

All right, God, I want to trust you here, but what the heck are you doing? How will Mum ever believe you aren’t out to get her? She needs to be healed, not drawn into Poppa’s world and his hateful words: she’s “uppity,” “useless,” “a waste of space” with “no use for a soul.” I know you expect me to be still, Lord, and believe you’re going to fix this. Can’t you give me something to hold onto before I tear out my own hair?

Theo grunts in his sleep, nuzzles against my collarbone, his whiskers scritching across cotton. I rest my cheek on the back of his head and breathe in the familiar scent of his scalp, his musky vanilla cologne. My anxious mind stops flailing and I sink into memories of our last rooftop picnic.

We nestled on a tattered afghan, my spine curled against Theo’s chest, blanketed from the chilly spring air by his toasty arms. The sun sank behind the buildings and distant windows lit up, one by one. In awed silence we sat, listening to whirring HVAC units and the distant hum and honk of traffic below. I could not imagine a more perfect peace than this.

But soon the roof access door banged open. Mum appeared in her paint-spattered smock, bringing us a bag of Chinese takeout. Theo jumped to his feet to make space for her on the blanket, but she backed away, shaking her head. She stared at the sparkling Manhattan skyline for a moment and her shoulders sagged under some invisible weight. Then, without a word, she turned and disappeared down the stairs.

In her overworked fog — or whatever was making her so droopy — Mum had forgotten to send up normal silverware. So Theo and I cracked apart the cheap chopsticks from the bottom of the bag and fed each other sloppy clumps of Chinese chicken and shrimp. Between bites, we talked about the years to come — him studying psychology, me, art. Living with our families and commuting to college here in the city to save money.

“I’ll save as much of my inheritance as I can,” I said, “so we can get a place of our own.”

Theo prodded his Lo-mein, his ears turning pink. “I take it you plan a wedding in there somewhere,” he said, more to the noodles than to me. “Shacking up doesn’t seem your style.”

“Yours either.”

“I think my family would be more supportive of that than me getting married at twenty.”

I swallowed hard. “That’s just two years from now. You think….”

“Can we pull it off? I don’t know, Dee. We’re just day­dreaming here, right?”

Were we? It felt so tantalizingly possible. I could picture us brushing our teeth at a dinky apartment sink, barefoot and sleep rumpled. 

“We’d have my trust fund and I could learn Web design. Mum has tons of business contacts — plenty to keep us fed and housed while you do med school and then your psychiatry residency.”

“Web design? Uh-uh. These hands?” He grasped my wrists and lifted my palms to eye level. 

“They’re meant to make masterpieces, not code HTML.”

“I can still draw and paint on the side. Heck, I’d rather be a janitor and be with you, than have gallery shows without you.”

“I don’t deserve you.” He pulled me close and kissed me. Soy sauce and spice.


WOOF! WO-WOOF! WOOF!

Rhys’s barking snaps me out of my reverie. As he nudges open the studio and bolts for the front door, my heart becomes a thumping drum again. It’s Mum. She’s back.

I get my nose out of Theo’s sweet-smelling hair and rivet my attention on the textbook in my lap. 

Theo rolls away from me, onto his other side, but he doesn’t wake.

Here goes. Act One of Just Be Normal. Places everyone. Aaand, action!

Mum shuffles in, sorting a pile of mail, while Rhys runs circles around her. Instead of her usual strappy sandals, she’s wearing ratty slippers, the once-white chenille now gray and frayed. Her hair is tangled and there’s a coffee ring on the leg of her jeans. Yikes.

“Hey.” Her voice is limp and breathy. “How’s the studying going?”

“Great. Super stimulating. Right, Theo?”

Mum thumbs through a magazine and absently pats Rhys’s head. She still hasn’t noticed snooze boy.

“Yeah, definitely,” I say in a pitiful imitation of Theo’s bass voice. “Once we dropped some acid, the ’60s came alive for us.”

“What?” Mum’s gaze drifts up and she takes in the scene. “He’s asleep again?”

“Of course. He’s used to crew practice at dawn. When four p.m. comes, he’s out. I swear you could set clocks by it.”

“Another early bird.” Mum’s chin puckers beneath her downturned mouth — her missing Dad expression. He woke at six every day, annoyingly chipper.

Her eyes roam. I turn to see what’s caught her attention. On the wall behind me is a snapshot from my parents’ engagement day, shot by a Japanese tourist Dad pressed into service, so the story goes. Dad’s on one knee at Mum’s feet in a grassy spot among English castle ruins. She cradles his face in her hands as if it were pure gold. 

Gold turned to dust.

Don’t go there. Don’t let Mum go there, either.

“I suppose you told Sleeping Beauty where you went?” I say.

“He said you were in the bathroom, and I thought I’d be right back. But the condo association president cornered me in the mailroom. What an exhausting motor mouth. I could use a nap.”
Another nap? No, no, no. Come on, brain. Think upbeat. Think perky.

“So!” I chirp, “What came in the mail? Anything good?”

Mum flips through the pile again. She frowns and waves a lime-green postcard at me — an RSVP card for my seventeenth birthday bash, held weeks ago. “This came from Poppa Tilman. I don’t know why he bothered after all this time.”

All the blood in my head drops to my toes. If I weren’t already sitting, I’d swoon. Why did that have to come today, of all days?

I stuff my shaking hands under my thighs. “M-maybe it, uh, got lost in the mail.”

“I don’t think so. There’s a note on the back: ‘Sorry I missed your party, pumpkin. I’m not coping well with paper at the moment. Those infernal women your mother keeps sending can’t work with my system or stay out of my business. But don’t worry your pretty head none. I ordered something special that’s due to ship any day now.’ I should have known his silence about the invitation wasn’t something so simple as rudeness.”

“You think he fired another maid?”

“Obviously. Not that he’d bother telling me about it. In my memory, Pop’s jealously guarded system is to keep every last thing and make piles to the ceiling. I’m surprised the contents of his house haven’t spontaneously combusted, they’re packed in so tight.”

The cordless phone rings from the far end table, just out of reach. Mum picks it up and checks the caller ID. “Ah, it’s David. I’ll take this in the studio. Why don’t you ask Theo to stay for dinner? I’m sure he’ll perk up with a little food.”

I say “okay” to Mum’s departing back and reach to Rhys for comfort. Stroking his fluffy neck slows my galloping heart. “Oh, Rhysie, I hope Uncle David’s just making small talk and he’ll ask for me soon, that he won’t tell her anything. For now, I guess we need to play normal. Lay down, boy.” He settles at my feet with a grunt of protest.

I reach for Theo’s shoulder and give him a little shake. Then a harder one. “Thebes?”

He lifts his heavy head off of me. His hazel eyes flutter open, more gold than green in the afternoon light. He groans. “Oh, Dani, I did it again, didn’t I? Jeez, I’m sorry. I’m just so tired all the time. Maybe I need to start drinking coffee like you do.”

I smile. “It would stunt your growth.”

“Little late for that, don’t you think?” He leans back, stretching, and his firm stomach peeks between his shirt hem and the waistband of his khakis. I look away and sit on my hands again before my hormones get the better of me.

“Mum wants to know if you can stay for supper.”

“Yeah?” he says, poking me in the ribs. “What about you?” Poke. “Do you want me?” Poke, poke, poke. “To stay?”

“Not if you’re gonna be a bully.”

Moi?” He strikes a Miss Piggy pose.

Non, ta jument méchante, qui ronfle comme un os endormi.”

Theo roars with laughter. “My evil what? Mare? Who snores like a sleepy bone?”

“I meant twin. Ju-something…else.”

“Ah. Jumeau méchant. Evil twin. And I do not snore. Especially not like a bone.”

I roll my eyes. “Bear. I wanted to say bear.”

Ours, not os. Bien? Dis-le et répète, Danielle.”

You say it. Repeat. Oh, brother.

I tip my head side to side as I chant, “Ours, ours, ours, ours, ours. Happy?”

“Come on, babe, cheer up. Your grammar’s quite good. You used the feminine adjective with jument, which was great, even if it wasn’t the noun you wanted.”

“I’m never gonna get this. Parisians will bludgeon me with baguettes for crimes against the mother tongue.”

“You are getting it. You’re brave enough to try making jokes in another language, which is pretty complicated. Honestly, you’ve picked up in six months what it took me three years to learn. Of course, I didn’t have a patient instructor completely dedicated to my success.”

“Come on, Thebes. You’ve got to be bored out of your mind teaching a dunce like me.”

“You are way too hard on yourself. So you made a mistake. Big deal. Who doesn’t? Heck, I’m learning here, too. Remember the flashcard fiasco?”

“I’d rather not.” Theo pounding the wall, purple-faced; me hunkered in a distant corner, utterly stunned by his rare flare of temper — not a scene I care to replay. Ever.

“Well, me neither. That was totally my bad. But I learned from it, right? I’ve had quite the adventure developing my cutting-edge teaching techniques.”

I snort.

“Yeah? You doubt me? I’m deeply insulted.”

“What’s so cutting edge about, ‘Dis-le et répète’?”

“How do you think you learned to draw? Practice. Years of filling sketch pads until your scribbles became art. Anyone who thinks they can get some new skill without practice is an idiot. So once we get through finals, we will répèter, en français every day, until you go. Très bien?” 

Mum strides into the living room clenching the phone. I can almost smell the fury pulsing out of her like fumes from a hot engine.

Pas bien. Mal. Très, très mal.

“There’s been a change of plans,” she says.

========

For more information and buy links, visit my Books page. 

Monday, April 25, 2016 Laurel Garver
Chapter 1
In Paris, art seeps into your feet and drips from your fingertips. Dark-eyed buskers in berets squeeze out sweet accordion songs, and the birds trill along. The air tastes like crème brûlée; the light is melted butter. Or so I’ve heard. In two weeks, I’ll find out for myself.

I can see it all now: In the golden mornings, Mum and I will set up matching easels on the banks of the Seine and paint side-by-side. She’ll be too excited to sleep till noon, too inspired to stare blankly at the wall. Her sadness will fall away like a too-heavy coat, and she’ll once again fill canvas after canvas with works of aching beauty. 

We’ll while away the hot afternoons in the Louvre, communing with the masters. Finally meet some of her long-lost French relatives. Wear goofy hats and stuff ourselves with pastries and laugh like we haven’t in ages. Every day will be a chick-flick montage of joie de vivre.

Or is it joyeux de vivre? Theo would know.

“Theo? Thebes?” I shake my boyfriend, who snoozes beside me on the couch with his school tie loosely askew and notebook open in his lap. When he doesn’t react, I stroke his left forearm. He swats at me with an oar-calloused hand, mutters, “Stalin… Churchill…Roosevelt.”

He must be in bad shape if he’s dreaming history notes. “Never mind. Just rest.”

I’m not exactly the most diligent study buddy either. It’s hard to focus when I’m two finals from freedom. Two finals till I can shop for my France wardrobe, till I can dedicate maximum brain space to merci, s’il vous plaît, and three thousand other phrases that will keep me from looking like a lazy américaine

I pull out my highlighter and mark my top three café picks near Notre Dame Cathedral in Paris, Summer 2009, just published in March. I wonder if these places serve iced decaf lattes. Or is iced coffee a gauche American concoction? Yet another thing to ask Theo.

His sleeping face pinches. I reach to touch his cheek, then stop. Facing finals right after two weekend crew regattas in a row has already made him totally stressed and exhausted. I’m probably stressing him more by talking nonstop about my trip. For him, it means five long weeks apart. We’ll Skype every day and muddle through somehow. The painful separation will be totally worth it when Paris works its magic and Mum’s back to normal.

The kitchen phone jangles and I guiltily stuff my Paris guidebook under a couch cushion. Theo stirs, but doesn’t shift enough to free my hair from under his sleep-heavy head.

Why isn’t Mum answering? Is she napping again?

With a swift tug, I free my hair. The hefty textbook I’m supposed to be studying slides off my lap and thuds to the floor. I sprint to the kitchen, reaching the phone on the tenth ring.

“Mrs. Deane? Mrs. Grace Tilman Deane?” A woman asks.

“Just a sec. I’ll get her.”

I carry the handset through the apartment to the spare bedroom we use as a studio and gingerly knock on the door. No answer. Is Mum hiding or deep in another epic zone-out? Since she left her stressful Madison Avenue advertising job for art school, thanks to a foundation started in my late father’s memory, Mum should be having the time of her life. Art was the passion she couldn’t pursue when she was young for a lot of stupid reasons. But now that she’s actually living her lost dream, paint seems to dry on her palettes more than her canvases.

I press my ear to the door and hear only the low hum of the air conditioning. When I peek inside, our husky-mix Rhys raises his head, perks his ears, gives a fangy yawn. On the easel above him sits a white canvas with a single red stripe down the center. Beside the easel is an empty stool. What the heck? Did she go back to bed?

I stare at the phone a moment. Chances are it’s just some stupid survey or courtesy call. Nothing worth waking Mum for.

I clear my throat and mimic Mum’s smoky alto. “Hello?”

“Mrs. Deane? This is Nurse Lowman from North Penn Health System. In Wilkes-Barre, Pennsylvania? It’s about your father. Daniel Tilman?”

Good Lord, now what? Poppa hasn’t gone berserk on another doctor, has he? You’d think the time he got hauled off by security would have shamed him into changing his ways. Mum should let them press charges this time. Poppa might finally get a clue about how big a jerk he is.

I deliver the standard Mum line: “My apologies. How can I assist?”

“There’s been an accident, Mrs. Deane. Your father…his condition is needing surgery and we have to get your approval to proceed.”

My guts drop seven stories. I wouldn’t be surprised to find them out on Columbus, pancake-flattened and dimpled with taxi tire marks. “Poppa’s had an accident?” I squeak.

“This isn’t Mrs. Deane, is it?” Her tone is so cold, my wet tongue would stick to it.

“Sorry, it’s…Danielle, the daughter, I mean Mr. Tilman’s granddaughter. I’m sorry about pretending to be my mother. I thought you were a telemarketer and Mum’s not feeling well. Since I’m family, too, it wouldn’t be against HIPAA regulations for you to tell me what happened, and I can let her know, right?”

“I’m afraid not, Danielle. I have to speak to your actual mother.”

Crap. It must be bad. Really bad.

“Um, okay. I’ll, ah, go find her.” I cover the mouthpiece and head to the master bedroom.

In the phone, I can distantly hear the nurse crack up and tell her medical cronies, “Get a load of this: I’ve got some kid from New York on the phone who knows about HIPAA regulations! City kids! Gawd. She’s probably been playing the stock market since kindergarten.”

I’d love to give this bumpkin nurse chick a piece of my mind. Tell her that the adult world finds some of us young and makes us grow up fast, whether we’re ready or not.

But I don’t say this, because my persistent knocks are getting no response from Mum at all. As I step into her dark bedroom, I’m surprised by a strange, sour smell. I pat her bed, expecting to feel the warm hump of a leg. Instead, I touch something thick and sticky. Blood? I bring my hand to my nose. Ugh. Spoiled milk.

I switch on the bedside lamp and find a toppled Stonyfield ice cream tub that’s left a gooey puddle on her silk bedspread. Okay, it’s organic, but still. The woman’s a gym addict. Grabbing a tissue to clean the goo off my fingers, I see a worse sign: Mum’s cell phone is on the dresser. But Mum is gone.

I take a deep breath, then uncover the mouthpiece of the phone. “Um…” I tell the nurse, “I think we might need to call you back.”
*  *  *
Seeing the empty key hook by the front door sucks the air right out of me. Dear God, no. I crush the paper scrap with the hospital’s number in a trembling fist. For all I know, Poppa will be dead in minutes if they don’t operate. But without Mum’s approval, they legally can’t.

I cannot believe Mum left Theo and me alone in the apartment. She usually checks on us every ten minutes like clockwork, bugging us with questions or roping Theo into chores like opening jars or pulling things off high shelves. It’s like she has this bizarre fear that we’re going to rip each other’s clothes off at any moment and make me the next teen pregnancy statistic.

Well, she can’t have gone far — probably just to the little market on Columbus to pick up dinner ingredients. Surely she’ll be back any minute. I should call the front desk and ask the doorman if he saw her go out. Theo could hold down the fort while I look for her.

Gosh, I can just picture her standing in line at Rico’s, looking for all the world like a bohemian free spirit in her snug t-shirt, paint-spattered jeans, strappy sandals, gobs of gypsy jewelry, hair in long, loose layers. She’ll glance up from her basket of Thai basil and coconut milk, see my face and just know. Know that I’m about to hurl a bomb at her. Know that trouble’s found her yet again, like it always does.

How can I tell her? How? It’s only been a year and a half since Dad’s car crash and the month of ICU agony before he was snatched from us. How can she possibly cope with Poppa right now? He’s as fatherly to her as a lion is to a gazelle.

I just wish I could make this all go away.

I look at the hospital number in my hand again, and my mouth goes as dry as a day-old croissant. What if Poppa and his car—? There’s no ice on the roads, but a couch could tumble off a truck, or a rogue deer leap out of the woods and straight through his windshield. Poppa could have massive bleeding on the brain right now — pressure building like floodwaters behind a levee, flattening everything. Cells, synapses, ganglion crushed, dying, dead. I’ve seen it before.

My grand Paris dream starts to pull away, a face in a taxi window. Off toward Midtown. Off to find a more worthy recipient.

Who can help me stop this taxi from driving away with my dream?

A homeless drug addict steps in front of the taxi in my mind and it stops. The coked-up guy stands there, fists on hips, chin jutted out, dark eyes flashing, as if daring the driver to flatten him in his frayed cords and Nietzsche T-shirt. Uncle David?

He winks at me, then in a blink transforms from his old stoner self into the bald, flannel-shirted craftsman I now know and love. Of course. If there’s anyone who can help me sort out what to do about Poppa, it’s Mum’s younger brother, the prodigal son. 

I carry the phone to my bedroom, hit four on speed dial.
Chapter 2
“Ah-yup,” Uncle David says, another weird Maine expression that’s crept into his speech. A table saw whines in the background. The tone changes as the blade tastes wood, gearing up to a horrific shriek like someone being tortured. A woman with serious lung capacity. A shot-putter. One of those beefy opera singers.

I close my bedroom door, shout, “Hey! It’s Dani. Could you go to your office maybe?”

“Hey niece o’mine, what’d ya say? Keegan’s ripping boards and I can’t hear squat. I better go to my office.” He shouts something to his assistant and gradually the heinous squealing fades. “A’right. Office. Shoot.”

“I need your help right away. Some hospital called saying Poppa’s been in an accident and they want to operate immediately and they need approval from Mum, but she’s not here and I don’t know where she went or exactly how long she’ll be gone or anything, and the nurse lady who called wouldn’t give me any details at all but it must be pretty bad if they have to operate. I’m seriously freaking out. Could you please, please, please call the hospital and see if you can find out what the heck is going on and give them the okay to operate?”

“Whoa. Accident? What kind of accident? Car accident?”

Images of crumpled fenders, broken glass, thick smoke, and charred car remains click through my mind in rapid succession. Not again, Lord. Please, not again. I wobble, sink onto my bed. “I—. I don’t know,” I choke.

“Sorry, I’m just in shock. I mean, after your dad…” he gives a low whistle. “Gracie’s been through this kind of hell one too many times. Give me that number. I’ll see what I can do.”

“Thanks,” I wipe my eyes and give him the nurse’s name and number. “What should I do now? Mum could be back any time. She’s gonna just curl up and die when she finds out.”

“Well…” he drawls, “I reckon there might be, you know, divine providence in her missing that call. It’s about time I had a go at being the responsible kid. Don’t you worry, and don’t say nothing. Got it?”

“You want me to lie to Mum?”

“I’d like to spare Sis some grief for a change, so let’s keep this between us for now. No guarantees it’ll work, but it’s worth a shot. Go back to what you were doing and just be normal.”

I snort. “This should be good. I’ve got two finals tomorrow.”

“I’m real sorry, Dani. Go study and try not to worry too much. God’s watching over you and Gracie. He won’t let you be tested beyond what you can bear, as the Good Book says.”
*  *  *
Just be normal, Uncle David said. Right. I’ve got exams, a dying grandparent, a missing mother. My dream summer hanging in the balance. Well, not so much a dream as a nightmare-chaser. An antidote to the poison that’s been building inside of Mum.

I plod back to the living room. My throat aches even more when I see Theo’s face tipped onto a couch cushion, muscles slack in peaceful sleep. If Mum and I don’t get to Paris, then what? Mum becomes even more sad, more sick? Breaks down? Goes to the hospital and I go where? To freaking Maine with Uncle David? I’d rather sleep on park benches.

I kneel at Theo’s feet and shovel papers back into my history binder. My face’s reflection in his polished school shoes is stretched like a limp, useless noodle.

How could Uncle David say we’re not being tested beyond what we can bear? Jeez. Mum and I are still trying to recover from losing Dad. Do we never get to settle into normal? Real normal, not pretend normal. Not resigned normal.

Church words flood my mind and push back the rising tide of self-pity. What Uncle David said is only half-true. Part of the story. There’s more to that passage — a promise: “When you are tested, he will provide a way out, so that you can bear up under it.”

Right. There is a way out. My uncle will handle this. He’ll get Poppa the care he needs and everything will be fine. Mum can stay at a safe distance and just…send him a get well card. We’ll head to Paris as planned and leave our worries behind.

I pile my binder and textbook on the far end of the couch, untuck my shirt again, twist my pleated skirt askew, and sink into the cushions beside my boyfriend. Theo registers my return by dropping his head back on my shoulder and draping his warm arm across me.

I pull History: Modern to Contemporary onto my lap and pretend to be engrossed in the Soviet takeover of Eastern Europe, the Iron Curtain falling, the Cold War blowing in. But I can’t stop my hands from trembling as I turn the pages. I practice French phrases in my head, but quelle heure est-il? sounds vaguely like “kill or steal” and I picture Parisian police descending on me for asking the time. I open my mental sketch book and let strokes flow over the whiteness, but the virtual charcoal stick crumbles in my inner grasp.

All right, God, I want to trust you here, but what the heck are you doing? How will Mum ever believe you aren’t out to get her? She needs to be healed, not drawn into Poppa’s world and his hateful words: she’s “uppity,” “useless,” “a waste of space” with “no use for a soul.” I know you expect me to be still, Lord, and believe you’re going to fix this. Can’t you give me something to hold onto before I tear out my own hair?

Theo grunts in his sleep, nuzzles against my collarbone, his whiskers scritching across cotton. I rest my cheek on the back of his head and breathe in the familiar scent of his scalp, his musky vanilla cologne. My anxious mind stops flailing and I sink into memories of our last rooftop picnic.

We nestled on a tattered afghan, my spine curled against Theo’s chest, blanketed from the chilly spring air by his toasty arms. The sun sank behind the buildings and distant windows lit up, one by one. In awed silence we sat, listening to whirring HVAC units and the distant hum and honk of traffic below. I could not imagine a more perfect peace than this.

But soon the roof access door banged open. Mum appeared in her paint-spattered smock, bringing us a bag of Chinese takeout. Theo jumped to his feet to make space for her on the blanket, but she backed away, shaking her head. She stared at the sparkling Manhattan skyline for a moment and her shoulders sagged under some invisible weight. Then, without a word, she turned and disappeared down the stairs.

In her overworked fog — or whatever was making her so droopy — Mum had forgotten to send up normal silverware. So Theo and I cracked apart the cheap chopsticks from the bottom of the bag and fed each other sloppy clumps of Chinese chicken and shrimp. Between bites, we talked about the years to come — him studying psychology, me, art. Living with our families and commuting to college here in the city to save money.

“I’ll save as much of my inheritance as I can,” I said, “so we can get a place of our own.”

Theo prodded his Lo-mein, his ears turning pink. “I take it you plan a wedding in there somewhere,” he said, more to the noodles than to me. “Shacking up doesn’t seem your style.”

“Yours either.”

“I think my family would be more supportive of that than me getting married at twenty.”

I swallowed hard. “That’s just two years from now. You think….”

“Can we pull it off? I don’t know, Dee. We’re just day­dreaming here, right?”

Were we? It felt so tantalizingly possible. I could picture us brushing our teeth at a dinky apartment sink, barefoot and sleep rumpled. 

“We’d have my trust fund and I could learn Web design. Mum has tons of business contacts — plenty to keep us fed and housed while you do med school and then your psychiatry residency.”

“Web design? Uh-uh. These hands?” He grasped my wrists and lifted my palms to eye level. 

“They’re meant to make masterpieces, not code HTML.”

“I can still draw and paint on the side. Heck, I’d rather be a janitor and be with you, than have gallery shows without you.”

“I don’t deserve you.” He pulled me close and kissed me. Soy sauce and spice.


WOOF! WO-WOOF! WOOF!

Rhys’s barking snaps me out of my reverie. As he nudges open the studio and bolts for the front door, my heart becomes a thumping drum again. It’s Mum. She’s back.

I get my nose out of Theo’s sweet-smelling hair and rivet my attention on the textbook in my lap. 

Theo rolls away from me, onto his other side, but he doesn’t wake.

Here goes. Act One of Just Be Normal. Places everyone. Aaand, action!

Mum shuffles in, sorting a pile of mail, while Rhys runs circles around her. Instead of her usual strappy sandals, she’s wearing ratty slippers, the once-white chenille now gray and frayed. Her hair is tangled and there’s a coffee ring on the leg of her jeans. Yikes.

“Hey.” Her voice is limp and breathy. “How’s the studying going?”

“Great. Super stimulating. Right, Theo?”

Mum thumbs through a magazine and absently pats Rhys’s head. She still hasn’t noticed snooze boy.

“Yeah, definitely,” I say in a pitiful imitation of Theo’s bass voice. “Once we dropped some acid, the ’60s came alive for us.”

“What?” Mum’s gaze drifts up and she takes in the scene. “He’s asleep again?”

“Of course. He’s used to crew practice at dawn. When four p.m. comes, he’s out. I swear you could set clocks by it.”

“Another early bird.” Mum’s chin puckers beneath her downturned mouth — her missing Dad expression. He woke at six every day, annoyingly chipper.

Her eyes roam. I turn to see what’s caught her attention. On the wall behind me is a snapshot from my parents’ engagement day, shot by a Japanese tourist Dad pressed into service, so the story goes. Dad’s on one knee at Mum’s feet in a grassy spot among English castle ruins. She cradles his face in her hands as if it were pure gold. 

Gold turned to dust.

Don’t go there. Don’t let Mum go there, either.

“I suppose you told Sleeping Beauty where you went?” I say.

“He said you were in the bathroom, and I thought I’d be right back. But the condo association president cornered me in the mailroom. What an exhausting motor mouth. I could use a nap.”
Another nap? No, no, no. Come on, brain. Think upbeat. Think perky.

“So!” I chirp, “What came in the mail? Anything good?”

Mum flips through the pile again. She frowns and waves a lime-green postcard at me — an RSVP card for my seventeenth birthday bash, held weeks ago. “This came from Poppa Tilman. I don’t know why he bothered after all this time.”

All the blood in my head drops to my toes. If I weren’t already sitting, I’d swoon. Why did that have to come today, of all days?

I stuff my shaking hands under my thighs. “M-maybe it, uh, got lost in the mail.”

“I don’t think so. There’s a note on the back: ‘Sorry I missed your party, pumpkin. I’m not coping well with paper at the moment. Those infernal women your mother keeps sending can’t work with my system or stay out of my business. But don’t worry your pretty head none. I ordered something special that’s due to ship any day now.’ I should have known his silence about the invitation wasn’t something so simple as rudeness.”

“You think he fired another maid?”

“Obviously. Not that he’d bother telling me about it. In my memory, Pop’s jealously guarded system is to keep every last thing and make piles to the ceiling. I’m surprised the contents of his house haven’t spontaneously combusted, they’re packed in so tight.”

The cordless phone rings from the far end table, just out of reach. Mum picks it up and checks the caller ID. “Ah, it’s David. I’ll take this in the studio. Why don’t you ask Theo to stay for dinner? I’m sure he’ll perk up with a little food.”

I say “okay” to Mum’s departing back and reach to Rhys for comfort. Stroking his fluffy neck slows my galloping heart. “Oh, Rhysie, I hope Uncle David’s just making small talk and he’ll ask for me soon, that he won’t tell her anything. For now, I guess we need to play normal. Lay down, boy.” He settles at my feet with a grunt of protest.

I reach for Theo’s shoulder and give him a little shake. Then a harder one. “Thebes?”

He lifts his heavy head off of me. His hazel eyes flutter open, more gold than green in the afternoon light. He groans. “Oh, Dani, I did it again, didn’t I? Jeez, I’m sorry. I’m just so tired all the time. Maybe I need to start drinking coffee like you do.”

I smile. “It would stunt your growth.”

“Little late for that, don’t you think?” He leans back, stretching, and his firm stomach peeks between his shirt hem and the waistband of his khakis. I look away and sit on my hands again before my hormones get the better of me.

“Mum wants to know if you can stay for supper.”

“Yeah?” he says, poking me in the ribs. “What about you?” Poke. “Do you want me?” Poke, poke, poke. “To stay?”

“Not if you’re gonna be a bully.”

Moi?” He strikes a Miss Piggy pose.

Non, ta jument méchante, qui ronfle comme un os endormi.”

Theo roars with laughter. “My evil what? Mare? Who snores like a sleepy bone?”

“I meant twin. Ju-something…else.”

“Ah. Jumeau méchant. Evil twin. And I do not snore. Especially not like a bone.”

I roll my eyes. “Bear. I wanted to say bear.”

Ours, not os. Bien? Dis-le et répète, Danielle.”

You say it. Repeat. Oh, brother.

I tip my head side to side as I chant, “Ours, ours, ours, ours, ours. Happy?”

“Come on, babe, cheer up. Your grammar’s quite good. You used the feminine adjective with jument, which was great, even if it wasn’t the noun you wanted.”

“I’m never gonna get this. Parisians will bludgeon me with baguettes for crimes against the mother tongue.”

“You are getting it. You’re brave enough to try making jokes in another language, which is pretty complicated. Honestly, you’ve picked up in six months what it took me three years to learn. Of course, I didn’t have a patient instructor completely dedicated to my success.”

“Come on, Thebes. You’ve got to be bored out of your mind teaching a dunce like me.”

“You are way too hard on yourself. So you made a mistake. Big deal. Who doesn’t? Heck, I’m learning here, too. Remember the flashcard fiasco?”

“I’d rather not.” Theo pounding the wall, purple-faced; me hunkered in a distant corner, utterly stunned by his rare flare of temper — not a scene I care to replay. Ever.

“Well, me neither. That was totally my bad. But I learned from it, right? I’ve had quite the adventure developing my cutting-edge teaching techniques.”

I snort.

“Yeah? You doubt me? I’m deeply insulted.”

“What’s so cutting edge about, ‘Dis-le et répète’?”

“How do you think you learned to draw? Practice. Years of filling sketch pads until your scribbles became art. Anyone who thinks they can get some new skill without practice is an idiot. So once we get through finals, we will répèter, en français every day, until you go. Très bien?” 

Mum strides into the living room clenching the phone. I can almost smell the fury pulsing out of her like fumes from a hot engine.

Pas bien. Mal. Très, très mal.

“There’s been a change of plans,” she says.

========

For more information and buy links, visit my Books page. 

Thursday, April 4

Photo by palomino, morguefile.com 
Independent publishing has truly revolutionized how books get into the hands of readers. Authors themselves can get books to market themselves quickly and cheaply. The prevailing thoughts about it tend to fall into these two camps:

This is great news: authors are earning more sooner, unheard voices are emerging, genre-benders are seeing the light of day.

This is terrible news: quality is a thing of the past, we’re drowning in a deluge of bestseller knockoffs, it’s impossible for non-genre authors to get any traction.

In my experience, the Indie Revolution is neither all roses nor all doom. When you want to bring something completely different to readers, it can be the best option, because legacy publishers tend to be risk averse, and new approaches are by nature risky. But book marketing is tricky no matter how you publish, and when you’re going it alone, something of a daunting task. Building an audience takes time, but the independent author has the advantage of “the long tail”--your work is available as long as you like, rather than having to earn out in a matter of months or face a premature death.

A number of factors led me onto the Indie path.

First is my broad experience in publishing. Over the past 21 years, I’ve done copywriting, editing, graphic design, print production, project management, scheduling, and copyrights and permissions. It felt like a natural extension of my existing skill sets to produce polished, professional books after years of producing magazines and newsletters.

Second is the nature of my fiction and poetry, which takes faith seriously but doesn't sanitize real life problems. I soon discovered that what I think of as the sweet spot (the dramatic place where life and beliefs collide) falls into a publishing no-man’s-land, too faith-saturated for the secular market, but too edgy for the Christian market. You’d be surprised by how little it takes to be “edgy” in the Christian market, where even “gosh” might be considered profanity. I explain more in an interview I did with Author Karen Akins (http://novelsduringnaptime.blogspot.com/2012/10/edgy-clean-writing-across-genre-divides.html).   Rather than choose a side, I opted to forge a new path.

Finally, I considered the following three questions:

1. What does success look like TO ME?

Quitting the day job to write full time might be your goal. Or having a loyal following of readers who appreciate your work. It might mean having a certain level of control. Producing work that you feel proud of. Reaching a particular target audience with something helpful and life-giving. Having creative freedom to write in several different genres or across categories.

2. What are my no-go areas?

What sacrifices am I not willing to make in my career? This might involve decisions about genres and approaches, financial risk, public exposure, associations. Where are you unwilling to compromise?

3. What kind of writing lifestyle can I maintain?

This question is perhaps the toughest to answer. It has to do with your stamina, your level of self-motivation, your ability to deal with outside pressure and to some degree the strength of your ego.


After much research and soul-searching, I concluded that publishing independently fit best with my work and my goals. It enables me to tell the kinds of stories I feel called to share without downplaying either the grit or the spiritual aspects. I can produce at my own pace, market at my own pace, and work in multiple genres.

(This had originally been a guest post I'd written for Michelle Davidson Argyle/The Innocent Flower.)

Have you wrestled with publishing path decision-making? What questions or concerns do/did you have?
Thursday, April 04, 2013 Laurel Garver
Photo by palomino, morguefile.com 
Independent publishing has truly revolutionized how books get into the hands of readers. Authors themselves can get books to market themselves quickly and cheaply. The prevailing thoughts about it tend to fall into these two camps:

This is great news: authors are earning more sooner, unheard voices are emerging, genre-benders are seeing the light of day.

This is terrible news: quality is a thing of the past, we’re drowning in a deluge of bestseller knockoffs, it’s impossible for non-genre authors to get any traction.

In my experience, the Indie Revolution is neither all roses nor all doom. When you want to bring something completely different to readers, it can be the best option, because legacy publishers tend to be risk averse, and new approaches are by nature risky. But book marketing is tricky no matter how you publish, and when you’re going it alone, something of a daunting task. Building an audience takes time, but the independent author has the advantage of “the long tail”--your work is available as long as you like, rather than having to earn out in a matter of months or face a premature death.

A number of factors led me onto the Indie path.

First is my broad experience in publishing. Over the past 21 years, I’ve done copywriting, editing, graphic design, print production, project management, scheduling, and copyrights and permissions. It felt like a natural extension of my existing skill sets to produce polished, professional books after years of producing magazines and newsletters.

Second is the nature of my fiction and poetry, which takes faith seriously but doesn't sanitize real life problems. I soon discovered that what I think of as the sweet spot (the dramatic place where life and beliefs collide) falls into a publishing no-man’s-land, too faith-saturated for the secular market, but too edgy for the Christian market. You’d be surprised by how little it takes to be “edgy” in the Christian market, where even “gosh” might be considered profanity. I explain more in an interview I did with Author Karen Akins (http://novelsduringnaptime.blogspot.com/2012/10/edgy-clean-writing-across-genre-divides.html).   Rather than choose a side, I opted to forge a new path.

Finally, I considered the following three questions:

1. What does success look like TO ME?

Quitting the day job to write full time might be your goal. Or having a loyal following of readers who appreciate your work. It might mean having a certain level of control. Producing work that you feel proud of. Reaching a particular target audience with something helpful and life-giving. Having creative freedom to write in several different genres or across categories.

2. What are my no-go areas?

What sacrifices am I not willing to make in my career? This might involve decisions about genres and approaches, financial risk, public exposure, associations. Where are you unwilling to compromise?

3. What kind of writing lifestyle can I maintain?

This question is perhaps the toughest to answer. It has to do with your stamina, your level of self-motivation, your ability to deal with outside pressure and to some degree the strength of your ego.


After much research and soul-searching, I concluded that publishing independently fit best with my work and my goals. It enables me to tell the kinds of stories I feel called to share without downplaying either the grit or the spiritual aspects. I can produce at my own pace, market at my own pace, and work in multiple genres.

(This had originally been a guest post I'd written for Michelle Davidson Argyle/The Innocent Flower.)

Have you wrestled with publishing path decision-making? What questions or concerns do/did you have?