Showing posts with label freewriting. Show all posts
Showing posts with label freewriting. Show all posts

Thursday, October 12

I have to admit, I've been deeply skeptical of the advice to "write for yourself." Perhaps it's a byproduct of my upbringing, of being told again and again that the root of all kinds of evil is selfishness--greed, lust, hatred, coveting, the whole litany of deadly sins. Perhaps it's from interacting with beginning writers who are excessively prickly and hostile to any suggestion that their rough draft "baby" isn't a perfect masterpiece. I hear the phrase and think self-indulgent and even narcissistic.

What about readers? I'd wonder. Do you care about whether they can make any sense of your story? Do you want to pour months of time into something that will no one will want to read? 

The ironic thing is, spending too much time worrying about the questions above is more likely to hobble you than help.

And so will convincing yourself that you have unselfish motives. Because once you start worrying about motives, you're likely to get lost in a hall of mirrors, frantic to find a pure reflection. Could there be a more self-centered pursuit?

But reading Elizabeth Gilbert's Big Magic (or more accurately, about half of it so far) has got me rethinking my assumptions about what "write for yourself" really means.

Gilbert says that creativity is "your birthright as a human being, so do it with a cheerful heart.... Let inspiration lead you where it wants to lead you. Keep in mind that for most of history people just made things, and they didn't make such a big freaking deal out of it. We make things because we like making things."

How's that for a pep talk with a good dose of kick-in-the-pants? :-)

Essentially, then, "writing for yourself" means engaging deeply with your ideas: follow them, invest labor and energy into them, shape them, feed them. Delight in the ideas and let their song move you to sing along and dance with abandon.

It means you can (and should) stop trying to be helpful--it's a masquerade for the deeply selfish need to be important, and the crippling need for permission and validation from others.

"Writing for yourself" is light and free and doesn't take itself so utterly seriously. If the idea leads down a blind alley, oh well. Part of the adventure! Look around, discover something unexpected. Backtrack if you must, or step through a side door. But when you "write for yourself," these glitches are not devastating disruptions of some Very Important Thing that will make you matter.

"Writing for yourself" comes from a healthy place of a right-sized self that can accept its own simultaneous greatness and smallness. It says "you are enough." Not the be-all-and-end-all, but not trash. Just enough.

Gilbert's book has been an interesting complement to Around the Writer's Block by Roseanne Bane, which I've blogged about HERE and HERE. Bane approaches creativity through brain science, and her main finding is that anxiety derails creativity; to be creatively productive, you need to relax and have fun.

In other words, stop looking over your shoulder, wondering how others will react, or seeking their go-ahead for your creative endeavors, or signs of their gratitude for your "help."

When your authentic self shows up and explores the ideas entrusted to you (Gilbert has some fascinating theories about how ideas find us), you become radically liberated from the impulses of selfishness--specifically self-preservation. The work done "for yourself" then flows and grows.

What do you think about "writing for yourself"?

Thursday, October 12, 2017 Laurel Garver
I have to admit, I've been deeply skeptical of the advice to "write for yourself." Perhaps it's a byproduct of my upbringing, of being told again and again that the root of all kinds of evil is selfishness--greed, lust, hatred, coveting, the whole litany of deadly sins. Perhaps it's from interacting with beginning writers who are excessively prickly and hostile to any suggestion that their rough draft "baby" isn't a perfect masterpiece. I hear the phrase and think self-indulgent and even narcissistic.

What about readers? I'd wonder. Do you care about whether they can make any sense of your story? Do you want to pour months of time into something that will no one will want to read? 

The ironic thing is, spending too much time worrying about the questions above is more likely to hobble you than help.

And so will convincing yourself that you have unselfish motives. Because once you start worrying about motives, you're likely to get lost in a hall of mirrors, frantic to find a pure reflection. Could there be a more self-centered pursuit?

But reading Elizabeth Gilbert's Big Magic (or more accurately, about half of it so far) has got me rethinking my assumptions about what "write for yourself" really means.

Gilbert says that creativity is "your birthright as a human being, so do it with a cheerful heart.... Let inspiration lead you where it wants to lead you. Keep in mind that for most of history people just made things, and they didn't make such a big freaking deal out of it. We make things because we like making things."

How's that for a pep talk with a good dose of kick-in-the-pants? :-)

Essentially, then, "writing for yourself" means engaging deeply with your ideas: follow them, invest labor and energy into them, shape them, feed them. Delight in the ideas and let their song move you to sing along and dance with abandon.

It means you can (and should) stop trying to be helpful--it's a masquerade for the deeply selfish need to be important, and the crippling need for permission and validation from others.

"Writing for yourself" is light and free and doesn't take itself so utterly seriously. If the idea leads down a blind alley, oh well. Part of the adventure! Look around, discover something unexpected. Backtrack if you must, or step through a side door. But when you "write for yourself," these glitches are not devastating disruptions of some Very Important Thing that will make you matter.

"Writing for yourself" comes from a healthy place of a right-sized self that can accept its own simultaneous greatness and smallness. It says "you are enough." Not the be-all-and-end-all, but not trash. Just enough.

Gilbert's book has been an interesting complement to Around the Writer's Block by Roseanne Bane, which I've blogged about HERE and HERE. Bane approaches creativity through brain science, and her main finding is that anxiety derails creativity; to be creatively productive, you need to relax and have fun.

In other words, stop looking over your shoulder, wondering how others will react, or seeking their go-ahead for your creative endeavors, or signs of their gratitude for your "help."

When your authentic self shows up and explores the ideas entrusted to you (Gilbert has some fascinating theories about how ideas find us), you become radically liberated from the impulses of selfishness--specifically self-preservation. The work done "for yourself" then flows and grows.

What do you think about "writing for yourself"?

Wednesday, August 26

Photo credit: kakisky from morguefile.com
No ballerina simply straps on her toe shoes and dances Swan Lake. Nor does an Olympic sprinter roll out of bed and walk directly to the blocks. These pros know you can't perform your best unless you first warm up and stretch.

Writer friends, we can learn from this. If you find yourself endlessly procrastinating when you know you should be writing, consider adding a period of low-pressure warm ups and stretches to your routine. You may find that like that sprinter, it enables you to go faster when you do "hit the track" (aka work on your manuscript) and like the ballerina, it enables you to move with greater ease and grace.

Move 

For some, the warm ups should be physical. If you suffer from maladies of the hand or wrist joints--carpal tunnel syndrome, tendonitis, or arthritis, gently warming up using doctor/PT-approved exercises will delay or even prevent typing from becoming painful.

Taking a fifteen minute walk to clear your head can be the perfect precursor to sitting down to write. In this post, I mention research that found creative benefits coming immediately after a walk.

Some basic stretches can improve blood flow and energy levels, always helpful for transitioning to any new activity.

Wordlessly create

To access your creativity, it can be helpful to do things that put you in a relaxed state. Here are a few worldless warm ups to try

  • Color. There are loads of cool coloring books for adults on the market now.
  • Doodle. See this post for story-related doodling warm ups.
  • Sculpt with Play-doh or clay
  • Play an instrument or sing

Freewrite

Freewriting is the most obvious transitional tool to get you into a writing groove. Choose one of the following prompts, set a timer for 10 minutes, and scribble, on paper with a pen or pencil, whatever comes to mind. No wordsmithing, just let the ideas flow fast and sloppy.

Freewrite about your own life and feelings

  • What I remember about holidays, siblings, gifts, favorite plaything, best teacher, worst teacher, favorite class, best accomplishment, scary moment, weird neighbor, unapproachable cool kid, first crush, awesome friend, grandparents, family trips, collecting things, birthday parties
  • What I wish for: accomplishments, relationships, dream trips, belongings, people I'd love to meet, superpowers and how I'd use them, future inventions
  • How I feel: what makes me angry, sad, impatient, frustrated, lonely, excited, content


Freewrite about elements of your story

  • How you characters feel about story events from the most recent scenes
  • What your character what is worried about
  • Your characters' hopes or plans
  • What your characters wish others knew about them
  • Unspoken "rules" of your character's family, school, other institutions
  • Scenes that are almost ready, and how you might polish them
  • Problem scenes and how you might repair or replace them 
  • Your hopes about this manuscript
  • Your concerns about this manuscript
  • What I want to work on today

Do you typically warm up before you write? Which of these ideas do you want to try?

Wednesday, August 26, 2015 Laurel Garver
Photo credit: kakisky from morguefile.com
No ballerina simply straps on her toe shoes and dances Swan Lake. Nor does an Olympic sprinter roll out of bed and walk directly to the blocks. These pros know you can't perform your best unless you first warm up and stretch.

Writer friends, we can learn from this. If you find yourself endlessly procrastinating when you know you should be writing, consider adding a period of low-pressure warm ups and stretches to your routine. You may find that like that sprinter, it enables you to go faster when you do "hit the track" (aka work on your manuscript) and like the ballerina, it enables you to move with greater ease and grace.

Move 

For some, the warm ups should be physical. If you suffer from maladies of the hand or wrist joints--carpal tunnel syndrome, tendonitis, or arthritis, gently warming up using doctor/PT-approved exercises will delay or even prevent typing from becoming painful.

Taking a fifteen minute walk to clear your head can be the perfect precursor to sitting down to write. In this post, I mention research that found creative benefits coming immediately after a walk.

Some basic stretches can improve blood flow and energy levels, always helpful for transitioning to any new activity.

Wordlessly create

To access your creativity, it can be helpful to do things that put you in a relaxed state. Here are a few worldless warm ups to try

  • Color. There are loads of cool coloring books for adults on the market now.
  • Doodle. See this post for story-related doodling warm ups.
  • Sculpt with Play-doh or clay
  • Play an instrument or sing

Freewrite

Freewriting is the most obvious transitional tool to get you into a writing groove. Choose one of the following prompts, set a timer for 10 minutes, and scribble, on paper with a pen or pencil, whatever comes to mind. No wordsmithing, just let the ideas flow fast and sloppy.

Freewrite about your own life and feelings

  • What I remember about holidays, siblings, gifts, favorite plaything, best teacher, worst teacher, favorite class, best accomplishment, scary moment, weird neighbor, unapproachable cool kid, first crush, awesome friend, grandparents, family trips, collecting things, birthday parties
  • What I wish for: accomplishments, relationships, dream trips, belongings, people I'd love to meet, superpowers and how I'd use them, future inventions
  • How I feel: what makes me angry, sad, impatient, frustrated, lonely, excited, content


Freewrite about elements of your story

  • How you characters feel about story events from the most recent scenes
  • What your character what is worried about
  • Your characters' hopes or plans
  • What your characters wish others knew about them
  • Unspoken "rules" of your character's family, school, other institutions
  • Scenes that are almost ready, and how you might polish them
  • Problem scenes and how you might repair or replace them 
  • Your hopes about this manuscript
  • Your concerns about this manuscript
  • What I want to work on today

Do you typically warm up before you write? Which of these ideas do you want to try?